{"title":"Outline Press Ltd","description":null,"products":[{"product_id":"9781911036951","title":"Conform To Deform","description":"Along with Factory, Mute, and Creation, Some Bizzare was the vanguard of outsider music in the 1980s. The label s debut release reads like a who s who of electronic music, featuring early tracks from Soft Cell, Depeche Mode, Blancmange, and The The, while over the next decade its roster would include artists such as Marc Almond, Cabaret Voltaire, Einsturzende Neubauten, Foetus, Swans, Coil, and Psychic TV.  For a time, Some Bizzare was the most exciting independent record label in the world, but the music is only half of the story. Self-styled label boss Stevo Pearce s unconventional dealings with the industry are legendary. Sometimes they were playful (sending teddy bears to meetings in his place), other times less so (he and Marc Almond destroyed offices at Phonogram and terrorised staff). Despite this, he was a force to be reckoned with. His preternatural ability to spot talent meant his label was responsible for releasing some of the decade s most forward-thinking, transgressive, and influential music.  The Some Bizzare story spans the globe: from ecstasy parties in early 80s New York to video shoots in the Peruvian jungle, from events in disused tube stations to seedy sex shows in Soho. There were million-selling singles, run-ins with the Vice Squad, destruction at the ICA, death threats, meltdowns, and, of course, sex dwarves. For a time, Stevo had the music industry in the palm of his hands, only for it all to slip through his fingers. 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However, like most geniuses, Ayler was misunderstood in his time. His divine messages of peace and love, apocalyptic visions of flying saucers, and the strange account of the days leading up to his being found floating in New York s East River are central to his mystique, but, as Koloda points out, they are a distraction, overshadowing his profound impact on the direction of jazz as one of the most visible avant-garde players of the 1960s and a major influence on others, including John Coltrane.  A musicologist, and friend of Don Ayler, Albert s troubled trumpet-playing brother, Richard Koloda has spent over two decades researching this book. He follows Ayler from his beginnings in his native Cleveland to France, where he received his greatest acclaim, to his untimely death on November 25, 1970, at age thirty-four, and puts to rest speculation concerning his mysterious death.  A feat of biography and a major addition to jazz scholarship, Holy Ghost offers a new appreciation of one of the most important and controversial figures in the twentieth-century music.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":43128006344882,"sku":"9781911036937","price":16.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781911036937.jpg?v=1786034351"},{"product_id":"9781911036111","title":"Johnny Thunders","description":"\u003cp\u003e\u003cb\u003e\u003ci\u003eJohnny Thunders: In Cold Blood\u003c\/i\u003e\u003c\/b\u003e is the definitive portrait of the condemned man of rock’n’roll, from the baptism of fire and tragedy that was the New York Dolls, through the junkie punk years of the Heartbreakers, to his sudden and mysterious death in 1991. It is an unflinching account of a unique guitarist whose drug problems often overshadowed his considerable style and talent, but whose unquestionable influence on glam, punk, and more still resonates today.\u003c\/p\u003e\u003cp\u003eNina Antonia discovered Johnny Thunders and the New York Dolls as a teenager and spent her formative years as a dedicated fan before starting work on this book in her twenties. Then, when Johnny and his manager read her early drafts, they decided she should make it an authorised biography and granted her unique access to Johnny’s life. As such, it begins by painting a historical portrait of Thunders and his early life and work before shifting into the present tense as Nina vividly describes her own experiences with the real-life Johnny and his associates.\u003c\/p\u003e\u003cp\u003eFirst published in 1987, \u003ci\u003eJohnny Thunders: In Cold Blood\u003c\/i\u003e has been kept alive over the years by an audience that isn’t always catered for. While the New York Dolls are now rightly acknowledged as having been as pivotal as the Velvet Underground, and you might catch the odd fashionista sporting a Dolls T-shirt, Johnny’s dark flame burns for those who have known adversity. He is the voice of the disenfranchised; he is every gifted son or daughter who went off the rails. Like Jesse James or James Dean, he couldn’t come in from the badlands of rock’n’roll; he wouldn’t appease or kowtow to the establishment.\u003c\/p\u003e\u003cp\u003eThis new edition adds a new closing chapter, bringing Thunders’ legacy up to date, new photographs, and a foreword by Mike Scott of The Waterboys.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":43172891951282,"sku":"9781911036111","price":16.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781911036111.jpg?v=1786029626"},{"product_id":"9781911036777","title":"Two Steps Forward, One Step Back","description":"\u003ci\u003e\u003cb\u003e\"My real story starts with a disaster, an unmitigated, pull-the-rug-from-under-you, clean-out-the-bank-account disaster. 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It then shifts to London in the late '60s and the beginnings of a career managing bands like Wishbone Ash and Curved Air—only for Miles’s life and work to be turned upside down by a disastrous European tour.\u003cbr\u003e\u003cbr\u003e From the ashes of near bankruptcy, Miles entered the world of punk, sharing a building with Malcolm McLaren and Sniffin’ Glue, before shifting gears again as manager of The Police, featuring his brother, Stewart, on drums. Then, after founding IRS Records, he launched the careers of some of the most potent musical acts of the new wave scene and beyond, from Squeeze and The Go-Go’s to The Bangles and R.E.M.\u003cbr\u003e\u003cbr\u003e The story comes full circle as Miles finds himself advising the Pentagon on how to win over hearts and minds in the Middle East and introducing Arabic music to the United States. \"Never let the truth get in the way of a good story,\" his father would tell him. In the end, though, the truth is what counts—and it’s all here.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":43205597528242,"sku":"9781911036777","price":14.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781911036777.jpg?v=1786029643"},{"product_id":"9781911036340","title":"Turn It Up!","description":"\u003cp\u003eGrowing up in the Boston suburbs, Tom Werman was deeply affected by pop music from a young age. He long dreamed of a career in music—first as Elvis, then as the next George Harrison—but it almost didn’t turn out that way. Dutifully following the path his parents had laid out for him, he obtained an MBA from an Ivy League university and took a plum job in an industry he came to despise. Then, in 1970, a chance letter sent to CBS Records boss Clive Davis led to a new opportunity . . . and a place in rock’n’roll history.\u003c\/p\u003e\u003cp\u003eAs an A\u0026amp;R man at Epic Records, Werman helped introduce the world to REO Speedwagon, Boston, Ted Nugent, and Cheap Trick; he also discovered KISS, Rush, and Lynyrd Skynyrd, but his record label passed on all of them. Then, as an independent producer, he oversaw landmark albums by Mötley Crüe (\u003ci\u003eShout At The Devil\u003c\/i\u003e), Twisted Sister (\u003ci\u003eStay Hungry\u003c\/i\u003e), Lita Ford (\u003ci\u003eDangerous Curves\u003c\/i\u003e), Jeff Beck (\u003ci\u003eLive With Jan Hammer\u003c\/i\u003e), Poison (\u003ci\u003eOpen Up And Say … Ahh!\u003c\/i\u003e), and many more. 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Now, however, through extensive and revealing interviews with family members, friends, and fellow musicians, acclaimed rock biographer Harry Shapiro is able to take readers right to the heart of Gary s life and career.  Despite his early death in 2011, Moore still has legions of devoted fans across the world who will be enthralled by this unique insight into the life of a guitar genius who did it his way and whose music lives on. Beginning with Gary as a teenage guitar prodigy in war-torn Ireland and continuing through the many highs and lows of more than forty years in rock, Shapiro paints an intimate portrait of a musician widely hailed as one of the greatest Irish bluesmen of all time.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":43406645952690,"sku":"9781911036975","price":16.95,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781911036975.jpg?v=1786034352"},{"product_id":"9781916829008","title":"Don't Dream It's Over","description":"Across five decades and counting, New Zealand-born singer\/songwriter and Crowded House founder Neil Finn has become one of the best-loved figures in popular music, crafting enough hits along the way -- Weather With You, Locked Out, I Got You, Fall At Your Feet, It s Only Natural, and of course Don t Dream It s Over -- to forge his very own one-man Great Antipodean Songbook.  One fateful day in April 1977, teenage Neil received a transcontinental phone call that would change his life. It was his older brother, Tim, calling from London, England, with a simple question: Do you want to join the band? That band, the art-rock combo Split Enz, would provide the launchpad for a career that has taken in widespread international success with Crowded House, as a solo artist, back with Tim in The Finn Brothers, and as a touring member of Fleetwood Mac.  There have been bumps along the road, including repeated clashes with Tim and the tragic death of original Crowded House drummer Paul Hester, but taken as a whole, Finn s story is one of the most inspiring musical sagas of modern times. 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Listen in as Pete unabashedly shares historical and family stories; tells of learning the banjo, traveling with Woody Guthrie, and finding commercial success with The Weavers; explains how he wrote books and put together songs; delves into controversial subjects like communism and the Peekskill Riots; and highlights those he admired and respected, including Bruce Springsteen, who honoured Pete with his Seeger Sessions album in 2006.   Pete and David share the heavy lifting as they tackle subjects such as the 1965 Newport Folk Festival, Pete’s relationship to Greenwich Village, and the need for copyright reform. Together, they describe how Pete put his worldview into practice in his local community, how he lived with local hero status in later life, and how they made recordings together that resulted in two Grammy Awards. Minimally edited to preserve Seeger’s trademark cadence, the book is punctuated by historical images and additional commentary by David Bernz, as well as remembrances from other musicians and friends and a foreword by Arlo Guthrie. 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A central figure in the No Wave scene of the seventies—as founder of the seminal Teenage Jesus \u0026amp; The Jerks—Lunch has pursued a four-decade-long career turning the substance of her life into unapologetic, stark, and beautiful art.\u003cbr\u003e\u003cbr\u003e From the eighties onward, Lunch became a lone voice publicly calling out the patriarchal aggression and day-to-day violence enacted by the powerful—and never gave a good goddamn whether you wanted to hear it or not. Refusing to be silenced, she took to stages the world over, fearlessly speaking the truth, whether of her own life with its legacy of parental abuse, her wild times owning the streets of New York City, or the world she saw around her.\u003cbr\u003e\u003cbr\u003e Seeing no boundaries between creative mediums, Lydia has enacted her vision through music, spoken word, film, theatre, and more. 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From the moment The Byrds debuted at Ciro's on March 26th 1965--with Bob Dylan joining them onstage--right up to the demonstrations of November 1966, Sunset Strip nightclubs nurtured and broke The Doors, Love, Buffalo Springfield (featuring Neil Young and Stephen Stills), Frank Zappa's Mothers Of Invention, Captain Beefheart \u0026amp; His Magic Band, The Turtles, The Mamas \u0026amp; The Papas, and many others. The Strip was a hotbed for garage punk bands such as The Standells, The Electric Prunes, and The Leaves. 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Much more than a mere memoir, \u003ci\u003eI Am Morbid\u003c\/i\u003e is an instruction manual for life at the sharp end—a gathering of wisdom distilled into ten acute lessons for anyone interested in furthering their fortunes in life.\u003cbr\u003e\u003cbr\u003e Morbid Angel redefined the term pioneers. A band of heavy-metal-loving kids from all over America who broke through a host of music industry prejudices and went on to scale huge commercial heights, they introduced a whole new form of extreme music to the world. Formed in 1984, and breaking into the limelight in 1989 with their devastating first album, \u003ci\u003eAltars Of Madness\u003c\/i\u003e, the Florida death-metal legends became the first band of their genre to sign to a major label, from which point they came to dominate the worldwide metal scene for two decades and beyond.\u003cbr\u003e\u003cbr\u003e David left Morbid Angel in 1996, and again, following a reunion, in 2015. 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Their debut, Beauty \u0026amp; The Beat, spent six weeks at the top of the Billboard 200 and featured the hit songs  We Got the Beat  and  Our Lips Are Sealed . The record s success brought the pressures of a relentless workload and schedule culminating in a wild, hazy, substance-fuelled tour that took the band from the club circuit to arenas, where fans, promoters, and crew were more than ready to keep the party going.  For Valentine, the band s success was the fulfilment of a lifelong dream?but that s only part of her story. All I Ever Wanted traces the path that took her from her childhood in Texas?where she all but raised herself?to the height of rock n roll stardom, devastation after the collapse of the band that had come to define her, and the quest to regain her sense of self after its end. Valentine also speaks candidly about the lasting effects of parental betrayal, abortion, rape, and her struggles with drugs and alcohol?and the music that saved her every step of the way. 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When he parked his car in the University Of Illinois lot, the first thing I heard, long before I could see where it was coming from, was the sound of a slide guitar -- not just any guitar but a National steel resonator guitar. We followed the music and found ourselves standing on the west side of Halsted Street, midway between Roosevelt and Maxwell, where Blind Arvella Gray was playing the folk\/blues song  John Henry  -- a song that seemed to have no beginning and no end. Sensing that his audience was generally passing by rather than gathering around, Gray kept playing that one song for his entire shift. He d even altered the lyrics to refer to the local streets. In that moment, I developed a lifelong affinity for the informality, spontaneity, and audience participation of busking.  Down On The Corner is the story of music performed on the streets, in subways, in parks, in schoolyards, on the back of flatbed trucks, and beyond, from the 1920s to the present day. Drawing on years of interviews and eyewitness accounts, veteran journalist and music-industry publicist Cary Baker introduces readers to a wide range of locations and a myriad of musical genres, from folk to rock n roll, the blues to bluegrass, doo-wop to indie rock. Some of the performers he features -- Lucinda Williams, Billy Bragg, The Violent Femmes -- went on to become international stars; others settled into the curbs, sidewalks, and Tube stations as their workplace for the duration of their careers. Anyone who has lived in or travelled through a city will have encountered street musicians of one kind or another. 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Until now. Shields is truly a one-of-a-kind musician, and this book—which fills in the gaps, corrects errors, and takes an objective look at the band’s entire career, warts and all—paints the full picture of one of the most revolutionary sonic artists of our time.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eTurn My Head Into Sound\u003c\/i\u003e is based on numerous interviews with people who were there (some of them speaking on the record for the first time) as well as an exhaustive archive of band-related material that the author has been assembling since 1990. Longtime fans of the band will find plenty of new information here, including the full story of the tumultuous period at Island Records following the release of \u003ci\u003eLoveless\u003c\/i\u003e.\u003c\/p\u003e\u003cp\u003eThe lost years that followed would see Shields employed as engineer, producer, and remixer while also becoming an auxiliary member of Primal Scream. 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Beginning with a young Shulman confidently telling his school teacher that he would grow up to become a pop star, this eye-opening memoir explores a Zelig-like existence on both sides of the music industry. Shulman found fame first as a teenager in the 60s group Simon Dupree \u0026amp; The Big Sound, then took rock music to the outer reaches across eleven albums with Gentle Giant. In the 80s, he switched gears to become a record executive, first at Polygram and then at Atco and Roadrunner, working with everyone from Black Sabbath to Dr. Dre to Pantera to Men Without Hats.   Along the way, Gentle Giant would become a defining influence on hip-hop, their music sampled by many of the genre s leading lights including J. Dilla, De La Soul, and dozens more and the band acclaimed by The Roots bandleader and filmmaker Questlove as his favourite rock act of all time.   Clean-living and career-driven in a world of debauchery and excess, Shulman is perfectly placed to explore and explain the major developments in popular music and youth culture from the 1960s to the present day, making Giant Steps a must-read for fans of prog, rock, hip-hop, and more.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56368244883829,"sku":"9781916829244","price":16.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781916829244_0dd99abe-79d0-4793-81a7-453ffc2492ec.jpg?v=1786030213"},{"product_id":"9781916829329","title":"Space Age Batchelor Pad Music","description":"Stereolab are one of the most fascinating guitar groups of the past fifty years, a source of constant reinvention and illuminating contrasts, where political ideology meets the sweetest pop melodies and driving guitars rub along with space-age jazz. 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