{"title":"JRP Editions","description":null,"products":[{"product_id":"9782940271689","title":"Collection Diary","description":"For one year, respected critic and curator Bob Nickas put his money where his eyes are: he decided to become a collector, someone who takes art off gallery walls instead of hanging it there. His ground rules dictated that he would buy one work per month from an artist he had never written about or exhibited before. In this fascinating diary of his year on the market, he tracks the changes in his relation to art, when the commitment becomes one of the wallet and not just the mind and words. “It has affected the way I look at art,” he writes. “On the one hand, if I am unwilling to part with my hard-earned money, how worthy can the art really be? On the other, there are certainly works far above my humble means... For this project, I have had to pay to have my say.”","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56309536260469,"sku":"9782940271689","price":7.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9782940271689_43865f86-a596-4f1b-9669-a946fbf35e94.jpg?v=1786031848"},{"product_id":"9783037645833","title":"Paul Neagu","description":"\u003cp\u003e\u003cstrong\u003eThe first monograph on the influential Romanian artist and teacher\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThis is the first comprehensive monograph on the Romanian-born, UK-based artist Paul Neagu (1938–2004), whose oeuvre transcends traditional artistic disciplines, and who was for several decades an important source of inspiration for young artists, curators and intellectuals. Neagu's philosophical approach led him to push the boundaries of the Western abstract tradition, which he first discovered clandestinely in Communist Romania. He continued to explore abstraction after relocating to London in 1971, where he became an influential teacher at the Slade, Chelsea School of Art and the Royal College (among his students were Antony Gormley, Anish Kapoor and Rachel Whiteread).\u003cbr\u003eNeagu's practice included performance, sculpture, drawing, painting, video, photography and poetry. He often promoted physical engagement with his more tactile works, underlining one of his enduring aims: to refute what he perceived as the primacy of visuality in art.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56309686239605,"sku":"9783037645833","price":45.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9783037645833_a0eb100f-cdb6-4bd1-be68-0605f5d3645d.jpg?v=1786031662"},{"product_id":"9783037646076","title":"Dan Walsh: The Process of Painting","description":"\u003cp\u003e\u003cstrong\u003eDan Walsh makes a painting: a fascinating account of the acclaimed abstract painter’s process\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eWith this publication, New York–based painter, printmaker, bookmaker and sculptor Dan Walsh (born 1960) allows the reader to enter his studio and follow his idiosyncratic artistic process. By showing different stages of painting—until the very final one—of a group of 12 recent works (2019–22), he offers a way to understand how a painting is built, how colors and forms merge together, how photography is a precious tool for painterly thinking and how composition and structure are organic processes, even if the result in his case is fundamentally geometrical and grid-based. In his essay, critic and curator Bob Nickas traces the genealogy of such unveiling of the painting process from de Kooning to the present and analyzes in depth Walsh's specific way of making a painting.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56310164685173,"sku":"9783037646076","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9783037646076_a336ad69-b0b7-4ad3-8089-87916f8d8459.jpg?v=1786031665"},{"product_id":"9783037646212","title":"Rosemarie Castoro","description":"\u003cp\u003e\u003cb\u003eA central figure of the New York art scene of the 1960s and ’70s, Castoro experimented in painting, sculpture and performance: subversive even for her time\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eAs a self-titled \"paintersculptor,\" Rosemarie Castoro (1939–2015) had a singular take on Minimal and Conceptual art. She initially explored the potential of abstract and monochrome painting, going on to expand their sphere and modes of operation to incorporate the body, and even the exhibition space, thanks to decisive sculptural experimentation, organic metal and Masonite shapes, street works and architectural interventions. In so doing, she distorted elementary forms through her haptic, integrated and sexualized treatment. Together with Christine Kozlov and Adrian Piper, she was one of the women artists featured in Ursula Meyer’s anthology of Conceptual art in 1972. Lucy R. 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Comprising more than 330 circular paintings of faces—each one different—this ensemble gives form to a population of moods, feelings, expressions and colors. Scharf explains that the characters reflect aspects of his own personality: some days he needs to release his aggressive energy and they may reflect his anger; other faces reflect his exuberance and love of painting. Organized chromatically, the publication gathers the entire series of \u003ci\u003eMOODZ\u003c\/i\u003e, as well as exhibition views and documentation related to the project. It features an essay by American gallerist and cultural figure Jeffrey Deitch. A poster (28 x 21.5 inches)—on which all the faces are reproduced together as if to form a color chart—accompanies the publication.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56310953902453,"sku":"9783037645635","price":55.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9783037645635.jpg?v=1786031656"},{"product_id":"9783037646236","title":"Sayre Gomez","description":"\u003cp\u003e\u003cb\u003eHyperrealistic, mesmerizing Los Angeles landscapes that highlight the city’s beauty and allure alongside its urban decay and materialism\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eSayre Gomez (born 1982) is known for his semi-fictionalized and photorealistic paintings depicting his hometown of Los Angeles. At once beautiful and dystopian, the paintings utilize different techniques such as airbrushing and stenciling, similar to those used to paint Hollywood movie sets. Various signifiers are quintessentially Southern Californian, such as the strip malls filled with commercial business signage as well as large advertising billboards and cartoon figures. The flawless execution and luminescence of Gomez’s canvases, along with shifts between hard and sharp focus, are painterly reflections on the digital flattening and blurring of life and culture through screen-based technology. These works tackle issues such as nostalgia, authenticity and simulation. 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In 1966 he incorporated his studio as John Doe Co., and from then on created sculptural \"products\" that reflect his conception of technology as an artistic tool. Originally recognized for his photographic sculptures, his inventive lexicon includes \"art tools\" employed in the production of ephemeral artworks, \"nature machines\" that anticipate an artificial world shaped by humans, kinetic installations and public art intended to reach broad audiences and question the relevance of art institutions.\u003cbr\u003e\u003ci\u003eNature Never Loses\u003c\/i\u003e surveys six decades of Cheng’s prescient, genre-defying work and accompanies the eponymous traveling exhibition organized by the Contemporary Austin. It is the definitive guide to Cheng’s career, including a detailed overview of his most impressive works and an abundance of never-before-seen archival material.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eThis book was published in conjunction with The Contemporary Austin\u003c\/b\u003e\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56420318380405,"sku":"9783037646205","price":51.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9783037646205_7dd7ecdc-ec63-41e7-9a7b-d9842d9d04eb.jpg?v=1786031669"},{"product_id":"9783037646267","title":"Mark Thomas Gibson","description":"\u003cp\u003e\u003cb\u003eWith comic-book style compositions and caricatures, Gibson offers history painting to dystopic American myths\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eMiami-born, Philadelphia-based artist Mark Thomas Gibson (born 1980) explores contemporary culture through painting, drawing, printmaking and sculpture, revisiting pivotal moments in American history while implicating viewers as potential participants in the unfolding narrative. 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As Gibson explains, \"I am constantly reminded in every news cycle that we are entwined in a history of unfinished stories and plot points.\" Employing caricature, pop culture, horror and a dash of illusion, Gibson blends up two centuries of American history, from Manifest Destiny to the Biden era, serving it back to us with a raucous, caustic flair.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56420318609781,"sku":"9783037646267","price":38.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9783037646267_c0953b26-7627-4b73-b55a-3ef6dcd67656.jpg?v=1791213849"},{"product_id":"yoko-ono-1","title":"Yoko Ono: Everything in the Universe is Unfinished","description":"\u003cp\u003e\u003cstrong\u003eEmbodying her visionary philosophy, Yoko Ono's landmark artist's book is a companion for life\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThis new edition of the bestselling publication by avant-garde artist and cultural icon Yoko Ono combines never-published-before texts and invitation pieces written between 2016 and 2018 with drawings from the \u003ci\u003eFranklin Drawings\u003c\/i\u003e series made in 1994.\u003cbr\u003eFor Ono, words, artworks and books still have the power to change the world we live in for the better. 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