{"product_id":"osmos-magazine-issue-25","title":"OSMOS Magazine: Issue 25","description":"\u003cp\u003e\u003cb\u003eThis issue of \u003ci\u003eOSMOS\u003c\/i\u003e features, among other artists, the work of Ramell Ross, director of the Academy Award–nominated film \u003ci\u003eNickel Boys\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eFrom Cay Sophie Rabinowitz, former Senior Editor of \u003ci\u003eParkett\u003c\/i\u003e and founder of \u003ci\u003eFantom\u003c\/i\u003e, \u003ci\u003eOSMOS\u003c\/i\u003e is an \"art magazine about the use and abuse of photography.\" Each issue is divided into thematic sections: some traditional, such as \"Portfolio,\" \"Stories,\" and \"Reportage\"—and others more idiosyncratic, such as \"Eye of the Beholder,\" where gallerists and curators discuss the talents they showcase; and \"Means to an End,\" on the side effects of nonartistic image production. This issue features a portfolio of work by artist Matthew Brandt; an essay by curator Michal Nanoru on Czech painter Jakub Matuska; an intimate look at the work of RaMell Ross in Hale County, Alabama; and the first publication of long-lost images of the 1968 Russian invasion of Prague, shot on medium-format negatives by James P. Mayer. \u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":57629220438389,"sku":"9781734555714","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781734555714.jpg?v=1791213461","url":"https:\/\/backstory.london\/products\/osmos-magazine-issue-25","provider":"Backstory","version":"1.0","type":"link"}