{"title":"University of Wisconsin Press","description":null,"products":[{"product_id":"9780299317102","title":"That Third Guy","description":"This collection of theater writings by the Russian modernist Sigizmund Krzhizhanovsky brings his powerful, wildly imaginative vision of theater to an English-language audience for the first time. The centerpiece is his play \u003cem\u003eThat Third Guy\u003c\/em\u003e (1937), a farce written at the onset of the Stalinist Terror and never performed. Its plot builds on Alexander Pushkin's poem \u003cem\u003eCleopatra\u003c\/em\u003e, while parodying the themes of Eros and empire in the Cleopatra tales of two writers Krzhizhanovsky adored: Shakespeare and George Bernard Shaw. In a chilling echo of the Soviet 1930s, Rome here is a police state, and the Third Guy (a very bad poet) finds himself in its dragnet. 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By exploring the particularities of South-South solidarity, this volume begins new conversations about what makes these movements unique, how they shaped political identities, and their lasting influence. \u003cbr\u003e \u003cbr\u003e Jessica Stites Mor looks at four in-depth case studies: the use of legal reform to accomplish the goals of solidarity embedded in Mexico's revolutionary constitution, visual and print media circulated by Cuba and its influence on the agenda of the Afro-Asian block at the United Nations, organizing on behalf of Palestinian nationalism in reshaping Argentina's socialist left, and the role of Latin American Catholic activists in challenging the South African apartheid state. 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Contributors to this volume explore the relationship between expression and such frameworks, analyzing how different mediums, library catalogs, and search engines shape the production and reception of written and visual culture. Topics include antebellum literature, the Harlem Renaissance, the Black Arts Movement; “post-Black” art, the role of black librarians, and how present-day technologies aid or hinder the discoverability of work by African Americans. \u003ci\u003eAgainst a Sharp White Background\u003c\/i\u003e covers elements of production, circulation, and reception of African American writing across a range of genres and contexts. 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In this absorbing and elegiac story, on this island shaped like a miniature boot of Italy, Gary Zebrun explores overlapping connections of sexuality, family, criminality, and morality.\u003cbr\u003e\u003cbr\u003e Driven out of the Coast Guard during the days of “Don’t Ask, Don’t Tell,” Sal Cusumano hauls coffins to Hart Island with a burial crew of Rikers Island inmates and guards. Only there can he fully leave his family troubles on Staten Island behind: Justin, his adopted brother and lover; his mother, Ida, slipping rapidly into dementia; the memory of Francesco, his father, a bookie gunned down on his stoop; and his brother Antony, a Manhattan homicide detective moonlighting with the mob. 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Following her from Cambridge to New York City and across the United States - through a disastrous marriage, thwarted desire, and the purgatory of academic backwaters - the novel charts Simone's unexpected reconnection with her past, which provides both autonomy and inspiration for her future. \u003cbr\u003e \u003cbr\u003e In the vein of Elizabeth Strout's \u003ci\u003eOlive Kitteridge\u003c\/i\u003e, Janet Burroway slowly reveals a multifaceted, fascinating protagonist, who observes her own life without always allowing herself to be immersed in it. 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With warmth and humor, he provides valuable insight into the business of music making, while also sharing behind-the-scenes stories of entertaining situations he found himself in throughout the years—from playing piano at a gangster's wedding to an unexpected dressing room encounter with a Broadway star to conducting an opera with circus elephants.\u003c\/p\u003e \u003cp\u003eDeMain has had many career-defining moments behind the podium, conducting world premieres of Leonard Bernstein's \u003ci\u003eA Quiet Place\u003c\/i\u003e, John Adams's \u003ci\u003eNixon in China\u003c\/i\u003e, and Jeanine Tesoro's \u003ci\u003eBlue\u003c\/i\u003e, as well as the U.S. premiere of Philip Glass's Akhnaten, among others. He guest-conducted symphonies and operas in New York, Chicago, Los Angeles, and elsewhere. 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It defined new borders for German and Soviet spheres of influence, effectively preparing for the partition of Poland, the Baltic states, and Bessarabia. Shortly after signing on August 23, 1939, both the USSR and Nazi Germany invaded Poland. In this volume, Antonella Salomoni scrutinizes this consequential document and its afterlives, focusing predominantly on the discourse that surrounded it.\u003cbr\u003e\u003cbr\u003e From the moment of the secret protocol’s inception—and the near-instantaneous rumors of its existence—it generated friction and competing narratives. The document became public during the Nuremberg trials, but the USSR declared it a fabrication evidencing the West’s willingness to falsify history. It continues to be relevant to the reconfiguration of history currently advanced by Vladimir Putin. 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