{"title":"Wayne State University Press","description":null,"products":[{"product_id":"9780814339312","title":"On the Margins of a Minority","description":"In medieval Europe, the much larger Christian population regarded Jews as their inferiors, but how did both Christians and Jews feel about those who were marginalised within the Ashkenazi Jewish community? In \u003cem\u003eOn the Margins of a Minority: Leprosy, Madness, and Disability among the Jews of Medieval Europe\u003c\/em\u003e, author Ephraim Shoham-Steiner explores the life and plight of three of these groups. Shoham-Steiner draws on a wide variety of late-tenth- to fifteenth-century material from both internal (Jewish) as well as external (non-Jewish) sources to reconstruct social attitudes toward these “others,” including lepers, madmen and the physically impaired. Shoham-Steiner considers how the outsiders were treated by their respective communities, while also maintaining a delicate balance with the surrounding non-Jewish community.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn the Margins of a Minority\u003c\/em\u003e is structured in three pairs of chapters addressing each of these three marginal groups. The first pair deals with the moral attitude toward leprosy and its sufferers; the second with the manifestations of madness and its causes as seen by medieval men and women, and the effect these signs had on the treatment of the insane; the third with impaired and disabled individuals, including those with limited mobility, manual dysfunction, deafness and blindness. Shoham-Steiner also addresses questions of the religious meaning of impairment in light of religious conceptions of the ideal body. He concludes with a bibliography of sources and studies that informed the research, including useful midrashic, exegetical, homiletic, ethical and guidance literature and texts from responsa and halakhic rulings.\u003cbr\u003e\u003cbr\u003eUnderstanding and exploring attitudes toward groups and individuals considered “other” by mainstream society provides us with information about marginalised groups, as well as the inner social mechanisms at work in a larger society. \u003cem\u003eOn the Margins of a Minority\u003c\/em\u003e will appeal to scholars of Jewish medieval history as well as readers interested in the growing field of disability studies.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56294885294453,"sku":"9780814339312","price":47.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9780814339312_a19f1509-1b2d-4f4f-a06e-fb9a2f544a64.jpg?v=1786015787"},{"product_id":"9780814349083","title":"Streisand","description":"At every stage of her career, Barbra Streisand's genius finds its fullest measure in screen song, first in Emmy-winning TV specials, then in Hollywood blockbusters from \u003ci\u003eFunny Girl\u003c\/i\u003e to \u003ci\u003eFunny Lady\u003c\/i\u003e. She goes on, as emerging auteur, to direct her own \"musical concepts\" in \u003ci\u003eA Star Is Born\u003c\/i\u003e—before reconceiving the big-screen musical altogether in the writing as well as directing of her own starring role in \u003ci\u003eYentl\u003c\/i\u003e (\"A Film with Music\"). In this intensive reading of the \"actress-who-sings,\" Garrett Stewart notes the gender and ethnic stereotypes that Streisand shattered as the first openly Jewish superstar, while concentrating not just on the cultural difference she made but on the internal differentials of her unholy vocal gift—whose kinetic volatility shapes a kind of cinematic terrain all its own. Down through her filmed return to the concert stage, Stewart elicits the sinuous phonetic text of Streisand's on-screen musical delivery in a keenly attentive mode of audition that puts into fresh perspective the indelible aura of her stardom.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56294885327221,"sku":"9780814349083","price":35.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9780814349083_8f59149e-a0b7-4ade-a02d-9c487d5d351d.jpg?v=1786015801"},{"product_id":"9780814347201","title":"Justice on Demand","description":"\u003cem\u003eJustice on Demand: True Crime in the Digital Streaming Era\u003c\/em\u003e offers a theoretical rumination on the question asked in countless blogs and opinion pieces of the last decade: Why are we so obsessed with true crime? Author Tanya Horeck takes this question further: Why is true crime thought to be such a good vehicle for the new modes of viewer\/listener engagement favored by online streaming and consumption in the twenty-first century? Examining a range of audiovisual true crime texts, from podcasts such as Serial and My Favorite Murder to long-form crime documentaries such as \u003cem\u003eThe Jinx\u003c\/em\u003e and \u003cem\u003eMaking a Murderer\u003c\/em\u003e, Horeck considers the extent to which the true crime genre has come to epitomize participatory media culture where the listener\/viewer acts as a \"\"desktop detective\"\" or \"\"internet sleuth.\"\" While Facebook and Twitter have re-invigorated the notion of the armchair detective, Horeck questions the rhetoric of interactivity surrounding true crime formats and points to the precarity of justice in the social media era. In a cultural moment in which user-generated videos of real-life violence surface with an alarming frequency, Justice on Demand addresses what is at stake in the cultural investment in true crime as packaged mainstream entertainment. Paying close attention to the gendered and racialized dimensions of true crime media, Horeck examines objects that are not commonly considered \"\"true crime,\"\" including the subgenre of closed-circuit television (CCTV) elevator assault videos and the popularity of trailers for true crime documentaries on YouTube. By analyzing a range of intriguing case studies, Horeck explores how the audience is affectively imagined, addressed, and commodified by contemporary true crime in an \"\"on demand\"\" mediascape. As a fresh investigation of how contemporary variations of true crime raise significant ethical questions regarding what it means to watch, listen, and \"\"witness\"\" in a digital era of accessibility, immediacy, and instantaneity, Justice on Demand will be of interest to film, media, and digital studies scholars.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56294885359989,"sku":"9780814347201","price":92.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9780814347201_318086bd-3862-459a-83ca-cae1e3f2a924.jpg?v=1786015795"},{"product_id":"9780814346396","title":"A True Blue Idea","description":"Marina Colasanti is a Brazilian journalist, visual artist, and author of over sixty volumes of short stories, poetry, essays, and children's literature. Her books have been translated into several languages and recognized with numerous awards, including seven prestigious Jabuti Dourado prizes for best work of fiction. Despite Colasanti's literary stature, \u003cem\u003eA True Blue Idea\u003c\/em\u003e is the first book-length translation of her writing into English. Her work has been called \"\"a study of the status of contemporary Brazilian women,\"\" and \"\"feminist utopian fiction,\"\" as it demonstrates a consistent concern with women and the social, ethical, and moral justifications that have grounded their oppression for centuries. These recurring themes, together with Colasanti's keen sense of irony, interest in the unconscious, and finely honed poetic language, come together to create a unique blend of the poetic and the socially conscious. \u003cem\u003eA True Blue Idea\u003c\/em\u003e is a collection of ten short and often dark fairy tales, beautifully illustrated by the author with a technique known as nankim lavado, or ink gouache resist. The tales revisit traditional fairy-tale characters and themes to challenge ideas, question the relationship between the individual and society, and re-create an alternate past and reality. The characters include a girl who embroiders her own world, a king who has his first and only idea, and a princess whose only friend is her own reflection. Adria Frizzi's flawless translation of this modern classic from the original Portuguese adds an important voice to the Latin American women writers studied and read in English today.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA True Blue Idea\u003c\/em\u003e is intended for everyone-from the general reader of any age to scholars and students of fairy-tale studies, Latin American literature, and women's studies.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56294885753205,"sku":"9780814346396","price":25.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9780814346396_ec1061fb-16dd-40e7-8b7d-bf07127e7a2e.jpg?v=1786015795"},{"product_id":"9780814334881","title":"Parables of the Posthuman","description":"In its intimate joining of self and machine, video gaming works to extend the body into a fluid, dynamic, unstable, and discontinuous entity. While digital gaming and culture has become a popular field of academic study, there has been a lack of sustained philosophical analysis of this direct gaming experience. In \u003cem\u003eParables of the Posthuman: Digital Realities, Gaming, and the Player Experience,\u003c\/em\u003e author Jonathan Boulter addresses this gap by analyzing video games and the player experience philosophically. Finding points of departure in phenomenology and psychoanalysis, Boulter argues that we need to think seriously about what it means to enter into a relationship with the game machine and to assume (or to have conferred upon you) a machinic, posthuman identity. \u003cbr\u003e\u003cbr\u003e\u003cem\u003eParables of the Posthuman\u003c\/em\u003e approaches the experience of gaming by asking: What does it mean for the player to enter the machinic “world” of the game? What forms of subjectivity does the game offer to the player? What happens to consciousness itself when one plays? To this end, Boulter analyzes the experience of particular role-playing video games, including \u003cem\u003eFallout 3, Half-Life 2, Bioshock, Crysis 2, \u003c\/em\u003eand \u003cem\u003eMetal Gear Solid 4\u003c\/em\u003e. These games both thematize the idea of the posthuman—the games are “about” subjects whose physical and intellectual capacities are extended through machine or other prosthetic means—and also enact an experience of the posthuman for the player, who becomes more than what he was as he plays the game. Boulter concludes by exploring how the game acts as a parable of what the human, or posthuman, may look like in times to come.\u003cbr\u003e\u003cbr\u003eAcademics with an interest in the intersection of philosophy, psychoanalysis, and popular culture forms and video gamers with an interest in thinking about the implications of gaming will enjoy this volume.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56294896566645,"sku":"9780814334881","price":35.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9780814334881_d8cfe6c0-2404-4a87-b255-2c4212455fa6.jpg?v=1786015785"},{"product_id":"9780814351345","title":"East End Jews","description":"\u003cp\u003e\u003cb\u003eVivid firsthand accounts reveal the lived experience of London's Jewish East End community.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eThrough the words of twenty-six Yiddish writers, this book offers an unparalleled view into the life, labor, politics, and joys of London's historical Jewish East End community, from its heyday in the 1890s until the 1950s. Drawing from the light feuilleton section of the London Yiddish press, these deceptively accessible, often humorous sketches capture incisive and sometimes cheeky encounters with challenges and debates of the time. Translated for the first time by Vivi Lachs and Barry Smerin, these narratives highlight the complex interactions between Jewish immigrants and their British surroundings, from celebrating a new Torah scroll to enlisting in the British army during World War I without citizenship. Sketches take readers on a journey through local tradition and significant social change, tracing the ideas and events that impacted the community, including women's independence and periods of poverty. Detailed historical context, biographies of each writer, and evocative illustrations support this meaningful collection of urban sketches and enrich our understanding of the Jewish East End.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56294897058165,"sku":"9780814351345","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9780814351345_d3524c09-1fc8-41f8-9406-e4b7d24a436d.jpg?v=1786015820"},{"product_id":"9780814345900","title":"Staging Fairyland","description":"Examines pantomime and theatricality in nineteenth-century histories of folklore and the fairy tale.\u003cbr\u003e\u003cbr\u003eIn nineteenth-century Britain, the spectacular and highly profitable theatrical form known as \"\"pantomime\"\" was part of a shared cultural repertoire and a significant medium for the transmission of stories, especially the fairy tales that permeated English popular culture before the advent of folklore study. Rowdy, comedic, and slightly risqué, pantomime productions were situated in dynamic relationship with various forms of print and material culture. Popular fairy-tale theater also informed the production and reception of folklore research in ways that are often overlooked. In \u003cem\u003eStaging Fairyland: Folklore, Children’s Entertainment, and Nineteenth-Century Pantomime\u003c\/em\u003e, Jennifer Schacker reclaims the place of theatrical performance in this history, developing a model for the intermedial and cross-disciplinary study of narrative cultures.\u003cbr\u003e\u003cbr\u003eThe case studies that punctuate each chapter move between the realms of print and performance, scholarship and popular culture. Schacker examines pantomime productions of such well-known tales as \"\"Cinderella,\"\"\"\"Little Red Riding Hood,\"\" and \"\"Jack and the Beanstalk,\"\" as well as others whose popularity has waned—such as \"\"Daniel O’Rourke\"\" and \"\"The Yellow Dwarf.\"\" These productions resonate with traditions of impersonation, cross-dressing, literary imposture, masquerade, and the social practice of \"\"fancy dress.\"\" Schacker also traces the complex histories of Mother Goose and Mother Bunch, who were often cast as the embodiments of both tale-telling and stage magic and who move through various genres of narrative and forms of print culture. Theoretically informed and methodologically innovative, these examinations push at the limits of prevailing approaches to the fairy tale across media. They also demonstrate the degree to which perspectives on the fairy tale as children's entertainment often obscure the complex histories and ideological underpinnings ofspecific tales.\u003cbr\u003e\u003cbr\u003eMapping the intermedial histories of tales requires a fundamental reconfi guration of our thinking about early folklore study and about \"\"fairy tales\"\": their bearing on questions of genre and ideology but also their signifying possibilities—past, present, and future. Readers interested in folklore, fairy-tale studies, children’s literature, and performance studies will embrace this informative monograph.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56294897254773,"sku":"9780814345900","price":31.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9780814345900_2e7fa5f3-7ec5-4cb1-aa76-62df98a3bc28.jpg?v=1786015792"},{"product_id":"9780814349472","title":"Michigan's Venice","description":"Few maritime landscapes in the Great Lakes remain so deeply and clearly inscribed by successive cultures as the St. Clair system—a river, delta, and lake found between Lake Huron and the Detroit River. The St. Clair River and its environs are an age-old transportation nexus of land and water routes, a strategic point of access to maritime resources, and, in many ways, a natural impediment to the navigation of the Great Lakes. From Indigenous peoples and European colonizers to the modern nations of Canada and the United States, this work traces the region's transformation through culturally driven practices and artifacts of shipbuilding, navigation, place naming, and mapmaking. In this novel approach to maritime landscape archaeology, author Daniel F. Harrison unifies historiography, linguistics, ethnohistory, geography, and literature through the analysis of primary sources, material culture, and ecological and geographic data in a technique he calls \"evidence-based storytelling.\" Viewed over time, the region forms a microcosm of the interplay of environment, culture, and technology that characterized the gradual shift from nature to an industrial society and a built environment optimized for global waterborne transport.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56294930874741,"sku":"9780814349472","price":39.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9780814349472_c65a94b7-e17a-4848-ae76-56058080745f.jpg?v=1786015804"},{"product_id":"9780814350294","title":"Science Fiction Theatre","description":"\u003cp\u003eIn the wake of the juvenile space operas of the early 1950s, a groundbreaking series debuted and paved the way for one of viewers' favorite genres today: adult-oriented science fiction.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eScience Fiction Theatre\u003c\/i\u003e aired with a fresh anthology-style narrative from the vision of veteran producer Ivan Tors and with compelling narration by Truman Bradley. Created by industry-leading syndicator Ziv Television Programs, the show pioneered a scientifically based approach to aliens, telepathy, and the mysteries of the universe that provided a model for Rod Serling's \u003ci\u003eThe Twilight Zone \u003c\/i\u003e(1959–64) and a myriad of acclaimed programs that followed, including \u003ci\u003eThe Outer Limits \u003c\/i\u003e(1963–65), \u003ci\u003eThe Ray Bradbury Theater \u003c\/i\u003e(1985–92),and \u003ci\u003eBlack Mirror \u003c\/i\u003e(2011–present).\u003c\/p\u003e\u003cp\u003eThis book contextualizes \u003ci\u003eScience Fiction Theatre\u003c\/i\u003e within the budding American television industry of the 1950s, as powerful networks and independent producers and syndicators vied to create and distribute programming to an audience eager to embrace this new, free medium.\u003c\/p\u003e\u003cp\u003eIncluding a complete videography of this historically neglected series, author J. P. Telotte illuminates \u003ci\u003eScience Fiction Theatre\u003c\/i\u003e as a touchstone for understanding the development of science fiction media and the dynamic nature of early television broadcasting.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56294930907509,"sku":"9780814350294","price":19.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9780814350294_8d7532ca-6207-4bf7-8243-c5ed4174d66a.jpg?v=1786015808"},{"product_id":"9780814351024","title":"Irregular Heartbeats at the Park West","description":"\u003cp\u003eWith musical language and vivid imagery, \u003ci\u003eIrregular Heartbeats at the Park West\u003c\/i\u003e attunes us to the sheer wonder of being alive. Intimate reflections on family histories, hardship, and everyday life reveal the ways art and nature can lift us from grief and serve as lodestars in an increasingly uncertain world.\u003c\/p\u003e\u003cp\u003eRussell Brakefield's poems span American landscapes and personal experience, dropping down in music venues and dark barrooms, back alleys and suburbs, brightly lit galleries and lonely graveyards. How do we manage the weight, one poem asks, of carrying all our histories inside us? The poet hunts for answers everywhere, seeking insights into the particulars of the natural world and the minutiae of everyday life.\u003c\/p\u003e\u003cp\u003eInspired by an assemblage of Americana and a litany of literary landmarks—from spiritual epiphanies at the Hemingway house to a reckoning with privilege in Lucille Clifton's Baltimore—Brakefield explores how poetry can be influenced, propped up, and contorted by the American canon. Drawing on a depth of emotion, wit, and reverence for nature, this striking new collection captures the beautiful and often poignant complexities of the human experience.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56294931038581,"sku":"9780814351024","price":17.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9780814351024_0e3c9045-6aae-4461-ab51-7c82205ab08a.jpg?v=1786015816"},{"product_id":"9780814332252","title":"The Autobiography of William Sanders Scarborough","description":"\u003cp\u003eThis illuminating autobiography traces Scarborough's path out of slavery in Macon, Georgia, to a prolific scholarly career that culminated with his presidency of Wilberforce University. Despite the racism he met as he struggled to establish a place in higher education for African Americans, Scarborough was an exemplary scholar, particularly in the field of classical studies. He was the first African American member of the Modern Language Association, a forty-four-year member of the American Philological Association, and a true champion of higher education. Scarborough advocated the reading, writing, and teaching of liberal arts at a time when illiteracy was rampant due to slavery's legacy, white supremacists were dismissing the intellectual capability of blacks, and Booker T. Washington was urging African Americans to focus on industrial skills and training.\u003c\/p\u003e\u003cp\u003eThe Autobiography of William Sanders Scarborough is a valuable historical record of the life and work of a pioneer who helped formalize the intellectual tradition of the black scholar. Michele Valerie Ronnick contextualizes Scarborough's narrative through extensive notes and by exploring a wide variety of sources such as census records, church registries, period newspapers, and military and university records. This book is indispensable to anyone interested in the history of intellectual endeavor in America, Africana studies and classical studies, in particular, as well as those familiar with the associations and institutions that welcomed and valued Scarborough.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56295014433141,"sku":"9780814332252","price":24.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9780814332252_bc45f67a-3ccf-4094-b59f-2cc8107f971a.jpg?v=1786015782"},{"product_id":"9780814350812","title":"Salvage Poetics","description":"This volume explores how American Jewish post-Holocaust writers, scholars, and editors adapted pre-Holocaust works, such as Yiddish fiction and documentary photography, for popular consumption by American Jews in the post-Holocaust decades. These texts, Jelen argues, served to help clarify the role of East European Jewish identity in the construction of a post-Holocaust American one. In her analysis of a variety of \"hybrid\" texts—those that exist on the border between ethnography and art—Jelen traces the gradual shift from verbal to visual Jewish literacy among Jewish Americans after the Holocaust.\u003cbr\u003e\u003cbr\u003eS. Ansky's ethnographic expedition (1912–1914) and Martin Buber's adaptation and compilation of Hasidic tales (1906–1935) are presented as a means of contextualizing the role of an ethnographic consciousness in modern Jewish experience and the way in which literary adaptations and mediations create opportunities for the creation of folk ethnographic hybrid texts. \u003ci\u003eSalvage Poetics\u003c\/i\u003e looks at classical texts of the American Jewish experience in the second half of the twentieth century, such as Maurice Samuel's \u003ci\u003eThe World of Sholem Aleichem\u003c\/i\u003e (1944), Abraham Joshua Heschel's \u003ci\u003eThe Earth Is the Lord's\u003c\/i\u003e (1950), Elizabeth Herzog and Mark Zborowski's \u003ci\u003eLife Is with People \u003c\/i\u003e(1952), Lucy Dawidowicz's \u003ci\u003eThe Golden Tradition \u003c\/i\u003e(1967), and Roman Vishniac's \u003ci\u003eA Vanished World\u003c\/i\u003e (1983), alongside other texts that consider the symbiotic relationship between pre-Holocaust aesthetic artifacts and their postwar reframings and reconsiderations. \u003cbr\u003e\u003cbr\u003e\u003ci\u003eSalvage Poetics\u003c\/i\u003e is particularly attentive to how literary scholars deploy the notion of \"ethnography\" in their readings of literature in languages and\/or cultures that are considered \"dead\" or \"dying\" and how their definition of an \"ethnographic\" literary text speaks to and enhance the scientific discipline of ethnography. This book makes a fresh contribution to the fields of American Jewish cultural and literary studies and art history.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56295015121269,"sku":"9780814350812","price":29.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9780814350812_05ad707c-9d3c-4255-9837-ea86c9998cef.jpg?v=1786015812"},{"product_id":"9780814351116","title":"Diver Beneath the Street","description":"\u003cp\u003e\u003cb\u003eTrue crime meets ecopoetry at the level of the soil, bringing together life and death.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eA decaying psychogeography unfurls the landscapes of the 1967–69 Michigan Murders, the 2019 Detroit serial killer, and the COVID-19 lockdown in this visceral poetry collection. Author, performance artist, and disability culture activist Petra Kuppers dissects traces of violence in the richness of the soil while honoring lost community members. Dynamic and somatic poems traverse the realms of urban space, wild rivers, and the hinterlands of suburbia, glimpsing the decay of bodies, houses, carpets, hair, and bones by way of ecopoetry. Poems like \"Reintegration\" and \"Earth Séance\" delve into cycles of decomposition and decreasing biodiversity across the micro- and macroworlds. Others such as \"Dancing Princesses\" tie timeless fairy-tale tropes of violence toward women to modern murders and lived experience. Moments in lockdown are embodied through somatic exploration of nature and self in works like \"Dear White Pine in My Garden.\" This evocative entanglement of life and death, joy and horror, natural and artificial processes and particles offers an intriguing lyrical and poetic quality as well as unique perspectives through the lenses of feminist, queer, and disability studies.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56295015481717,"sku":"9780814351116","price":17.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9780814351116_e3d03de5-8fa1-4d19-9b8a-22893467d3e8.jpg?v=1786015819"},{"product_id":"9780814348963","title":"Israeli Salvage Poetics","description":"\u003cp\u003eThrough thoughtful analysis of twentieth- and twenty-first-century Israeli literature, \u003ci\u003eIsraeli Salvage Poetics\u003c\/i\u003e interrogates the concept of the \"negation of the diaspora\" as addressed in Hebrew-language literature authored by well-known and lesser-known Israeli authors from the eve of the Holocaust to the present day.\u003c\/p\u003e\u003cp\u003eAuthor Sheila E. Jelen considers the way that Israeli writers from eastern Europe or of eastern European descent incorporate pre-Holocaust eastern European culture into their own sense of Israeliness or Jewishness. Many Israelis interested in their eastern European legacy live with an awareness of their own nation's role in the repression of that legacy, from the elevation of Hebrew over Yiddish to the ridicule and resentment directed at culture, text, and folk traditions from eastern Europe.\u003c\/p\u003e\u003cp\u003eTo right the wrongs of the past and reconcile this conflict of identity, the Israeli authors discussed in this book engage in what Jelen calls \"salvage poetics\": they read Yiddish literature, travel to eastern Europe, and write of their personal and generational relationships with Ashkenazi culture. Israeli literary representations of eastern European Jewry strive, sometimes successfully, to recuperate eastern European Jewish pre-Holocaust culture for the edification of an audience that might feel responsible for the silencing and extinction of that culture.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56295063257461,"sku":"9780814348963","price":34.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9780814348963_e60360be-71eb-4b04-862c-d93107b1278e.jpg?v=1786015800"},{"product_id":"9780814333556","title":"Dear Chester, Dear John","description":"This is a revealing collection of correspondence between Chester Himes and John A. Williams, two prominent twentieth-century African American novelists.Chester Himes and John A. Williams met in 1961, as Himes was on the cusp of transcontinental celebrity and Williams, sixteen years his junior, was just beginning his writing career. Both men would go on to receive international acclaim for their work, including Himes' Harlem detective novels featuring Grave Digger Jones and Coffin Ed Johnson and Williams' major novels \"The Man Who Cried I Am\", Captain Blackman, and Clifford's Blues. \"Dear Chester, Dear John\" is a landmark collection of correspondence between these two friends, presenting nearly three decades worth of letters about their lives and loves, their professional and personal challenges, and their reflections on society in the United States and abroad.Prepared by John A. Williams and his wife, Lori, this collection contains rare and personal glimpses into the lives of Williams and Himes between 1962 and 1987.   As the writers find increasing professional success and recognition, they share candid assessments of each others' work and also discuss the numerous pitfalls they faced as African American writers in the publishing world. 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She also considers the rights to citizenship and political membership claimed by queer bodies and an examination of “new” and alternative forms of citizenship, such as denizenship, urban citizenship, diasporic citizenship, and Indigenous citizenship. With case studies based on works by a diverse collection of authors—including Nathaniel Hawthorne, Djuna Barnes, Etel Adnan, Sarah Schulman, Walt Whitman, Gail Scott, and Philip Roth—Tan uncovers alternative forms of collectivity, community, and nation across a broad range of perspectives.\u003cbr\u003e\u003cbr\u003eIn line with recent cross-disciplinary explorations in the field, \u003cem\u003eReconfiguring Citizenship and National Identity in the North American Literary Imagination\u003c\/em\u003e shows citizenship as less of a fixed or static legal entity and more as a set of symbolic and cultural practices. 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Inspired by his mother's recitations of their family saga in his youth, author David Roskies uncovers a tale of survival, intrigue, sacrifice, and divided loyalties that began over 4,000 miles away and two generations ago. A careful reconstruction of the details of his parents' escape from Europe at the outbreak of the Second World War is juxtaposed with his personal odyssey in the postwar center of Yiddish culture that was Montreal. Roskies embarks on a search for other speakers of his mother tongue with very different stories to tell, which takes him on a journey through the upheavals of 1960s America, the struggle for Soviet Jewry, the Six-Day War and Yom Kippur War, the fall of the Iron Curtain, and the revival of Jewish life here, there, and everywhere. 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The ghosts of these relatives were a constant in the Slucki home, a small cottage that became the lifeblood of a small community of Jewish immigrants. despite having been shaped by the ghosts of his father's constantly hovering sorrow. This book interweaves the stories of these men with that of Slucki's own upbringing, showing how traumatic family histories leave their mark for generations. Slucki's memoir blends the scholarly and literary, grounding the story of his grandfather and father in the broader context of the twentieth century. Based on thirty years of letters from Jakub to his brother Mendel, on archival materials, and on interviews with family members, this is a unique story and an innovative approach to writing both history and family narrative. 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