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How is the tension between concepts and actions, and between programmatic ideas and practices, addressed in historical and theoretical debates around performative, participative, and intervening arts? And in what ways do these debates provide possible tools for the analysis of artistic intervention today? This volume addresses the potentials and challenges of different forms of intervention at the intersection of activism and artistic fields and practices. The contributions, written by scholars from art history, sociology, and literary and performative studies as well as art practitioners, are present case studies that shed light on artistic practices that respond to geopolitical, sociocultural, and ecological crises, as well as on curatorial projects, the organization of collectives, and the role of institutions within the art field and academia. 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The destruction, or, as it is later called, the deconstruction of metaphysics, has a negative side—the peeling off, or the archeology, of metaphysical history by means of the guiding thread of the question of Being—and a positive side—“retrieval” of the original experience of Being in ancient Greek philosophy.      “The destruction has no other intent than to win back the original experience of metaphysics through a deconstruction of those conceptions which have become current and empty.” The purpose of taking to pieces the fabric of Western metaphysics is to show how at each important stage “the question of the meaning of Being has not only remained unattended to or inadequately raised, but that it has become quite forgotten in spite of all our interest in 'metaphysics'.”","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56420221747573,"sku":"9783035803693","price":28.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9783035803693_dda7f6df-057f-472e-a4e3-cbbd2ce19014.jpg?v=1786035133"},{"product_id":"9783035805666","title":"Going Public – Creating Visibility in the Field of Art","description":"A call-to-arms for creatives to make their work widely accessible as a political and communal act.    There are many ways to go public in art. There’s exhibiting, publishing, or reviewing. It is only through making artworks public that they become accessible to audiences—a performative act that also involves a marketplace of money and attention. Yet reception is an essential aspect of production.    This book looks at why such reception should not be limited to the art public, positing that going public as an aesthetic and political strategy necessitates an emancipatory practice of public communication that allows, and aspires to, uncertainties, questions, and complexities.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56420314415477,"sku":"9783035805666","price":28.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9783035805666_b5c58620-1ebf-4e05-af2d-60676c478003.jpg?v=1786035135"},{"product_id":"9783035807523","title":"Locked In and Out","description":"A reflection on the reconstruction of the Berlin Palace and its contradictory use as an ethnological museum.    Having recently accepted German citizenship, writer and activist Priya Basil explores the Humboldt Forum from a deeply personal perspective. She delves into the question of what such a building, such a project, means for an understanding of the past and for belonging in the present. This much disputed, contested, celebrated monument now exists—but what exactly does it monumentalize? Basil writes, “In German, the word Schloss means a palace, and also a lock. The central question: Can a lock also be a key?”","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56420462264693,"sku":"9783035807523","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9783035807523.jpg?v=1791213114"},{"product_id":"deberlinization","title":"Deberlinization","description":"A multidisciplinary volume reflecting on the epistemological legacy of the colonial partitioning of Africa.    In 1884, the Chancellor of the German Empire, Otto von Bismarck, convened a conference in Berlin to organize the division of the African continent among the industrial and military powers of the time. The result was a profound dismemberment of Africa’s original political structures, which, driven by nationalism and a barbaric ethos of rule, had a lasting impact on the continent’s political, socioeconomic, cultural, and spiritual development. One hundred and forty years after the Berlin Conference, it seems more than urgent to disentangle this complex of colonial appropriation, identify its after-effects, and question its epistemological legacy—all the more so as Europe searches for a new positioning in the changing geopolitical balance of power.    This multidisciplinary anthology takes up the idea of a transnational performative utopia to explore the possibilities of refabulating the world order and its future. Between creative action and resistance, memory and foresight, Deberlinization opens up perspectives on trans-African cohesion and outlines a new poetics of sovereignty.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":57510148374901,"sku":"9783035808162","price":36.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"fierce-unworking","title":"Fierce Unworking","description":"A collection of writings by one of the most important performers and choreographers in the contemporary Japanese performance scene.    Ko Murobushi was one of the most important performers and choreographers in the Japanese performance scene of the twenty-first century and a key figure in the mediation between the experimental Butoh tradition of Hijikata Tatsumi and anti-logocentric French avant-gardes such as Antonin Artaud and Gilles Deleuze. Radically positioned at the intersection of the two movements, Murobushi reveals himself as an extraordinary and poetic author in his “thinking of the body.”Fierce Unworking highlights his role as an unparalleled pioneer of contemporary paradigms such as body language, the third space, and embodied knowledge. Published ten years after his death, this volume brings together writings, poems, and diary fragments—many of which are available in English for the first time—in collaboration with the Ko Murobushi Archive in Tokyo.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":57510149292405,"sku":"9783035808346","price":16.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"scenes-of-the-avant-garde","title":"Scenes of the Avant-Garde","description":"The history of the avant-garde, told in a series of non-linear tableaus.   This volume understands “avant-garde” as a constellation of moments, emphasizing its plural developments and its crucial interventionist role in culture and politics. Challenging the narrative of a linear avant-garde, the book sheds light on local scenes shaped by their distance from artistic practices and sociocultural conditions of their time. Scenes of the Avant-Garde brings together papers from a conference held in Tbilisi on the occasion of the centenary of the Futurist and Dadaist group H2SO4 (1924).   The contributions explore networks, relationships, and collaborations in artistic interventions. What transformational power lies in these practices? What are the gendered, social, and spatial structures, within which artistic groups test and create forms of community? And what can we learn from these overlooked or differently read stories?The book offers new insights into avant-garde histories, drawing on case studies from countries such as Georgia, Algeria, India, Poland, Czechoslovakia, France, and the United Kingdom.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":57510150078837,"sku":"9783035808452","price":28.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"of-interest-to-the-general-public","title":"Of Interest to the General Public","description":"A multimedia narration inspired by the journey of an Ethiopian royal mantle to Berlin.    The work of Maaza Mengiste draws from voices and stories that have been excluded, from gaps that seem inexplicable, from images, objects, and places that pulse with pasts unresolved. While exploring the African collections at the Ethnological Museum of Berlin, she was struck by an elaborate coronation cloak from Ethiopia on display. Inspired by the history of the 1868 British Expedition to Abyssinia (now Ethiopia) and the burning of the palace fortress at Magdala, Of Interest to the General Public uses photography and words to reimagine the journey of the royal mantle—out of battle, through fire, over mountains, to cross the waters into Berlin.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":57510151029109,"sku":"9783035808575","price":8.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"he-heru-a-comb","title":"He Heru. A Comb","description":"In Whiti Hereaka’s new fiction collection, a single comb becomes a universe of stories.    Drawing inspiration from a seemingly simple comb, or heru, this new text by Whiti Heraka comes in nine sections, “a part for each tooth, and a part for each space between them.” The parts tell stories of love, loss, and longing: tales of whales whose bones were used to make objects, of a carver creating a comb, of Maori gods and the power of women, of colonial whalers fishing their prey almost to extinction in the South Pacific, of a writer who cuts her hair and moves across worlds, weaving connections. Hereaka unfurls a stunning cosmology around the heru, combing with it through time and space to make “stories of ocean blue, blood red, bone white.”","brand":"Gardners","offers":[{"title":"Default Title","offer_id":57510151946613,"sku":"9783035808650","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9783035808650.jpg?v=1791213836"},{"product_id":"the-sirenic","title":"The SIRENIC","description":"An original perspective on the mythologies and ecologies of water, the poetics and politics of voice, and the invocation of a communal spirit through film and other arts.   “Follow the Water Follow the Sound” is a call and response. Far removed from the associations of seduction and fear that the siren—both as mythological figure and alarm device—has inspired, it is an invitation to another perceptual attunement to our environment. Offering an original perspective, this bookengages with notions of singing, voicing, and listening that reach into a sonic pluriverse and imagine the \"sirenic\" as a practice oriented towards emergent futures, fabulations of becoming, and pedagogies of transformation. Through these notions, it provides the grounds for an expanded conception of cinema emerging through sound, music, and performance. Bringing together scholars, curators, and artists from across disciplines, Sirenic unfolds as a polyphonic publication. With contributions by Ruth Baettig, Dalida María Benfield, Elena Biserna, Mattia Capelletti, Caroline Courrioux, Alice Jasmine Crippa, Giuseppe Di Salvatore, Magali Dougoud, Burcu Dogramaci, Lidia Gasperoni, Alexandra Gelis, Tobias Gerber, Ute Holl, Roberta Ioli, Pauline Julier, Fabienne Liptay, Niccolò Moronato, Gabriel Paiuk, Dorota Sajewska, Alice Sartori, Alexandra Tsiamparta, and Matthias Wittmann.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":57510152733045,"sku":"9783035809015","price":40.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"de-blading-the-knife","title":"De-blading the Knife","description":"Rooted in Mexican and indigenous practices, De-blading theKnife is Pulitzer Prize winner Cristina Rivera Garza's profound meditation on the erasure of violence against women. Inspired by a walrus-ivory Story Knife from the Arctic region, De-blading theKnife creates a multi-faceted narration that asks: what is remembered? How? For whom? The ephemeral strokes of a Story Knife were traditionally drawn by young Yupik girls into soil or snow to repeat old tales that would then fade away. Mexican writer Cristina Rivera Garza connects this empowering ancient Indigenous practice to the “violentometro,” a contemporary tool designed in Mexico to measure instances of intimate partner violence. The story of violence against women constantly disappears even as it is continuously told and re-told, but perhaps a Story Knife may play a role in reversing such erasure.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":57510153486709,"sku":"9783035809091","price":8.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"suspended-waters","title":"Suspended Waters","description":"From the Colombia National Poetry Prize winner, Eliana Hernández-Pachón, comes a poetic essay that asks: what does it mean to possess, to preserve, to let go?Suspended Waters is a poetic essay that connects four objects made of plant fibers: a death raft woven from reeds that has come ashore in the wrong place, a gold Muisca raft that evokes the legend of El Dorado, Amazonian flutes made of palm that can only be seen by men, and a sheet of paper used for museum records.   Exploring how these objects sustain different worlds through a text pulsing with the life of more-than-human beings and voices both solo and Choral, Colombian writer Eliana Hernández-Pachón evokes worlds of ritual, sanctity, and abundance.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":57510154469749,"sku":"9783035809107","price":8.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"vacillating-voices","title":"Vacillating Voices","description":"This analysis uncovers marginalized voices in literature through a theory of generic ambiguity. Ambiguity is a defining feature of literature in the long nineteenth century—and perhaps of art in general. In this ubiquity, however, it risks losing its distinctiveness as a narrative and stylistic form. In Vacillating Voices, Frauke Berndt introduces a theory of generic ambiguity addressing the interplay of linguistic, rhetorical-narrative, and aesthetic practices that give rise to diverse forms of ambiguity in literature, and proposes a typology to classify these practices. She demonstrates the theory’s relevance to modern literature through seven insightful analyses, which reveal how the fragile, shifting voices of those marginalized by patriarchal power in bourgeois society become audible only through the workings of ambiguity.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":57679984656757,"sku":"9783035808186","price":28.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"storying-heritage","title":"Storying Heritage","description":"Reveals how every monument can sustain multiple, competing heritage narratives. The Brandenburg Gate is one of Germany’s most iconic heritage monuments, decorating countless postcards and guidebook covers. 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Who gets to speak, and who gets to listen? The aim of this study is to introduce readers to cutting-edge perspectives on heritage by focusing on the ways in which heritage stories can be told. Common topics include the roles and ambiguities of symbolism and the Enlightenment, colonialism and nation, heritage tourism and marketing, and other-than-human actors and actions.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":57679985017205,"sku":"9783035808483","price":16.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"bee-fencing-zimbabwe-s-heritage","title":"Bee-Fencing Zimbabwe’s Heritage","description":"Through narrative and ethnographic insights, this volume examines the historical, political, and ecological forces shaping heritage governance and community life in Zimbabwe. In a time of political, humanitarian, and environmental crisis, the task of maintaining cultural heritage sites is increasingly challenged by unexpected forces. Bee-Fencing Zimbabwe’s Heritage explores the entangled relationships between people, wildlife, and heritage in northwestern Zimbabwe. It centres on the Nambya and other Indigenous communities whose ancestral stone capitals lie within Hwange National Park. As elephants damage sacred archaeological sites such as Bumbusi and Matowa, communities confront a profound dilemma: elephants are both destructive agents and revered ancestral and totemic beings.   This book asks what should be done when one form of heritage threatens another, and whether hierarchies of value can adequately guide conservation decisions. Rather than resolving the conflict by privileging either wildlife or ruins, it rethinks heritage as a relational process shaped by human and nonhuman actors alike. It presents Indigenous ecological strategies, including the innovative “Plan Bee” approach, that seek to deter elephants while fostering coexistence between the creatures and sacred monuments.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":57679985377653,"sku":"9783035808506","price":16.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"on-water","title":"On Water","description":"Asks what we can learn from water's cycles, its adaptability, and its capacity for connection.   Water is ubiquitous: we drink it, bathe in it, and encounter it as rain, ice, rivers, and oceans. And yet it remains contradictory, both familiar and strange. In the context of climate change, growing cities, and global inequality, it poses a distinct challenge to established practices and ways of thinking. Contributors to this volume frame water as a dynamic element that fosters new scientific perspectives and inventive forms of social negotiation. On Water: Fluid Perspectives brings science, art, and society into conversation, exploring a single element and the many ways of thinking with it. This book accompanies the exhibition On Water—WasserWissen at Humboldt Labor in Berlin while extending its questions and perspectives beyond the show. Visual materials from the exhibition are interwoven with thoughtful essays from Berlin researchers that illuminate water as a compelling subject of inquiry.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":57679985672565,"sku":"9783035809237","price":18.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"where-there-is-no-door","title":"Where There is No Door","description":"Part prose poem and part scholarly reflection, Where There Is No Door considers historical agency, concealment, and sanctity through a single Yorùbá door in a Berlin museum. A Yorùbá door, carved from iroko wood in the twentieth century, lies unreachable in the depot of the Ethnological Museum of Berlin. Nigerian author Logan February confronts a conundrum of agency: who grants, and who gains access? Where there is no door, what becomes of privacy, consent, and the sacred? Combining prose poems with reflections on the research process, this psychedelic essay turns absence into adventure. Through the mysteries of a lost serpent cult, the legacy of master carvers anonymous and renowned, and a spiritual sensing of objects made invisible to the searching eye, we go far beyond the door. February’s writing enacts a parallel act of carving, creating a glorious portal through words. Across history’s gaps, poet and door commune to overwrite the museum’s omnipresent law: please keep your distance from the objects.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":57679985934709,"sku":"9783035809299","price":10.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"on-beauty-return","title":"On Beauty \u0026 Return","description":"No'u Revilla's poetic dedication to a sacred figure of the Hawaiian deity Kihawahine. Hawaiian author No'u Revilla was led to Berlin by a clear desire: to meet the ki'i (sacred figure) of Kihawahine, one of the most powerful deities in Hawaiian history. After the devastating Lahaina wildfires in 2023, calls were renewed to return Kihawahine to Mokuhinia, the freshwater pond in Lahaina where her mana (spiritual power) is physically linked to the political sovereignty of Hawai'i. Recently, the Office of Hawaiian Affairs ordered that the ki'i be removed from display at the Ethnologisches Museum in Berlin. Her name, too, is no longer to be mentioned. The ki'i is now referred to as Kahiluhilu. In honor of Kahiluhilu, No'u Revilla will present a heroic crown of sonnets, which meditates on issues of beauty, return, and healing on Indigenous terms.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":57679986262389,"sku":"9783035809329","price":10.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"system-and-breaks","title":"System and Breaks","description":"One of the most radical philosophers of the twentieth century reflects on Foucault and Derrida.   In this lecture course, Reiner Schürmann aims for a confrontation between Michel Foucault’s archaeology of knowledge and Jacques Derrida’s deconstruction of truth. He argues that archaeology and deconstruction are versions of transcendental philosophy separated from human subjectivity: discourse and arche-writing are made possible under the hypothesis of an epochal closure in metaphysics. Such a closure enables Foucault and Derrida to move beyond the causal explanation of epistemology and the sympathetic understanding of hermeneutics. Although archaeology and deconstruction are said to be “post-structuralist,” both make use of “systems” and “breaks,” transforming philosophy into a text, an epochal fabric which undergoes folds, mutations, reversals. Archaeology shows these continuities and discontinuities from within the text of philosophy, while deconstruction attacks that text from the margins, going one step further. To both strategies, Schürmann raises the question of identity and difference: if these ruptures are utterly contingent breaks without any continuity, one cannot think of them as breaks; if they are modulations of a continuous process, we are back to the architectonic of Hegel. Between the Scylla of the noumenal in-itself and the Charybdis of the phenomenal manifold, Schürmann’s middle road is the categorial: the traits which hold together the systems and breaks, making the successive epistemic fields comparable.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":57679986590069,"sku":"9783035809336","price":28.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"la-mort-du-pere","title":"La mort du pere","description":"A translation into French of a work by the twentieth-century avant-garde Italian writer Alice Ceresa.   A family gathers for the father’s funeral: the patriarch is dead, leaving the throne of the family hierarchy vacant. 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Thomas Meinecke’s lookalikes resemble many people––Marlon Brando, Shakira, Justin Timberlake, or Josephine Baker to name a few––but never themselves. Illusion is their capital; imitation is their business. They stroll through Düsseldorf's posh Königsallee, reading, quoting, and plagiarizing their way through the history of pop culture and philosophy, exploring categories of realness in parallel worlds and digital chat forums. At the same time, yet another Thomas wanders Brazil in disguise, tracing the journey of Hubert Fichte and his doppelgänger Jäcki. In this endless play of similarities, all identity is lost. Between literary and sexual genres, mimesis and authenticity, fiction and reality, these lookalikes only ever find the Other, just as Meinecke’s text duplicates itself in the furor of allusions and reference systems, constantly branching out anew, never remaining the same, always changing these so-called original signs.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":57695209554293,"sku":"9783035808933","price":16.0,"currency_code":"GBP","in_stock":true}]}],"url":"https:\/\/backstory.london\/collections\/publisher-diaphanes-ag.oembed","provider":"Backstory","version":"1.0","type":"link"}