{"title":"Liss Llewellyn","description":null,"products":[{"product_id":"9781999314583","title":"Albert de Belleroche - Works from the Artist’s Studio \u0026 Catalogue Raisonne of the Lithographic Work","description":"Belleroche was an integral part of the Parisian art scene during the Belle Époque - he was a close friend of the artist John Singer Sargent with whom he shared studios in Paris and London; he was admired and collected by luminaires such as Degas and Renoir - anbdchampioned by the art critic Roger Marx. With Toulouse-Lautrec he shared the celebrated model Lily Grenier. And it is even said that Oscar Wilde's Picture of Dorian Gray was inspired by Belleroche.\n\nBelleroche was considered by his contemporaries to be an innovator. In the art of lithography he developed techniques that built on the experiments of Degas and other Impressionist, (with whom he shared a fascination for monotypes). Despite all these fascinating facets of his life and art, his story remains largely unknown.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56309472788853,"sku":"9781999314583","price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781999314583_dd24a437-4261-46e4-b496-e4e36631ad99.jpg?v=1786031644"},{"product_id":"9781999314569","title":"John Cecil Stephenson: A Modernist in Hampstead","description":"By the end of John Cecil Stephenson’s art school training – first a scholarship to Leeds Art School then to The Royal College of Art – he was in a position to produce still lives, landscapes and portraits in a professional capacity. Like many painters of his generation, who had received similarly conventional instruction, he became a competent teacher, appointed in 1922, as Head of Art at The Northern Polytechnic. In this mould Stephenson might have remained a largely undistinguished painter – but in the early 1930s he found himself at the centre of a group of artists with avant-garde credentials, and his own art underwent a remarkable transformation. \n\n \n\nBy 1934 he was exhibiting groundbreaking works such as Mask (CAT. 7), at the 7 \u0026amp; 5 Society, and in 1937 was a key contributor to the watershed publication and exhibition Circle, where his work was showcased alongside that of luminaries such as Kazimir Malevich, Le Corbusier, Fernand Léger, Alberto Giacometti and Pablo Picasso. What led Stephenson to become, in the words of the celebrated art critic Herbert Read, ‘one of the earliest artists in the country to develop a completely abstract style’? \n\n \n\nBetween March 1919 and November 1965, John Cecil Stephenson lived in London at No. 6 Mall Studios, off Tasker Road, Hampstead. As the father figure of what Read christened ‘a nest of gentle artists’, his next door neighbours included, during the course of the decade leading up to World War II, Barbara Hepworth, John Skeaping, Ben Nicholson and Henry Moore. Such fertile ground was further enriched by visits from artists fleeing persecution – including Piet, László Moholy-Nagy and Alexander Calder – just a few of the many internationally acclaimed artists who, whilst passing through London, formed part of the art set who congregated around Read’s house at No. 3 Mall Studios.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56309782511989,"sku":"9781999314569","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781999314569_2f3b3b2e-a8b0-4769-8e93-f47fdf0e7f8a.jpg?v=1786031643"}],"url":"https:\/\/backstory.london\/collections\/publisher-liss-llewellyn.oembed","provider":"Backstory","version":"1.0","type":"link"}