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In excess\u003c\/p\u003e\u003cp\u003e\u003cem\u003e– Berlingske\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003eAmalie Smith brings marble to life\u003c\/p\u003e\u003cp\u003e\u003cb\u003e– \u003c\/b\u003e\u003cem\u003e\u003cb\u003ePolitiken ♥♥♥♥\u003c\/b\u003e\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003eAdmirably vivid\u003c\/p\u003e\u003cp\u003e\u003cem\u003e\u003cb\u003e– Information\u003c\/b\u003e\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cem\u003eMarble \u003c\/em\u003eis an artistically ambitious and original attempt at creating an open, hybrid and ‘impure’ strand of novel which integrates and supplements fiction with factual and documentary elements… Amalie Smith digs into the material with knowledge, sensuality, and aesthetic sensibility\u003c\/p\u003e\u003cp\u003e\u003cem\u003e\u003cb\u003e– Litteratursiden\u003c\/b\u003e\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cem\u003eMarble\u003c\/em\u003e is a novel about insisting on the significance of surfaces, about longing and absorption, about diving and becoming porous. The book thinks across disciplines and aesthetic genre conventions, and hence it is no coincidence that Amalie Smith is a practising artist as well as a writer\u003c\/p\u003e\u003cp\u003e\u003cem\u003e\u003cb\u003e– Vagant\u003c\/b\u003e\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eAMALIE SMITH\u003c\/strong\u003e (b. 1985) is a Danish writer and visual artist. A graduate from the Danish Academy of Creative Writing and the Royal Danish Academy of Fine Arts, Smith has published eight hybrid books. She has received numerous awards for her work as an artist and writer, including the Danish Arts Foundation’s prestigious three-year working grant, the Danish Crown Prince Couple’s Rising Star Award, and the Bodil and Jørgen Munch-Christensen Prize for emerging writers.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eJENNIFER RUSSELL\u003c\/strong\u003e has published translations of Amalie Smith, Christel Wiinblad, and Peter-Clement Woetmann. She was the recipient of the 2019 Gulf Coast Prize for her translation of Ursula Scavenius’s ‘Birdland’, and in 2020 she received an American-Scandinavian Foundation Award for her co-translation of Rakel Haslund-Gjerrild's \u003cem\u003eAll the Birds in the Sky\u003c\/em\u003e.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56309794111861,"sku":"9781999992873","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781999992873_923e42b4-1d6c-4c80-abe6-e70b1f6bd0bd.jpg?v=1786031961"},{"product_id":"9781999992842","title":"The Dolls","description":"\u003cp\u003e\u003cstrong\u003eStories from a world both fantastically strange and gruellingly familiar where isolation, ruin, prejudice, and misinformation soar in an irresistible, susurrant fugue of displaced families yearning to belong\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIn the four stories that make up \u003cem\u003eThe Dolls\u003c\/em\u003e, characters are plagued by unexplained illnesses and oblique, human-made disasters and environmental losses. A big sister descends into the family basement. Another sister refuses her younger brother. A third sister with memory loss is on the run and offered shelter by Notpla, a man both an ally and an enemy. A fourth set of siblings travel to Hungary with their late mother in a coffin. They each have a different version of their mother’s story.\u003c\/p\u003e\u003cp\u003eDrawing on the likes of August Strindberg, Franz Kafka, Andrej Kurkov, Knut Hamsun, T.S. Eliot, Béla Tarr, and Hieronymus Bosch, Scavenius’s universe is chilling and excruciatingly seductive. In it, nothing can be said to be \u003cem\u003etrue\u003c\/em\u003e anymore. After all, anything can be propaganda today.\u003c\/p\u003e\u003cp\u003e\u003cb\u003ePraise for \u003c\/b\u003e\u003cem\u003e\u003cb\u003eThe Dolls\u003c\/b\u003e\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003eHere is a writer of extremely unusual imaginative powers. I found myself completely entranced. This is one of the most extraordinary pieces of writing I've ever read\u003c\/p\u003e\u003cp\u003e\u003cb\u003e– Editor’s Pick, \u003ci\u003eBBC Radio 4\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eFrom a \u003cem\u003eRear Window\u003c\/em\u003e-like position, a girl in a wheelchair watches extremely sinister happenings at a refugee centre with her complicit parents while her sister refuses to leave the basement of their house. A woman seeks refuge from the ever-present threat of war or the chaos of climate change with a man whose identity is as unclear as his intentions… These are artful, singular stories which, with rigorous inventiveness of language and technique, vividly evoke the calamities that form our nightmares\u003c\/p\u003e\u003cp\u003e\u003cem\u003e\u003cb\u003e– The Irish Times\u003c\/b\u003e\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003eFiercely anti-establishment and addictively macabre. The translation is appropriately atmospheric: Jennifer Russell has done a marvellous job of weaving the narrative seamlessly between an almost dreamlike lyricism and a grisly reality\u003c\/p\u003e\u003cp\u003e\u003cem\u003e\u003cb\u003e– Translating Women\u003c\/b\u003e\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003eScavenius’s book is filled with impressive observation and uncomfortable characters, all bound together by her peculiarnand gritty prose, beautifully told in Russell’s immaculate translation\u003c\/p\u003e\u003cp\u003e\u003cem\u003e\u003cb\u003e– Asymptote\u003c\/b\u003e\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003eA dilute wash of watercolour exposes the terrifying images and themes underneath… Emerging from Scavenius’ world, we recognise the cruelty and threat and bewilderment as not only the domain of the world she’s writing from, but also a powerful and poetic compression of where we live\u003c\/p\u003e\u003cp\u003e\u003cb\u003e– \u003c\/b\u003e\u003cem\u003e\u003cb\u003eExacting Clam\u003c\/b\u003e\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003eUrsula Scavenius is one of the most exciting Danish short story writers at work today. \u003cem\u003eThe Dolls\u003c\/em\u003e, in Jennifer Russell's magnificent translation, is a literary page-turner: haunting, mesmerizing, and unforgettable in all its grotesque glory\u003c\/p\u003e\u003cp\u003e\u003cb\u003e– Katrine Øgaard Jensen\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eScavenius’s dystopian narratives are hard to put down, recalling both historical crimes and current crises\u003c\/p\u003e\u003cp\u003e\u003cb\u003e– \u003c\/b\u003e\u003cem\u003e\u003cb\u003eInformation\u003c\/b\u003e\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eURSULA SCAVENIUS\u003c\/strong\u003e is a writer based in Copenhagen. She is a graduate of the Danish Academy of Creative Writing and holds an MA in comparative literature and Italian from the University of Copenhagen. She debuted in 2015 with the short story collection \u003cem\u003eFjer [Feathers]\u003c\/em\u003e, which won the Bodil and Jørgen Munch-Christensen Prize and was nominated for the Montana Prize for Fiction. Her second book, \u003cem\u003eThe Dolls\u003c\/em\u003e, was published in January 2020 and was shortlisted for the Edvard P. Prize that same year, as was \u003cem\u003eFeathers \u003c\/em\u003ein 2015.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eJENNIFER RUSSELL\u003c\/strong\u003e has published translations of Amalie Smith, Christel Wiinblad, and Peter-Clement Woetmann. She was the recipient of the 2019 Gulf Coast Prize for her translation of Ursula Scavenius’s ‘Birdland’, and in 2020 she received an American-Scandinavian Foundation Award for her co-translation of Rakel Haslund-Gjerrild's \u003cem\u003eAll the Birds in the Sky\u003c\/em\u003e.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56313254805877,"sku":"9781999992842","price":12.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781999992842_77e5d2c7-a594-4b1d-96a9-8c1f8328532a.jpg?v=1786035224"},{"product_id":"tools-for-extinction","title":"Tools for Extinction","description":"Enrique Vila-Matas, Olivia Sudjic, Jon Fosse, Inger Wold Lund, Vi Khi Nao, Patrícia Portela, Lucie Elven, Mara Coson, Christina Hesselholdt, Jean-Baptiste Del Amo, Naja Marie Aidt, Michael Salu, Joanna Walsh, Jakuta Alikavazovic, Anna Zett, Emilio Fraia, Frode Grytten, and Olga Ravn Translations by Margaret Jull Costa, Zoë Perry, Martin Aitken, Denise Newman, Paul Russell Garrett, Damion Searls, and Rahul Bery Eighteen international writers respond to the open-ended period of social distancing, closures, and illness caused by Covid-19.  Compiled during the initial lockdown in Europe, this special collection is a meteoric publishing project with contributions from some of the most exciting and innovative authors working today. Meditating on notions of distance and closeness, sameness and alterity, extinguishing and kindling, Tools for Extinction considers how a common pause might give rise to new modes of domesticity and shift experiences of time.  What gestures and actions are we willing to perform to make ourselves, and each other, feel at ease – or at work? What tools and objects are useful, or unprecedentedly useless, to us in the process? And as our species’ trademark proclivity for projecting ourselves into the future is disrupted, might we come to see the buildings, animals, plants, and foodstuffs around us in a new light?The anthology takes its name from Steven Brand’s Whole Earth Catalog, a 1960s counterculture compendium of product reviews, essays, and articles on the themes of self-sufficiency, ecology, and alternative education.  By giving “access to tools”, a new social order and a more sustainable Earth was imagined. Compiled, edited and with a foreword by Denise Rose Hansen.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":57492284735861,"sku":"9781999992828","price":17.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781999992828.jpg?v=1786529118"}],"url":"https:\/\/backstory.london\/collections\/publisher-lolli-editions.oembed","provider":"Backstory","version":"1.0","type":"link"}