{"title":"Goldsmith's Press","description":null,"products":[{"product_id":"9781913380083","title":"Decolonial Imaginings","description":"\u003cb\u003eA transdisciplinary study of the ways in which mobilities assume social forms and result in multiple belongings.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eIn \u003ci\u003eDecolonial Imaginings\u003c\/i\u003e, Avtar Brah offers a transdisciplinary study of the ways in which mobilities assume social forms and result in multiple belongings. Situated within the confluence of decolonial feminist theory, border theory, and diaspora studies, the book explores borders and boundaries and how politics of connectivity are produced in and through struggles over “difference.” Brah examines multiple formations of power embedded in the intersections between gender, race, class, ethnicity, and sexuality. She analyzes this intersectionality in relation to diaspora; theorizes the relationship between diaspora, law, and literature; and between affect, memory, and cultural politics.\u003cbr\u003e \u003cbr\u003eDiscussing the crossings of impervious borders, Brah foregrounds the economies of abandonment, particularly the plight of people in boats in the Mediterranean, a number of whom perished because of a catalogue of failures by NATO warships and European coast guards. She revisits Gilles Deleuze and Felix Guattari’s notion of “nomad thought” and Braidotti’s feminist reworking of it, and it seeks to assess this framework’s value today. 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Considering sound and listening as foundational practices in themselves leads music into a thrilling new territory: stretched time, wilderness, video monitors, singing sculptures, weather, meditations, vibration and the interior resonance of objects, interspecies communications, instructional texts, silent actions, and performance art.\u003cbr\u003e\u003cbr\u003eToop sought to document the originality and unfamiliarity of this work from his perspective as a practitioner and writer. The challenge was to do so without being drawn back into the domain of music while still acknowledging the vitality and hybridity of twentieth-century musics as they moved toward art galleries, museums, and site-specificity. 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It is not an attempt to predict the moods of the market, the changing profile of gamers, the benevolence or malevolence of the medium. This book is about those predictions\u003cb\u003e.\u003c\/b\u003e It is about the ways in which the past, present, and future notions of games are narrated and negotiated by a small group of producers, journalists, and gamers, and about how invested these narrators are in telling the story of tomorrow.\u003c\/p\u003e\u003cp\u003eThis new title from Goldsmiths Press by Paolo Ruffino suggests the story could be told another way. Considering game culture, from the gamification of self-improvement to GamerGate's sexism and violence, Ruffino lays out an alternative, creative mode of thinking about the medium: a sophisticated critical take that blurs the distinctions among studying, playing, making, and living with video games. 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The novel records the building of the hut, Robert’s walks on the common, and his subsequent attempts to come to terms with his marriage and career, parenthood, white male privilege, art and music, the life-long impact of his father's alcoholism, and his aunt's insistent example to live an unroofed life.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eCommon\u003c\/i\u003e is concerned with quietness and circularity and, by extension, with implicitly challenging fictional conventions of cause and effect. 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An employee in the underground laboratory CERN refuses to have her own photo taken. The biologist Margaret Bastock must figure our the impact of genes on behavior while coping with post-war expectations of women’s own behavior. Scientists from East and West Germany stationed at opposite sides of Antarctica experience their own fall of the Berlin Wall. The elusive physicist Bruno Pontecorvo theorizes about an equally elusive particle. Schrödinger’s wife Anny uses his theory to get her revenge on her philandering husband. A scientific theory worries about being discovered by a woman, and a resident in a special institution extrapolates the history of the universe from a piece of toast. \u003cbr\u003e\u003cbr\u003eIn this, her second collection of short stories, Pippa Goldschmidt explores the lives of real and imaginary scientists, focusing on the human emotions and social connections behind the discoveries.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56309002109301,"sku":"9781915983183","price":17.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781915983183_85e4d014-6170-468a-aa9c-3b36a726df93.jpg?v=1786030715"},{"product_id":"9781906897710","title":"A Future for Public Service Television","description":"A guide to the nature, purpose, and place of public service television within a multi-platform, multichannel ecology.   Television is on the verge of both decline and rebirth. Vast technological change has brought about financial uncertainty as well as new creative possibilities for producers, distributors, and viewers. This volume from Goldsmiths Press examines not only the unexpected resilience of TV as cultural pastime and aesthetic practice but also the prospects for public service television in a digital, multichannel ecology. The proliferation of platforms from Amazon and Netflix to YouTube and the vlogosphere means intense competition for audiences traditionally dominated by legacy broadcasters. Public service broadcasters—whether the BBC, the German ARD, or the Canadian Broadcasting Corporation—are particularly vulnerable to this volatility. Born in the more stable political and cultural conditions of the twentieth century, they face a range of pressures on their revenue, their remits, and indeed their very futures. 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Drawing on decades of expertise in human-machine systems, Chris Hables Gray demonstrates that viruses—whether biological like COVID-19, digital like generative AI, or cultural like QAnon—share basic properties that can be analyzed as a unified language. This “viral language” has its own grammar and vocabulary governing how these forces propagate, mutate, and impact society.   Just as we learned to speak the language of computers to harness their power, we must now learn to “speak virus” to navigate our complex world. Through case studies of generative AI, COVID-19, and QAnon, the work develops a comprehensive theory of “Virus as a Language.”This framework provides crucial insights into exponential growth, infection patterns, immunization strategies, mutation processes, and extinction. Understanding these viral dynamics gives readers tools for analyzing Facebook’s algorithmic influence, misinformation spread, AI evolution, and cultural contagion.   The timing is critical. As generative AI revolutionizes culture, experts warn of future pandemics, and viral cults spread through social media, understanding these interconnected phenomena becomes essential for shaping our future rather than merely observing it.   Written accessibly, Virus as a Language offers readers conceptual tools to decode viral processes reshaping society. 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