{"title":"Kaya Press","description":null,"products":[{"product_id":"9781885030207","title":"Crevasse","description":"\u003cp\u003e\u003ci\u003eCrevasse\u003c\/i\u003e, Hong Kong–based writer Nicholas Wong's newest collection of poetry, which won the 2016 Lamda Literary Award, starts with an epigraph from Maurice Merleau-Ponty that notes the impossibility of observing one's own physical body and, therefore, the necessity of a \"second,\" \"unobservable\" body from which to view one's own.\u003c\/p\u003e\u003cp\u003eThe poems in \u003ci\u003eCrevasse\u003c\/i\u003e seek to uncover the thread connecting these mutually observed and observing bodies.\u003c\/p\u003e\u003cp\u003eLike Samuel Beckett and others before him, Wong has deliberately chosen to write in a non-native language—English, his second language after Cantonese. 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There is a small but potent club of authors-Miranda July and Patti Smith are both members-who were renowned artists long before they became writers. Genpei Akasagawa was already a giant of the Japanese contemporary art world when he began writing these stories, which earned him Japan's two most prestigious book awards. In these stories, ostensibly quiet tales of a single dad in 1970s Tokyo, a doorknob practices radical politics, a peeled tomato smarts in pain, raw oysters tick like time bombs and gravestones provide a critique of capitalism. After reading I Guess All We Have Is Freedom, you will never be able to look at a sliding door, a rubber band or a plastic gutter the same way again. In spite of their suburban settings, the stories here are more radical than the most cosmopolitan contemporary art. Or as the protagonist puts it: \"The whole art thing is a little played out at this point. Nowadays, it's all about buying gutters. Going out to buy a gutter on a sunny day.\" Genpei Akasegawa (1937-2014) was a rare phenomenon, an artist who successfully transitioned from the avant-garde to the larger realm of popular culture. Akasegawa emerged on the Japanese art scene around 1960, starting in the radical Anti-Art movement and becoming a member of the seminal artist collectives Neo Dada and Hi Red Center. The epic piece Model 1,000-Yen Note Incident (1963-74), which involved a real-life police investigation and trial, cemented his place as an inspired conceptualist. Hyperart: Thomasson (Kaya Press, 2010), a collection of musings on art that the city itself makes, marks a crucial turning point in his metamorphosis from subculture to pop-culture status. Also an accomplished author writing under the penname Katsuhiko Otsuji, in 1981 he won Japan's most prestigious literary award, the Akutagawa Prize, for his story \"Dad, Gone,\" translated into English here for the first time in this volume\"--","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56308293796213,"sku":"9781885030726","price":17.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781885030726_71eb14ab-2e5d-456b-8bdb-05a76ce61f85.jpg?v=1786029110"},{"product_id":"9781885030832","title":"The Girl Before Her","description":"\"French Vietnamese writer Line Papin's stunning English-language debut, The Girl Before Her offers a window onto the existential anguish of displacement as experienced by a child on the cusp of becoming a woman. Uprooted without explanation from the sunshine and chaos of Háa Nãoi at the age of ten, the narrator finds herself adrift in the unfamiliar, gray world of France and grappling with a deep sense of uncertainty about who she is and where she belongs. Lacking the words to express her growing sense of alienation, she stops talking, then eating. She is hospitalized and almost dies from anorexia. Part meditation, part family history, part message in a bottle to her younger selves, Papin's lyrical work of autofiction explores what it takes to embrace one's multiracial, transnational self by making peace with the generations of women who've come before\"--","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56308293894517,"sku":"9781885030832","price":15.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781885030832_944eb8dc-3af0-4a91-a81f-2d55969ca6b0.jpg?v=1786029111"},{"product_id":"9781885030573","title":"Readymade Bodhisattva","description":"\u003cp\u003e\u003cstrong\u003eSpanning more than a half-century of South Korean sci-fi, this massive anthology documents a unique convergence of culture and genre\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eReadymade Bodhisattva: The Kaya Anthology of South Korean Science Fiction\u003c\/i\u003e presents the first book-length English-language translation of science and speculative fiction from South Korea, bringing together 13 classic and contemporary stories from the 1960s through the 2010s. From the reimagining of an Asimovian robot inside the walls of a Buddhist temple and a postapocalyptic showdown between South and North Korean refugees on a faraway planet to a fictional recollection of a disabled woman's struggle to join an international space mission, these stories showcase the thematic and stylistic versatility of South Korean science-fiction writers in its wide array. At once conversant with the global science-fiction tradition and thick with local historical specificities, their works resonate with other popular cultural products of South Korea—from K-pop and K-drama to videogames, which owe part of their appeal to their pulsating technocultural edge and their ability to play off familiar tropes in unexpected ways.\u003c\/p\u003e\u003cp\u003eComing from a country renowned for its hi-tech industry and ultraspeed broadband yet mired in the unfinished Cold War, South Korean science fiction offers us fresh perspectives on global technoindustrial modernity and its human consequences. 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Chutney music is a syncretic, Caribbean music born out of North Indian tunes and African beats. Caribbean Hindustani songs and poems, the basis for Chutney music, are no longer spoken with the frequency that they were two generations ago. To this end, Mohabir asked some of the most exciting Caribbean writers and poets working today to “translate” two popular Chutney songs. 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Figiel uses the traditional Samoan storytelling form of \u003ci\u003esu'ifefiloi\u003c\/i\u003e to talk back to Western anthropological studies of Samoan women and culture. Told in a series of linked episodes, this powerful and highly original narrative follows 13-year-old Alofa Filiga as she navigates the mores and restrictions of her village and comes to terms with her own search for identity.\u003cbr\u003e”A story of Samoan puberty blues, in which Gauguin is dead but Elvis lives on.” –\u003ci\u003eVogue Australia\u003c\/i\u003e\u003cbr\u003e”A storytelling triumph.” –\u003ci\u003eElle Australia\u003c\/i\u003e\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56313102106997,"sku":"9781885030276","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781885030276_b2976e48-3a1f-4959-975d-d92692d375f7.jpg?v=1786029106"},{"product_id":"9781885030788","title":"Hyperart","description":"\"Akasegawa is the kind of artist who inspires everybody every time he makes a new piece of art.\" –Yoko OnoIn the 1970s, estranged from the institutions and practices of high art, avant-garde artist and award-winning novelist Genpei Akasegawa (1937–2014) launched an open-ended, participatory project to search the streets of Japan for strange objects which he and his collaborators labeled \"hyperart,\" codifying them with an elaborate system of humorous nomenclature.   Along with \"modernologists\" such as the Japanese urban anthropologist Kon Wajiro and his European contemporary, Walter Benjamin, Akasegawa is part of a lineage of modern wanderers of the cityscape. His work, which has captured the imagination of Japan, reads like a comic forerunner of the somber mixed-media writings of W.G. Sebald, and will appeal to all fans of modern literature, art, artistic\/social movements and writing that combines visual images and text in the exploration of urban life.   In this revised edition, Matthew Fargo's original US translation of Akasegawa's hilarious, brilliantly conceived exercise in collective observation is accompanied by reflections from noted scholars Jordan Sand and Reiko Tomii, as well as a new essay by Akasegawa scholar William Marotti and a reflection on Akasegawa's legacy as a teacher by writer, artist and composer Masayuki Qusumi, a former student of Akasegawa's.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56369343070581,"sku":"9781885030788","price":18.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781885030788_45b5e97b-f3d1-4752-bfcf-05bd31eff015.jpg?v=1786034573"},{"product_id":"9781885030214","title":"If Films Could Smell","description":"If Films Could Smell is at once an assemblage of interviews and writings by Roddy Bogawa (born 1962) from his nearly 30 years as a filmmaker and artist, and a time capsule of the independent film scene and art world of the 1990s as told through artifacts, diary entries, letters, emails, photographs, script notes and assorted bric-a-brac from Bogawa's archives. As with many of Bogawa's films, it's a collage that doesn't try to hide its seams, a jumble of ideas both realized and unrealized, an exploded diagram and a manifesto. The title conveys his interests in personal and cultural memory, and how these intersect with one's identity. Bogawa's work has been variously described as \"experimental,\" \"Asian American\" and \"independent cinema.\" This volume lays out these labels and dissects them, sometimes humorously. Straddling genres, If Films Could Smell is a document of possibility and provocation-- Provided by publisher.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56369343136117,"sku":"9781885030214","price":20.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781885030214_74c93e96-4d2a-42c0-b073-130c493d49b2.jpg?v=1791213857"},{"product_id":"9781885030870","title":"City Terrace Field Manual","description":"\u003cp\u003e\u003cb\u003eFoster's breakthrough collection of prose poetry is a hymn to the collective memory of Los Angeles that \"corrals the mundane and the serious into a single tight space\" (Tracy K. 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Foster's formally and substantively inventive prose poems describe the multiplicity, double vision and explosive tension that lead from the World War II incarceration of Japanese Americans to warfare on the streets of Watts and Koreatown to the frustrated anger of a boy punching out factory windows with his bare fists. This new, expanded edition provides visual maps to accompany Foster's words, and celebrates the impact his book has had by including original writings by Karen Tei Yamashita and others in response to Foster's poetic provocations.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56369343168885,"sku":"9781885030870","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781885030870_df893afd-eb07-45c5-81dc-ae45898ce84b.jpg?v=1791213863"},{"product_id":"9781885030603","title":"SKULLFUCK","description":"\u003cp\u003eGlimmering with candor and dead-on humor, this memoir tells the story of the meteoric rise of Japanese American filmmaker Jon Moritsugu (born 1965), from 1980s teenage delinquent in Honolulu to Ivy League slumster to take-no-prisoners movie auteur with a serious attitude problem, detailing Moritsugu's dive into drinking, drugging, narcissism and a fast and polluted lifestyle that might arguably have been the biggest influence on his string of utterly original films. The New York Times describes his work as \"funny, anarchic, provocative and exhilarating\"; his first feature was tagged by Rolling Stone as \"one of the greatest punk rock movies of all time.\" The book includes hundreds of never-before-seen color and black-and-white photographs, production stills, journal entries, love and rejection letters, notes and drawings. Film sets constructed of 1,000 pounds of rotting meat; offers from studio moguls shot down in seconds; contracts burned in record company offices: it's all here, the ups and downs of one of the world's most extreme and uncompromising movie directors.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56369343201653,"sku":"9781885030603","price":27.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781885030603_d4a85356-dbcc-4ff4-adc5-b847730ca08c.jpg?v=1791213858"},{"product_id":"9781885030818","title":"We Make Constellations of the Stars","description":"An experimental memoir from an acclaimed Bay Area social-practice artist and activistIn this innovative rethinking of the artist monograph, Oakland-based artist, educator and activist Sita Kuratomi Bhaumik (born 1981) captures conversations with the people who shaped her creative practices and helped her map the tools that are most important to her: wonder, intuition, criticality and belonging. Bhaumik's work has been celebrated by the San Francisco Chronicle and other media for using art as a strategy to connect memory and history with the urgent social issues of our time, as in her 2016 installation Estamos Contra El Muro \/ We Are Against the Wall, in which she collaborated with artists, makers and community members to recreate (and then smash) the US\/Mexico border wall out of brick-shaped piñatas. We Make Constellations of the Stars interrogates not only what makes an artist an artist, but how connection is crucial for personal and political transformation as an artist of color.   Visionary and historian Jeff Chang (author of Can't Stop Won't Stop: A History of the Hip Hop Generation) writes: \"Thoughtful, engaged and bold, Sita Bhaumik stares down trauma, cruelty and injustice, but always leads us towards wonder, joy and hope. By drawing connections and making meaning of seemingly unrelated points of light, she reveals new pathways toward belonging and freedom for all. She is one of the most insightful and inspiring artists of our time.\"","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56369343267189,"sku":"9781885030818","price":20.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781885030818_175dcb25-5019-4de8-94a3-1f7666029cb4.jpg?v=1786034573"},{"product_id":"9781885030122","title":"Life Is Work","description":"Until his death in 2012 at age 100, legendary filmmaker Kaneto Shindo was a living link to more than 70 years of Japanese cinema history. Screenwriter of more than 200 films and director of more than 40, Shindo earned international praise for his masterpieces \u003ci\u003eChildren of Hiroshima\u003c\/i\u003e and \u003ci\u003eThe Naked Island\u003c\/i\u003e, and for the fantastical proto-horror film, \u003ci\u003eOnibaba\u003c\/i\u003e. In this volume, Shindo narrates his career, from his beginnings as an art director and fledgling screenwriter in the 1930s and 1940s, to his collaborations with such luminaries as Kenji Mizoguchi, Kon Ichikawa and Kinji Fukasaku, to his breakout into independent filmmaking in the 1950s and beyond. This first-ever English language book on Shindo's work is a stunning introduction to one of film's great overlooked masters. It includes the full screenplay of \u003ci\u003eThe Naked Island\u003c\/i\u003e and a foreword by Benicio del Toro.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56369343299957,"sku":"9781885030122","price":20.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781885030122_91cae5e7-bc5c-4068-8be0-2fdaf3bebba1.jpg?v=1791213856"},{"product_id":"9781885030856","title":"Ramblings in the West","description":"\u003cp\u003e\u003cb\u003eA sprawling epic of Western civilization where Greek theater, Marxist thought, British imperialism and American football collide\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eIn \u003ci\u003eRamblings in the West\u003c\/i\u003e, the third of Max Yeh's book-length \"pseudo-fictions,\" time and space collapse into a continuous, digressive stream where the giants of the past become everyday people. 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This dazzling tapestry of stories travels east to a mythic Cathay and west to the New World, sliding between points of view and time periods to demonstrate what can be wrought by the imagination.\u003cbr\u003e\u003cb\u003eMax Yeh\u003c\/b\u003e is the author of a trilogy of novels: \u003ci\u003eThe Beginning of the East\u003c\/i\u003e (1992), \u003ci\u003eStolen Oranges\u003c\/i\u003e (2017) and \u003ci\u003eRamblings in the West: Footnotes\u003c\/i\u003e (2025).\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56369343496565,"sku":"9781885030849","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781885030849_2a7248ed-d915-49c8-aa1d-592465a1ff0f.jpg?v=1791213860"},{"product_id":"9781935717232","title":"River of Stories","description":"\u003cp\u003e\u003cb\u003eConsidered India's first graphic novel, \u003ci\u003e River of Stories\u003c\/i\u003e is made available in the US for the first time since its original publication in 1997\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003ePublished with Kulhar Books.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eIn the late 1980s and early 1990s, the Sardar Sarovar Dam project in Western India became the focal point of a massive grassroots social movement. People from all over the country converged to voice their opposition to environmental destruction and the forced relocation of Indigenous Adivasi communities. Orijit Sen's account of the Narmada Dam—told in the form of a graphic novel—is drawn from his personal experiences. Weaving together the history of the resistance movement with local accounts and tribal folklore, \u003ci\u003eRiver of Stories\u003c\/i\u003e is an inspiring document of environmental activism, as well as an important milestone of Indian comics history. This new edition features a conversation with the artist by author and illustrator Tessa Hulls, winner of the 2025 Pulitzer Prize for Memoir or Autobiography. 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Set in “Silk Road” tea rooms underneath the shadows of Orientalist paintings, Shadab Zeest Hashmi’s poetry collection Naming the Hungers is an experiment in liquid ekphrasis, utilizing forms such as lyric and the lesser-known qasida against an encyclopedic sojourn into global trade’s postcolonial hauntings. The result is a remarkable philosophical examination of received knowledge—whether meted out through the indiscriminate drone strike, Rudyard Kipling’s racial animus or Thomas Lipton’s plantation land-grabs—and of the mourning that accompanies the present’s dragnet on hospitable tomorrows yet unbuilt.   Shadab Zeest Hashmi (born 1972) is a Pakistani American poet and essayist. Her books include the poetry collections Kohl and Chalk and Baker of Tarifa, the anthology Ghazal Cosmopolitan and the lyric memoir Comb. She has taught in the MFA program at San Diego State University as a writer-in-residence.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":57510257951093,"sku":"9781935717317","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781935717317.jpg?v=1787130597"},{"product_id":"not-yet-gods","title":"Not Yet Gods","description":"More mind-bending speculative fiction by one of South Korea's most provocative science fiction writersFollowing the landmark English-language publication of Everything Good Dies Here, Kaya Press delivers more provocative thought experiments by pseudonymous author Djuna, whose writings on internet culture have attracted a cult following in South Korea. Not Yet Gods explores the universe-shattering effects of teenage anger cross-pollinated with radiation-induced psychic powers, unscrupulous governments and corporate avarice.   In the aftermath of a nuclear explosion set off in North Korea, an ordinary South Korean high school classroom becomes ground zero for the discovery of a radical new source of energy: children capable of conducting and amplifying the telepathic and telekinetic powers of those around them. Told as a series of interlinked stories, Djuna’s fractally unfolding thought experiments interrogate the nature of power, disability and illusion in the potential end of history.   Film critic and speculative fiction writer Djuna first appeared as an online presence in the early 1990s. They have published nine short story collections, three novels and numerous essays and uncollected stories.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":57629185802613,"sku":"9781935717119","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781935717119.jpg?v=1791212837"},{"product_id":"primary-sources","title":"Primary Sources","description":"A meditation on homeland, belonging and activism: the inspiring life story of pioneering Korean American academic Elaine H. KimThe story of writer, editor and professor Elaine H. Kim begins in the 1940s with a childhood marked by social isolation. In Primary Sources, Kim's much-anticipated memoir, the trailblazing scholar reflects upon the experiences that shaped her life's remarkable path: growing up as one of the few Korean Americans on the East Coast, going to Korea to teach only to realize that identity functions as both a bridge and a barrier, and becoming the first Asian American woman to gain tenure at UC Berkeley and helping to found the Ethnic Studies Department and the Asian American and Asian Diaspora Studies Program there. Throughout, Kim writes with honesty and humor about single motherhood, activism and the radical act of building community across differences. Primary Sources is both a personal journey and a deeply compassionate invitation to collectively rethink belonging and justice in order to imagine a future shaped by us all.   Elaine H. Kim (born 1942) is Professor Emerita of Asian American and Asian Diaspora Studies, Department of Ethnic Studies at the University of California, Berkeley. She has also served as President of the Association for Asian American Studies and on the National Council of the American Studies Association.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":57629185900917,"sku":"9781935717256","price":15.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781935717256.jpg?v=1791212838"}],"url":"https:\/\/backstory.london\/collections\/publisher-kaya-press.oembed","provider":"Backstory","version":"1.0","type":"link"}