{"title":"Kettle's Yard Gallery","description":null,"products":[{"product_id":"9781904561811","title":"Lubaina Himid and Magda Stawarska","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eAnother Chance Encounter\u003c\/em\u003e\u003c\/strong\u003e celebrates Lubaina Himid's first UK museum exhibition since 2018. Beautifully designed in collaboration with the artist, this fully illustrated book documents three new bodies of paintings and installations created for the exhibition at Kettle’s Yard, one made in collaboration with artist and master printmaker Magda Stawarska. Inspired by the unique Kettle's Yard house and collection, Himid's new work illuminates figures and histories often considered marginal. Himid will populate the Kettle’s Yard house with paintings in cupboards and drawers, and display a new collection of found and made objects and in the galleries. The publication follows Himid as she brilliantly crafts alternative histories with her distinctive bold colours and characters. The book will include new texts by Amy Tobin, Amelia Groom and Aneta Krzemien in conversation with Magda Stawarska, as well as Himid's own writing.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56308278690165,"sku":"9781904561811","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781904561811_c4c9ced8-9d4e-40fd-bd07-a516f5fe8e85.jpg?v=1786029669"},{"product_id":"9781904561781","title":"Making New Worlds","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eMaking New Worlds: Li Yuan-chia \u0026amp; Friends\u003c\/em\u003e\u003c\/strong\u003e is the first book to document the extraordinary activity at the LYC Museum \u0026amp; Art Gallery in Banks, Cumbria between 1972 and 1983. The LYC was the singleminded effort of the artist Li Yuan-chia, who moved to the rural North of England by way of London, Bologna, Taipei and Guangxi, China. At the LYC, Li organised exhibitions, published books, exhibited archealogical artefacts, arranged workshops and welcomed an array of visitors from local and international artists and art workers to nearby residents and travellers, many of whom became friends. In this book, which accompanies an exhibition of the same name at Kettle's Yard, the curators Hammad Nasar, Amy Tobin and Sarah Victoria Turner, establish Li's work at the LYC as a form of worldmaking, connecting his cosmic conceptual art practice, to his interest in participation and friendship as well as his engagement with nature and the landscape. Nasar, Tobin and Turner's account is accompanied by nine short texts – by Elizabeth Fisher, Ysanne Holt, Annie Jael Kwan, Lesley Ma, Gustavo Grandal Montero, Luke Roberts, Nick Sawyer \u0026amp; Harriet Aspin, Nicola Simpson and Diana Yeh – that trace the diverse threads and ramifications of Li's practice historically and in the present. 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Inspired by the comings and goings of this exuberant life, Wood would sit sketching for hours. During this time Wood met Alphonse Kahn, one of the best-connected men in the Paris art world, who invited him to Paris.\u003c\/p\u003e\n\u003cp\u003eThrough extended visits to Paris between 1921 and 1924 he came into contact with the European avant-garde and established himself as a prominent and popular artist winning the admiration of Picasso and Jean Cocteau. Wood was one of the very few British artists to recognise and respond to the new landscape of modernism and have a solo exhibition in Paris at that time. During his Parisian years Wood became addicted to opium and in 1930 was tragically killed by a train at Salisbury station whilst under the influence of the drug.\u003c\/p\u003e\n\u003cp\u003eRichly illustrated with over 40 colour illustrations, this is a comprehensive account from the largest public collection of works by Christopher Wood. 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The directness of Wallis’ vision reflected a lifetime of living by and from the sea. His paintings are of what he knew, remembered and imagined. Yet they are also timeless stories about survival and the nature of our relationship with the world. As Jim Ede commented “Wallis is never local.”\u003c\/p\u003e\n\u003cp\u003eWith over 70 illustrations, excerpts from letters and texts by Michael Bird, Ben Nicholson and Jim Ede, this book takes a fresh look at this extraordinary artist and his relationship to Kettle's Yard. It includes some of Wallis's best works from the Kettle’s Yard collection including many that are not normally on display, from ambitious paintings such as \u003cem\u003eSaltash\u003c\/em\u003e to what Wallis knew and loved best: ships and boats.\u003c\/p\u003e\n\u003cp\u003eKettle's Yard, the University of Cambridge's modern and contemporary art gallery, holds the largest public collection of works by Alfred Wallis. Wallis was born in Devon. 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Nicholson met Kettle’s Yard founder Jim Ede in 1924, and they kept in regular contact over the following decades. Ede credited Winifred Nicholson directly for ‘[teaching] me much about the fusing of art and daily living’ and at Kettle’s Yard he built the largest public collection of her work.\u003cbr\u003e \u003cbr\u003eThis book brings together some of Nicholson’s most eloquent essays with extracts from previously unpublished letters between the artist and Ede, and the words of their mutual friends, the poet Kathleen Raine and collector Helen Sutherland. With an introduction by curator Elizabeth Fisher exploring Nicholson’s relationship with Ede, the book is richly illustrated and included reproductions of all works in the collection, a biography and bibliography.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56313109250421,"sku":"9781904561415","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781904561415_f4810035-2b1a-4363-a6b8-849d2b2cc5ae.jpg?v=1786034703"},{"product_id":"9781904561699","title":"Harold Offeh: Mmm, Gotta Try a Little Harder, It Could Be Sweet","description":"\u003cp\u003e\u003cem\u003eMmm, Gotta Try a Little Harder, It Could Be Sweet\u003c\/em\u003e is the first institutional solo exhibition of work by Harold Offeh in the UK. This fully illustrated book documents two decades of video, performance and collaborative projects by the artist, as well as a new series of photographs depicting Offeh re-performing works in his archive. Offeh's work interrogates our acceptance of social, political and racial models in society, often drawing inspiration from mainstream music, film and media. The title of the exhibition is taken from lyric by the British band Portishead and corresponds to three thematic sections of the exhibition: \u003cem\u003eMmm\u003c\/em\u003e, a new multi-channel sound installation, \u003cem\u003eGotta Try a Little Harder\u003c\/em\u003e considers Offeh's use of performance as an investigative tool and \u003cem\u003eIt Could Be Sweet\u003c\/em\u003e looks at the artists participatory and collaborative works on themes of desire, utopianism, queer identity and acts of resistance. The book includes a preface by Lubaina Himid and new essays by Sepake Angiama, David. A. 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Home to their substantial collection of 20th century art, furniture, ceramics, glass and natural objects, the house remains open for visitors to experience as the Ede’s intended: art as a way of life.\u003cbr\u003e \u003cbr\u003eThe carefully curated interior spaces in the original converted cottages (1957) and Leslie Martin-designed extension (1970) are a masterclass in balance and restraint, appealing to aesthetes across the spectrum of art and design from fine art to fashion; interior designers, architects and art historians.\u003cbr\u003e \u003cbr\u003eRichly illustrated with new photography by Gilbert McCarragher and inspired by classic mid-century guidebooks, this book will catch the eye of long-time fans of Kettle’s Yard as much as those discovering the house for the very first time. 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