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What share do planning and calculation, coincidence and impermanence have in the creation of artworks and exhibitions? Valérie Favre (*1959), an internationally renowned painter, dedicates herself to these questions with an unusual exhibition at the Berliner Galerie Pankow. It opens up a continuously developing conversation with her own works and with invited artists, poets, philosophers, and sociologists. 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On a grey November afternoon, a unique stage set was created on the construction site: an unfinished track bed and a majestic hall, which, with its chalice columns and skylights, evokes the grandeur of a cathedral.\u003c\/p\u003e\u003cp\u003eRenowned photographer Dennis Orel captured the gifted dancers of the Stuttgart Ballet in this extraordinary setting. Their elegant poses and the architectural complexity of the structure merge to create a striking work of art. \u003cstrong\u003e\u003cem\u003eStation Stuttgart\u003c\/em\u003e\u003c\/strong\u003e documents not only the creative process but also the tireless dedication of all those involved, who, in harmonious collaboration, created an impressive marriage of dance and architecture. 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Figures—personified by herself, by others or by the visitors—act within her evocative spaces, blurring the borders between reality and fiction. Blum uses simple materials to reveal the artistic process, transforming the familiar into something new. The subject matter of her stagings include visibility, power, and the narrative of heroism. 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Following the first, intuitive glance, a second, reflective contemplation transforms the image into a work that departs from the original. This creates a complex, ambiguous pictorial reality in which the recognisable disintegrates, allowing something new to take shape. The title refers to the \"third meaning\"—that quiet, intermediate level that is revealed only through repeated viewing. Grunder's works revolve around perception, reality, and the question of the individual's place within it. This book brings together works from the last 50 years and provides a retrospective overview of Grunder's various creative phases. 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This book brings together the most important series from the last 10 years while simultaneously tracing the developmental curve in the oeuvre of an artist who has consistently refined a new form of digital image production. Brunk understands his approach as “algorithm photography”—an approach that re-evaluates the relationship between the image, the tools, and artistic authorship. The series of works featured in this publication show how Brunk transforms digital processing methods into pictorial instruments, employing the algorithm as an active co-author. The combination of illustrations, art historical texts, and hitherto unpublished background materials provides a glimpse beneath the surface at the creative processes, conceptual considerations and aesthetic logic behind Brunks' series. As such, this publication represents a central reference source for a body of work asserting its unique voice in the digital age.\u003c\/p\u003e\u003cp\u003eText in English and German.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":57510070321525,"sku":"9783735610959","price":50.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9783735610959.jpg?v=1787130379"},{"product_id":"clausnitzer-my-sweet-demon","title":"Clausnitzer. My Sweet Demon","description":"\u003cp\u003eThe publication \u003cstrong\u003e\u003cem\u003eClausnitzer. My Sweet Demon\u003c\/em\u003e\u003c\/strong\u003e brings together 66 images of oil paintings by the artist, most of them large-scale, and provides a comprehensive insight into her work. Over five chapters, this book presents key cycles of her work, which explores the fragmentation and overlaying of identities. Doubled and mirrored storylines unfold on various pictorial levels: figures interact across timelines and genres, transcending the boundaries between the physical and the spiritual, between the sublime and the mundane. Motifs from the collective visual memory, from the history of art and cinema together with elements from newspaper photographs combine to create complex pictorial worlds. The title hints at the simultaneity of light and dark, good and evil, of this world and the Hereafter, and shapes the works both in terms of content and form. An in-depth interview provides deeper insights into the artist’s working process, while an accompanying text by Ludwig Seyfarth situates her work in an art-historical context.\u003c\/p\u003e\u003cp\u003eText in English and German.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":57510071206261,"sku":"9783735610966","price":42.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9783735610966.jpg?v=1787130381"},{"product_id":"procession","title":"Procession","description":"\u003cp\u003eFor their video trilogy \u003cem\u003eProcessions\u003c\/em\u003e, Ben Greber and Bram Kuypers journeyed to the decommissioned test tracks of the Transrapid magnetic suspension railway, the French hovertrain Aérotrain and Elon Musk’s Hyperloop concept. The exploration of their tracks depict a modern landscape, the Anthropocene landscape, indelibly marked by the infrastructural needs of humankind. 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The building itself—a construction originally designed as a residential building which is now used as an exhibition venue—provided the starting point for the artistic interventions. Through performances and installation-based interventions, the curatorial team reactivated the original character of the house. In reference to the seminal feminist project \u003cem\u003eWoman House\u003c\/em\u003e (1972), the domestic space was interpreted as a political arena within which social tensions are revealed. Forty-four international contemporary artists explored questions relating to housing, care work, violence, migration, and gentrification through various installations, performances, and media artworks. This publication transfers the spatial and physical experiences into the temporality of the book, inviting readers to engage more deeply with these themes.\u003c\/p\u003e\u003cp\u003eArtists: Adidal Abou-Chamat, Liz Bachhuber, Ina Bierstedt, Frauke Boggasch, Christian Borchert, Benhard Bormann, Bella Bram, Nakeya Brown, Libia Castro \/ Ólafur Ólafsson, Kathryn Cornelius, Alba D'Urbano \/ Tina Bara, Johanna Demetrakas, Milena Dopitová, Judith Miriam Escherlor, Maria Ezcurra, Kerstin Flake, Gluklya, Markéta Hlinovská, Fumi Kato, Daniela Krajčová, Elli KURUŞ, Via Lewandowsky, Loredana Longo, Susanne Lorenz, Tina Mamczur, Anguezomo Mba Bikoro, Isa Melsheimer, Cornelia Friederike, Müller Jill, Luise Müßig, Linda Perthen, Cesare Pietroiusti, Chloé Piot, Inken Reinert, Dana Sahánková, Corinna Schnitt, Selma Selman, Jakub Šimčik, Barbora Šimková, Molly Soda, Nanae Suzuki, Fede Taus, Petra Trenkel, Andreas Ullrich, Anna Witt Performances: Stefan Hurtig, Melina Matzanke, Ping Qiu, Nika Radic \/ Georg Spehr Film programme: Maya Deren, Agnès Varda, Chantal Akerman, Paola Cortellesi.\u003c\/p\u003e\u003cp\u003eText in English and German.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":57510072877429,"sku":"9783735610980","price":47.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9783735610980.jpg?v=1787130382"},{"product_id":"volker-schrank","title":"Volker Schrank","description":"\u003cp\u003eIn his photographs, \u003cstrong\u003e\u003cem\u003eVolker Schrank\u003c\/em\u003e\u003c\/strong\u003e removes confessionals out from the sacred space from which they originate. Set against monochrome backgrounds in bold colours reminiscent of medieval stained glass windows, they appear at once familiar and distant. But a confessional—however abstract and detached its depiction—is not merely a piece of furniture, but a place deeply charged with emotion. In Schrank's pictures, confessionals become ethereal objects, imbued with stories and experiences that go far beyond their function as the venue for admissions and absolution. The confessionals from around the world photographed by Volker Schrank are eloquent in their silence. What those who voluntarily sought them out or were compelled to do so said, confessed, or experienced within them remains their secret.\u003c\/p\u003e\u003cp\u003eText in English and German.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":57510073860469,"sku":"9783735610997","price":28.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9783735610997.jpg?v=1787130383"},{"product_id":"i-have-lost-my-eurydice-christina-dimitriadis","title":"I Have Lost My Eurydice: Christina Dimitriadis","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eI Have Lost My Euridice\u003c\/em\u003e\u003c\/strong\u003e provides an overview of the work of Greek-German artist Christina Dimitriadis and is being published to accompany the eponymous exhibition at the Schwartzsche Villa, Berlin. It focuses on the artist’s walks around the Aegean, where history, myth, and shifting cultures have created a unique maritime environment that has always been heavily influenced by migration, trade, and cultural exchange. Dimitriadis’ photographs follow the ancient marble transport routes, reflecting in their traces both humankind’s quest for skill and splendor as well as issues such as exploitation, the lust for power, and hubris.\u003c\/p\u003e\u003cp\u003eThe publication presents the newest series \u003cem\u003eJ’ai perdu mon Eurydice\u003c\/em\u003e dating from 2021–2025, but can also be seen as an extended curatorial platform accompanying the exhibition. Texts by Ewa Majewska, Övül Ö. 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The result is a series of powerful, poetic photographs that reveal the rich inner worlds of these women.\u003c\/p\u003e\u003cp\u003eFollowing her photographic work on adolescence, Carolin Schüten became interested in how an individual’s life develops. How does someone become happy? How can they realise their potential? How do they become the person they are meant to be? Schüten is always driven by her interest in learning more about people’s emotional state in various phases of life and exploring these through her images; it is based on the belief that you can see something on the outside that speaks to what lies inside. The photographs are juxtaposed with personal statements by the subjects. Meanwhile, a text on the subject of happiness research by biographical researcher Anne Schlüter provides a deeper insight into this topic.\u003c\/p\u003e\u003cp\u003eText in English and German.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":57520085860725,"sku":"9783735610713","price":33.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9783735610713.jpg?v=1787581572"},{"product_id":"eye-candy-daniel-engelberg","title":"Eye Candy: Daniel Engelberg","description":"\u003cp\u003eDaniel Engelberg’s first monograph brings together works from the last four years. Starting from his training as a sculptor, Engelberg has developed an oeuvre at the interface between painting and sculpture. His structural visual objects are made from sheets of MDF, acrylic paint, and epoxy resin and combine precise geometric constructions with vibrant colour gradients and optical effects. 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