{"title":"Film Desk Books","description":null,"products":[{"product_id":"9780999468395","title":"Diary of a Film","description":"“I’m woken by unbearable pain and since I can’t sleep or pace back and forth, I relieve myself by taking this notebook and attempting to cry out my pain to the unknown friends who will read these lines. They exist. I know them without knowing them. I can just see them in the shadows.” —Jean Cocteau\n\nBeginning on August 26, 1945, the day before shooting began, until June 1, 1946, the day after the film was first screened, Jean Cocteau kept a diary of the making of his masterpiece Beauty and the Beast. Throughout he details every stage of production, as he faces and surmounts numerous obstacles including severe problems with his health, and ultimately the great pleasures of camaraderie with his remarkable collaborators: Jean Marais, Henri Alekan, and Christian Bérard, amongst others.\n\nNew English translation by Nicholas Elliott.\n\n“I wonder if these hard days might be the sweetest of my life. Full of friendship, affectionate arguments, laughter, and control over fleeting time.” —Jean Cocteau","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56295561560437,"sku":"9780999468395","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9780999468395_c5493ba8-dbc8-4016-9b46-529f0602404e.jpg?v=1786016375"},{"product_id":"9798986446318","title":"Time Tells","description":"Time Tells is a grand study of time, technology, performance, the attention economy, and comedy. Using the cinematic time-jump, \"a numerical shorthand for a fated intermission,\" to weave a narrative of chronopolitics, memoir, and cultural study, Masha Tupitsyn constructs a unique literary and visual phenomenology on the loss of time, presence, and attention in the digital age. Structured into two interlocked inquiries—Time and Acting—Time Tells focuses on the internet to talk about the ethics of presence and attention, comedy to talk about timing and the language of critique, and lying masculinity, the double, and acting to talk about performance and the reign of falsehood. Both volumes intersect to examine our inability to experience coherence and integration in the post-truth era.\n\nIn the first volume, Time, Tupitsyn covers wide-ranging cultural touchstones such as the ’90s TV show Felicity, Hitchcock’s Vertigo, Luca Guadagnino’s Call Me by Your Name, Joan Didion’s The Year of Magical Thinking, Pretty Woman, Wong Kar-wai’s 2046, David Fincher’s Zodiac, Jean-Luc Godard, the Beastie Boys, Wim Wenders, the art of style, memory and music in the post-internet age, and the lost ontology of cinema. Using what Tupitsyn terms “screen-shot criticism,” Time Tells makes innovative critical thinking accessible to anyone interested in American culture today.\n\nAfterword by Felix Bernstein.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56311441555829,"sku":"9798986446318","price":23.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9798986446318_ebee7600-bd63-45e4-b4a7-1d473e92628d.jpg?v=1786033206"},{"product_id":"in-the-time-of-kiarostami-writings-on-iranian-cinema","title":"In the Time of Kiarostami: Writings on Iranian Cinema","description":"“What’s most remarkable about this volume is its transparency. Throughout, in new, rewritten and republished pieces, you can see Godfrey’s questing and questioning mind latching onto a subject for which he has a deep affinity, learning as much as he can about it—by pondering the works themselves, talking to their creators, and absorbing the culture that birthed the scene—and then figuring out a way to transmit his enthusiasm to the widest American audience possible.”—Matt Zoller Seitz\n\n“I admire Godfrey for his strong support of Iranian cinema and his efforts to introduce Iranian films to American audiences. Although movies are shown by distributors and exhibitors, it’s really the critics who bring the audience. Godfrey’s reviews also help us in Iran by providing critical support against those who attempt to suppress us and keep us from working.”—Jafar Panahi, filmmaker","brand":"Gardners","offers":[{"title":"Default Title","offer_id":57495496491381,"sku":"9798986446301","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9798986446301.jpg?v=1786618163"},{"product_id":"vanishing-point-forever","title":"Vanishing Point Forever","description":"Richard C. Sarafian’s Vanishing Point (20th Century Fox, 1971) is the ultimate analog car chase movie with that hard-to-pin-down something extra. Written by renowned Cuban novelist Guillermo Cabrera Infante under a pseudonym (Guillermo Cain), it’s nominally the saga of a speedaddled Vietnam vet existentially on the lam in a Dodge Challenger. It’s also a modern Western, a dystopian allegory of our surveillance society, and a love letter to the muscle car, all rolled into one. \n\nNo surprise it’s become a cult classic, adored and paid homage to by Quentin Tarantino, Steven Spielberg, Bruce Springsteen, Richard Prince, Alberto Moravia, Guns ‘n’ Roses, Primal Scream, Audioslave, and countless others. In the fifty-plus years since the film’s release, the lore and legends around it have grown like Topsy. Now, Robert M. Rubin’s Vanishing Point Forever brings together everything there is to know in one lavishly illustrated volume.\n\nA monumental treat for anyone who loves film culture, Vanishing Point Forever explores the movie’s profound impact across popular media, the arts, and the car world in obsessive detail. Nearly 600 pages include a complete reproduction of the film’s final shooting script, pages from Cabrera Infante’s early drafts, his own location scouting photos (never seen before), and a gold mine of production and publicity stills, ephemera, excerpts, reflections and essays. Rubin details how the movie came to life — from stars Barry Newman, Cleavon Little, and Charlotte Rampling (so enigmatic she was cut from the main release); to the groundbreaking stunts coordinated by Hollywood legend Carey Loftin; to its unique, remarkable half-life. In the words of Sarafian, the film just “wouldn’t die.”\n\nRubin’s tribute also includes assembled insights, interviews and quotes from a broad range of essential voices, including Cabrera Infante, Prince, Moravia, J. Hoberman, cinematographer and director Janusz Kaminski, Raymond Chandler, Jean Baudrillard, Jack Kerouac, Cormac McCarthy, Thomas Pynchon, Lucy Sante, race driver Sam Posey, and many more. Designed by COMA Amsterdam | New York, this is the latest graphic treat in a long collaboration with Rubin, including their most recent, the award-winning Richard Prince: Cowboy (Prestel, 2020).","brand":"Gardners","offers":[{"title":"Default Title","offer_id":57495497245045,"sku":"9798986446356","price":45.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9798986446356.jpg?v=1786618164"}],"url":"https:\/\/backstory.london\/collections\/publisher-film-desk-books.oembed","provider":"Backstory","version":"1.0","type":"link"}