{"title":"Schocken Books","description":null,"products":[{"product_id":"9780805212860","title":"The Red Balcony","description":"\u003cb\u003eBased on actual events, a gripping novel of sex, love, history and justice in the tinderbox of British Mandatory Palestine, by the acclaimed author of \u003ci\u003eA Palestine Affair\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\"The story of what is arguably Israel’s foundational murder trial—a tale of multiple identities and loyalties.\" —Joshua Cohen, Pulitzer-Prize-winning author of \u003ci\u003eThe Netanyahus\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003e“Pleases on several levels: as an adventure tale, a star-crossed romance and a detailed period piece.” —\u003ci\u003eThe Wall Street Journal\u003c\/i\u003e\u003c\/b\u003e \u003cbr\u003e\u003cbr\u003e It’s 1933, and Ivor Castle, Oxford-educated and Jewish, arrives in Palestine to take up a position as assistant to the defense counsel in the trial of the two men accused of murdering Haim Arlosoroff, a leader of the Jewish community in Palestine whose efforts to get Jews out of Hitler’s Germany and into Palestine may have been controversial enough to get him killed. \u003cbr\u003e  \u003cbr\u003e While preparing for the trial, Ivor, an innocent to the politics of the case, falls into bed and deeply in love with Tsiona, a free-spirited artist who happened to sketch the accused men in a Jerusalem café on the night of the murder and may be a key witness. 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A nuanced appreciation of Caesar’s comedy and the overall atmosphere of TV’s early days.” —\u003ci\u003eEsquire\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eBy the spring of 1954, Sid Caesar was the most influential, highly paid, and enigmatic comedian in America. Every week, twenty million people tuned their TVs to his NBC extravaganza, \u003ci\u003eYour Show of Shows\u003c\/i\u003e, and witnessed his virtuosity in sketches and film spoofs, pantomime and soliloquy. Onstage, Caesar could play any character and make it funny: a befuddled game-show contestant, a pretentious German professor, a beleaguered husband (opposite his redoubtable co-star Imogene Coca)—even a gumball machine and a bottle of seltzer.\u003cbr\u003e\u003cbr\u003eTo Caesar’s mostly urban audience, his comedy was an era-defining leap forward from the days of vaudeville, launching a new style of humor that was multilayered and full of character, yet still uproarious. 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