Description
Theatrical Broadsword to Historical Longsword: Adapting Historical EuropeanMartial Arts to Contemporary Stage Combat provides a comprehensiveapproach to training and choreographing stage combat with the two-handedsword, rooted in Historical European Martial Arts and bridging the gapbetween traditional theatrical “Broadsword” technique and authentic GermanLongsword play. This book is structured into three distinct sections to provide a comprehensivelearning experience. The first section serves as an introduction, examiningthe state of contemporary stage combat in relation to Historical EuropeanMartial Arts (HEMA) and establishing the theoretical foundation necessary forunderstanding the rest of the material. The second section forms the core of thisbook, presenting a complete 20-hour syllabus designed to align with the SkillsProficiency Test of the Society of American Fight Directors (SAFD). This syllabusequips actors with the techniques needed to execute choreography that authenticallyreflects HEMA while remaining safe for the stage. Through detailed instructionenriched with drills, sample choreography, and illustrative photos, readerswill master a range of techniques including basic attacks and defenses, mastercuts (Meisterhau), sword play in the bind (Winding), feints (Fehlen), half-swordwork (Halbschwert), wrestling at the sword (Ringen-am-schwert), and the stagingof disarms, kills, and wounds. The third section addresses the unique challengeof developing theatrical choreography from martial arts traditions likeHEMA, where exchanges are designed for efficiency and quick resolution ratherthan the extended phrases typical of traditional stage combat. Beyond technique,this book also covers the essential elements of choreographing and actinga staged fight, enabling readers to create historically accurate and dramaticallycompelling combat sequences. This book is designed for both beginning and advanced practitioners of stagecombat. Beginners will find a complete foundation in basic stage combat technique,whereas advanced practitioners, choreographers, and teachers will discoverhow to incorporate more historically accurate and dynamic longswordwork into their existing understanding of the medieval two-handed sword. Martialartists interested in staging fights will benefit from clear principles and practicalexamples of how to safely adapt a martial art to the stage. Whether you are a student, instructor, fight director, or performer, this book provides the tools toelevate your craft with authentic, research-based techniques.