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The trope of quixotism, what we might today call \"fangirling,\" had distinctly gendered implications, as the female quixote was almost exclusively associated with uncritical, overly absorptive novel reading, and often portrayed as a self-centered, deluded, ill-educated home-wrecker who must be reformed or punished. But what do we make of the fact that women wrote most of the depictions of female quixotes in novels of this period? Jodi Wyett shows that authors such as Charlotte Lennox and Jane Austen wrote quixote narratives to assert their own professional cachet as well as validate the passion and intelligence of women novel readers. Harnessing the power of the genre, they debunked proscriptive contemporary discourse denigrating both women and the novel. 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During this period, a series of political revolutions brought the possibility of radical change in the French art world. Parisian artists struggled to keep pace with the emergence of modern financial speculative capitalism, transitioning away from an art system dominated by guild and corporate interest. We have neglected the complaints visual artists made about these changes, expressed in the medium most accessible to them: the graphic image. 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Here, texts from England are put into conversation with a significant body of work that was written in French, Spanish, Italian, and Latin, culminating in an examination of a novel from North America that passed itself off as a genuine sixteenth-century memoir. Author JoAnn DellaNeva also examines a spectrum of extra-literary texts—such as dialogues, popular songs, letters, speeches, portraiture, tapestries, fashion, jewelry, and book illuminations—for the ways they too helped shape Mary's image. In so doing, she analyzes the intersection of history and literature, demonstrating how porous the borders between these disciplines can be. Through a series of close readings that are informed by an examination of the cultural context behind these texts, \u003ci\u003eImagining Mary Tudor, Queen of France\u003c\/i\u003e seeks to explain how Mary's fictional biography proved to be so slippery, vacillating between portrayals of her as a virtuous, generally powerless woman and as a wily and wicked minx.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Paperback","offer_id":57680264888693,"sku":"9781644534700","price":46.0,"currency_code":"GBP","in_stock":true},{"title":"Hardback","offer_id":57682716000629,"sku":"9781644534717","price":112.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"conveying-the-renaissance","title":"Conveying the Renaissance","description":"\u003cp\u003e\u003ci\u003eConveying the Renaissance: A Tribute to Charles S. Ross\u003c\/i\u003e provides answers to at once timely and enduring questions: How did literary works convey new, distinctive ideas and dynamics in the Renaissance era? How have Renaissance literary works, in turn, been conveyed into various media through today? By what authorial and authorizing agents and forces—authors and artists, international politics, performers, readers, technologies, and translators—have these works and the ideas and dynamics of the Renaissance era been conveyed? And for what kinds of audiences, imagined and actual? The answers show the vitality of Ludovico Ariosto, Matteo Maria Boiardo, Claudio Monteverdi, Cervantes, Milton, Shakespeare, Tasso, and other Renaissance authors in their immediate contexts and through the centuries in cinema, landscaping, modernist lyric, music, puppetry, TV, and visual art. 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