{"title":"No Place Press","description":null,"products":[{"product_id":"9781949484120","title":"Pervert or Detective?","description":"\u003cb\u003eA provocative conversation on the erotic, appropriation, power, and sex.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eIn \u003ci\u003ePervert or Detective?\u003c\/i\u003e, artists Reba Maybury and Lucy McKenzie dissect power, desire, and subversion in a provocative conversation. Maybury, who integrates her work as a political dominatrix into her artistic practice, manipulates dynamics of control, compelling her male submissives to create art under her direction, only to claim it as her own. Through confession and humiliation, she dismantles notions of authorship, masculinity, and labor. McKenzie, known for her intricate trompe l’oeil paintings and conceptual installations, similarly blurs boundaries—between art and commerce, and authenticity and illusion. Her work challenges power structures and exposes the unstable nature of representation.\u003cbr\u003e\u003cbr\u003eMaybury and McKenzie, through an expansive discussion with French art critic Marie Canet, interrogate the logic of seduction and domination, pushing against rigid binaries to probe the material erotic, appropriation, and transformation. With an introduction by curators Fredi Fischli and Niels Olsen, an afterword by writer Susan Finlay, and extensive reading and viewing lists, \u003ci\u003ePervert or Detective?\u003c\/i\u003e offers a compelling exchange between artists committed to unsettling the familiar and redefining artistic agency.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56309204779381,"sku":"9781949484120","price":17.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781949484120_66ac3b98-1d8b-437c-96f2-38d80af58c0d.jpg?v=1786030745"},{"product_id":"9781949484069","title":"Exit Interview","description":"\u003cb\u003eTwo of the most important voices in art history discuss their intellectual foundations, the changing role of criticism, and the possibilities for artistic practice today.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eIn \u003ci\u003eExit Interview\u003c\/i\u003e, the prominent art critics and historians Hal Foster and Benjamin Buchloh discuss their intellectual foundations and the projects they've worked on together, from \u003ci\u003eOctober\u003c\/i\u003e magazine to \u003ci\u003eArt Since 1900\u003c\/i\u003e. 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Spanning three volumes of more than six hundred pages each, the series gathers re-edited versions of his earlier works alongside two newly written books, arranged and organized by the author himself. For new readers, the volumes provide an introduction to Toufic’s central concepts—including the withdrawal of tradition past a surpassing disaster, radical closure, silence-over, the 180-degree over-turn, and the dancer’s two bodies—while for longtime readers they offer a comprehensive view of more than three decades of thought, presented in their most rigorous and fully articulated form. Yet, in keeping with Toufic’s practice—which participates in untimely collaboration (including with future filmmakers, thinkers, and artists) and abides in the suspension of the \u003ci\u003eavenir\u003c\/i\u003e of messianism\/Mahdism—some of these works remain forthcoming even after their inclusion in the \u003ci\u003eCollected Writings\u003c\/i\u003e.\u003cbr\u003e\u003cbr\u003eVolume 1 (2025) includes newly revised editions of Toufic’s first three books—\u003ci\u003eDistracted\u003c\/i\u003e (1991\/2003); \u003ci\u003e(Vampires): An Uneasy Essay on the Undead in Film \u003c\/i\u003e(1993\/2003); and \u003ci\u003eOver-Sensitivity\u003c\/i\u003e (1996\/2009)—together with the script \u003ci\u003eJouissance in Postwar Beirut\u003c\/i\u003e (2014) and, new, \u003ci\u003eThe Unreviewed Writings of a Peerless Thinker \u003c\/i\u003e(2024).","brand":"Gardners","offers":[{"title":"Default Title","offer_id":57492443103605,"sku":"9781949484137","price":41.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781949484137.jpg?v=1786529287"},{"product_id":"beverly-buchanan","title":"Beverly Buchanan","description":"\u003cb\u003eOver 25 contributors on Beverly Buchanan’s wide-ranging practice to reframe race, sexuality, disability, and the poetics of place.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003ci\u003eBeverly Buchanan: I Broke the House\u003c\/i\u003e surveys Buchanan’s wide-ranging oeuvre of sculpture, painting, photography, drawing, writing, and printed matter. Pairing newly commissioned essays with archival materials, the book situates the artwork of Beverly Buchanan (1940–2015) within historical, discursive, and deeply personal contexts. Tracing eroded surfaces of urban ruins on canvas and paper, studying vernacular dwellings and their “builder-occupants” in the rural South, and addressing questions of race, commemoration, and politics of place through site-specific sculpture, Buchanan built a language of place and repair. Alongside extensive primary sources from public and private archives, contributions by over 25 scholars and artists extend and complicate our understanding of this exceptional artist.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eContributors\u003c\/b\u003e\u003cbr\u003eElena Bally, Simone Browne, Jeffrey Bruce, Julia Bryan-Wilson, Jennifer Burris, Andy Campbell, Tony Cokes, Phoebe Collings-James, Mo Costello, Patricia Ekpo, Fredi Fischli, Jack Halberstam, Edgar Heap of Birds, Tonja Khabir, Charlotte Matter, Devin T. 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That turn-of-the-century high was followed by crisis and challenge as we entered an era increasingly defined by manipulation, with an art world ever more fragmented and corporate. 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