{"title":"Getty Trust Publications","description":null,"products":[{"product_id":"9780892369034","title":"Edward Weston′s Book of Nudes","description":"Edward Henry Weston (1886-1958) first started taking photographs at the age of sixteen with a camera given to him by his father. Over the next five decades, he would come to be regarded by his peers as one of the greatest photographers of the twentieth century.This unique volume is a collection of his photographic studies of the nude form, first put together in 1953 with co-operation of acclaimed photography critic Nancy Newhall, and is the only book on the subject that Weston himself participated in. In the 1950s, however, publishers of fine art photography were reluctant to address the subject, and the proposal was rejected.In 1985, an incomplete version of the original mock up was acquired by the J. Paul Getty Museum. It was only in 2006 that the previously unpublished volume was able to be re-created in its original form - finally realizing Weston and Newhall's true vision.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56295122600309,"sku":"9780892369034","price":35.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9780892369034_188b6dd1-9f35-440b-a0c8-b70a1bb09b75.jpg?v=1786015868"},{"product_id":"9780892368181","title":"Symbols and Allegories in Art","description":"From antiquity, when the gods and goddesses were commonly featured in works of art, through to the twentieth century, when Surrealists drew on archetypes from the unconscious, artists have embedded symbols in their works. As with previous volumes in the Guide to Imagery series, the goal of this book is to provide contemporary readers and museum visitors with the tools to read the hidden meanings in works of art. This latest volume is divided thematically into four sections featuring symbols related to time, man, space (earth and sky), and allegories or moral lessons. Readers will learn, for instance, that night, the primordial mother of the cosmos, was often portrayed in ancient art as a woman wrapped in a black veil, whereas day or noon was often represented in Renaissance art as a strong, virile man evoking the full manifestation of the sun's energy Each entry in the book contains a main reference image in which details of the symbol or allegory being analyzed are called out for discussion.   In the margin, for quick access by the reader, is a summary of the essential characteristics of the symbol in question, the derivation of its name, and the religious tradition from which it springs.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56295233716597,"sku":"9780892368181","price":21.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9780892368181_acd3e410-1069-4b4e-9960-d88bb33718b2.jpg?v=1786015866"},{"product_id":"9780892364725","title":"Nature Illuminated","description":"The court of Holy Roman Emperor Rudolf II produced nothing more amazing than the \"Mira calligraphiae monumenta\", a brilliant demonstration of two arts-calligraphy and miniature painting. The project began when Rudolf's predecessor, Ferdinand I, commissioned master calligrapher Georg Bocskay to create a model book of calligraphy. A preeminent scribe, Bocskay assembled a vast selection of contemporary and historic scripts.   Years later, at Rudolf's behest, miniaturist Joris Hoefnagel filled the spaces on each manuscript page with insects, fruits, flowers, and other botanical images. The combination of word and illustration is rare and, on its tiny scale, constitutes one of the marvels of the Central European Renaissance.   Nature Illuminated reproduces forty-one pages from the original codex. Those who love and collect beautiful books will be endlessly fascinated by Hoefnagel's imagery and invention. The accompanying commentary identifies and explains the details of Hoefnagel's exquisitely crafted illuminations.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56295233978741,"sku":"9780892364725","price":15.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9780892364725_d787939d-5bef-41f6-9039-20a9725dbc35.jpg?v=1786015863"},{"product_id":"9780892369072","title":"Astrology, Magic, and Alchemy in Art","description":"From antiquity to the Enlightenment, astrology, magic, and alchemy have always been considered important tools in unravelling the mysteries of nature and human destiny. As a result of the West's exposure to the astrological beliefs of Arab philosophers and the mystical writings of late antiquity, these occult traditions became rich sources of inspiration for Western artists.This latest volume in the \"Guide to Imagery\" series, presents an intelligent analysis of occult iconography in many of the great masterpieces of Western art - from the astrological symbols that decorated churches and illuminated manuscripts, through the work of a wide range of Renaissance artists, including Bosch, Brueghel, Durer and Caravaggio, to the visionary works of nineteenth-century artists, such as Fuseli and Blake, as well as in the creative output of the Surrealists during the twentieth century.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56295412269429,"sku":"9780892369072","price":21.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9780892369072_65b1ac65-3634-4454-b27e-9e5b5c5426e2.jpg?v=1786015869"},{"product_id":"9780892369140","title":"Food and Feasting in Art","description":"Deliciously illustrated with masterpieces of western art, this latest volume in the highly acclaimed \"Guide to Imagery\" series explores the rituals, customs, and symbolism of food and dining in art.It features a dedicated mailing and e-mail campaign to targeted art and food media.This sumptuous new guide describes the importance of food and feasts in art throughout history: as told in the Scriptures and in the lives of the saints; food and dining in Greek and Roman mythology; food in later literature and history; how artists through the ages have created allegories of gluttony and odes to the sense of taste; also discussed is the role of table settings in relation to ceremonies such as formal dinners and royal banquets; and, lastly, a close-up look at the symbolic meaning of individual foods and drinks - from the artichoke to champagne and from chilli peppers to absinthe.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56295412334965,"sku":"9780892369140","price":21.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9780892369140_c3335d82-67b6-4935-8f79-102519daeeb7.jpg?v=1786015870"},{"product_id":"9780892369294","title":"Insects and Flowers – The Art of Maria Sibylla Merian","description":"Maria Sibylla Merian (1647-1717) was an intrepid artist and scientist who defied the conventions of her time to pursue her passion for documenting the natural world in all its glorious, and sometimes ferocious, detail.Between 1699-1701, she travelled to the Dutch colony of Suriname in South America to study the area's unique flora and fauna. Many of the drawings and painting she produced on this trip were published as hand-coloured counter proofs in her Metamorphosis of the Insects of Suriname (1705).\"Insects and Flowers\" is a delightfully illustrated volume that reproduces vivid colour details of sixteen plates from that volume, as well as presenting an insect and plant identification guide, and an engaging essay on Merian's life and work.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56295412760949,"sku":"9780892369294","price":8.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9780892369294_d93244a2-bb3d-416d-8d57-1b475ffe6c77.jpg?v=1786033239"},{"product_id":"9780892368457","title":"Icons and Saints of the Eastern Orthodox Church","description":"An icon (from the Greek word eikon, \"image\") is a wooden panel painting of a holy person or scene from Orthodox Christianity, the religion of the Byzantine Empire that is practiced today mainly in Greece and Russia. It was believed that these works acted as intermediaries between worshipers and the holy personages they depicted. Their pictorial language is stylized and primarily symbolic, rather than literal and narrative. Indeed, every attitude, pose, and colour depicted in an icon has a precise meaning, and their painters - usually monks - followed prescribed models from iconographic manuals. The goal of this book is to catalogue the vast heritage of images according to iconographic type and subject, from the most ancient at the Monastery of Saint Catherine in the Sinai to those from Greece, Constantinople, and Russia. Chapters focus on the role of icons in the Orthodox liturgy and on common iconic subjects, including the fathers and saints of the Eastern Church and the life of Jesus and his followers. As with other volumes in the \"Guide to Imagery Series\", this book includes a wealth of color illustrations in which details are called out for discussion.   This is a new title in the popular Guide \"To Imagery series\", and includes 400 colour illustrations; and over 380 pages.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56295527874933,"sku":"9780892368457","price":21.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9780892368457_56c8efd3-34f9-4a62-97c5-ec41ad1f5027.jpg?v=1786015867"},{"product_id":"9780892367726","title":"Nature and its Symbols","description":"Nature and Its Symbols is the fifth volume in the series A Guide to Imagery, reference guides whose goal is to explain the symbols used in art. This volume includes chapters on plants, flowers, fruits, and animals of the earth, air, and water, as well as fantastical creatures such as centaurs, griffons, and dragons. The vivid illustrations, which include paintings and tapestries from some of the world's premier museums, are accompanied by texts that offer a careful analysis of the artists' depictions of the natural world. Each entry discusses the symbolic significance of the particular plant, fruit, or animal portrayed, its mythic or literary origins, and the episodes or individuals associated with it. These salient points are also called out in summary form within each entry, making the information easily accessible. The reader discovers, for example, that the iris can represent Jesus or the purity of the Virgin Mary as well as the kings of France or the city of Florence. The monkey, which can be symbolic of the devil, heresy, or bad temper, is also associated with the three wise men who travelled to Bethlehem to pay homage to the infant Jesus.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56295528202613,"sku":"9780892367726","price":21.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9780892367726_84ebc18a-7143-4294-8def-bd73e270164d.jpg?v=1786033239"},{"product_id":"9780892368853","title":"Gardens in Art","description":"An intriguing and richly illustrated analysis of the symbolic imagery found in gardens throughout history, this work features dedicated mailing to targeted art and gardening related media and organisations. This superbly illustrated volume presents readers with an intelligent and engaging analysis of the constituent elements of gardens - both real and imagined - that uncovers their often-hidden symbolic meanings. It uses over 380 paintings to provide a continuous visual record of the myriad and ephemeral form of the garden, with salient details being drawn to the reader's attention for closer examination. The first half of \"Gardens in Art\" examines the main types of garden throughout history, from the humble medieval enclosure for devotions, through the magnificent gardens celebrating the power of popes and kings, to the great public parks of the 19th century. The second half focuses on the decorative elements - including topiaries, statues, grottoes, and labyrinths - and discusses how they provide clues to their importance in particular cultures.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56295539900789,"sku":"9780892368853","price":21.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9780892368853_451cd5ac-8319-4e1c-894a-3319bf65e83b.jpg?v=1786015867"},{"product_id":"9781606064702","title":"Robert Mapplethorpe – The Archive","description":"Celebrated photographer Robert Mapplethorpe challenged the limits of censorship and conformity, com- bining technical and formal mastery with unexpected, often provocative content that secured his place in history. Mapplethorpe's artistic vision helped shape the social and cultural fabric of the 1970s and 80s and, following his death in 1989 from AIDS, informed the political landscape of the 1990s. His photographic works continue to resonate with audiences all over the world. Throughout his career, Mapplethorpe preserved studio files and art from every period and vein of his production, including student work, jewelry, sculptures, and commercial assignments. The resulting archive is fascinating and astonishing. With over four hundred illustrations, this volume surveys a virtually unknown resource that sheds new light on the artist's motivations, connections, business acumen, and tal- ent as a curator and collector.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56301870350709,"sku":"9781606064702","price":50.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781606064702_72c610ae-86d9-4776-82a7-52f580a21a6c.jpg?v=1786023437"},{"product_id":"9781606065990","title":"Looking at Jewelry (Looking at series) – A Guide to Terms, Styles, and Techniques","description":"The fascination with personal adornment is universal. It is a preoccupation that is primal, instinctive, and uniquely human. 'Jewelry' encompasses a seemingly endless number of ornaments produced across time and in all cultures. The range of materials and techniques used in its construction is extraordinary, even revolutionary, with new substances and methods of fabrication added with every generation. In any given society, master artisans have devoted their time, energy and talent to the fine art of jewellery making, creating some of the most spectacular objects known to humankind.   This volume, geared toward jewellery makers, scholars, scientists, students and fashionistas alike, begins with a lively introduction that offers a cultural history of jewellery and its production. The main text provides information on the most common, iconic and culturally significant forms of jewellery and also covers materials, techniques, and manufacturing processes. Containing eighty colour illustrations, this guide will be invaluable to all those wishing to increase their understanding and enjoyment of the art of jewellery.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56301870416245,"sku":"9781606065990","price":16.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781606065990_dba0d467-5150-4c90-a07d-deff7048102f.jpg?v=1786023449"},{"product_id":"9781606066171","title":"Activity–Based Teaching in the Art Museum – Movement, Embodiment, Emotion","description":"An essential resource for museum professionals, teachers, and students, the award-winning Teaching in the Art Museum (Getty Publications, 2011) set a new standard in the field of gallery education. This follow-up book blends theory and practice to help educators—from teachers and docents to curators and parents—create meaningful interpretive activities for children and adults.   Written by a team of veteran museum educators, Activity-Based Teaching in the Art Museum offers diverse perspectives onembodiment, emotions, empathy, and mindfulness to inspire imaginative, spontaneous interactions that are firmly grounded inhistory and theory. The authors begin by surveying the emergence of activity-based teaching in the 1960s and 1970s and move on to articulate a theory of play as the cornerstone of their innovative methodology. The volume is replete with sidebars describing activities facilitated with museum visitors of all ages.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56301870514549,"sku":"9781606066171","price":26.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781606066171_8f85cac3-669d-468f-b62c-4f8b2fc50f6c.jpg?v=1786023452"},{"product_id":"9781606068557","title":"Reckoning with Millet`s \"Man with a Hoe,\" 1863–1900","description":"A monumentalizing portrayal of a peasant bowed over by brutal toil, \"Man with a Hoe\" (ca. 1860–62) by Jean-François Millet (1814–1875) is arguably the most art historically significant painting in the J. Paul Getty Museum’s collection of nineteenth-century European art. This volume situates the painting in the arc of Millet’s career and traces its fascinating and contentious reception, from its scandalous debut at the 1863 Paris Salon to the years following its acquisition by American collectors in the 1890s. The essays examine the painting’s tumultuous public life, beginning in France, where critics attacked it on aesthetic and political grounds as a radical realist provocation; through its transformative movement in the art market during the remaining years of the artist’s life and following his death; to its highly publicized arrival in California as a celebrated masterpiece. In the United States it was enlisted to serve philanthropic interests, became the subject of a popular poem, and once again became embroiled in controversy, in this case one that was strongly inflected by American racial politics. This is the first publication dedicated to the work since its acquisition by the Getty Museum in 1985","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56301873496437,"sku":"9781606068557","price":22.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781606068557_4c01365b-90d6-44af-95f6-c140c0af02e9.jpg?v=1786023497"},{"product_id":"9781606069370","title":"Ancient Roman Villas – The Essential Sourcebook","description":"While the term villa is generic today, its meaning extended across the entirety of ancient Roman life: villas supplied food, oil, and wine to towns and cities and produced raw materials for craft industries and building construction. Villas were also venues for pleasure, relaxation, and the cultivation of friendships and the mind. Many villas were known for their spectacular sites, architecture, decoration, and furnishing. Villas came to be ubiquitous throughout ancient Rome's European and Mediterranean rural hegemony. This volume compiles a wealth of newly translated Latin and ancient Greek sources-treatises, letters, poems, histories, biographies, and other works of literary art-to vividly convey the architectural, economic, social, political, and cultural significance of ancient Roman villas from their Greek antecedents through the early Christian period. Thematic chapters reveal ancient Roman attitudes on villa architecture, agricultural operations, and the practices of buying, building, decorating, entertaining, and pursuing leisure at villas. References to family, gender relations, and the lives of enslaved persons aim to situated, if only indirectly, a broad range of experiences within villas. Supplemented by generous commentaries, copious annotation, a comprehensive bibliography, and a glossary, this definitive sourcebook equips scholars and students alike for further research and makes for fascinating reading.   This impressive book presents a wide range of ancient Greek and Roman literary sources (treatises, letters, poems, etc.) on Roman villas and villa life from the Republican to the late Imperial\/early Christian period. Thanks to the clarity of organization and the editor's lucid prose, the reader can navigate the content quite easily and gain a good sense of the development as well as significance of Roman villas in relation social and political life, architectural developments, the agricultural economy, private as well as imperial ownership, and more. As a whole the book provides an excellent foundation for many areas of villa research and will serve as an essential resource for scholars and students, not only of the Roman period but also of later periods in which villas reemerged as centers of social and economic life.\"--Elaine K. Gazda, Professor and Curator Emerita, Department of the History of Art and Kelsey Museum of Archeology, University of Michigan, Ann Arbor\"Guy P. R. Metraux's Ancient Roman Villas: The Essential Sourcebook proves to be a captivating read, appealing to both scholars and students with its fascinating commentary and informative translations. Offering insights into various aspects of ancient Roman villas, including regional differences and economic structures, this book serves as an essential resource for classical philologists, archaeologists, and cultural historians. Metraux's extensive expertise and passion for the subject are evident, making this book a valuable addition to any academic or enthusiast's library.\"-John R. Clarke, Annie Laurie Howard Regents Professor, University of Texas at AustinGuy Metraux expertly contextualizes a vast array of ancient written sources to reveal the complex histories of villas across the Roman world.  Drawing upon extensive research, he pushes beyond familiar generalizations based on examples from the Bay of Naples to interrogate such pertinent issues as size, economics, patronage, daily life, social factors, siting, ownership, and architectural design.  Situating ancient texts in relation to the life and times of each author, Metraux humanizes every passage. The result is an erudite compilation whose full-bodied, engaging coverage will attract students, researchers, and general readers alike. - Diane Favro, Distinguished Research Professor, Architecture and Urban Design, School of the Arts and Architecture, UCLA","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56301873660277,"sku":"9781606069370","price":50.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781606069370_25eebcd6-ec6e-46cf-85eb-b276b24e68b0.jpg?v=1786023517"},{"product_id":"9781606068328","title":"George A. Kubler and the Shape of Art History","description":"Art historian George A. Kubler (1912-1996) was a foundational scholar of ancient American art and archaeology as well as Spanish and Portuguese architecture. During over five decades at Yale University, he published seventeen books that included innovative monographs, major works of synthesis, and an influential theoretical treatise. In this biography, Thomas F. Reese analyzes the early formation, broad career, and writings of Kubler, casting nuanced light on the origins and development of his thinking.  Notable in Reese's discussion and contextualization of Kubler's writings is a revealing history and analysis of his Shape of Time-a book so influential to students, scholars, artists, and curious readers in multiple disciplines that it has been continuously in print since 1962. Reese reveals how pivotal its ideas were in Kubler's own thinking: rather than focusing on problems of form as an ordering principle, he increasingly came to sequence works by how they communicate meaning. The author demonstrates how Kubler, who professed to have little interest in theory, devoted himself to the craft of art history, discovering and charting the rules that guided the propagation of structure and significance through time.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56301873693045,"sku":"9781606068328","price":50.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781606068328_80a4b5e3-0859-495d-b6e5-1f1952a5a5e3.jpg?v=1786023493"},{"product_id":"9781606069301","title":"Paper and Light – Luminous Drawings","description":"The treatment of light and shadow is one of the building blocks of drawing. From techniques such as reserves, and highlights to material selection and the creation of translucent tracing paper, to the use of light as a medium for viewing artworks, artists for hundreds of years have found innovative and dazzling ways to create light on a sheet of paper.   This publication examines the central relationship between paper and light in the world of drawings in Western European art from the Renaissance to the twentieth century. Highlighting drawings from the collection of the J. Paul Getty Museum, as well as works from the British Museum, Musee du Louvre, and others, and featuring masterful works by such artists as Canaletto, Leonardo da Vinci, Rembrandt van Rijn, Odilon Redon, Edgar Degas, and Georges Seurat, Paper and Light will entice readers to look longer and more closely at drawings, deriving an even deeper appreciation for the skill and labor that went into them.   EXHIBITIONJ. Paul Getty Museum, Getty CenterOctober 15-December 14, 2024","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56301874512245,"sku":"9781606069301","price":21.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781606069301_05ac83f3-7125-400b-b284-27c7a2e72786.jpg?v=1786023516"},{"product_id":"9781606063217","title":"The Mythology of Plants – Botanical Lore From Ancient Greece and Rome","description":"This is a fascinating exploration of the role of the botanical in ancient Greek and Roman myth and classical literature. This engaging book focuses on the perennially fascinating topic of plants in Greek and Roman myth. The author, an authority on the gardens, art, and literature of the classical world, introduces the book's main themes with a discussion of gods and heroes in ancient Greek and Roman gardens. The following chapters recount the everyday uses and broader cultural meaning of plants with particularly strong mythological associations. These include common garden plants such as narcissus and hyacinth; apple and pomegranate, which were potent symbols of fertility; and sources of precious incense including frankincense and myrrh. Following the sweeping botanical commentary are the myths themselves, told in the original voice of Ovid, classical antiquity's most colourful mythographer. The volume's interdisciplinary approach will appeal to a wide audience, ranging from readers interested in archaeology, classical literature, and ancient history to garden enthusiasts.   With an original translation of selections from Ovid's Metamorphoses, an extensive bibliography, a useful glossary of names and places, and a rich selection of images including exquisite botanical illustrations, this book is unparalleled in scope and realization.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56303892627829,"sku":"9781606063217","price":21.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781606063217_173c252a-c503-4c4e-b1fa-a302f94d36ce.jpg?v=1786023433"},{"product_id":"9781606061046","title":"Conserving Contemporary Art – Issues, Methods, Materials, and Research","description":"This is a thorough investigation of the material and philosophical aspects of conserving contemporary art. Since the advent of the avant-garde in the early 20th century, visual artists have adopted new techniques and materials, some of whose characteristics of aging and wear are still largely unknown today. The conservator's intervention has become increasingly delicate, problematic, and experimental and requires not only technical knowledge of these materials but also a greater awareness of the artist's intellectual universe. \"Conserving Contemporary Art\" is one of the first books to give a comprehensive overview of the many considerations faced by the conservator of modern and contemporary art.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56303893021045,"sku":"9781606061046","price":45.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781606061046_4fee728d-8a84-4485-a3d6-6cdd60d123d6.jpg?v=1786023429"},{"product_id":"9781606065266","title":"Illuminating Women in the Medieval World","description":"When one thinks of women in the Middle Ages, the images that often come to mind are those of damsels in distress, mystics in convents, female labourers in the field, and even women of ill repute. In reality, however, medieval conceptions of womanhood were multifaceted, and women's roles were varied and nuanced. Female stereotypes existed in the medieval world, but so too did women of power and influence. The pages of illuminated manuscripts reveal to us the many facets of medieval womanhood and slices of medieval life-from preoccupations with biblical heroines and saints to courtship, childbirth, and motherhood. While men dominated artistic production, this volume demonstrates the ways in which female artists, authors, and patrons were instrumental in the creation of illuminated manuscripts.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56303893086581,"sku":"9781606065266","price":21.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781606065266_f5161508-7c92-41d0-afe3-05da955efa6b.jpg?v=1786023438"},{"product_id":"9781606065914","title":"Antiquities in Motion – From Excavation Sites to Renaissance Collections","description":"Barbara Furlotti presents a dynamic interpretation of the early modern market for antiquities, relying on the innovative notion of archaeological finds as mobile items. She reconstructs the journey of ancient objects from digging sites to venues where they were sold, such as Roman marketplaces and antiquarians' storage spaces; to sculptors' workshops, where they were restored; and to Italian and other European collections, where they arrived after complicated and costly travel over land and sea. She shifts the attention away from collectors to the elusive peasants with shovels, dealers and middlemen, and restorers who unearthed, cleaned up and repaired or remade objects, recuperating the role these actors played in Rome's socioeconomic structure.   Furlotti also examines the changes in economic value, meaning, and appearance that antiquities underwent as they moved from person to person during their journey and as they reached the locations in which they were displayed. Drawing on vast unpublished archival material, she offers answers to novel questions: How were antiquities excavated? How and where did peasants, merchants, and agents trade them? How was a price agreed upon between sellers and buyers? How were laws about the ownership of ancient finds made, followed, and evaded?","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56303895183733,"sku":"9781606065914","price":60.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781606065914_cdf4f661-2dad-44c9-97dd-0da75a64d205.jpg?v=1786023446"},{"product_id":"9781606065969","title":"Out of Bounds – The Collected Writings of Marcia Tucker","description":"Jointly published by the Getty Research Institute and the New Museum.    The first anthology to assemble the writings of the groundbreaking art historian, critic, and curator Marcia Tucker. These influential, hard-to-obtain texts—many of which have never before been published—by Marcia Tucker, founding director of New York’s New Museum, showcase her lifelong commitment to pushing the boundaries of curatorial practice and writing while rethinking inherited structures of power within and outside the museum. The volume brings together the only comprehensive bibliography of Tucker’s writing and highlights her critical attention to art’s relationship to broader culture and politics.      The book is divided into three sections: monographic texts on a selection of the visionary artists whom Tucker championed, among them Bruce Nauman, Joan Mitchell, Richard Tuttle, and Andres Serrano; exhibition essays from some of the formative group shows she organized, such as Anti-Illusion: Procedures\/Materials (1969) and Bad Girls (1994), which expanded the canons of curating and art history; and other critical works, including lectures, that interrogated museum practice, inequities of the art world, and institutional responsibility. These texts attest to Tucker’s tireless pursuit of questions related to difference, marginalization, access, and ethics, illuminating her significant impact on contemporary art discourse in her own time and demonstrating her lasting contributions to the field.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56303895478645,"sku":"9781606065969","price":35.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781606065969_b97826b6-233e-4328-9052-59e5746fca80.jpg?v=1786023447"},{"product_id":"9781606066423","title":"William Blake – Visionary","description":"A richly illustrated, comprehensive introduction to the visionary British artist William BlakeCelebrated for his boundless imagination and unique vision, William Blake (1757–1827) created some of the most striking and distinctive imagery in art, often combining his poetry and visual images on the page through innovative graphic techniques. He has proven an enduring inspiration to artists, musicians, poets, and performers worldwide and a fascinating enigma to generations of admirers. Featuring over 130 color images, this catalogue brings together many of Blake’s most iconic works. Organized by theme, it explores Blake’s work as a professional printmaker, his roles as both painter-illustrator and poet-painter, his relationship to the medieval, Renaissance, and Baroque artists that preceded him, and his legacy in the United States. It also examines his visionary prophetic books, including all eighteen plates of America a Prophecy.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56303895740789,"sku":"9781606066423","price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781606066423_0ab6271d-cc7f-436d-a165-6de8ca4753bb.jpg?v=1786023456"},{"product_id":"9781606065853","title":"Fashion in the Middle Ages","description":"From the costly velvets and furs worn by kings to the undyed wools and rough linens of the peasantry, the clothing worn by the various classes in the Middle Ages played an integral role in medieval society. In addition to providing clues to status, profession, and\/or geographic origin, textiles were a crucial element in the economies of many countries and cities.   Much of what is known about medieval fashion is gleaned from the pages of manuscripts, which serve as a rich source of imagery. This volume provides a detailed look at both the actual fabrics and composition of medieval clothing as well as the period's attitude toward fashion through an exploration of illuminated manuscripts in the collection of the J. Paul Getty Museum. The last portion of the book is dedicated to the depiction of clothing in biblical times and the ancient world as seen through a medieval lens. Throughout, excerpts from literary sources of the period help shed light on the perceived role andfunction of fashion in daily life.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56303895839093,"sku":"9781606065853","price":15.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781606065853_775577df-4817-4221-84b2-1330c3fe047d.jpg?v=1786023445"},{"product_id":"9781606067642","title":"The Franz Kline – The Artist′s Materials","description":"Although Franz Kline was one of the seminal figures of the American Abstract Expressionist movement, he is less well known than contemporaries such as Jackson Pollock and Willem de Kooning. This is partly because Kline, unlike most artists in his circle, did not like to write or talk about his own art. In fact, when asked in a panel to discuss abstract art, Kline said, \"I thought that was the reason for trying to do it, because you couldn't [talk about it].\" Still, his impact was such that the critic and art historian April Kingsley wrote, \"Abstract Expressionism as a movement died with him.\"  This volume, the newest addition to the Artist's Materials series from the Getty Conservation Institute, looks closely at both Kline's life and work, from his early years in Pennsylvania to his later success in New York City. Kline's iconic paintings are poised on a critical cusp: some have already undergone conservation, but others remain unaltered and retain the artist's color, gloss, and texture, and they are surprisingly vulnerable. The authors' presentation of rigorous examination and scientific analysis of more than thirty of Kline's paintings from the 1930s through the 1960s provides invaluable insight into his life, materials, and techniques. This study provides conservators with essential information that will shape future strategies for the care of Kline's paintings, and offers readers a more thorough comprehension of this underappreciated artist who is so central to American Abstract Expressionism.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56303896330613,"sku":"9781606067642","price":35.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781606067642_c1512bfe-5463-4e35-a682-16c97592ed33.jpg?v=1786023477"},{"product_id":"9781606066935","title":"Properties of Plastics","description":"Almost every museum in the world is confronted with plastics in their collections. Research initiatives and knowledge concerning the conservation of heritage objects made of plastics have proliferated over the last twenty-five years, necessitating this up-to-date, comprehensive resource. Intended as a highly practical guide for the conservation community, this authoritative book offers information essential to understanding plastics, polymers, and rubber\/elastomers and their behaviors in the cultural heritage context. Numerous graphs, diagrams, and illustrations allow readers to compare the mechanical, physical, thermal, and optical properties of these substances during conservation. Aimed at the hands-on museum practitioner, this book will assist professionals in choosing the appropriate materials for cleaning, adhering, and consolidating plastic objects-with the result that collections will benefit from a longer lifespan.  Complementing the main chapters, fifty-six illustrated \"fact sheets\" summarize, at a glance, the properties of those plastics most commonly found in museum collections. Six informative case studies present real-world examples of current conservation approaches to works of art and design made of plastics and rubber\/elastomers. Under the expert authorship of Thea B. van Oosten, conservation scientist, educator, and internationally regarded authority on the behavior and properties of plastics, this instructive volume is destined to become an invaluable resource for the field.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56303896363381,"sku":"9781606066935","price":60.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781606066935_69b95b6c-b3dc-4434-8d28-37ba759ce9e6.jpg?v=1786023468"},{"product_id":"9781606067581","title":"The Fantasy of the Middle Ages","description":"From the soaring castles of Sleeping Beauty to the bloody battles of Game of Thrones, from Middle-earth in The Lord of the Rings to mythical beasts in Dungeons \u0026amp; Dragons and from Medieval Times to the Renaissance Faire to Disneyland, the Middle Ages have inspired artists, playwrights, filmmakers, gamers, and writers for centuries. Indeed, no other historical era has captured the imaginations of so many creators. This volume aims to uncover the many reasons why the Middle Ages have proven so flexible-and applicable-to a variety of modern moments from the eighteenth through the twenty-first century. These \"medieval\" worlds are often the perfect ground for exploring contemporary cultural concerns and anxieties, saying much more about the time and place in which they were created than they do about the actual conditions of the medieval period. With 140 color illustrations, from sources ranging from thirteenth-century illuminated manuscripts to contemporary films and video games, and a preface by Game of Thrones costume designer Michele Clapton, The Fantasy of the Middle Ages will surprise and delight both enthusiasts and scholars. This title is published to accompany an exhibition at the J. Paul Getty Museum at the Getty Center from June 21-September 11, 2022.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56303896527221,"sku":"9781606067581","price":26.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781606067581_b2a191c0-42c3-403d-9f17-87328da0c613.jpg?v=1786023476"},{"product_id":"9781606067949","title":"Henry van de Velde – Selected Essays, 1889 – 1914","description":"The first English collection of writings by Henry van de Velde, one of the most influential designers and theorists of the twentieth century.   Belgian artist, architect, designer, and theorist Henry van de Velde (1863-1957) was a highly original and influential figure in Europe beginning in the 1890s. A founding member of the Art Nouveau and Jugendstil movements, he also directed the Grand-Ducal Saxon School of Arts and Crafts in Weimar, Germany, which eventually became the Bauhaus under Walter Gropius.  This selection of twenty-six essays, translated from French and German, includes van de Velde's writings on William Morris and the English Arts and Crafts movement, Neo-Impressionist painting, and relationships between ornament, line, and abstraction in German aesthetics. The texts trace the evolution of van de Velde's thoughts during his most productive period as a theorist in the artistic debates in France, Germany, Belgium, and the Netherlands. Katherine M. Kuenzli expertly guides readers to see how van de Velde's writings reconcile themes of aesthetics and function, and expression and reason, throughout the artistic periods and regions represented by these texts. With introductory discussions of each essay and full annotations, this is an essential volume for a broad range of scholars and students of the history of fine and applied arts and ideas.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56303896625525,"sku":"9781606067949","price":50.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781606067949_9d0d6079-ab11-4f57-9eeb-38937d9c3a54.jpg?v=1786023485"},{"product_id":"9781606068915","title":"Money in the Air – Art Dealers and the Making of a Transatlantic Market, 1880–1930","description":"“There was money in the air, ever so much money,” wrote Henry James in 1907, reflecting on the American appetite for art acquisitions. Indeed, collectors such as Henry Clay Frick and Andrew W. Mellon are credited with bringing noteworthy European art to the United States, with their collections forming the backbone of major American museums today. But what of the dealers, who possessed the expertise in art and recognized the potential of developing a new market model on both sides of the Atlantic?Money in the Air investigates the often-overlooked role of these dealers in creating an international art world. Contributors examine the histories of well-known international firms like Duveen Brothers, M. Knoedler \u0026amp; Co., and Goupil Cie and their relationships with American clients, as well as accounts of other remarkable dealers active in the transatlantic art market. Drawing on dealer archives, scholars reveal compelling findings, including previously unknown partnerships and systems of cooperation. This volume offers new perspectives on the development of art collections that formed the core of American art museums, such as the National Gallery of Art, the Metropolitan Museum of Art, and the Frick Collection.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56303900721525,"sku":"9781606068915","price":50.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781606068915_57b1d776-f294-4209-b90a-da566deaf229.jpg?v=1786023506"},{"product_id":"9781606068755","title":"New Building in Old Cities – Writings by Gustavo Giovannoni on Architectural and Urban Conservation","description":"The Italian architect, historian, and restorer Gustavo Giovannoni (1873-1947) was a key figure in the fields of architecture, urbanism, and conservation during the first half of the twentieth century. A traditionalist largely neglected by the proponents of modernist architecture following World War II, he remains little known internationally. His writings, however, until now unavailable in English, represent a significant step toward the full appreciation of the historic city and  are directly relevant today to the protection of urban historic resources  worldwide.   This abundantly illustrated critical anthology is a representative sample of Giovannoni's seminal texts related to the appreciation, understanding, and planning of historic cities. The thirty readings, which appear with their original illustrations, are grouped  into six parts organized around key concepts in Giovannoni's conservation theory-urban building, respect for the setting or context, a thinning out of the urban fabric, conservation and restoration treatments, the grafting of the new upon the old, and reconstruction. Each part is preceded by an introduction, and each individual reading is prefaced by succinct remarks explaining the rationale for its selection and the principal matters covered. Six plate sections further illustrate the readings' main concepts and themes.   This long-awaited translation of Gustavo Giovannoni's writings marks a significant milestone in conservation literature. It was through Giovannoni's innovative ideas and hands-on experiments that the pursuit of urban conservation emerged in the early twentieth century; his work became the foundation upon which contemporary architectural restoration theory was laid. This publication introduces his clear and prescient insights to a global audience, enriching the field with his powerful contributions.\"-Francesco Bandarin, UNESCO World Heritage Director and Assistant Director-General of UNESCO for Culture, 2000-2018Superbly translated andedited, this timely anthology of polymath Gustavo Giovannoni's writings is mostwelcome. Giovannoni's forward-looking reflections and experiences in theformulation and pursuit of a comprehensive ethic rooted in historic city continuity,respect, and care are connected to environmental and socioeconomicsustainability. Multidisciplinary in essence, it embraces issues that expandthe traditionally architecture-dominated understanding of urban conservation.   These issues are of direct relevance today to the wise use of inherited urbanresources worldwide. - Dennis Rodwell, architect-planner, cultural heritage andsustainable urban development consultant“The delight of discovery accompanies every visit to a Roman neighborhood designed by Gustavo Giovannoni. The Garbatella, Piazza d’Armi, Città Giardino Aniene, and the Centro Storico spaces that he curated represent victories in the battle to make beautiful places that champion well-being in daily life. Giovannoni’s elegant writings of a century ago, guided by his mentors Josef Stübben, Raymond Unwin, and Camillo Sitte, are translated into English for the first time and generously illustrated in New Building in Old Cities. Giovannoni offers the insights of a true precursor of the New Urbanism, inspiring and encouraging today those who share his ideals and continue the battle for humane environments.” — Elizabeth Plater-Zyberk, Founding Partner DPZ CoDesign, Malcom Matheson Distinguished Professor of Architecture, University of Miami","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56303900885365,"sku":"9781606068755","price":65.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781606068755_6b98bfb4-8ce9-4f3e-a52b-9dbeae3c58c0.jpg?v=1786023503"},{"product_id":"9781606069288","title":"Lumen – The Art and Science of Light, 800–1600","description":"Through the manipulation of materials, such as gold, crystal, and glass, medieval artists created dazzling light-filled environments, evoking, in the everyday world, the layered realms of the divine. While contemporary society separates science and spirituality, the medieval world harnessed the science of light to better perceive and understand the sacred. From 800 to 1600, the study of astronomy, geometry, and optics emerged as a framework that was utilized by theologians and artists to comprehend both the sacred realm and the natural world. Through essays written by contributors from the fields of art history, the history of science, and neuroscience, and with more than two hundred illustrations, including glimmering golden reliquaries, illuminated manuscripts, rock crystal vessels, astronomical instruments, and more, Lumen cuts across religious, political, and geographic boundaries to reveal the ways medieval Christian, Jewish, and Islamic artists, theologians, and thinkers studied light. To convey the sense of wonder created by moving light on precious materials, a number of contemporary artworks are placed in dialogue with historic objects.   EXHIBITIONJ. Paul Getty Museum, Getty CenterSeptember 10-December 8, 2024\"Among the most labile of media in medieval art, light served as a vehicle as well as a subject of representation. In works of architecture and stained glass to gleaming metalwork and gilded manuscript miniatures, medieval artists manipulated light effects not only to illuminate but also to mystify. Bringing together a dazzling array of objects and a kaleidoscope of scholarly perspectives, Lumen sheds light on medieval art and culture and shows that the Middle Ages were anything but dark.\" - Jeffrey F. Hamburger, Harvard University Well written and lavishly illustrated, Lumen: The Art and Science of Light, 800-1600 is a brilliant inquiry into the nature of light and human sight. It elucidates the cultural histories involving light in its religious-sacred, scholarly-scientific, and artistic-aesthetic settings and clarifies how light was translated into tangible form. This book reveals how, despite light's invisible structure, and with the help of geometry, it set the ground for the invention of linear perspective, and how, with its law of refraction, it embodied the whole spectrum of colors and even influenced our perception of natural phenomena such as shade and darkness. This is a must-read book for any medievalist, early modern scholar, or anyone who wants to engage with the varied aesthetic, scientific, and cultural facets of light and its meaningful visible forms. -Avinoam Shalem, Riggio Professor of Art History, Arts of Islam, Department of Art History and Archaeology, Columbia UniversityInterdisciplinary and methodologically and theoretically diverse,as well as beautifully illustrated, this book contributes to exciting recentinvestigations into the ephemeral facets of medieval objects and spaces,focusing attention on the meanings of light in Jewish, Muslim, and Christianreligious and secular contexts. It examines how natural, artificial, depicted,and perceived light were used and understood in the long Middle Ages(800–1600), considering the legacy of ancient and medieval scientific texts andinstruments, the dynamics of vision and perception, and the role of light insacred spaces and rituals. From ancient and medieval texts, images, and objectsto contemporary artworks and ideas, the effects and wonder of light shine inthe radiant pages of this book.  — Alice Sullivan, Assistant Professor ofMedieval Art and Architecture, Director of Graduate Studies, Department of theHistory of Art and Architecture, Tufts University","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56303901933941,"sku":"9781606069288","price":50.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781606069288_09bc7111-3043-47ab-aea1-fdc4c663baba.jpg?v=1786023514"},{"product_id":"9781606061381","title":"Ed Ruscha and Some Los Angeles Apartments","description":"This is a superbly illustrated look at the evolution of the photographic work of Ed Ruscha - the quintessential Los Angeles artist. Los-Angeles based contemporary artist Ed Ruscha is celebrated for his paintings, drawings, prints, and artist's books, receiving widespread critical acclaim for more than half a century. Capturing the quintessential Los Angeles experience with its balance of the banal and beautiful, his photobooks of the 1960s - such as TwentySix Gasoline Stations and Some Los Angeles Apartments - are known for their deadpan cataloguing of the city's functional architecture. This volume features 38 Ruscha plates and an essay that traces the evolution of the artist's thinking about his photographs initially as the means to end, and eventually as works of art in and of themselves.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56304012198261,"sku":"9781606061381","price":21.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781606061381_b71aa2c8-10d9-41f6-b41f-c67b88ff91eb.jpg?v=1786023432"},{"product_id":"9781606065587","title":"Icons of Style – A Century of Fashion Photography","description":"In 1911 the French couturier Paul Poiret challenged Edward Steichen to create the first artistic, rather than merely documentary, fashion photographs, a moment that is now considered to be a turning point in the history of fashion photography. As fashion changed over the next century, so did the photography of fashion. Steichen's modernist approach was forthright and visually arresting. In the 1930s the photographer Martin Munkacsi pioneered a gritty, photojournalistic style. In the 1960s Richard Avedon encouraged his models to express their personalities by smiling and laughing, which had often been discouraged previously. Helmut Newton brought an explosion of sexuality into fashion images and turned the tables on traditional gender stereotypes in the 1970s, and in the 1980s Bruce Weber and Herb Ritts made male sexuality an important part of fashion photography. Today, following the integration of digital technology, teams like Inez \u0026amp; Vinoodh and Mert \u0026amp; Marcus are reshaping our notion of what is acceptable-not just aesthetically but technically and conceptually-in a fashion photograph. From glossy pages in Vogue and Harper's Bazaar to framed prints on museum walls, fashion photography encompasses both commercial advertising and fine art. This survey of one hundred years of fashion photography updates and reevaluates this history in five chronological chapters by experts in photography and fashion history. It includes more than three hundred photographs by the genre's most famous practitioners as well as important but lesser-known figures, alongside a selection of costumes, fashion illustrations, magazine covers, and advertisements.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56304013738357,"sku":"9781606065587","price":55.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781606065587_52b887ce-4a82-49cc-a81d-a61bf79c4cec.jpg?v=1786023439"},{"product_id":"9781606065730","title":"Artists and Their Books, Books and Their Artists","description":"Ever innovative and predictably diverse in their physical formats, artists' books occupy a creative space between the familiar four-cornered object and challenging works of art that effectively question every preconception of what a book can be. Many artists specialize in producing self-contained art projects in the form of books, like Ken Campbell and Susan King, or they establish small presses, like Simon Cutts and Erica Van Horn's Coracle Press or Harry and Sandra Reese's Turkey Press. Countless others who are primarily known as sculptors, painters, or performance artists carry on a parallel practice in artists' books, including Anselm Kiefer, Annette Messager, Ed Ruscha, and Richard Tuttle. Artists and Their Books \/ Books and Their Artists includes eighty important examples selected from the Getty Research Institute's Special Collections of more than six thousand editions and unique artists' books. This elegant catalogue also presents precursors to the artist's book, such as Joris Hoefnagel's sixteenth-century calligraphy masterpiece; single-sheet episodes from Albrecht DuIA rer's Life of Mary, designed to be either broadsides or a book; early illustrated scientific works; and avant-garde publications. Twentieth-century works reveal the impact of artists' books on Pop art, Fluxus, Conceptual, feminist art, and postmodernism. The selection of books by an international range of artists who have chosen to work with texts and images on paper provokes new inquiry into the nature of art and books in contemporary culture.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56304013771125,"sku":"9781606065730","price":45.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781606065730_816a651c-2229-4aa6-a558-34fde448bb27.jpg?v=1786023441"},{"product_id":"9781606064832","title":"Marie–Antoinette","description":"An intimate glimpse into the public and private world of one of history's most famous- and infamous-queens Marie-Antoinette (1755-1793) continues to fascinate historians, writers, and filmmakers more than two centuries after her death. She became a symbol of the excesses of France's aristocracy in the eighteenth century that helped pave the way to dissolution of the country's monarchy. The great material privileges she enjoyed and her glamorous role as an arbiter of fashion and a patron of the arts in the French court, set against her tragic death on the scaffold, still spark the popular imagination.  In this gorgeously illustrated volume, the authors find a fresh and nuanced approach to Marie- Antoinette's much-told story through the objects and locations that made up the fabric of her world. They trace the major events of her life, from her upbringing in Vienna as the archduchess of Austria, to her ascension to the French throne, to her execution at the hands of the revolutionary tribunal. The exquisite objects that populated Marie-Antoinette's rarefied surroundings-beautiful gowns, gilt-mounted furniture, chinoiserie porcelains, and opulent tableware-are depicted.   But so too are possessions representing her personal pursuits and private world, including her sewing kit, her harp, her children's toys, and even the simple cotton chemise she wore as a condemned prisoner. The narrative is sprinkled with excerpts from her correspondence, which offer a glimpse into her personality and daily life. Visually rich and engaging, this book offers a fascinating look at the multifaceted life of France's last, ill-fated queen.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56304014131573,"sku":"9781606064832","price":45.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781606064832_67da8b58-e25c-4dff-bd78-376ced99164b.jpg?v=1786023438"},{"product_id":"9781606066553","title":"The Conservation of Medieval Polychrome Wood Sculpture – History, Theory, Practice","description":"Medieval polychrome wood sculptures are highly complex objects, bearers of histories that begin with their original carving and adornment and continue through long centuries of repainting, deterioration, restoration, and conservation. Abundantly illustrated, this book is the first in English to offer a comprehensive overview of the conservation of medieval painted wood sculpture for conservators, curators, and others charged with their care. Beginning with an illuminating discussion of the history, techniques, and meanings of these works, it continues with their examination and documentation, including chapters on the identification of both the wooden support and the polychromy itself-the paint layers, metal leaf, and other materials used for these sculptures. The volume also covers the many aspects of treatment: the process of determining the best approach; consolidation and adhesion of paint, ground, and support; overpaint removal and surface cleaning; and compensation. Four case studies on artworks in the collection of The Cloisters in New York, a comprehensive bibliography, and a checklist to aid in documentation complement the text.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56304015212917,"sku":"9781606066553","price":60.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781606066553_10d5a727-3e14-47ff-ac96-997e899fb279.jpg?v=1786023458"},{"product_id":"9781606066591","title":"Finding Dora Maar – An Artist, an Address Book, a Life","description":"Merging biography, memoir, and cultural history, this compelling book, a bestseller in France, traces the life of Dora Maar (1907-1997) through a serendipitous encounter with the artist's address bookIn search of a replacement for his lost Hermes agenda, Brigitte Benkemoun's husband buys a vintage diary on eBay. When it arrives, she opens it and finds inside private notes dating back to 1951-twenty pages of phone numbers and addresses for Balthus, Brassai, Andre Breton, Jean Cocteau, Paul Eluard, Leonor Fini, Jacqueline Lamba, and other artistic luminaries of the European avant-garde.   After realizing that the address book belonged to Dora Maar-Picasso's famous \"Weeping Woman\" and a brilliant artist in her own right-Benkemoun embarks on a two-year voyage of discovery to learn more about this provocative, passionate, and enigmatic woman, and the role that each of these figures played in her life.   Longlisted for the prestigious literary award Prix Renaudot, Finding Dora Maar is a fascinating and breathtaking portrait of the artist.   \"Beautifully written and fascinating.\"-Paris Match\"One of the happy surprises of the end of the literary season.\"-Livres Hebdo\"A highly moving portrait of the artist.\"-Elle (France)","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56304015507829,"sku":"9781606066591","price":21.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781606066591_c5107764-63b0-4815-9907-235612a63be0.jpg?v=1786023459"},{"product_id":"9781606067475","title":"Holbein – Capturing Character","description":"Nobles, ladies, scholars, and merchants were the subjects of Hans Holbein the Younger (1497\/98–1543), an inventive German artist best known for his dazzling portraits. Holbein developed his signature style in Basel and London amid a rich culture of erudition, self-definition, and love of luxury and wit before becoming court painter to Henry VIII. Accompanying the first major Holbein exhibition in the United States, this catalogue explores his vibrant visual and intellectual approach to personal identity. In addition to reproducing many of the artist's painted and drawn portraits, this volume delves into his relationship with leading intellectuals, such as Erasmus of Rotterdam and Thomas More, as well as his contributions to publishing and book culture, meticulous inscriptions, and ingenious designs for jewels, hat badges, and other exquisite objects.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56304015573365,"sku":"9781606067475","price":48.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781606067475_ea1388ba-ab5e-4e46-95d6-2b5972730720.jpg?v=1786023475"},{"product_id":"9781606066980","title":"LA Graffiti Black Book","description":"Many graffiti artists carry sketchbooks, called black books, and they ask crew members and others whose work they admire to inscribe their books with lettering or drawings. A few years ago, the Getty Research Institute invited artists, including Angst, Axis, Big Sleeps, Chaz, Cre8, Defer, EyeOne, Fishe, Heaven, Hyde, Look, ManOne, and Prime, to consider the idea of a citywide graffiti black book. During visits to the Getty Center, the artists viewed rare books related to calligraphy and letterforms, including works by Albrecht Durer and Leonardo da Vinci. The artists instantly recognized the connections to their own practices and were particularly drawn to a liber amicorum (book of friends), a form of autograph book popular in the seventeenth century. Passed from hand to hand, it was filled with signatures, poetry, and coats of arms, like a black book from another era.  Inspired by this meeting of minds across centuries, these artists became both creators and curators, crafting their own pages and inviting others to contribute. Eventually 150 Los Angeles artists decorated 143 individual pages. These were bound together into an exquisite artists' book that became known as the Getty Graffiti Black Book. This publication reproduces each page from the original artists' book and recounts the story of an unprecedented collaboration across the diverse artistic landscape of Los Angeles.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56304015671669,"sku":"9781606066980","price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781606066980_5db17de0-c069-4531-b677-ab73ffd5f421.jpg?v=1786023470"},{"product_id":"9781606067734","title":"The Invention of the Colonial Americas – Data, Architecture, and the Archive of the Indies 1781–1844","description":"The Invention of the Colonial Americas is an architectural history and media-archaeological study of changing theories and practices of government archives in Enlightenment Spain. It centers on an archive created in Seville for storing Spain's pre-1760 documents about the New World. To fill this new archive, older archives elsewhere in Spain-spaces in which records about American history were stored together with records about European history-were dismembered. The Archive of the Indies thus constructed a scholarly apparatus that made it easier to imagine the history of the Americas as independent from the history of Europe, and vice versa. In this meticulously researched book, Byron Ellsworth Hamann explores how building layouts, systems of storage, and the arrangement of documents were designed to foster the creation of new knowledge. He draws on a rich collection of eighteenth-century architectural plans, descriptions, models, document catalogs, and surviving buildings to present a literal, materially precise account of archives as assemblages of spaces, humans, and data-assemblages that were understood circa 1800 as capable of actively generating scholarly innovation.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56304015704437,"sku":"9781606067734","price":50.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781606067734_c3d185c6-9c4e-472c-bb14-e1d48d726e91.jpg?v=1786023480"},{"product_id":"9781606068700","title":"Camille Claudel","description":"Camille Claudel (1864–1943) was among the most daring and visionary sculptors of the late nineteenth century. Although much attention has been paid to her tumultuous life—her affair with her mentor, Auguste Rodin; the premature end to her career; her thirty-year institutionalization in an asylum—her art remains little known outside of France. Memorably praised by critic Octave Mirbeau in 1895 as “a revolt of nature: a woman of genius,” Claudel was celebrated for her brilliance during a time when female woman sculptors were rare.   Featuring more than two hundred photographs along with contributions from leading experts, this publication accompanies the first comprehensive survey of Claudel’s oeuvre in nearly forty years. With essays exploring the many facets of her life, work, and reception; a biography; commentary by American sculptor Kiki Smith; and a fascinating appendix of documents written by Claudel and her contemporaries, this volume reevaluates the artist’s work on its own merits and repositions her legacy within a more complex genealogy of modernism.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56304017670517,"sku":"9781606068700","price":55.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781606068700_cda02064-6120-4b9a-8c53-332d6c733d91.jpg?v=1786023501"},{"product_id":"9781606068939","title":"Hippolyte Bayard and the Invention of Photography","description":"Hippolyte Bayard (1801-1887) is often characterized as an underdog in the early history of photography. From the outset, his contribution to the invention of the medium was eclipsed by others such as Louis-Jacques-Mande  Daguerre (1787-1851) and William Henry Fox Talbot (1800-1877). However, Bayard had an undeniable role in the birth of photography and its subsequent evolution into a form of art. He was a pioneer in artistic style, innovator in terms of practice, and teacher of the next generation of photographers.   Alongside an exploration of Bayard's decades-long career and lasting impact, this volume presents-for the first time in print-some of the earliest photographs in existence. An album containing nearly 200 images, 145 of those by or attributed to Bayard, is among the Getty Museum's rarest and most treasured photographic holdings. Few prints have ever been seen in person due to the extreme light sensitivity of Bayard's experimental processes, making this an essential reference for scholars and enthusiasts of the very beginnings of photography.   \"At last we have a comprehensive book in the English language about one of the most interesting of photography's pioneers. Incessantly experimental and an omnivorous picture maker, Hippolyte Bayard is a photographer who has stood the test of time: as this copiously illustrated book demonstrates, his work is as fascinating today as it was in the nineteenth century.\"-Geoffrey Batchen, Professor of the History of Art, University of Oxford\"This marvelous volume, the first of its kind in English, combines comprehensive archival research on the elusive Bayard with penetrating short essays on individual photographs. With its meticulously researched chapters by Bayard experts and gorgeous illustrations that canstand in for those of the photographs that are now too fragile to exhibit, this book is a windfall to historians of photography. It is not an exaggeration to say the field has been waiting years for a publication like this. In addition to its scholarly contribution, this book will be a revelation to any lover of photography.\" -Laurie Dahlberg, Associate Professor, Program in Art History and Photography, Bard College\"Illuminating Bayard through his social connections, self-contradictions, and critical fortune, this essential volume brings to light a key figure in the invention of photography too long relegated to the shadows. Most significantly, Bayard is revealed through his lifework of photographs, most from the Getty album and many published here for the first time.\"-Stephen C. Pinson, Curator of Photographs, The Metropolitan Museum of Art","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56304018555253,"sku":"9781606068939","price":55.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781606068939_eb84ee1f-4743-4749-9aaa-37741145a316.jpg?v=1786023508"},{"product_id":"9781606065754","title":"A Knight for the Ages – Jacques de Lalaing and the Art of Chivalry","description":"The Livre des faits de Jacques de Lalaing (Book of the Deeds of Jacques de Lalaing), a famous Flemish illuminated manuscript, relays the audacious life of Jacques de Lalaing (1421-1453), a story that reads more like a fast-paced adventure novel. Produced in the tradition of chivalric biography, a genre developed in the mid-fifteenth century to celebrate the great personalities of the day, the manuscript's text and illuminations begin with a magnificent frontispiece by the most acclaimed Flemish illuminator of the sixteenth century, Simon Bening.   A Knight for the Ages: Jacques de Lalaing and the Art of Chivalry presents a kaleidoscopic view of the manuscript with essays written by the world's leading medievalists, adding rich texture and providing a greater understanding of the many aspects of the manuscript's background, creation, and reception, revealing for the first time the full complexity of this illuminated romance.   The texts are accompanied by stunning reproductions of all of the manuscripts' miniatures-never before published in colour-as well as a plot summary and translations, allowing the reader to follow Jacques de Lalaing on his knightly journeys and experience the thrilling triumphs of his legendary tournaments and battles.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56304506438005,"sku":"9781606065754","price":48.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781606065754_d651ee51-6433-4569-b034-1cafcbf73848.jpg?v=1786023442"},{"product_id":"9781606065839","title":"Sam Francis – The Artist′s Materials","description":"American artist Sam Francis (1923-1994) brought vivid colour and emotional intensity to Abstract Expressionism. He was described as the \"most sensuous and sensitive painter of his generation\" by former Guggenheim Museum director James Johnson Sweeney, and curator Howard Fox called him \"one of the acknowledged masters of late-modern art.\" Francis's works, whether intimate or monumental in scale, make indelible impressions; the intention of the artist was to make them felt as much as seen.   At the age of twenty, Francis was hospitalised for spinal tuberculosis and spent three years virtually immobilised in a body cast. For physical therapy he was given a set of watercolours, and, as he described it, he painted his way back to life. The exuberant colour and expression in his paintings celebrated his survival; his five-decade career was an energetic visual and theoretical exploration that took him around the world.   Francis' idiosyncratic painting practices have long been the subject of speculation and debate among conservators and art historians. Presented here for the first time in this volume are the results of an in-depth scientific study of more than forty paintings from the late 1940s to early 1990s, which reveal new discoveries about his creative process, inventive techniques, and specially formulated paints and binders. The data provides a key to the complicated evolution of the artist's work and informs original art historical interpretations.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56304506929525,"sku":"9781606065839","price":35.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781606065839_5c06dfed-a5d8-46df-ad5e-81911785eba2.jpg?v=1786023444"},{"product_id":"9781606066287","title":"Herculaneum and the House of the Bicentenary – History and Heritage","description":"This volume vividly recounts, for general readers, the Roman town of Herculaneum, destroyed by the eruption of Mount Vesuvius in 79 CE and uniquely preserved for nearly two thousand years. Initial chapters offer an engaging historical overview of the town during antiquity, including the riveting story of its rediscovery in the eighteenth century, excavation in the nineteenth and twentieth centuries, and broad cultural significance in modern times.    Subsequent chapters offer an interpretive tour of the ancient town, then focus on one of Herculaneum's grandest and mostbeautifully decorated private residences, known as the House of the Bicentenary. Located on the town's main street, it has a range of features-original rooms, magnificent wall paintings and mosaics, and remarkable documents-that illuminate daily life in the ancient world.   Final chapters bring the story up to date, including recent discoveries about the site and its famous papyrus manuscripts, as well as ongoing conservation initiatives.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56304511517045,"sku":"9781606066287","price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781606066287_2f1a5881-ce1f-4f53-8972-485a3887489b.jpg?v=1786023454"},{"product_id":"9781606066805","title":"Persia – Ancient Iran and the Classical World","description":"The founding of the first Persian Empire by the Achaemenid king Cyrus the Great in the sixth century BCE established one of the greatest world powers of antiquity. Extending from the borders of Greece to northern India, Persia was seen by the Greeks as a vastly wealthy and powerful rival and often as an existential threat. When the Macedonian king Alexander the Great finally conquered the Achaemenid Empire in 330 BCE, Greek culture spread throughout the Near East, but local dynasties-first the Parthian (247 BCE-224 CE) and then the Sasanian (224-651 CE)-reestablished themselves. The rise of the Roman Empire as a world power quickly brought it, too, into conflict with Persia, despite the common trade that flowed through their territories.   Persia addresses the political, intellectual, religious, and artistic relations between Persia, Greece, and Rome from the seventh century BCE to the Arab conquest of 651 CE. Essays by international scholars trace interactions and exchanges of influence. With more than three hundred images, this richly illustrated volume features sculpture, jewelry, silver luxury vessels, coins, gems, and inscriptions that reflect the Persian ideology of empire and its impact throughout Persia's own diverse lands and the Greek and Roman spheres.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56304511582581,"sku":"9781606066805","price":55.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781606066805_2db4e47c-da80-42b0-8885-d64d78655b38.jpg?v=1786023464"},{"product_id":"9781606066041","title":"Manet and Modern Beauty – The Artist′s Last Years","description":"The name Manet often evokes the provocative, heroically scaled pictures he painted in the 1860s for the Salon, but in the late 1870s and early 1880s the artist produced quite a different body of work: stylish portraits of actresses and demimondaines, luscious still lifes, delicate pastels, intimate watercolours and impressionistic scenes of suburban gardens and Parisian cafe s. Often dismissed as too pretty and superficial by critics, these later works reflect Manet's elegant social world, propose a radical new alignment of modern art with fashionable femininity, and record the artist's unapologetic embrace of beauty and visual pleasure in the face of death.   Featuring nearly three hundred illustrations and nine fascinating essays by established and emerging Manet specialists, a technical analysis of the late Salon painting Jeanne (Spring), a selection of the artist's correspondence, a chronology, and more, 'Manet and Modern Beauty' brings a diverse range of approaches to bear on a little-studied area of this major artist's oeuvre.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56304512172405,"sku":"9781606066041","price":55.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781606066041_b35e7dff-2a91-4856-a276-48879ab3e0a9.jpg?v=1786023451"},{"product_id":"9781606066379","title":"Museum Lighting – A Guide for Conservators and Curators","description":"Author David Saunders, former keeper of conservation and scientific research at the British Museum, explores how to balance the conflicting goals of visibility and preservation under a variety of conditions. Beginning with the science of how light, color, and vision function and interact, he proceeds to offer detailed studies of the impact of light on a wide range of objects, including paintings, manuscripts, textiles, bone, leather, and plastics.   With analyses of the effects of light on visibility and deterioration, Museum Lighting provides practical information to assist curators, conservators, and other museum professionals in making critical decisions about the display and preservation of objects in their collections.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56304512500085,"sku":"9781606066379","price":60.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781606066379_8d10b654-1718-4f32-a5ef-568b7bb9cc71.jpg?v=1786023455"},{"product_id":"9781606066263","title":"On Canvas – Preserving the Structure of Paintings","description":"Throughout its long history in Western art, canvas has played an influential role in the creative process. From the Renaissancedevelopment of oil painting on canvas to the present day-through Impressionism, Abstract Expressionism, and other art historical movements-the use of canvas has enhanced the scale of painting, freedom of brushwork, and spontaneity in technique. This book recounts some of that rich history in relation to corresponding developments in conservation practice.   Rather than concentrating on the familiar concerns of cleaning and varnish removal, this volume considers the preservation of a painting's structure. By focusing on recent studies on the fundamental nature of canvas and its mechanisms of deterioration, the book explains new approaches to the conservation of both contemporary and historical art-including reversible, passive, and preventive treatments, particularly with respect to lining. Written by Stephen Hackney, a conservation practitioner and leader in conservation research, On Canvas is the first book to take a comprehensive look at this important subject and is destined to become an invaluable resource for the field.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56304512893301,"sku":"9781606066263","price":45.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781606066263_7e4ba9f2-1db6-4205-aeed-9e4bf137ae76.jpg?v=1786023452"},{"product_id":"9781606068427","title":"Persian Cultures of Power and the Entanglement of the Afro–Eurasian World","description":"With the rise of the Achaemenid Empire (550–330 BCE), Persian institutions of kingship became the model for legitimacy, authority, and prestige across three continents. Despite enormous upheavals, Iranian visual and political cultures connected an ever-wider swath of Afro-Eurasia over the next two millennia, exerting influence at key historical junctures. This book provides the first critical exploration of the role that Persian cultures played in articulating the myriad ways power was expressed across Afro-Eurasia between the sixth century BCE and the nineteenth century CE.   Exploring topics such as royal cosmologies, fashion, banqueting, manuscript cultures, sacred landscapes, and inscriptions, the volume’s essays analyze the intellectual and political exchanges of art, architecture, ritual, and luxury material within and beyond the Persian world. They show how Perso-Iranian cultures offered neighbors and competitors raw material with which to formulate their own imperial aspirations. Unique among studies of Persia and Iran, this volume explores issues of change, renovation, and interconnectivity in these cultures over the longue durée","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56304513745269,"sku":"9781606068427","price":55.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781606068427_9ace0cea-a80d-43a1-9073-42cf73e575a8.jpg?v=1786023496"},{"product_id":"9781606068632","title":"Artists` Things – Rediscovering Lost Property from Eighteenth–Century France","description":"Artists are makers of things. Yet it is a measure of the disembodied manner in which we generally think about artists that we rarely consider the everyday items they own. This innovative book looks at objects that once belonged to artists, revealing not only the fabric of the eighteenth-century art world in France but also unfamiliar-and sometimes unexpected-insights into the individuals who populated it, including Jean-Antoine Watteau, Francois Boucher, Jean-Baptiste Greuze, and Elisabeth Vigee-LeBrun.   From the curious to the mundane, from the useful to the symbolic, these items have one thing in common: they have all been eclipsed from historical view. Some of the objects still exist, like Jean-Honore Fragonard's color box and Jacques-Louis David's table. Others survive only in paintings, such as Jean-Simeon Chardin's cistern in his Copper Drinking Fountain, or in documents, like Francois Lemoyne's sword, the instrument of his suicide. Several were literally lost, including pastelist Jean-Baptiste Perronneau's pencil case. In this fascinating book, the authors engage with fundamental historical debates about production, consumption, and sociability through the lens of material goods owned by artists","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56304514204021,"sku":"9781606068632","price":50.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781606068632_1e0ef727-18f7-4397-bd87-512de1f468b2.jpg?v=1786023499"}],"url":"https:\/\/backstory.london\/collections\/publisher-getty-trust-publications.oembed","provider":"Backstory","version":"1.0","type":"link"}