{"title":"Sylph Editions","description":null,"products":[{"product_id":"9781909631380","title":"Pushpa","description":"This book is a photographic essay in which classical Indian and Southeast Asian sculptures originating in the first millennium CE are juxtaposed with photographs of cut flowers. The two inhabit very different domains: the flowers are natural organic forms while the sculptures are stone man-made artifices; the flowers are alive, of the moment, their life span measured in days, whilst the sculptures are very much of the past, inanimate, frozen hundreds of years ago. The flowers display themselves in colourful exuberance while the sculptures, as we have them, are stolidly monochromatic.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56308987756917,"sku":"9781909631380","price":24.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"alix-cleo-roubaud-a-portrait-in-fragments","title":"Alix Cleo Roubaud: A Portrait in Fragments","description":"When Alix Cleo Roubaud died at the age of 31, she left behind a profound and deeply personal body of work exploring self-portraiture, life, illness, the body and death. Helene Giannecchini was the curator tasked with sorting through some six hundred photographs, letters, and other written documents belonging to the artist ahead of a posthumous retrospective held at the Bibliotheque Nationale de France in 2014. But she had never met Alix Cleo Roubaud and this absence is felt keenly through her writing as she treads the boundaries between biography and fiction, life and art. Helene Giannecchini pieces together the fragments that remain of this fleeting but dazzling life, spotlighting the theoretical underpinnings of the photographer's ideas on the double, repetition and drawing out the influences of Wittgenstein and Gertrude Stein on her practice. Just as Alix Cleo Roubaud's art is approached through the notes jotted in her journal, and the material evidence of trial prints and chemical experiments from the darkroom, so too Helene Giannecchini respects the interstices in her account, allowing the blind spots of memory to be. This translation has been occasioned by a new showing of Alix Cleo Roubaud's work alongside that of Francesca Woodman, Shala Miller, Carla Williams and Justine Kurland in a group exhibition curated by Moyra Davey for Galerie Buchholz, New York.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":57490212684149,"sku":"9781909631441","price":14.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781909631441.jpg?v=1786442096"},{"product_id":"from-eden-to-babel","title":"From Eden to Babel","description":"The first eleven chapters of the Book of Genesis are often grouped together to form one discrete textual unit. The stories that make up this cycle - Creation, Adam and Eve in the Garden of Eden, Cain's sacri ce, Noah's ark and the flood, and the Tower of Babel - are among the most enduring stories recounted in the history of Western culture and form the basis of its common heritage, transcending religious, national and geographical boundaries. In the vein of luminaries such as Franz Kafka and Soren Kierkegaard, the book treads the path from Eden to Babel in the form of thirty irreverent philosophically-minded variations, playing on themes of creation, hope and sacrifice. Finally, a diverting burlesque called The Invention of Desire describes what really happened in the Garden to that notorious threesome: Woman, Man and Serpent.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":57695312740725,"sku":"9781909631618","price":16.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781909631618.jpg?v=1793033379"}],"url":"https:\/\/backstory.london\/collections\/publisher-sylph-editions.oembed","provider":"Backstory","version":"1.0","type":"link"}