{"title":"Wits University Press","description":null,"products":[{"product_id":"9781776144761","title":"In India and East Africa E-Indiya Nase East Africa","description":"\u003cp\u003e\u003cb\u003eA politician's journey to bring home Mahatma Gandhi's teachings home to South Africa in the wake of WWII\u003c\/b\u003e\u003cbr\u003e In November 1949, Davidson Don Tengo (D.D.T.) Jabavu, the South African politician, Methodist lay preacher and retired professor of African languages and Latin at Fort Hare University in the Eastern Cape, set out on a four-month trip to attend the World Pacifist Meeting in India. The conference brought together delegates from over thirty countries to reflect on how Mahatma Gandhi's life and teachings could inform pacifist work in the post-World War II era. \u003cbr\u003e Jabavu wrote an isiXhosa account of his journey up the east coast of Africa and to different parts of India which was first published in 1951 by Lovedale Press. His narrative contains wide-ranging reflections on the fauna and flora of the changing landscape, on intriguing social interactions during his travels, and on the conference itself, where he considered what lessons Gandhian principles might yield for oppressed South Africans engaged in struggles for freedom and dignity. He incorporates accounts of chance meetings with important figures of post-independence India and of the anti-colonial struggle in East Africa, as well as with members of the American civil rights movement. His commentary on non-violent resistance, and on the dangers of nationalism when coupled with militarism and racism, enriches the existing archive of intellectual and political exchange between Africa and India from a black South African perspective. \u003cbr\u003e This new edition includes Jabavu's travelogue in the original isiXhosa, with an English translation by the late anthropologist Cecil Wele Manona. Tina Steiner's introductory chapter examines the networks of international solidarity and friendship that Jabavu helped to strengthen in the course of his travels. A chapter by Mhlobo W. Jadezweni, whose updating of the original isiXhosa orthography has made Jabavu's text accessible to new generations of readers, considers the richness of Jabavu's isiXhosa style as a contribution to the archive of great African-language literature. Catherine Higgs provides biographical sketches of D.D.T. Jabavu and Cecil Wele Manona which situate this travelogue within the broader context of their lives. Evan M. Mwangi's Afterword is a reflection on the historical and political significance of making African-language texts available to readers across Africa.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56302872887669,"sku":"9781776144761","price":30.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781776144761_986aacc8-8278-4bc0-a7d2-00787781b854.jpg?v=1786024627"},{"product_id":"9781776148790","title":"Isidlamlilo \/ the Fire Eater","description":"\u003cp\u003eIsidlamlilo \/ The Fire Eater is a one-woman play inspired by the true story of a woman who served as a political assassin in the build-up to South Africa's first democratic elections. Zenzile Maseko, the protagonist, is a 60-year-old grandmother living in a women's hostel in Durban. Falsely declared dead by the Department of Home Affairs, she finds herself cast into a Kafkaesque nightmare that forces her to confront her past. \u003cbr\u003e Flown in on the wings of the Impundulu (the lightning bird), in Zulu folklore a shapeshifting bird associated with witchcraft and the harbinger of storms and death, Zenzile's story weaves a magical and terrifying tapestry. She draws on myth, religious symbolism and traditional beliefs as she shares the realities – at times brutal, at times forgiving – of survival in South Africa. Her story touches on what it means to live through political violence, the transition to democracy, the brutality of inequality, health epidemics like HIV\/AIDS, patriarchy, and the apathetic bureaucracy of government departments. \u003cbr\u003e Ultimately, Isidlamlilo \/ The Fire Eater offers a critical and unflinching look at the eddying cycles of violence and revenge that play out across generations. Yet it is most of all a story about regeneration and redemption that speaks to both the country's haunted past and its present-day complexities.\u003cbr\u003e Written with pathos and empathy, this playscript will appeal to teachers, high school learners, and tertiary students in theatre, drama and English studies.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56302875771253,"sku":"9781776148790","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781776148790_c30a91c9-5861-435a-88f3-f0fd22743b29.jpg?v=1786024631"},{"product_id":"9781776149469","title":"Restless Infections","description":"\u003cp\u003e\u003cb\u003eRestless Infections\u003c\/b\u003e is a collection of critical essays exploring artistic interventions in urban spaces, focusing on place-making and the politics of space in South Africa. The writers examine seminal artworks by South African artists, addressing diverse forms of expression such as site-specific performances, immersive installations, film, photography, and online performances.\u003cbr\u003e The book is divided into three sections: The Restless City, Public Art for Multiple Publics, and Land, Home, Belonging. It introduces new perspectives on public sphere performance, such as Khanyisile Mbongwa's re-imagining of township alleyways for public encounters and Mbongeni Mtshali's study of everyday performances that challenge colonial and neo-colonial spatial organization.\u003cbr\u003e The title, \u003cb\u003eRestless Infections\u003c\/b\u003e, is derived from the popular Infecting the City public art festival, symbolizing the persistent state of restlessness in a city still grappling with the legacies of colonialism, inequality, and racial segregation. 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These interventions engage with protest, public intimacy, audience interaction, and the disrupted topography of apartheid cities.\u003cbr\u003e As the first scholarly volume to read public spheres through a multi- and interdisciplinary lens, Restless Infections argues that the diverse artistic modes explored are essential to understanding the complexities of publicness in South Africa.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Hardback","offer_id":56303122743669,"sku":"9781776149469","price":74.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781776149452.jpg?v=1792598890"},{"product_id":"9781776147472","title":"Children in Mind","description":"\u003cp\u003e\u003cb\u003eA psychologist's guide for parents, care-givers and health care practitioners to the emotional challenges facing children and their parents today\u003c\/b\u003e\u003cbr\u003e Current research shows that certain childhood mental disorders are diagnosed more frequently today than in previous generations. Many of today's children and teenagers are more unhappy, anxious and distressed than young people used to be. In this highly informative book, child psychologist Jenny Perkel explores in depth why this might be so, highlighting what modern-day South African children and adolescents are experiencing and the environment in which they are being raised.\u003cbr\u003e \u003ci\u003eChildren in Mind\u003c\/i\u003e presents a broad range of up-to-date findings from psychological, neurobiological, genetic, psychiatric, sociological and epidemiological research related to the diagnosis and treatment of children's mental health problems. 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Yet for newcomers as well as locals, the golden possibilities of Gauteng are tinged with dangers and difficulties. \u003cbr\u003e Chichi is a hairdresser from Nigeria who left for South Africa after a love affair went bad. Azam arrived from Pakistan with a modest wad of cash and a dream. Estiphanos trekked the continent escaping political persecution in Ethiopia, only to become the target of the May 2008 xenophobic attacks. \u003cbr\u003e Nombuyiselo is the mother of 14-year-old Simphiwe Mahori, shot dead in 2015 by a Somalian shopkeeper in Snake Park, sparking a further wave of anti-foreigner violence. After fighting white oppression for decades, Ntombi has turned her anger towards African foreigners, who, she says are taking jobs away from South Africans and fuelling crime. Papi, a freedom fighter and activist in Katlehong, now dedicates his life to teaching the youth in his community that tolerance is the only way forward. \u003cbr\u003e These are some of the thirteen stories that make up this collection. They are the stories of South Africans, some Gauteng-born, others from neighbouring provinces, striving to realise the promises of democracy. They are also the stories of newcomers, from neighbouring countries and from as far afield as Pakistan and Rwanda, seeking a secure future in those very promises. \u003cbr\u003e The narratives, collected by researchers, journalists and writers, reflect the many facets of South Africa's post-apartheid decades. Taken together they give voice to the emotions and relations emanating from a paradoxical place of outrage and hope, violence and solidarity. They speak of intersections between people and their pasts, and of how, in the making of selves and the other they are also shaping South Africa. Underlying these accounts is a nostalgia for an imagined future that can never be realised. These are stories of forever seeking a place called 'home'.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56303967338869,"sku":"9781776142217","price":27.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781776142217_d590048e-9ae7-4683-8db9-dd3a12f94f84.jpg?v=1786024626"},{"product_id":"9781776149353","title":"The Nightwatchman","description":"\u003cp\u003e\u003cb\u003eThe Nightwatchman:\u003c\/b\u003e Essays on Portraiture and the Black Male Figure in Colonial South Africa brings into focus the African policeman as a subject of portraiture. While colonial governments co-opted and conscripted Africans into military and policing services, it was after the Zulu defeat of the English in the battle of Isandlwana that a genre of photography developed around images of the 'Zulu warrior' and 'Zulu policeman'. \u003cbr\u003e In this illustrated book, Hlonipha Mokoena extends the literature on colonial ethnographic photography by creating a narrative of nightwatchman portraiture from the rich archive of images. Although the origins of this genre lay in the representation of 'Fingoes' (amaMfengu) during the frontier wars, she argues that an ethnological spectacle of the Zulu male body was inaugurated after the last Zulu king, Cetshwayo, was photographed as a posing subject. \u003cbr\u003e While much research has focussed on the African man employed in emasculating labour or as a functionary of settler power, this book shifts debates about how the body moves in history. Placed in uniform, the male subject becomes aestheticised and admired. Mokoena focuses less on the idiosyncrasies of the uniform than on the sartorial selection processes and co-optation of colonial aesthetic culture that constructed the idea of the Nonqgqayi or nightwatchman as a fully formed photographic presence. The beauty captured in these images upends conceptions of colonial photography as a tool of oppression. \u003cbr\u003e In its focus on the figure of the black and brown fighting man, \u003cb\u003eThe Nightwatchman\u003c\/b\u003e offers an innovative work on the history of portraiture and dress in colonial South Africa. 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These regions, burdened with the task of fulfilling the nation's energy needs and boosting the country's economy, witness daily the harsh realities of dispossession that extend far beyond the mere loss of property.\u003cbr\u003e Dineo Skosana presents a compelling argument that dispossession remains a present-day reality and crisis, contradicting the notion that it is merely a relic of the past in the post-apartheid landscape. It challenges the narrow perspective that equates land loss in material and economic terms only. Skosana considers the impact of grave relocations—a common occurrence in these mining-dominated locales— and the profound spiritual anguish and dehumanisation communities endure as their lands are excavated. In African societies, connections to the land extend beyond the material; land has a sacred and ancestral value. Grave relocations disrupt this connection families have with their ancestors. In dispossessing not only the living but also the dead from their lands, the author argues that the act wounds the collective soul of a people, eroding their cultural heritage, and collective identity and belonging.\u003cbr\u003e This book offers a rich ethnographic account of the experiences, struggles and resistance of the affected communities as well as a critical analysis of the legal and policy frameworks that enable their exploitation. In relation to the 'land question' in South Africa, No Last Place to Rest presents deep insights for communities, activists and government sectors acting in support of social justice and redress.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56304272572789,"sku":"9781776149292","price":18.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781776149292_9ba3ccdd-b4e6-4da3-9c86-b8bfcada804f.jpg?v=1786024634"},{"product_id":"9781776143177","title":"Cape Radicals","description":"\u003cp\u003e\u003cb\u003eThe history of a radical group of intellectuals who founded the New Era Fellowship, which shaped human rights precedents and social justice policy in South Africa\u003cbr\u003e \u003c\/b\u003e\u003cbr\u003e In 1937 a group of young Capetonians, socialist intellectuals from the Workers' Party of South Africa, embarked on a project they called the New Era Fellowship (NEF). 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Written by acclaimed South African sociologist Deborah Posel, this deeply personal yet broadly resonant narrative blends family memoir with incisive historical analysis.\u003cbr\u003e\u003cbr\u003eAt its heart is Posel’s grandfather, Maurice Posel, whose story of struggle and ambivalence she pieces together from family lore, feint archival traces and the lives of others. In turn, Maurice’s seemingly insignificant life becomes a prism through which Posel considers afresh ‘the greatest migration in human history’, as historians call it. Maurice’s journey – and, importantly, those of the educated, working women Posel follows – reveals the unspoken, often painful costs of uprooting: what had to be abandoned, what was endured, and what could never be fully left behind.\u003cbr\u003e\u003cbr\u003eFrom the shtetl’s rigid traditions to the racial hierarchies of the British Empire, Posel explores how Jewish migrants navigated social orders. She examines how identities shifted and how success was both a goal and a burden – particularly for those who didn’t achieve it. Along the way, \u003ci\u003eDarker Shade of Pale\u003c\/i\u003e sheds new light on the complicated role of Jews in colonial South Africa, their uneasy positioning within whiteness, and their unexpected interactions with Black communities.\u003cbr\u003e\u003cbr\u003eLyrical, probing and unflinching, Darker Shade of Pale is essential reading for anyone interested in migration, identity, and the hidden layers of history and their continued tremors. It’s a powerful reminder that the migrant story is never simple and always singular.\u003cbr\u003e\u003cbr\u003ePerfect for readers of Isabel Wilkerson, Adam Hochschild, and Daniel Mendelsohn.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56369143841141,"sku":"9781776149711","price":26.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781776149711_fc6d5ce7-b284-4add-be66-eb56d66d18c7.jpg?v=1786024639"},{"product_id":"rock-art-of-the-waterberg","title":"Rock Art of the Waterberg","description":"\u003cp\u003e\u003ci\u003eRock Art of the Waterberg: Rites and Transformation\u003c\/i\u003e is a landmark archaeological study that unveils the nuanced world view and rituals practised by local Bushman groups living in the Waterberg area of northern South Africa millennia ago. Through unprecedented documentation of 130 rock art sites; many photographed for the first time; Lyn Wadley and Ghilraen Laue reveal a complex narrative of human creativity and cultural interaction.\u003cbr\u003e\u003cbr\u003eStrategically located along river corridors leading to the Limpopo River, these sites offer an extraordinary glimpse into the lives of Bushman hunter-gatherers, Iron Age farmers and Khoekhoe herders. Their intricate visual languages span three distinct painting traditions: delicate Bushman fine-line art, robust Iron Age finger paintings and enigmatic geometric works that speak to millennia of cultural exchange.\u003cbr\u003e\u003cbr\u003eBeyond mere documentation, the book explores profound themes of human experience; hunting, initiation, healing and spiritual transformation. Archaeological evidence illuminates how these diverse groups coexisted and influenced one another cultural practices over two thousand years, challenging simplistic narratives of cultural isolation.\u003cbr\u003e\u003cbr\u003eRichly illustrated with archival photographs, enhanced views of the rock sites using cutting-edge photographic technology and original artworks by local artists, \u003ci\u003eRock Art of the Waterber\u003c\/i\u003eg is a powerful testament to early human creativity and offers a crucial argument for preserving these fragile cultural archives. 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This collection provides an engaging personal record and a very readable – and revealing – commentary on South African social and political affairs during the period of colonialism and Union, from 1899 through to Plaatje’s tragically early death in 1932. His work as a public intellectual has had significant historical importance for translation, journalism, land reform and key political debates in the early twentieth century. This fascinating collection has been assembled from a variety and often obscure sources, making a comprehensive selection of Plaatje’s writing available to a wider audience. 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The collaborative metaphors of hunting, gathering and healing are deeply embedded in their folklore.\u003c\/p\u003e\u003cp\u003eIn this fascinating and lively study, Megan Biesele draws on a large collection of oral literature gathered over many years. Through her engagement with the women of the Ju 'hoan society, she has been able to gain access to a variety of women's stories which offer valuable insights into the interrelationship of the sexes. 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