{"title":"Omnidawn Publishing","description":null,"products":[{"product_id":"9781632431134","title":"Etymologies","description":"A poetry collection that playfully questions the meanings of words.      Walter Ancarrow’s collection Etymologies considers language as a process, rather than as a singular fixed history. These poems build imaginative worlds with a variety of creative word uses. They form a playful amalgamation of linguistic interpretations that flips and questions conventional narratives about word origins—including the idea that clear origins even exist. Throughout the collection, Ancarrow questions the intent of writers who use etymology in attempts to prove a specific meaning for any word. In so doing, Etymologies pays particular attention to relationships between the cultures and conflicts, the migrations and hegemonies, that create our words, and it considers how their meanings are furthered by us as we keep them alive through speech.   Etymologies won Omnidawn’s 2021 Open Poetry Book Prize, selected by John Yau.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56302139965813,"sku":"9781632431134","price":16.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781632431134_d99366dd-4105-4904-94ed-e8ddffb1ecb3.jpg?v=1786023155"},{"product_id":"9781632430960","title":"Interventions for Women","description":"Poems that address cultural pressures placed on women and girls.    This is a book for those who were raised to be girls and expected to become women, for those who were told they were too girly and not girly enough, and for those who were ogled, talked over, touched, fed, imagined, and indoctrinated in ways they didn’t want. Angela Hume considers the persistent instructions to smile, be quiet, and act happy, all administered with the promise that this forced behavior would make everything better. The poems address rigid social norms and, ultimately, walk through the uncomfortable realizations about the bigger systems at play and call on us to examine our own complicity in them.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56302139998581,"sku":"9781632430960","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781632430960_0cb0911f-144d-434e-9798-bf31c9f13e2b.jpg?v=1786023147"},{"product_id":"9781632431028","title":"Impastoral","description":"Poems that blur the boundaries of language and species, inviting us to imagine a new world.    The expansive reworking of language in Impastoral flies through the possible voices of outsides and insides—slug, probe, horse carriage, sewer, potted plant, lab rat, vampire, bot fly, giant cow. Language, in Brandan Griffin’s poetry, is neither human nor nonhuman, and it undoes that very idea of these distinctions, so beings—slugprobe, pottedhorsesewer, telepathybarcode, mammaltexts—morph and change in between boundaries.  Each of these poems is an organism, a collection of living connections, looped interiorities strung together in worlds tunneling through worlds. The poems’ composition becomes a decomposition of budding, breeding, and fluctuating. Reading this collection is an experience of becoming deformed and merged into the experiences of other beings; you are sea vent, microprocessor, cell gel, bug, a greenly translucent leaf typed half a sound at a time. Griffin invites us to imagine all possible beings and to hatch into a fresh world.   Impastoral won the Omnidawn Open Book contest, selected by Brian Teare.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56302160511349,"sku":"9781632431028","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781632431028_e38c22af-8e51-4b0b-9020-90f8bf31840f.jpg?v=1786023150"},{"product_id":"9781632430731","title":"Since Sunday","description":"What happens when the faith and community we once held close sours into an experience of tragedy? In Since Sunday, we find a poet who is rebuilding a sense of faith after fleeing religious abuse. Doubt, shame, uncertainty, and the pains of loss create the ground from which these poems grow. After severance from her religion, established values, and sense of direction, Tomaselli embarks on recovery as an active and intentional pursuit. The poems reveal a resilience that must be lived as a daily effort to cope with trauma and to root oneself in the present.    Through wit, vulnerability, and rich lyrical language, Tomaselli invites us to walk with her through loss and on to a persistent process of discovery. The poems chronicle a cultivation of awe, unearthing a fresh faith rooted in the present realness of everyday experiences. Stripped of the orthodoxy that both grew and crushed her, she reconstructs a new core of trust for herself.  Here we learn with the poet to seek celebration in daily life and to foster a sense of beauty from the mundane.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56302160609653,"sku":"9781632430731","price":11.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781632430731_b4080ff4-4a38-4c69-8d65-ae4afc148e45.jpg?v=1786023143"},{"product_id":"9781632431073","title":"t\/here it is","description":"A poetry collection in nine sections that each take on an aspect of memory.      The poems in t\/here it is take multiple forms as each section reflects on variations of experience, engaging with the simultaneity of historic and present time while yearning for a future that is beyond what we can envision. In Section I, the poet grapples with ancestral legacy and connection to the natural world. Section II deals with the way one traverses the urban landscape and with various strategies of survival, and Section III recalls the observations and experiences of youth. Through nine linked poems, Section IV complicates the idea of witness under a capitalistic system bent on exploitation and devaluing the sacred human experience. Section V speaks to the lost opportunity of making profound human connections during the race to acquire more material goods. In Section VI, the poems take on the domestic and institutional places that govern our lives. A single poem forms Section VII, mapping the intersection between jazz and emotion. With Section VIII, Anderson pays homage to jazz greats and reflects on the ways that listening can carry one back to moments of growth and lamentation. The two poems that close out the book in Section IX bring the reader to a place of vulnerability, expressing the desire to be able to discern the multiple avenues of one’s journey with awareness.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56302527545717,"sku":"9781632431073","price":16.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781632431073_3094a9ad-8ecf-4333-af9d-8910e2e59c5b.jpg?v=1786023154"},{"product_id":"9781632431110","title":"Chorus","description":"Poems that incorporate multiple voices to embrace fragmentation, discord, and plurality.      At a time of simultaneous isolation and interconnection, this book is an inquiry into the edges of the self. Pushing back on capitalist messages of individuality, CHORUS instead seeks the multifaceted self that engages with the radical diversity that characterizes any healthy ecosystem or society. Moving between a remote canyon in New Mexico, the Pacific Northwest, New York City, the virtual world, the past, and the unstable future, the author asks, “Whose afterimage am I?” The sprawling, celebratory, mourning chorus of this book is the sum of many voices; the words of other writers, poets, and artists are interwoven with the author’s words. This is a celebration of language’s capacity to supersede bodily limits, mortality, and existential loneliness. Daniela Naomi Molnar’s chorus encompasses violence, love, empathy, fear, a burning planet, a pandemic, heartbreak, desire, joy, and grief. Rather than seeking resolution, these poems look through the lens of a fragmented self, dwelling in plurality, discord, and harmony.     CHORUS is the winner of Omnidawn’s 1st \/2nd Book Prize, judged by Kazim Ali.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56302529020277,"sku":"9781632431110","price":16.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781632431110_b8cb51c1-4759-4253-a974-67e0fe08cd28.jpg?v=1786023154"},{"product_id":"9781632430748","title":"Harpo Before the Opus","description":"The poems begin where language fails, where speech becomes disembodied, and syntax skids to a stop that dissolves into gesture. Where its form reaches an end, formlessness offers a space ripe with possibility. Here we find Harpo, reaching into the frustrated endpoint of language to find a method for its resurrection. Fry sees that language becomes a tool for alienation and uses the poems in Harpo Before the Opus to excavate paths back to tenderness. These are poems from the edge, pulling language out from its failure and into a fervent interrogation of its possibilities. What was once a tool of capitalistic alienation now serves as material for building connections.    In spiraling explorations of rhetoric, these poems allow language to break from its prescribed structures, and instead, it becomes a gestural embrace of feeling and being. Fry utilizes a Marxist lens to scrutinize and reinvent the use of language. In Fry’s hands, language is rendered a visceral and sensual material, forming poems that are both deeply felt philosophical inquiries and wildly playful exercises of wit.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56304367599989,"sku":"9781632430748","price":14.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781632430748_9cc3b489-5f09-4a0e-b7c9-27705ac97417.jpg?v=1786023145"},{"product_id":"9781632431059","title":"Anon","description":"Lyrical, aphoristic poems that move between forms and consider tropes of narrative.    The narrator of Anon opens the sluice gates of embittered confession and philosophical reproach to release a flood of extravagant lyricism. These poems at first submerge readers in the ecstatic rhythms of its music, then they turn to address the tropes of narrative, inviting readers to join in pursuit of major themes of the human condition.    Steven Seidenberg employs a characteristically aphoristic style to manage multiple lines of inquiry at once. The resultant fragments navigate between testament and treatise, storyline and system, and in a manner that echoes the speculative vehemence of Samuel Beckett, Clarice Lispector, and Maurice Blanchot","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56304369664373,"sku":"9781632431059","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781632431059_418a0b5f-89d6-47c0-9b90-057ab03da2cb.jpg?v=1786023151"},{"product_id":"9781632430977","title":"Gut","description":"These poems follow the aftermath of and recovery from trauma.      Amanda Larson’s Gut begins with an epigraph from Frank O’Hara: “Pain always produces logic, which is very bad for you.” From there, Larson launches an unflinching interrogation of how a young woman maintains agency in the wake of trauma, violence, and desire. Larson spins a conversation between works of feminist theory—including the those of Cathy Caruth, Susan Bordo, Patricia Hill Collins, Anne Carson, Hélène Cixous, and bell hooks—and her own experiences. The book moves through Larson’s recovery while questioning the limits of the very term and of language as a whole. She employs a variety of different forms, including prose, Q\u0026amp;A poems, and a timeline, reflecting both the speaker’s obsession with control and her growing willingness to let it go. With a measured voice, Larson finds a path for how to move beyond logic during processes of trauma and recovery.   Gut won the Omnidawn 1st\/2nd Book Contest, selected by Jericho Brown.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56304369828213,"sku":"9781632430977","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781632430977_57cad45d-d553-4964-b954-ac312fd2d544.jpg?v=1786023148"},{"product_id":"9781632431189","title":"From Unincorporated Territory [åmot]","description":"Winner of the National Book Award for Poetry, this collection of experimental and visual poems dives into the history and culture of the poet’s homeland, Guam.      This book is the fifth collection in Craig Santos Perez’s ongoing from unincorporated territory series about the history of his homeland, the western Pacific island of Guåhan (Guam), and the culture of his indigenous Chamoru people. “Åmot” is the Chamoru word for “medicine,” commonly referring to medicinal plants. Traditional Chamoru healers were known as yo’åmte; they gathered åmot in the jungle and recited chants and invocations of taotao’mona, or ancestral spirits, in the healing process.      Through experimental and visual poetry, Perez explores how storytelling can become a symbolic form of åmot, offering healing from the traumas of colonialism, militarism, migration, environmental injustice, and the death of elders.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56304526754165,"sku":"9781632431189","price":19.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781632431189_b02b6a78-25fb-4f10-9e52-475002eb7c0e.jpg?v=1786023157"},{"product_id":"9781632431677","title":"Clay","description":"Poetry that finds meaning and connection in the process of creating pottery from clay.      The poems in Clay look to the process of forming clay on a potter’s wheel to examine our sense of touch and texture, emptiness, fragility, and the nature of time. Martha Ronk moves through the steps of creating a pot that must be formed, dried, bisque-fired, glazed, and fired again. This practice is paralleled in Ronk’s process-oriented language that addresses how we read texture and color, the ways history and landscapes appear in glazes, Mimbres bowls that covered the faces of the dead, and Giorgio Morandi’s still life paintings of ceramic forms.    For Ronk, pottery raises questions about the value of repetition, inevitable failure, and how we may become one with matter. As the potter’s hands ache and age, the bowl seems to age as it slumps or breaks. Clay includes observations from other potters and writers as well as small photographs of pots.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56304527311221,"sku":"9781632431677","price":16.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781632431677_32a5a1c2-c155-4443-88d3-b647acddb1a0.jpg?v=1786023158"},{"product_id":"9781632431042","title":"Naming the Wind","description":"Poems that navigate the complexities of human relationships, personal ethics, and religious tradition.      Wind moves through this collection, opening the poems to the dying beauty of the natural world, to the weathers inside the psyche and without, and to the connections between a family and between the speaker his mentor, the great poet Jack Gilbert. The collection navigates the intimacies of human relationships with others, the challenges of working as a lawyer trying to maintain integrity as others fall prey to corporate greed, and the complexity of holding a Jewish identity while being awake to tradition’s hold on the mind and its cost. Steven Rood offers a powerful account of how to be a human in dynamic relationships while also holding respect for the non-human beings that comprise most of the life on our planet.      Rood employs structures and forms that directly relate to the content of the poems themselves. Spontaneous breaks and starts reflect the writer’s turns of mind, offering readers insight into the meaning and measure of the work.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56305095115125,"sku":"9781632431042","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781632431042_a8d6fe00-bf80-464d-8f9c-842b60d6d6bd.jpg?v=1786023151"},{"product_id":"9781632431158","title":"oh orchid o′clock","description":"Poems that break down, expose, and reconsider our notions of time.      This collection speaks the language of the clock as a living instrument, exposing the sensory impacts of our obsession with time. In oh orchid o’clock, lyrics wind through histories like a nervous system through a body. The poems speak to how we let our days become over-clocked, over-transactional, and over-weaponed. With an instrumental sensibility, Endi Bogue Hartigan investigates what it is to be close to time—collective time, with its alarms and brutalities, and bodily time, intricate and familial. She considers how can we be both captured and complicit within systems of measurement, and she invites us to imagine how to break from, create, or become immune to them. Her poems use language to expose the face of the clock to reveal how gears press against interconnecting systems—economic, capitalist, astronomical, medical, governmental, and fantastical.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56305095770485,"sku":"9781632431158","price":16.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781632431158_97a76f7a-57c4-4b83-a741-158b4d8ec8ad.jpg?v=1786023156"},{"product_id":"9781632430939","title":"Luminaries","description":"Agnes has been drifting away from herself. People look through her, her husband doesn’t understand her, and lately, she’s begun losing the sensations in her body. When a tube of shoplifted lipstick awakens her back to life, an impulse for stealing emerges that leads her to a court-ordered service at a camp for grieving children. While initially hoping only that the time there will help her give up stealing, Agnes soon learns that she can use objects to connect grieving children with the spirits of their parents. She must navigate the choice between using her compulsion for her own pleasure and helping the bereaved. Luminaries is about the things we take and about the things that are taken from us. It asks what it means to exist in lives filled with loss, to reach for the things we hope will restore us, and the risks we’re willing to take to ward off yearning—both in our material lives and social lives.   Luminaries is the winner of the Omnidawn Fabulist Fiction Novelette\/Chapbook Prize, selected by Kellie Wells.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56305096229237,"sku":"9781632430939","price":6.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781632430939_d0f707a6-8000-420c-854b-a8bf1d23a6c3.jpg?v=1786023146"},{"product_id":"9781632431615","title":"Apprentice to a Breathing Hand","description":"Poetry that considers how we live with constant shifts, positioning alchemy as an example of endless change.      The poetry of Laynie Browne’s Apprentice to a Breathing Hand explores alchemy, connectivity, and perception. Throughout the collection, Browne considers the formation and limits of personhood, the experience of a body moving through time, and the imperative to continually learn and unlearn. Browne looks to alchemy as a practice for cultivating the impossible, positioning it as a fitting model for our current moment. In the material of language, meaning must be unmade and remade endlessly, and in this continual regeneration, Browne considers the alchemy of how a poem can in turn transform the poet. Moving through methods of making and unmaking, the collection centers on the figure of an apprentice working in a space of indeterminacy, lack, breath, and constant shifting.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56305100456309,"sku":"9781632431615","price":16.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781632431615_644baafb-af31-45db-9e59-0fcd8a7fcfba.jpg?v=1786023158"},{"product_id":"9781632430762","title":"Borderland Apocrypha","description":"The 1848 Treaty of Guadalupe Hidalgo marked an end to the Mexican—American War, but it sparked a series of lynchings of Mexicans and subsequent erasures, and long-lasting traumas. This pattern of state-sanctioned violence committed towards communities of color continues to the present day. Borderland Apocrypha centers around the collective histories of these terrors, excavating the traumas born of turbulence at borderlands. In this debut collection, Anthony Cody responds to the destabilized, hostile landscapes and silenced histories of borderlands. His experimental poetic reinvents itself and shapeshifts in both form and space across the margin, the page, and the book in forms of resistance, signaling a reclamation and a re-occupation of what has been omitted. The poems ask the reader to engage in searching through the nested and cascading series of poems centered around familial and communal histories, structural racism, and natural ecosystems of borderlands. Relentless in its explorations, this collection shows how the past continues to inform actions, policies, and perceptions in North and Central America.    Rather than a proposal for re-imagining the US\/Mexico border, Cody’s collection is an avant-garde examination of how borderlands have remained occupied spaces, and of the necessity of liberation to usher the earth and its people toward healing. Part auto-historia, part docu-poetic, part visual monument, part myth-making, Borderland Apocrypha unearths history in order to work toward survival, reckoning, and the building of a future that both acknowledges and moves on from tragedies of the past.   Borderland Apocrypha won Omnidawn's 2018 1st\/2nd Book Prize.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56312685396341,"sku":"9781632430762","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781632430762_e5196e59-dedc-447f-8c1f-fb30a30e9b6f.jpg?v=1786023146"},{"product_id":"9781632431219","title":"Letters from the Black Ark","description":"Rhythmic lyrical poems that embody black music, existence, and tragedy.    The poems in this collection center on the word “dub,” which accrues a subtle lyrical connotation throughout its various forms and meanings—to bestow, vest, crown, and also to suspend, reverb, echo, and sever. Dub poetry plays with revealing and concealing, while also pointing the way to the conditions that produce black poetic music. In D.S. Marriott’s poetry, tragic catastrophes of current black existence—London knife crime, the Windrush scandal, Grenfell, and deadly race violence—are portrayed as questions of language. To speak this language, as Marriott’s poem show, is to take on the forces that cause rupture. Throughout these poems of loss, exile, and obliteration, the poet foresees his downfall and metamorphosis, ultimately realizing too late that he cannot transcend the reverberations and echoes laden with black social death.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56368095297909,"sku":"9781632431219","price":19.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781632431219_14a6b21f-7c57-45a3-b279-32b8942bc2d0.jpg?v=1786034348"},{"product_id":"9781632431721","title":"Two Appearances After the Resurrection","description":"McCrae’s latest collection considers the nature of perception and experiments with form and punctuation.      This is a book about perceiving and being perceived. The various subjects of these poems are viewed by an artist, a devil, a soul floating out of a body it had inhabited, a god fed up with her husband’s infidelities, and a father whose young child has COVID-19. The poems of Two Appearances After the Resurrection are haunted by the question of what one ought to do with their perceivability.    After a decade of publishing poems almost exclusively utilizing no punctuation aside from the slash, Shane McCrae began including semi-regular punctuation in his 2023 book, The Many Hundreds of the Scent. He continues that project in Two Appearances After the Resurrection. Here, he further explores the consequences—especially the rhythmical consequences—of the change. 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Using research into clinical understandings of mental afflictions and their treatments through history, Chrusciel maps various diagnostics onto an array of bird species. A lyrical satire, the book is a reflection on a society that tends to over-diagnose, misdiagnose, and over-medicate. These poems pose questions about what it means to be unique and to accept pain and suffering as a fact of life.    On the pages of Yours, Purple Gallinule, we encounter birds, a poet, and a psychiatrist. The psychiatrist undergoes a series of conversions as she realizes that the point is not to classify thoughtlessly, but to “make music instead”—to dwell in astonishment. Birds evade the anthropomorphizing intentions of the human protagonists as the psychiatrist and the poet eventually become one. The anthropomorphizing goes in reverse, and the human being becomes more avian. Like the dove in the biblical Noah’s ark story, the bird proclaims a new covenant, with a twig in its beak and a message: “We are all mad; some more than others, but no one is spared the affliction. And the madder we are, the more sacred.”","brand":"Gardners","offers":[{"title":"Default Title","offer_id":57484290228597,"sku":"9781632431103","price":16.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781632431103.jpg?v=1786266345"},{"product_id":"pulse","title":"PULSE","description":"Named for the Pulse nightclub shooting and the rhythm of heartbeats, this collection of poems grapples with finding life amid profound losses.    The poems of PULSE look deeply into a troubled world, inspecting what makes us suffer and demonstrating how we overcome difficulties. PULSE interrogates painful losses of friends to cancer, harmful politics, hate crimes, and mass shootings, including the 2016 massacre at Pulse nightclub. Maria Nazos examines the life force that continues to pulse relentlessly through a fragmented world, that enables us to flow, breathe, and regenerate, even through grief and loss. From Provincetown beaches and Costa Rican crab shacks to Midwestern plains and a Tampa nightclub, the collection moves through madness, redemption, and love.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":57484290949493,"sku":"9781632432162","price":16.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781632432162.jpg?v=1791213124"},{"product_id":"the-book-of-the-red-absurd","title":"THE BOOK OF THE RED ABSURD","description":"A poetry collection that embraces the absurd and mysterious.      LM Rivera’s THE BOOK OF THE RED ABSURD is a poetic autobiography seen through the lens of literature, cinema, theory, history, mythology, and demonology. Presenting themselves in a sort of kinship with academic traditions, these poems move beyond scholarly preciousness to uncover something deeper, stranger, and more honest. This collection is a descent into an absurdist avant-garde performance, immersing the reader in the head of “red” experiences—those with sensations of extremity, despair, amusement, and derision. Here we find a heart laid bare through poetry that aims for the deadliest parts and dances wildly along the way.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":57484291637621,"sku":"9781632432179","price":19.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781632432179.jpg?v=1791213125"},{"product_id":"clouds-upside-down-among-the-flowers","title":"Clouds Upside Down Among the Flowers:","description":"Poetry that imagines how to live with realness, creativity, and vibrance.    The poems in Clouds Upside Down Among the Flowers speak to the emotionally and existentially tough challenge presented by Gilles Deleuze and Félix Guattari in What is Philosophy: “It may be that believing in this world, in this life, becomes our most difficult task.”Filled with wit, color, and high-spirited invention, these selected poems offer no room for softness and sentiment. They carry variant voices, whispers like dramatic asides, and mind-expanding assertions as they reveal their layers and nuances. Bedient confronts disasters of politics, love, and faithless time, never turning away from the glinting axe.      This collection also includes new poems that are direct in dealing with the difficulties of keeping faith through life. They recognize that making something—for instance, poetry—is necessary to coach the world into realness and render oneself real in the process, a journey of both intensive investigation and creativity.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":57504864305525,"sku":"9781632432131","price":19.0,"currency_code":"GBP","in_stock":false}]},{"product_id":"memory-of-a-larger-mind","title":"Memory of a Larger Mind","description":"Poems written outdoors, in the presence of disappearing glaciers—a book of memory, grief, and transformation.   In her new poetry collection, Memory of a Larger Mind, Daniela Naomi Molnar sifts through memory and layered loss—planetary, cultural, familial, and personal—asking how we withstand and how we transform. These are plein air poems, written outdoors in the presence of disappearing glaciers and composed with shifting light, wind, sound, and scent: elegies and love songs, celebrations and laments. Braiding the slow death of glaciers with her grandmother's survival of the Holocaust, the book holds ecological and ancestral loss in a single frame. Alive to our current moment while keeping one foot in geologic time, Molnar exposes genocide and ecocide as expressions of the same logic, the same movement: ice to water to light, grief to love to joy to grief.   Memory of a Larger Mind is part of a larger interdisciplinary project that gathers pigments, language, and memory from “sacrifice zones”—glaciated landscapes, former concentration and incarceration camps, desecrated sacred sites—and transforms them into poems, paintings, and films. The result is work in which all bodies are understood as dynamic, part of a world in which difficult pasts might open toward more peaceful futures, and in which grief, handled with care, might shift to love.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":57504865878389,"sku":"9781632432285","price":16.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781632432285.jpg?v=1794356458"},{"product_id":"oyster-saloon","title":"Oyster Saloon","description":"Poetry that considers art, family history, and creativity.   This collection charts the life of an artist and her passion for nature through the making of a painting. Poems revel in the space humans occupy within the natural world, considering ways of living that range from harmonious to extractive. Alvarez reflects on petroleum, plastic, robots, monsters, and a swath of art history and family history—from her Latino father's time working as an artist in Andy Warhol’s Factory to the teachings of Hokusai. Acting asa séance conjuring the voices of the dead as a guide, the book is part elegy to the poet’s mother, who was a painter and gardener. Steeped in the rural New England countryside of the poet’s childhood and the lore of her indigenous ancestral family in Puerto Rico and Mexico, Oyster Saloon straddles contrasting heritage and landscapes and considers what it means to live a creative life.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":57613179224437,"sku":"9781632432247","price":16.0,"currency_code":"GBP","in_stock":false}]},{"product_id":"the-gathering","title":"The Gathering","description":"Poetry that serves as a broad collection of historical incidents and considers how we weigh and value events.   Named for a sura of the Quran, The Gathering is an epic in cantos that indiscriminately records deeds and events that have taken place on this earth. Its speaker—a nearly omniscient archivist—is propelled by a force more elemental than causation to visit moments and subjects, moving swiftly through thoughts, physiologies, and environments. Under an imperative to record everything encountered—however small, cruel, or sad—the archivist must grant radically equal weight to each thing. Yet as these entries accumulate, a strange significance accrues, and the negligible seems necessary. Each mundane fragment of life finds consolation. What was, was; what happened, got to happen.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":57613179322741,"sku":"9781632432261","price":16.0,"currency_code":"GBP","in_stock":false}]},{"product_id":"silicon-ana-a-quantum-entanglement","title":"Silicon Ana: A Quantum Entanglement","description":"Poetry tracing the parallel lives of two characters as they grapple with transcendence, selfhood, technology, and desire.   In Silicon Ana: A Quantum Entanglement, two narratives weave across each page: Ana, a stigmatic visionary navigating miraculous healings and supernatural visitations, and Nan, discovering sexuality and selfhood through a found Penthouse magazine. Across seven movements, their stories braid and diverge—hospital beds mirror bedroom paralysis, religious ecstasy meets erotic awakening, strange prophecies echo in both realms. Through tightly wound five-line stanzas, this double helix of consciousness explores possession in all its forms: spiritual, sexual, psychological, and technological. Each stanza creates a chamber where sacred and profane collapse into each other. Written in an era of AI awakening and quantum computing, where consciousness becomes suspect, this collection asks what happens when the experiment becomes self-aware. As Ana ascends toward cosmic transcendence and Nan navigates earthly desire, their entangled fates ask if we are observing one entity being split across an unfathomable divide or two that are bound by invisible threads. Silicon Ana is a fevered meditation on bodies that refuse singular interpretation in an age of infinite possible selves.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":57613179421045,"sku":"9781632432278","price":16.0,"currency_code":"GBP","in_stock":false}]}],"url":"https:\/\/backstory.london\/collections\/publisher-omnidawn-publishing.oembed","provider":"Backstory","version":"1.0","type":"link"}