{"title":"D Giles Ltd","description":null,"products":[{"product_id":"9781911282563","title":"Joseph Urban","description":"Designed in 1929 and completed in 1930, this rare, bespoke bedroom, created for the seventeen-year-old Elaine Wormser, embodies the skillful blend of Viennese artistic influences, sleek modern finishes, daring colour and pattern that marked all of the artist's greatest achievements. The interior, whose elements are held by the Cincinnati Art Museum, has never been fully researched, published or displayed before now. Five essays, accompanied by full colour illustrations, unlock the narratives and significance of this important historic interior.   Joseph Urban arrived in Boston in 1911; he lived and worked in the United States for the rest of his life. Over the next twenty-two years, he would become one of the nation's most important and celebrated designers, at the forefront of American modernism, doing as much as anyone to shape its distinctive face. His iconic designs include the New School for Social Research, New York, 1930; the colour direction for the 1933 World's Fair; and the Mar-a-Lago estate, Palm Beach, Florida, 1926 for E. F Hutton and Marjorie Merriweather Post.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56308498628981,"sku":"9781911282563","price":39.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781911282563_9f14d64b-5f68-4a6d-818c-18ff1bbabb85.jpg?v=1786029320"},{"product_id":"9781911282440","title":"Eugène-Louis Charvot","description":"This publication features the work of French artist Eugène-Louis Charvot (1847-1924), a distinguished painter and printmaker. Recognized in his time, Charvot’s work was lost to history and has been rediscovered in Jacksonville Florida. A fascinating individual, Charvot practiced medicine for many years but stated that his first love was art. Thus, despite the rigors of a prestigious medical career, Charvot devoted himself to the pursuit of his muse throughout his life.Inspired by the serene countryside of his youth, Charvot became a landscapist, and made his debut in 1876 at the annual Salon in Paris. Spending his medical career in the French military, Charvot was posted in colonial Tunisia (1885-89) and Algeria (1892-96), where he documented the life around him and sent oils back to Paris for entry in the SalonsAfter Charvot’s death in 1924, his work fell into obscurity. His family preserved his award-winning etchings, his landscapes and Orientalist paintings as well as his unpublished diary, family letters and sketchbooks. Charvot’s daughter, Yvonne Charvot Barnett, brought the majority of his work to Jacksonville, Florida where the discovery of these extensive holdings has led to a reevaluation of Charvot’s work and a resurrection of the reputation of this accomplished artist. The works now reside in the Cummer Museum of Art \u0026amp; Gardens, as the Charvot Collection.Through an in-depth review of his career as an artist, this new volume highlights Charvot’s breadth of processes, productivity and inspiration in painting, etching and drawing. With a focus on family portraits, pastoral country scenes, nocturnes and North African genre and street scenes, the book weaves family photographs, journal entries and excerpts from family letters to recreate the world view that informed Charvot’s oeuvre","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56308530905461,"sku":"9781911282440","price":10.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781911282440_146e81c5-2b8e-4bf7-9428-cfb0f75eda4e.jpg?v=1786029318"},{"product_id":"9781911282808","title":"100 Treasures \/ 100 Emotions","description":"100 Treasures \/ 100 Emotions celebrates the inauguration of the Macquarie University History Museum Sydney, NSW, Australia. This entirely new volume focuses on 100 works from a vast collection of 15,000 objects, to highlight the new museum's focus on social history and the human condition beyond the borders of space and time. This story is told through a mixture of short essays and colour plates of 100 selected objects drawn from across five continents and over the course of 5,000 years. These objects - ranging from fragments of an ancient Egyptian Book of the Dead, to a WWI era Turkish Star medal - have been chosen by Museum staff and Macquarie scholars to achieve a representative and rigorously researched survey of human experience and creativity over five millennia. Professor Martin Bommas, edits short essays on each of the 100 selected objects by a broad range of academic authors, complemented by entirely new photography of the objects commissioned from award-winning photographer Effy Alexakis.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56308531888501,"sku":"9781911282808","price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781911282808_907a5554-161c-4520-ad71-968f697dbb58.jpg?v=1786029326"},{"product_id":"9781913875275","title":"Imperial Colors","description":"Imperial Colors focuses on the paired busts of Emperor Septimius Severus (r. 193-211) and his wife, Empress Julia Domna in the Eskenazi Museum of Art, two of the finest known examples of later Roman portrait sculpture. This book presents innovative multidisciplinary research that is accessible both to specialists and generalists. In addition to contextualizing these portraits in the visual art and culture of the wider Roman empire, this publication will provide the first detailed and secure evidence for their original appearances. Highlights of this include the recently discovered vestiges of colorful paint, fresh insights into masterful marble polishes, and fascinating possibilities regarding their production and display in antiquity. These sculptures are also carefully constructed images, designed to promote political ideas. They represent continuity with older Imperial models but were updated to create a distinctive visual language for the new Imperial house.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56308789903733,"sku":"9781913875275","price":50.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781913875275_5246503e-66a8-4239-8819-2f974b14c4ee.jpg?v=1786030795"},{"product_id":"9781913875183","title":"In the Mind's Eye \/ La mirada de quien contempla","description":"\u003cp\u003e\u003cb\u003eThis English\/Spanish bilingual volume explores Cuban and U.S. landscape painters largely active from 1850 to 1910 whose portrayals of Cuba reflect political, social, and ideological changes in both countries.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eIn the Mind’s Eye\u003c\/i\u003e tells many stories about Cuba that reflect the island’s significance, both as the place from which Cubans fled, and a destination to which Americans flocked. While the dynamics of the Revolution in 1959 frame many conversations about Cuba, this volume seeks a longer historical trajectory by focusing on the 19th century—with visual interpretations and commentary by 21st-century artists. American artists William Glackens, Childe Hassam, Winslow Homer, and Willard Metcalf are featured alongside contemporary artists including Juan Carlos Alom, María Magdalena Campos-Pons, and Juana Valdés. Two new interviews with artists Juana Valdés and Carlos Martiel conducted by Donette Francis and Elvia Rosa Castro highlight the importance of contemporary Cuban art.\u003c\/p\u003e\u003cp\u003eA ground-breaking exploration of the Cuban landscape in the imagination of American and Cuban artists, \u003ci\u003eIn the Mind’s Eye\u003c\/i\u003e opens new avenues of inquiry about the Caribbean island which has played an outsized role in global politics, economics, and culture. For centuries an Edenic image of fantasy and escapism has been projected onto Cuba by observers from North America and Europe. Until recent times, the harsh historical and contemporary realities of servitude, racial strife, and environmental degradation rarely colored artists portrayal of the country, presenting a skewed perspective on this nation.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56308790034805,"sku":"9781913875183","price":34.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781913875183_bbf6772d-2e5b-485a-9633-fad7ea6b0703.jpg?v=1786030791"},{"product_id":"9781913875930","title":"The Spirit Within \/ El Espíritu Inherente","description":"\u003cp\u003e\u003cb\u003eThis volume, coinciding with the opening of permanent Art of the Americas galleries at the Walters Art Museum in 2025, examines how, for people in the Indigenous Americas, materials had and continue to have a life of their own.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eAncient and modern craftspeople shaped jade, gold, feathers, and clay into exquisite artworks, but the meanings of those objects are intertwined with the living essence of the raw materials themselves. Thirty-five highlights, ancient to contemporary, provide a window into the spiritual and intellectual context in which these objects were understood by the Indigenous people who made and used them.\u003c\/p\u003e\u003cp\u003e\u003cb\u003eEste tomo, que coincide con la apertura de las galerías permanentes \u003ci\u003eArte de las Américas\u003c\/i\u003e en 2025, examina cómo, para los pueblos indígenas de las Américas, los materiales tenían y siguen teniendo \u003ci\u003evida propia\u003c\/i\u003e.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eAl igual que lo hacían los artesanos de la antigüedad, los de hoy dan forma al jade, al oro, a las plumas o a la arcilla para crear exquisitas obras de arte, cuyo significado en tanto objetos está entrelazado también con la esencia viva de las propias materias primas. 35 piezas destacadas de la colección de las Américas, tanto antiguas como contemporáneas, las que permiten apreciar el contexto espiritual e intelectual en el que eran concebidos estos objetos por los pueblos indígenas que los fabricaban y empleaban.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56308791574901,"sku":"9781913875930","price":15.95,"currency_code":"GBP","in_stock":true}]},{"product_id":"9781913875206","title":"Drama \u0026 Beauty","description":"\u003cbr\u003e\u003cb\u003e\u003c\/b\u003e\u003cp\u003eThis beautifully illustrated catalog—celebrating the 70th anniversary of the Bob Jones Collection—presents a fascinating survey of religious European art from the 14th through the 19th centuries.\u003c\/p\u003e\u003cp\u003eBob Jones Jr. founded the collection as an educational effort and opened it on the campus of the university named after his father in Greenville, South Carolina, in 1951. Those first 25 paintings included works by Bicci di Lorenzo, Luca Giordano, El Greco, and Tintoretto, and today the collection comprises over 400 paintings, as well as a wide range of sculpture, decorative arts, and antiquities. It is widely recognized among scholars as one of the finest collections of Renaissance and Baroque paintings in America, and a document of the revival of the taste for Baroque pictures in the mid-20th century.\u003c\/p\u003e\u003cp\u003eErin Jones’s introduction provides an overview of the history of the various iterations of the Museum \u0026amp; Gallery, even as it looks forward to a new home in the center of its community. Richard P. Townsend’s essay presents the most in-depth examination to date of Bob Jones Jr. as a collector, extensively using letters, invoices, and photographs to paint a picture of Jones hitherto not available. At the heart of the volume is the presentation of 55 paintings, featuring works by great European masters including Botticelli, Bouts, Cranach, Guercino, Jordaens, Preti, Reni, Ribera, Rubens, Tiepolo, and Zurbarán.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56308847804789,"sku":"9781913875206","price":29.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781913875206_23749f44-e38b-4538-a44d-73e3048a9953.jpg?v=1786030791"},{"product_id":"9781913875244","title":"Exposing the Maya","description":"Exposing the Maya focuses on the works of 19th-century photographers Désiré Charnay, Alice and Augustus Le Plongeon, Teobert Maler, Alfred Maudslay and Adela Breton, all of whom were masters of their craft and travelled extensively to sites in Mexico and Central America. The over 100 selected images in this volume, together with nearly 40 additional contextual images featuring sketches from travel journals, hand-coloured drawings, prints, and maps, are combined with the photographers’ own words found in their published writings, journals and letters to provide insight into their methods, context for their images, and capture the realities of field work in Mesoamerica.   Accessible and highly illustrated, Exposing the Maya features rare and important early photographs of the archaeological ruins and remains of the great Mayan and Aztec civilizations of Mesoamerica, from an age that witnessed the evolution of photographic techniques and brought to life the long-faded murals and decoration of these ruins. This is an absorbing story of incredible journeys, the challenging conditions under which these pioneering photographers produced their images, and how they perceived the remnants of these ancient indigenous cultures in modern-day Mexico, Guatemala, and Honduras.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56308849934709,"sku":"9781913875244","price":29.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781913875244_0dc65bdd-656b-45b9-9daa-6127895f8a9a.jpg?v=1786030793"},{"product_id":"9781913875534","title":"Bruegel’s Three Soldiers","description":"\u003cp\u003e\u003cb\u003eNew volume in the Frick Diptych series features an illuminating essay by curator Anna-Claire Stinebring paired with a contribution by artist Salman Toor.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eOne of the greatest Netherlandish painters of the sixteenth century, Pieter Bruegel the Elder (ca. 1525-1569) is best known for his landscapes and peasant scenes. One of only three signed works by Bruegel in the United States, \u003ci\u003eThe Three Soldiers\u003c\/i\u003e was once in the celebrated collection of Charles I of England. The small panel in grisaille (shades of gray) represents a trio of \u003ci\u003eLandsknechte\u003c\/i\u003e, the mercenary foot soldiers whose flamboyant costumes and poses were a popular subject for printmakers of the period.  This volume considers the artistic and political environment of the time and investigates how a colorful subject is transformed by its translation into monochrome.\u003c\/p\u003e\u003cp\u003eDesigned to foster critical engagement and interest specialist and non-specialist alike, each book in this series illuminates a single work in the Frick’s rich collection with an essay by an art historian paired with a contribution from a contemporary artist or writer.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56308850426229,"sku":"9781913875534","price":19.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781913875534_8dc794e1-2894-4c73-a42e-fa98a11f3f5d.jpg?v=1786030798"},{"product_id":"9781911282525","title":"Simply Brilliant: Artist-Jewelers of the 1960s and 1970s","description":"A stunning new volume which presents 120 pieces by 50 leading jewellery designers from the 1960s and '70s, including works by John Donald, Arthur King, Andrew Grima and Gilbert Albert.  Simply Brilliant presents 120 pieces by 50 leading makers of jewellery in the 1960s and '70s, drawn from the Klosterman collection in Cincinnati. Most, if not all, of the individual makers of this era thought of themselves as artists first, jewellers second, and this magnificent new volume is full of stunning one of a kind pieces which reflect the inventive, ground-breaking attitudes of the era.  The book explores the 1961 Goldsmiths Hall exhibition in London and its influence on contemporary jewellery designers such as John Donald, Arthur King, Andrew Grima and Gilbert Albert. The 1961 exhibition brought a new direction in jewellery design to the fore, influencing others - including the major jewellery houses such as Cartier, Bulgari, Chopard and Van Cleef and Arpels - paving the way for an international movement in fashion and design. These jewellery designers created unique pieces, often for individual clients, using non-traditional materials and unusual forms.  AUTHOR: Cynthia Amneus is chief curator and curator of Fashion Arts and Textiles at Cincinnati Art Museum.  207 colour illustrations","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56308904558965,"sku":"9781911282525","price":40.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781911282525_b13a5424-a75f-4c15-bf8d-9ecb38954576.jpg?v=1786029319"},{"product_id":"9781911282679","title":"Simple Pleasures: The Art of Doris Lee","description":"A major new book about Doris Lee, one of the top female artists - indeed among the top figurative artists, regardless of gender - in the American art world from the mid-1930s through the 1950s.  Simple Pleasures presents the first major critical assessment of works by the artist Doris Lee (1904?1983). Lee was one of the most recognised artists in America during the 1930s and 40s, and was a leading figure in the Woodstock Artist's Colony. Her oeuvre reveals a remarkable ability to merge the reduction of abstraction with the appeal of the everyday. In so doing, she offers one of the very rare examples of a coherent visual identity that successfully bridged the various artistic \"camps\" that formed with the shift in the art world in the post-World War II era. Doris Lee exploded onto the national scene in 1935 when her painting Thanksgiving was awarded the Art Institute of Chicago's Logan Prize and instigated the Sanity in Art movement in protest. Two years later, her painting Catastrophe was purchased by the Metropolitan Museum of Art. Simple Pleasures explores this initial national recognition in the 1930s within the context of American Scene painting, and traces the artist's thematic interest in the simple objects and scenes of the everyday through her career. It also examines the influence of the rise in abstraction during the late 1940s and 1950s, and the particular way in which this abstraction found resonance with Lee's long-held interest in, and collections of, folk and non-western art. During this post-war period, Lee, like many of her American Scene colleagues, found lucrative work in the heyday of commercial advertising. Lee's commercial commissions for patrons such as American Tobacco Company, Life magazine, Abbott Laboratories, and Associated American Artists are especially compelling in both their populist accessibility and in their deceptively sophisticated abstraction. Sixty-five works by the artist span the 1930s through the 1960s and are comprised of paintings, drawings, prints, and commissioned commercial designs in fabric and pottery. Included are advertisements by companies that commissioned images from Lee, and photographs that contextualise the artist's work within the Woodstock artist's community.  AUTHORS: Barbara L. Jones is chief curator, The Westmoreland Museum of American Art, Greensburg, PA, and the author of Samuel Rosenberg: Portrait of a Painter (2003). Melissa Wolfe is curator of American Art, St. Louis Art Museum, and co-editor of Reflections: The American Collection of the Columbus Museum of Art (2019). John Fagg is professor of American Studies, University of Birmingham, UK, and author of 'That Abused Word: Genre': The 1930s Genre Painting Revival in The Space Between: Literature and Culture 1914-1945 (2011). Tom Wolf is professor of Art History at Bard College, NY and leading Yasuo Kuniyoshi scholar.  157 colour illustrations","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56308944142709,"sku":"9781911282679","price":40.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781911282679_4ca0c519-00c1-4787-a116-9a45a7a4aea0.jpg?v=1786029324"},{"product_id":"9781911282051","title":"Taft Museum of Art: Highlights from the Collection","description":"This new volume presents highlights of the Taft Museum of Art's exceptional collection, which spans over 750 years of creative endevour.  Donated to the city of Cincinnati in 1927, Charles and Anna Taft's collection features beautiful porcelain from the Ming and Qing dynasties, paintings by masters including Rembrandt, Gainsborough, Goya, Ingres, Corot, Whistler, and Sargent, and decorative objects including crystal, gold, silver, and enamel-work. The 80 works that feature in this volume, chosen from the 740-piece collection, are presented in four sections, coinciding with the museum's major areas of specialization: European painting, European decorative arts, American art, and Chinese art.  Each piece is accompanied by an entry detailing its history and that of its artist or maker written by Taft curatorial staff. Lynne D. Ambrosini's essay explores the collecting practice of Charles and Anna Taft. Deborah Emont Scott's foreword provides a history of the Taft bequest and its lasting significance to the city of Cincinnati and its present day inhabitants.  AUTHOR:  Lynne D. Ambrosini is deputy director and the Sallie Robinson Wadsworth Chief Curator, Taft Museum of Art. Lynne Ambrosini has overseen the collection and exhibitions at the Taft since 2004, having earlier worked at the Minneapolis Institute of Arts and Brooklyn Museum. She earned a PhD in art history from the Institute of Fine Arts, N.Y.U. Her exhibitions for the Taft include: Hiram Powers: Genius in Marble (2007), Brush\/Clay\/Wood: The Nancy and Ed Rosenthal Collection of Chinese Art (2008), and Daubigny, Monet, Van Gogh: Impressions of Landscape (2016). She has also published many articles and given invited lectures on such artists as J.F. Millet, Gustave Courbet, Edouard Manet, J.A.M. Whistler, Claude Monet, and Auguste Rodin.  101 colour and 5 b\/w illustrations","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56308944175477,"sku":"9781911282051","price":34.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781911282051_f4407692-99ee-4fde-8a60-d838bac3f21c.jpg?v=1786029317"},{"product_id":"9781917273121","title":"Bvrb's Commodes","description":"\u003cp\u003e\u003cb\u003eThis new volume in the Frick Diptych series features an essay by Frick curator Marie-Laure Buku Pongo paired with a contribution by world-renowned musician William Christie.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eThese two cabinets, stamped BVRB, may well be the last pieces of furniture made by the celebrated Parisian cabinetmaker Bernard van Risenburgh II just before he retired in 1764 and sold his workshop to his son, Bernard van Risenburgh III, who finished them. The cabinets feature eight panels of black-and-gold Japanese lacquers of exceptionally high quality taken from a seventeenth-century Japanese cabinet, chest, or screen. Beginning in the 1730s, the older van Risenburgh worked almost exclusively with the influential \u003ci\u003emarchands-merciers\u003c\/i\u003e or merchants of luxury goods, who provided the cabinetmaker with the rare and costly Oriental lacquers and sometimes with the design for the furniture on which to mount them.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56309003190645,"sku":"9781917273121","price":24.95,"currency_code":"GBP","in_stock":false}]},{"product_id":"9781911282587","title":"Love and Peace: 37 Eternal Reflections","description":"37 eternal reflections that have flowed through the tides of time to soothe the spirit, presented within a unique framework of rare sixteenth century art and striking contemporary images, a glorious sequel to Love \u0026amp; Wisdom.  The eternal reflections in this new volume have flowed through the tides of time to soothe the spirit. This special gift book with gilded edges takes the reader on an uplifting journey with inspirational quotes that are as relevant today as they were centuries ago. Stunning photographs of water, and its beauty in nature, are framed by rare 16th century Illumination manuscript borders to showcase poignant messages of love, joy, grief, resilience, gratitude, enlightenment, and peace. Author Alexandra Villard de Borchgrave's moving introduction, in which she writes of her personal loss, inspires the reader to re-embark on the spiritual journey started in Love \u0026amp; Wisdom.  AUTHOR:  Alexandra Villard de Borchgrave has built a reputation as a photojournalist, author, poet, and philanthropist. Her photographs have appeared on the covers of internationally renowned publications, such as Newsweek and Paris Match. She is the co-author of Villard: The Life and Times of an American Titan (2001), and the author of Healing Light: Thirty Messages of Love, Hope, and Courage (2005); Heavenly Order: Twenty Five Meditations of Wisdom and Harmony (2008); Beloved Spirit: Pathways to Love, Grace, and Mercy (2011), To Catch A Thought: 50 Reflections for the Heart (2014); and Love and Wisdom: 37 Timeless Reflections. Mrs. de Borchgrave founded the nonprofit organization, the Light of Healing Hope Foundation, in 2010 with the mission of giving books as gifts to hospitals and hospices to bring comfort and healing to those in need.  SELLING POINT: .  A stunning sequel to Love \u0026amp; Wisdom. Images from sixteenth century art from the Smithsonian's Freer\/Sackler Gallery and contemporary photographs from the National Geographic Image Collection.  50 colour illustrations","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56309025997173,"sku":"9781911282587","price":13.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781911282587_431ddc13-d402-49a1-8131-c2dec3dcc487.jpg?v=1786029322"},{"product_id":"9781911282617","title":"Looking Up: The Skyviewing Sculptures of Isamu Noguchi","description":"Isamu Noguchi's Skyviewing Sculpture was created by invitation for Western Washington University, north of Seattle, in 1969. The 14-foot high sculpture, which sits in the university's central quad, acts as an observatory, encouraging viewers to enter and turn their gaze to the sky. 'Skyviewing' was a leitmotif in Noguchi's art throughout his long career as an artist and landscape architect, from his early work alongside Constantin Brancusi in Paris in 1928 to his death in 1988. Some sculptures act as reflecting telescopes with polished stone that mirror the firmament while others trace the path of the sun with cast shadows or lead the eye up towards the sky. The work at Western invites the viewer in, and guides the eye upwards to observe the sky in all of its variety. Looking Up explores Noguchi's work on the themes of space, and our place in the universe; examines the changing artistic climate during his long career; and places Noguchi in context with a younger generation of artists, including Robert Smithson, Nancy Holt, James Turrell, and Charles Ross. The book includes essays by leading specialists, as well as a plate section and contemporary photos of the creation, transportation and installation of Skyviewing Sculpture .","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56309026062709,"sku":"9781911282617","price":34.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781911282617_10946733-7445-44d9-a011-5a38d539aa16.jpg?v=1786029322"},{"product_id":"9781911282709","title":"Constable's White Horse","description":"The White Horse (1819) by John Constable (1776–1837) depicts a tow-horse being ferried across the river Stour in Suffolk, just below Flatford Lock at a point where the tow-path switched banks. Constable, who described the scene as \"as placid representation of a serene, grey morning, summer,\" went on in later years to comment: \"There are generally in the life of an artist perhaps one, two or three pictures, on which hang more than usual interest-- this is mine.\" A scholarly essay by Frick curator Aimee Ng, is paired with a piece by artist William Kentridge, who writes about finding inspiration in Constable's nostalgic world. The painting was well received when it was shown at the Royal Academy exhibition of 1819, and it was purchased by Constable's friend Archdeacon John Fisher. Constable bought back the painting in 1829 and kept it the rest of his life.There is a full-scale oil sketch for The White Horse in the National Gallery of Art, Washington, DC.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56309026193781,"sku":"9781911282709","price":19.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781911282709_ea311e04-3ae5-4834-aa28-5e5320513f72.jpg?v=1786029324"},{"product_id":"9781911282990","title":"Determined: The 400-Year Struggle for Black Equality","description":"Determined presents a concise overview of Black history in Virginia from the arrival of the first enslaved Africans in Virginia in 1619 through the groundswell of racial justice protests of 2020. These four centuries encompass slavery and emancipation, segregation and the civil rights movement, the election of the first Black president and the rise of Black Lives Matter. Throughout this complex history, Black people have fought for freedom, justice, and opportunity and against oppression, discrimination, and dehumanization. Their efforts have brought meaningful changes to American society by forcing the nation to define the meaning of its highest ideals of democracy and universal equality.    Arranged chronologically, this book explores 400 years of Black history through the stories of key figures and events in Virginia that shaped the fight for Black equity. A few of the individuals featured include John Punch, whose punishment for attempting to escape bondage in 1640 began the codification of a system of slavery that spread throughout the original Thirteen Colonies, and Nat Turner, who shocked the nation with a slave revolt in 1831 that challenged the institution of slavery. John Mitchell, Jr. was a journalist-editor who championed Black pride and civil rights in the Jim Crow era, and Barbara Johns led a student protest that became part of Brown v. Board of Education (1954), the landmark Supreme Court decision dismantling legalized segregation. A new generation of activists like Zyahna Bryant continues the fight for racial equity today. Illustrations of historical artifacts and images bring to life these and other stories of Black determination and resistance.    Determined focuses on Virginia, yet it tells an American story. Black people have shaped the nation’s economic, political, and cultural identity, and Virginia has played a formative and central role in national race relations. This book provides a timely reckoning with America’s fraught history with race and systemic racism. It fosters a greater understanding of the legacies of slavery, segregation, and white supremacy to meet the challenges of today and forge a better tomorrow.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56309027406197,"sku":"9781911282990","price":16.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781911282990_0d0bc560-2910-4bd0-b39d-f5082ee300a7.jpg?v=1786029332"},{"product_id":"9781911282853","title":"Scenes of New York City","description":"\u003ci\u003eScenes of New York City\u003c\/i\u003e celebrates the promised gift of 130 works from the Elie and Sarah Hirschfeld Collection to the New York Historical Society. The Hirschfeld promised gift is at once a collection of individual works by talented artists from the nineteenth and twentieth centuries, a series of vivid \"snapshots\" of the iconic city, and a tapestry weaving a narrative of Gotham's vibrant history. These fascinating celebrations of New York City—paintings, watercolors, drawings, prints, and sculpture whose strength lies in the twentieth century—include 113 works by 82 American and European artists not currently represented in the collection. They expand the Museum’s holdings in the modern era and help to diversify them, adding numerous works by pivotal artists including Isabel Bishop, Marc Chagall, George Grosz, Keith Haring, Franz Kline, Willem de Kooning, Jacob Lawrence, Fernand Léger, Louise Nevelson, Georgia O'Keeffe, Mark Rothko, and Andy Warhol, among many others. The catalogue features an introductory essay covering the sweeping history of New York City, an interview with the collector Elie Hirschfeld, 110 scholarly entries about the 130 works, and comparative material that illuminates the history of the City and the artistic contributions in the works of art.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56309027471733,"sku":"9781911282853","price":45.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781911282853_76611837-e7d9-4e52-b4e3-ff5f0c9b12be.jpg?v=1786029328"},{"product_id":"9781907804915","title":"Holbein's Sir Thomas More","description":"Hans Holbein's famous portrayal of Sir Thomas More is one of the artist's greatest and most popular portraits. In the opening piece of this appealing new volume, \"A Letter to Thomas More, Knight\", award-winning author Hilary Mantel vividly imagines the background to the creation of this extraordinary portrait, giving it both historical perspective and immediacy. An insightful, concise, scholarly essay by Xavier Salomon grounds it in the art-historical world.   Hans Holbein (1497\/98-1543) painted Sir Thomas More in 1527, having been a guest in More's house when he first arrived in England. He brilliantly renders his sitter's rich fabrics and unshaven face with sympathy and perception.   Frick Diptychs, a new series of small books to be co-published by GILES with The Frick Collection, New York, pairs masterworks from the Frick with critical and literary essays. The novelist Hilary Mantel will be followed by the filmmaker James Ivory on Vermeer's \"Mistress and Maid\" and the artist and author Edmund de Waal on a pair of porcelain and bronze candlesticks by the 18th-century French metalworker Pierre Gouthiere.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56309050999157,"sku":"9781907804915","price":19.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781907804915_9300fa95-6d48-4fd2-b203-83a91c0a8647.jpg?v=1786029040"},{"product_id":"9781911282907","title":"A History of Photography at the University of Notre Dame","description":"This is a first-rate history of photography. As with his previous publication Twentieth Century (2019), author and curator David Acton uses the extraordinary and wide-ranging collection held by the Snite Museum to bring to life 100 photographs which encompass the 19th century. He tracks the history, artistic concepts, and technical advances of photography, from the pioneering work of William Henry Fox Talbot (1800-1877), Alphonse Louis Poitevin (1819-1892), Frederic Flacheron (1813-1883), Roger Fenton (1819-1869), Desire Chanay (1828-1915), Felice Beato (1832-1909), Mathew B. Brady (1822-1896), Julia Margaret Cameron, 1815-1879), William Bell (1830-1910), Louis-Maurice Boutet de Monvel (1850-1913), and Jacob Riis (1849-1914). The volume provides a striking pictorial history, with speciality areas including Mathew Brady's famous photographs of the Civil War and the exploration of the American West by photographers including Eadweard Muybridge and Charles Savage. Acton provides historical context, brief biographies, and a glossary of photographic terms.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56309090615669,"sku":"9781911282907","price":69.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781911282907_4498453f-136f-4e7c-b854-01109c168f45.jpg?v=1786029330"},{"product_id":"9781911282914","title":"The Material World of Eyre Hall","description":"Erected in 1759 on the Eastern shore of Virginia, the remarkable Eyre Hall is still occupied by descendants of its builder, Littleton Eyre. Since construction, Eyre’s succeeding generations have acquired and preserved a rich variety of objects reflecting the tastes and aspirations of the many different families that lived there. Featuring extensively researched text from 22 contributors, this volume comprises four main sections that examine the historical, sociological, anthropological and architectural significance of the house, from the first generation through to the current owner, Furlong Baldwin. A catalogue raisonné of the material culture of Eyre Hall includes furniture, silver, ceramics, glass, paintings, prints, books, musical instruments, bound sheet music, textiles and miscellaneous objects. This volume also presents two family trees—one of the Eyre family; the other of people who worked at the house in the early 20th century—and four major maps, alongside stunning new colour photography of the building, grounds and catalogue pieces.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56309090648437,"sku":"9781911282914","price":74.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781911282914_e282960b-b97b-45ca-82ce-89b81931fe5c.jpg?v=1786029331"},{"product_id":"9781911282761","title":"Seeing Differently","description":"\u003cp\u003eTop 10 Title, Art\/Architecture\/Photography, \u003ci\u003ePublishers Weekly\u003c\/i\u003e Spring 2021 Announcement Issue\u003c\/p\u003e\u003cp\u003eThe Phillips Collection—America’s first museum of modern art—was founded in Washington, DC, in 1921 by Duncan Phillips as a memorial to his father, Duncan Clinch Phillips, and his brother, James, who died in the 1918 Spanish flu epidemic. Recognizing the healing power of art, Phillips sought to inspire others to “see beautifully as true artists see.” This ground-breaking volume, planned in conjunction with the museum’s centennial, offers an unprecedented breadth of insights and inclusive narratives on the Phillips’s growing art collection from a range of voices, including artists, curators, and critics, who shed light on the museum’s acquisitions since 2000.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eSeeing Differently\u003c\/i\u003e features diverse artistic expressions across wide-ranging media by renowned artists from the 19th to the 21st centuries, including John Akomfrah, Benny Andrews, Esther Bubley, Edgar Degas, Anselm Kiefer, Simone Leigh, and Aimé Mpane. This richly illustrated book includes an opening essay by Phillips director Dorothy Kosinski, artist conversations with John Edmonds, Whitfield Lovell, Alyson Shotz, and the late David C. Driskell, and 11 thematic essays by scholars and practitioners across disciplines. Its over 200 plates feature paintings, sculptures, videos, quilts, prints, and photographs, many with object responses by notable contributors, including artists Anthony Gormley, Sean Scully, Renée Stout, and Jennifer Wen Ma, among others.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56309090746741,"sku":"9781911282761","price":39.95,"currency_code":"GBP","in_stock":true}]},{"product_id":"9781913875626","title":"Objects of Affection","description":"\u003cp\u003e\u003cb\u003eA new survey of the life, creative spirit, and career of Robert W. Ebendorf, one of America's most important artists in the field of found-object jewelry and metalwork.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eRobert Ebendorf (b. 1938) has been one of the most influential artists in the studio jewelry movement from its beginning in the 1960s to today. His work combines exceptional craftsmanship, acquired through traditional training in gold- and silversmithing, with the inventive use of found objects and other alternative materials such as acrylic and ColorCore. \u003ci\u003eObjects of Affection\u003c\/i\u003e traces his development from the Scandinavian modernism of his early work to his first use of found objects such as tintype photographs in the 1960s; juxtapositions of colored acrylic and precious metals in the 1970s; use of found newspaper and other textual elements in the 1980s; his pivotal incorporation of animal parts in the 1990s; and the remixing and further development of many of these approaches in the twenty-first century.\u003c\/p\u003e\u003cp\u003eUnique features of this highly collectable volume are its special focus on Ebendorf’s work of the last two decades, his friendship with collectors Ron Porter and Joe Price, and his activities during his time in North Carolina. Also of note are the inclusion of selected works by graduates and faculty of East Carolina University (ECU) jewelry program that Ebendorf led from 1997 to 2016; preparatory sketches by Ebendorf; and collages included by him in many of the letters and postcards he has written over the course of his career. Many of these letters feature printed ephemera, in addition to sketches. And it is this ephemeral and archival aspect of the Porter\u003cb\u003e?\u003c\/b\u003ePrice Collection which sets it apart from other publications on Ebendorf’s work.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56309171257717,"sku":"9781913875626","price":29.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781913875626_bf8b34d3-0454-4a15-872c-1892093553e3.jpg?v=1786030802"},{"product_id":"9781913875886","title":"Grace Hartigan","description":"\u003cp\u003e\u003cb\u003eImportant new publication brings together a selection of forty significant works by American Abstract Expressionist artist Grace Hartigan.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eGrace Hartigan: The Gift of Attention \u003c\/i\u003eexplores the significant impact mid-century American poets and poetry had on painter Grace Hartigan’s early career during the 1950s and 1960s. Through a compelling introduction and three illuminating essays, the authors explore how key literary figures—supporters that included Daisy Aldan, Barbara Guest, James Merrill, Frank O’Hara, and James Schuyler—sparked Hartigan’s creativity, providing a fuller examination of the art she created during this time. This book not only spotlights Hartigan within the renowned circle of New York School painters and poets but also highlights the influence of several queer writers whose daring work and lifestyles profoundly shaped Hartigan’s outlook on art and life.\u003c\/p\u003e\u003cp\u003eThe volume accompanies an exhibition of the same name opening at North Carolina Museum of Art, NC in 2025, before traveling to various venues through 2026.\u003c\/p\u003e\u003cp\u003eHartigan's works can be found in the Art Institute of Chicago, Baltimore Museum of Art, Brooklyn Museum, Buffalo AKG Art Museum, Carnegie Museum of Art, Detroit Institute of Arts, Figge Art Museum, McNay Art Museum, Metropolitan Museum of Art, Minneapolis Institute of Art, MOMA New York, The Nelson-Atkins Museum of Art, National Gallery of Art, North Carolina Museum of Art, Philadelphia Museum of Art, Rhode Island School of Design Museum, Saint Louis Art Museum, Smithsonian American Art Museum, Solomon R. Guggenheim Museum, Whitney Museum of American Art, University of Arizona Museum of Art and Worcester Art Museum.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56309171356021,"sku":"9781913875886","price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781913875886.jpg?v=1791212970"},{"product_id":"9781911282860","title":"Imperial Splendor","description":"Focusing on production and patronage, this new volume features over 150 images of magnificently illustrated books and precious bindings, drawn largely from North American collections. The book’s three sections are arranged chronologically, yet in each case with a different thematic focus. Opening with a look at the precedents set by the Carolingian forerunners of the Empire, the first section considers deluxe imperial manuscripts associated with the Ottonian emperors. The second section examines the role of imperial monasteries in the production of manuscripts, considering in particular the patronage of aristocratic elites. The final section offers a tour of imperial cities in the fourteenth and fifteenth centuries, from Vienna and Prague to Augsburg and Nuremberg. This final stop considers the impact of Albrecht Dürer and humanism on the arts of the book. The volume features a glossary, indexes, and maps showing the shifting borders of the Empire over 700 years.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56309211234677,"sku":"9781911282860","price":39.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781911282860_8e9290aa-da69-4571-ac6a-a546f9bdfb8f.jpg?v=1786029329"},{"product_id":"9781913875015","title":"Faithful and Fearless","description":"This is a wonderful overview of the remarkable range of dog portraits--there are no human sitters--produced over the last 250 years. It features well-known works such as Rosa Bonheur's Brizo, (one of the best-loved portraits in The Wallace Collection), George Stubbs' Turk, Thomas Gainsborough's portrait of his two dogs Tristram and Fox, Lucian Freud's oil painting of Pluto, his pet whippet, and David Hockney's dachshunds Stanley and Boodgie.Over 50 works, arranged by theme, are drawn from major British collections, including the Royal Collection, the V \u0026amp; A, Tate Britain, the British Museum, and a wealth of regional museums and private collections. In addition memorabilia and souvenirs-bronzes, photos, brooches, and Faberge works, many relating to the British royals, especially Queen Victoria and her children- all evoke the sense of a cabinet of curiosities. This is a must-have for dog lovers.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56309243412853,"sku":"9781913875015","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781913875015_6039f582-78d9-4eeb-a939-3b5ab7860b48.jpg?v=1786030786"},{"product_id":"9781913875268","title":"This Present Moment","description":"\u003cp\u003e\u003cb\u003e\u003ci\u003eThis Present Moment: Crafting a Better World \u003c\/i\u003eshowcases American craft like never before. Accompanying a 2022 exhibition of the same name, it features artists’ stories of resilience, methods of activism, and highlights craft’s ability to spark essential conversations about race, gender, and representation.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eThis book marks the fiftieth anniversary of the Smithsonian American Art Museum’s Renwick Gallery, the nation’s preeminent center for the enjoyment of American craft. It honors the history of the American studio craft movement while also introducing progressive contemporary narratives.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eThis Present Moment\u003c\/i\u003e highlights the often-overlooked histories and contributions of women, people of color, and other marginalized communities. The volume features many of the more than two hundred recently acquired artworks to the Smithsonian American Art Museum’s collection.\u003c\/p\u003e\u003cp\u003eNamed after Alicia Eggert’s 2019–20 neon artwork, \u003ci\u003eThis Present Moment\u003c\/i\u003e looks at American craft “in the whirlwind of now,” revealing possibilities for contemporary makers to show us a more empathetic future.\u003c\/p\u003e\u003cp\u003eFeatured artists include Tanya Aguiñiga, Nick Cave, David Chatt, Sonya Clark, Cristina Córdova, Cindy Drozda, Alicia Eggert, J. Paul Fennell, Aram Han Sifuentes, Carla Hemlock (Kanienkeháka), Sharon Kerry-Harlan, Ron Ho, Katie Hudnall, Pat Kramer, Stephen Young Lee, Linda Lopez, Roberto Lugo, Wendy Maruyama, Myra Mimlitsch-Gray, Tom Loeser, John Mascoll, Connie Mississippi, George Nakashima, L. J. Roberts, Judith Schaechter, Preston Singletary, Polly Adams Sutton, Toshiko Takaezu, Gail Tremblay (Mi’kmaq and Onondaga), Nancy Worden, Consuelo Jiménez Underwood, and many more.\u003c\/p\u003e\u003cp\u003eThe cover of this volume is printed in 50 color variations; a purchased copy may be different from the image pictured.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56309245772149,"sku":"9781913875268","price":39.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781913875268_01b8c4d0-14c5-4354-bb62-fce21f82c415.jpg?v=1786030794"},{"product_id":"9781913875169","title":"Fashion Reimagined","description":"\u003cp\u003e\u003cb\u003eA fascinating look at the unexpected juxtapositions between twenty-first-century fashion design and historical garments.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eFashion Reimagined\u003c\/i\u003e features fifty outstanding examples of fashionable dress drawn entirely from the superb collection of the Mint Museum, Charlotte, NC. Organized to commemorate the fiftieth anniversary of the founding of the Mint’s costume collection in 1972, the checklist includes men’s and women’s fashions from 1760 to 2022. The book is divided into three sections that reflect three aspects of historicism: Minimalism, Pattern and Decoration, and The Body Reimagined. Each catalogue entry addresses a theme and provides information and insights about the individual designers, fabric and construction details, and globalization that is embedded in both the textiles and fashions 1760 to the present.\u003c\/p\u003e\u003cp\u003eThe Mint’s fashion collection features a wide range of historical garments, together with significant pieces by major contemporary designers, including Oscar de la Renta, Gianni Versace, and Miuccia Prada. Ranging from court suits to street wear, highlights include an English eighteenth-century sack back dress, two English men’s court suits, early nineteenth-century printed cotton dresses, wedding dresses from the mid and last quarter of the nineteenth century, as well as a rare 1920s wedding ensemble by Roman fashion artist Maria Monaci Gallenga, a very rare early twentieth-century Ispahan mantle by Paul Poiret, an unusual mid twentieth century Black Narcissus dress by American designer James Galanos, several examples of 1960s and 70s mod and hippie chic style, and innovative contemporary fashions by Giorgio Armani, Romeo Gigli, Zandra Rhodes, Anna Sui, Yoji Yamamoto, Walé Oyéjidé for Ikiré Jones, Anamika Khanna, and Iris van Herpen, among others.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56309314453877,"sku":"9781913875169","price":29.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781913875169_9e9d46ff-609d-4149-90be-67deb9449318.jpg?v=1786030789"},{"product_id":"9781913875503","title":"From Shanghai to Ohio","description":"\u003cp\u003e\u003cb\u003eThis brand-new, lavishly illustrated, publication features over 90 works by Woo Chong Yung, (Wu Zhongxiong), most of which have never been published or publicly displayed.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eWoo Chong Yung, (Wu Zhongxiong), (1898–1989), also known in the USA as C. Y. Woo, was a highly accomplished painter, calligrapher, and poet from Shanghai. During the 1920s to 1940s, Woo was at the center of China’s cultural world, feted in art circles in both Shanghai and Beijing. However, faced with political persecution in the 1960s, he migrated to Ohio before the onset of the Cultural Revolution. Once in the United States, he became an active presence in the local community, teaching classes in Chinese painting and martial arts, exhibiting and lecturing in local colleges, and contributing his talents to local arts councils and ethnic festivals in Columbus and central Ohio. His lifetime works were collected almost exclusively by Cincinnati Art Museum and the Frank Museum of Art at Otterbein University which, until now, have gone unseen by the public.\u003c\/p\u003e\u003cp\u003eThis ground-breaking catalog illustrates Woo’s unique position in Chinese painting history. His remarkable experience of emigrating from China in the face of political persecution in the 1960s and becoming an American utterly transformed and reshaped both his life and painting.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56309316288885,"sku":"9781913875503","price":40.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781913875503_466452bf-0d82-486a-a6b9-7f9e4d10dacb.jpg?v=1786030798"},{"product_id":"9781913875695","title":"Electric OP","description":"\u003cp\u003e\u003cb\u003eAn English\/French bilingual volume that traces the enduring legacy of geometric abstraction through the last six decades of electronic art and culture.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eOne of the most popular artistic styles of the twentieth century, Op art transformed European geometric abstraction into a global phenomenon in the mid-1960s. Its disorienting patterns and illusions, rendered with machine-like precision, became icons of the futuristic Space Age. As the 1960s faded, Op became a short-lived fad, dismissed by art historians and critics as visual kitsch. Over the last 15 years, however, many museums have re-introduced Op to audiences who enthusiastically embrace it as a reflection of contemporary life. Emerging at precisely the same time as mainstream video technologies and the modern digital computer, Op helped shape the aesthetics of electronic media, becoming the first artistic movement of the Information Age.\u003c\/p\u003e\u003cp\u003eJuxtaposing plates of approximately 123 artworks by 88 international artists and collectives from the 1960s to the present (including Victor Vasarely, Vera Molnar, Lillian Schwartz, JODI, Ryoji Ikeda, and Cory Arcangel), \u003ci\u003eElectric Op\u003c\/i\u003e offers a scholarly re-evaluation of the legacy of abstraction and the surprisingly intertwined histories of contemporary and digital art. It is also a blockbuster of dazzling works that appeal to all ages, including iconic masterpieces alongside rarely-seen gems. Outstanding works from the collections of the Buffalo AKG Art Museum and the Musée d'arts de Nantes are supplemented with key loans from other major museums, private collections, and artists.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56309316944245,"sku":"9781913875695","price":49.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781913875695_6d6029ab-f941-48d8-81b1-c0c5bee56d93.jpg?v=1786030804"},{"product_id":"9781913875152","title":"Paolo Veneziano’s Coronation of the Virgin","description":"\u003cbr\u003e\u003cb\u003eThe eighth volume in the Frick Diptych series focuses on a stunning fourteenth-century painting, pairing an essay by Frick deputy director Xavier F. Salomon with a fascinating contribution from contemporary composer Nico Muhly.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eAccording to Muhly, \u003ci\u003eThe Coronation of the Virgin \u003c\/i\u003eis “a panel of pure theater and music”. Painted in 1358 by the Venetian artist Paolo Veneziano (ca. 1295-1362), the apocryphal story of the moment when the Virgin is crowned Queen of Heaven is depicted here in one of the artist’s most thrilling and important works. Paolo  presents the Virgin and Christ in sumptuous garments and surrounded by a choir of angels playing portable organs, lutes, trumpets, tambourines, and other instruments. The angels symbolize the harmony of the universe; their instruments are the authentic components of a medieval orchestra, accurately depicted and correctly held and played. The decorative sparkle of the surface — with its brilliant, expensive colours, patterned textiles, and lavish gold leaf — reflects the Venetians’ love of luxury, a taste that enriches much of 14th- and 15th-century art in Venice.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56309355807093,"sku":"9781913875152","price":19.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781913875152_21d48c4a-094a-4fdb-ad53-9252a636b19c.jpg?v=1786030788"},{"product_id":"9781913875565","title":"The Scandinavian Home","description":"\u003cp\u003e\u003cb\u003eA wide-ranging study of the intertwined notions of home and homeland that were central to the art and material culture of Denmark, Norway, Sweden, and Finland in the second half of the nineteenth century.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eThe arts played a crucial role in reinforcing a shared sense of belonging amongst Nordic countries as they strove to identify and celebrate authentic local and national identities. “Home” was a central metaphor in the nation building activities of each country. The links between land, landscape, handicraft and domestic dwellings as dimensions of home are embedded in this survey which brings the extensive collection of David and Susan Werner into public view for the first time.\u003c\/p\u003e\u003cp\u003eThe catalogue encompasses an impressive range of paintings, drawings, furniture, textiles, glass, metalwork, and ceramics. Highlights include rare tapestries and a wooden cabinet by Norwegian artist Gerhard Munthe, Finnish ceramics by Alfred William Finch, landscape paintings by Hilma af Klint, Akseli Gallen-Kallela, Gustav Fjaestad and Pekka Halonen, and functional objects by outstanding handicraft artists covering embroidery, metalwork and wooden implements.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56309357707637,"sku":"9781913875565","price":40.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781913875565_56a6cac9-35ad-4f7d-b443-223e85b4d2d0.jpg?v=1786030799"},{"product_id":"9781913875718","title":"Blanche Hoschedé-monet in the Light","description":"\u003cp\u003e\u003cb\u003eThe first major monographic publication in English on the work of Blanche Hoschedé-Monet (1865-1947), the step-daughter, and later, daughter-in-law, of Claude Monet.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eAccompanying an eponymous exhibition, \u003ci\u003eBlanche Hoschedé-Monet in the Light\u003c\/i\u003e is the first volume to introduce this important woman artist, whose life and work were shaped by the artistic community she helped build at Giverny, and is the result of a long-term collaboration between French and American scholars. Across four essays, the authors approach Hoschedé-Monet’s art and life through a variety of viewpoints. Drawing on previously unpublished sources, including Blanche’s sketchbook, and new photography of Hoschedé-Monet’s largely unknown artworks, this new book constitutes a definitive account of her life and art.\u003c\/p\u003e\u003cp\u003eThe volume brings together approximately forty-six paintings from both French and American public and private collections, the vast majority of which have never been on seen in the United States. Three paintings by Claude Monet— \u003ci\u003eLe Bassin d’Argenteuil \u003c\/i\u003e(1874), \u003ci\u003eCliff Walk at Pourville\u003c\/i\u003e (1882), and \u003ci\u003eMorning on the Seine, Giverny\u003c\/i\u003e (1897) illustrate points of comparison and divergence between Claude Monet and Blanche Hoschedé, the only one of the Hoschedé or Monet children to pursue painting.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56309357773173,"sku":"9781913875718","price":30.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"9781913875671","title":"Crafting the Ballets Russes","description":"This book celebrates one of the world's finest private gathering of music manuscripts, held on deposit at the Morgan Library. Robert Owen Lehman's superb collection of French and Russian ballet scores, including Firebird, Petrushka, Afternoon of a Faun, Bolero, and many more, are shown here for the first time alongside the vivid stage designs and rarely seen choreographic notations for these ballets. Together they offer a fresh view into Serge Diaghilev's famed Ballets Russes troupe and its revitalization of ballet that roiled Paris in the first decades of the twentieth century. These influential ballets and their creators-composers Igor Stravinsky, Claude Debussy, and Maurice Ravel, choreographers Michel Fokine, Vaslav Nijinsky, and Bronislava Nijinska, and artists Leon Bakst, Alexandre Benois, and Natalia Goncharova-set a new agenda for European art. As the 1930s began, a new international era of modern ballet was underway.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56309357805941,"sku":"9781913875671","price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781913875671_6c6c1d14-00f0-44b6-920f-a989d4db7cc2.jpg?v=1786030803"},{"product_id":"9781917273091","title":"Robert Rauschenberg's New York","description":"\u003cp\u003e\u003cb\u003eMarking the centennial of Robert Rauschenberg’s birth, this long over-due publication examines the central importance of photography to the artist.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eRobert Rauschenberg (1925-2008) was a quintessential artist of post-war New York and one of the most influential creators of twentieth-century America, best known as a painter and graphic artist who paved the way for Pop Art. \u003ci\u003eRobert Rauschenberg’s New York\u003c\/i\u003e takes a deep dive into the artist’s engagement with photographs, focusing on his relationship with New York City. Seminal early photographs set the stage for the entire volume, examining the artist’s early life and career and the New York arts scene of the 1950s and early 1960s. Later on, the career-defining photographs made by Rauschenberg in New York City between 1979 and 1981 are presented alongside a small selection of his paintings and prints that reproduce and repurpose the photographs in new ways. Here photographic imagery is seen in a new context, as source material for further artistic creativity and improvisation.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56309390475637,"sku":"9781917273091","price":39.95,"currency_code":"GBP","in_stock":true}]},{"product_id":"9781913875237","title":"American Made","description":"The DeMell Jacobsen Collection of paintings and sculpture—an assemblage rich in American cultural heritage—parallels the development of art in the United States. American Made features some of the country’s most recognized artists: Thomas Cole, John Kensett, Asher B. Durand and William Trost Richards, while works by Theodore Robinson, Childe Hassam, Willard Leroy Metcalf and William Merritt Chase represent the Grand Tour and concepts gained abroad. Wonderful still lifes appear throughout the collection, including paintings by Severin Roesen, William Harnett and a late work by William Bailey. Portraiture is represented in stellar examples by members of the Peale family, Thomas Sully, Mary Cassatt, John Singer Sargent and Edmund Charles Tarbell. Classically-inspired marble works from Hiram Powers and Randolph Rogers, bronze pieces fromPaul Manship and Augustus Saint-Gaudens, and a modern copper and bronze example from Harry Bertoia are highlights of the sculpture collection. Early modernist and interwar works by Marsden Hartley, John Marin, Emil Bisttram, Paul Cadmus andJoseph Stella explore colour, form and abstraction. Highlights of contemporary art include works by Frank Stella, Louise Nevelson and a recently acquired painting by Alexis Rockman.   Fully illustrated—with several paintings including profiles of their appropriate period frames—each work of art features an extended entry with full specifications, information on style and stylistic influences, significance and social context.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56309483635061,"sku":"9781913875237","price":54.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781913875237_f7d68dc3-b5e5-4d16-b347-4de00d30782b.jpg?v=1786030793"},{"product_id":"9781917273060","title":"The Belle Époque Life in Paris","description":"\u003cp\u003e\u003cb\u003eBased on previously unpublished documents, this book traces the life in Paris of Countess Olga von Hohenfelsen, later known as Princess Paley, the morganatic wife of Grand Duke Paul of Russia, uncle of the last emperor Nicholas II.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eWhile immersing the reader in the world of Marcel Proust (most of Princess Paley’s social contacts had fed the writer’s imagination), the book explores the couple’s day-to-day life, highlighting their relationships with leading suppliers such as couturiers Worth and Paquin and the jeweler Cartier. It also provides an overview of the Parisian art market, and studies the development of the couple’s successive residences from Paris to St. Petersburg. For a time in the aftermath of the Russian Revolution, the significant collection and the palace built to house it were shown to the public as the Museum of French Art and History. Dispersed during the 1920s by the Soviet authorities, the collection is studied as a whole here for the first time.\u003c\/p\u003e\u003cp\u003eFirst published in French in 2018, this updated English version includes an additional chapter on Princess Natalie Paley, the couple’s youngest child. She continued her family’s legacy of contributing to culture and the arts well into the twentieth century while living in Paris and the United States, where she was a muse to writers, designers, photographers, and artists.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56309563031925,"sku":"9781917273060","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781917273060.jpg?v=1791213168"},{"product_id":"9781917273077","title":"At the Vanguard","description":"\u003cp\u003e\u003cb\u003eThe first volume in a major new series which offers a compelling glimpse into the transformative and revolutionary world of HBCUs, to uncover the complex stories that their collections tell us.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eThis book use objects from five collections—Jackson State, Tuskegee, Florida A \u0026amp; M, Clark Atlanta, and Texas Southern—to attest to the aesthetic value of African American cultural production on university campuses, the persistent development and expansion of HBCU academic programs, and the dynamics of student-led activism on campuses and throughout surrounding communities. Organized into four main sections, focusing on the arts, academics, and activism, this remarkable assembly of images will inspire readers to engage with, reflect, and examine the unforgettable stories they represent.\u003c\/p\u003e\u003cp\u003eOf the five HBCUs included, each one’s museum archives tell a unique story, from detailed community histories and accounts of civil-rights era activism to premiere collections of African American art. Together, these institutions paint a powerful and multifaceted picture of African American academia and beyond.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56309725102453,"sku":"9781917273077","price":12.95,"currency_code":"GBP","in_stock":true}]},{"product_id":"9781913875022","title":"East Meets West","description":"This entirely new volume illuminates the complex intersection of western and eastern culture and civilization in the Eastern Mediterranean during the period of the Crusades from the eleventh to late thirteenth century; in particular it presents and studies 20 Byzantine and Mamluk Egyptian artworks and illuminated manuscripts drawn both from the collections of the Museum and external loans. The diverse artworks\u0026amp;mdahs;ceramic bowls, Sgraffito ware, gold coins, glass jewellery and leafs from the Qu’ran, and other illuminated manuscripts—are presented in broad chronological and thematic sections, each with an introductory text by a Professor Martin Bommas of the Museum, and other guest authors. These sections look at these objects within the broad context of the Crusades and the history of the Byzantine Empire and Mamluk Egypt, as well as considering reception to, and presentation of, Mamluk heritage in modern-day Cairo, and the reception of object of non-European heritage in Australia. In addition to the main sections and presentation of the objects, many also illustrated using wonderful color details for the section openers, the volume will include a timeline, selected bibliography and brief biographies of the contributing authors.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56313170723189,"sku":"9781913875022","price":12.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781913875022_a3177773-c1e3-4d9d-a352-e040ea990b75.jpg?v=1786030787"},{"product_id":"9781913875572","title":"Pattern and Paradox","description":"\u003cp\u003e\u003cb\u003e\u003ci\u003ePattern and Paradox\u003c\/i\u003e reveals the astonishing creativity, design innovation, and skill of Amish women from communities across the United States, through fifty premier quilts made between 1880 and 1940.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003ePattern and Paradox: The Quilts of Amish Women\u003c\/i\u003e is an inspirational, lavishly illustrated book which will appeal to quilt enthusiasts, quilters and crafters, scholars and art lovers alike, with photography detailing fronts, backs and stitching of fifty breath-taking quilts from the Faith and Stephen Brown collection of Amish Quilts at the Smithsonian American Art Museum. Assembled over the span of nearly five decades, these extraordinary examples expand our understanding of the distinctive aesthetics that Amish women shaped within and for their communities. They situate Amish quilts within the larger scope of quilts in America as well as within the American art story.\u003c\/p\u003e\u003cp\u003eIn the main essay, Janneken Smucker—professor, historian and scholar of Amish quilts and culture—explains what unites and distinguishes the Amish and their arts and describes the sometimes fine line between personal artistry and communal practice. Her insightful text illuminates the ways in which Amish quilt patterns overlap and diverge from community to community. Through a series of discursive entries, Smucker considers “visual clues” for reading and interpreting Amish quilts, which are often more complex and curious than they might first appear.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56313170788725,"sku":"9781913875572","price":29.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781913875572_0e7909d8-491b-486b-8559-8ab85b13e026.jpg?v=1786030800"},{"product_id":"9781913875831","title":"George Bellows","description":"\u003cp\u003e\u003cb\u003eA major new volume celebrating the lithographs of George Wesley Bellows, regarded as one of America's greatest artists.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eGeorge Bellows (1882–1925) was a painter, illustrator, and printmaker. His career established, in late 1915 he turned to lithography. Over the next nine years he almost single-handedly elevated lithography in America to a fine art. The inherent flexibility of the process, its potential for drawing in vigorous strokes and its richness of tone were well suited to his style. the subjects that fascinated him range from intimate studies of his family and friends to snap shots of American life, the atrocities of World War I, and what first caught the public’s attention, Boxing. All were new and undeniably American. \u003ci\u003eGeorge Bellows; American Life in Print\u003c\/i\u003e features two essays: “Bellows, Advocate for Lithography” with in depth examination of sixty-six lithographs and drawings. A second essay explores the artist’s rise to fame in “Bellows and the ‘Art Palace of the West,’” focusing on his long term relationship with the Cincinnati Art Museum and it's “Annual Exhibition of American Art.”\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56313170887029,"sku":"9781913875831","price":45.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781913875831_162c1db6-e943-4742-911c-0c13592f5fa1.jpg?v=1786030808"},{"product_id":"9781913875862","title":"Vivian Browne","description":"Vivian Browne's(1929-1993) varied career spanned more than three decades, from her earlyportraits and landscapes in the late 1950s and early '60s, her Little Menseries of 1966-69, to her final San Joaquin and King's Canyon paintings of thevery early 1990s, completed just before her death. This highly active careerwas framed by Browne's lasting political engagement and activism, that includedbeing an initial director of the Black Emergency Cultural Coalition (BECC),born out of a response to the Metropolitan Museum's failure to include a singleBlack Harlem-based artist in its 1969 exhibition, Harlem on My Mind, and heractive memberships of Where We At (WWA), the Women's Caucus for Art (WCA), andthe feminist art collective Heresies, from the early 1970s until her death in1993.   This volume presentsabout 62 paintings, prints, and works on paper across several major bodies ofwork, alongside ephemera highlighting Browne's enduring activism and teachingwork. Drawing upon previously unknown works and archives that have recently becomeavailable, this is a significant contribution to the history of twentiethcentury American art.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56313170985333,"sku":"9781913875862","price":34.95,"currency_code":"GBP","in_stock":true}]},{"product_id":"9781913875916","title":"Japanese Woodblock Prints 1680 - 1980","description":"This wide-ranging volume brings together over 75 significant woodblock prints spanning 300 years, from the 17th century to the late 20th centuries. Organised chronologically, it begins with rare, and in some cases unique, examples of Edo-period (1603-1868) woodblock ukiyo-e prints, encompassing a diverse range of sizes, materials, and subjects. Among the renowned artists represented are Katsushika Hokusai, Utagawa Kunisada and Utagawa Hiroshige.   This volume then surveys later periods and artists associated with Japanese print output during the late 19th- and early 20th-century Meiji (1868-1912) and Taisho (1912-1926) periods including many produced by artists working as part of the Shin-hanga \"new prints\" and Sosaku-hanga \"creative print\" movements. The works from this time period include designs by such influential artists as Tsukioka Yoshitoshi, Kamisaka Sekka, Hashiguchi Goyo, Yoshida Hiroshi, Koshiro Onchi and Ito Shinsui.   Finally, later post-war prints featured in the catalogue, dated to the 1950's onwards, manifest the influence of international art movements including Cubism, Surrealism and Popart.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56313171247477,"sku":"9781913875916","price":30.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"9781917273084","title":"Orna Ben-ami, Displacement and Memory","description":"\u003cp\u003e\u003cb\u003eAn entirely new retrospective survey of the work of Israeli artist Orna Ben-Ami, including Ben-Ami’s monumental public works in  cut and welded iron, from the early 1990s to the present day.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eBen-Ami first started to learn gold and silversmithing, at the Jerusalem Technological Centre, before studying sculpture at the Corcoran School of Art in Washington, DC, between 1990 and 1992. From 1994 she became fully engaged in sculpture using iron as her principal raw material for her artistic expression. Throughout her work in iron, Ben-Ami expressed her feelings using welding, a primarily masculine art process, imbued with her own feminine instincts. She began expressing her personal memories, and later, she continued by expressing the preservation of memory, particularly the memories of transient and displaced peoples, be they refugees or migrants uprooting their lives in the search for a better and safer life in new lands.\u003c\/p\u003e\u003cp\u003eBen-Ami has presented her works in 45 solo exhibitions around the world, including 23 exhibitions in museums across the United States. In 2017, her exhibition \"Entire Life in a Package\", was hosted at the United Nations in Geneva and New York to draw attention to the global refugee crisis, focusing on refugees. In April 2024, she again presented the exhibition \"Negative Positive\" at the United Nations in New York, which told about the tragedy of the terrorist attack on Israel on October 7, 2023. In these two exhibitions, she exhibited three-dimensional iron sculptures and combinations of sculptures attached to original news photographs of refugees and destroyed houses.\u003c\/p\u003e\u003cp\u003eThis retrospective volume presents more than 100 key artworks covering the major themes Ben-Ami has drawn upon since the early 1990s, including Jewish refugees from Europe post-WWII, Israeli’s displaced in northern Israel and around the Gaza Strip post October 7, 2023, and Palestinian refugees both within and outside the Gaza Strip.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56313194742133,"sku":"9781917273084","price":45.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"9781917273107","title":"Byzantine Bembé","description":"\u003cp\u003e\u003cb\u003eThis brand-new bi-lingual Spanish\/English illustrated volume celebrates the first major exhibition focusing on the art and career of the Bronx-born (b. 1956) artist of Puerto Rican descent, Manny Vega.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eManny Vega’s art can be found in the form of mosaics and murals adorning street walls, subway stations, cultural centres, and business facades throughout New York’s East Harlem. Much of his work celebrates important figures—particularly women—in the history of the Puerto Rican and Latinx communities. Dubbed “Byzantine Hip-Hop” for its uncompromising technical command Vega’s aesthetic encompasses ancient Mediterranean mosaic-making and the electrifying lines of hyper-detailed Sharpie pen-and-ink drawings.\u003c\/p\u003e\u003cp\u003eRichly illustrated with over 100 artworks, 60 other comparative images, and 10 opener images, this volume covers the full range of Vega’s artistic output, from carefully crafted mosaics, including female figures and stylized album covers, to prints and works on paper, dating from the 1980s. Vega’s art has been deeply inspired by the Afro-Brazilian spiritual practices of Candomblé, which combines African, Roman Catholic, and indigenous Brazilian religions, which, along with the neighborhood of El Barrio, and music, has been an anchor of Vega’s visual lexicon. His worldview is colorful, danceable, passionately spiritual, and complex – yet accessible.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56368246817141,"sku":"9781917273107","price":40.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"9781917273114","title":"Out of Many","description":"\u003cb\u003e\u003c\/b\u003e\u003cp\u003eThis ground-breaking volume increases our understanding of the dynamism and richness of American art, drawing on the work of artists who have often created from the artistic margins.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eOut of Many: Reframing an American Collection\u003c\/i\u003e offers a re-examination of select works from The Phillips Collection, the Howard University Gallery of Art and the David C. Driskell Center. This volume, and its accompanying exhibition features 75 works of art in various media-paintings, prints, photographs, sculpture, and mixed-media-by a diverse array of artists, including William H Johnson, Doris Lee, Elisabeth Poe, David Driskell, Ralston Crawford, William Christenberry, Jacob Lawrence, and Romare Bearden to name a few. Each of the selected works offers a unique perspective on how these diverse artists living and working across the United States view (or have viewed) America while presenting an inclusive narrative of American art based on The Phillips’ unique history, collection, relationships with artists and collaborations with other institutions. Arranged into five thematic sections—People, Places, Spaces, Things, and Chronicles—the authors consider why artists have certain been omitted from our current narratives; and how do we properly contextualize the work of marginalized artists.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56368246980981,"sku":"9781917273114","price":39.95,"currency_code":"GBP","in_stock":true}]},{"product_id":"9781913875879","title":"Montmartre and Modernism","description":"\u003cp\u003e\u003cb\u003eAn entirely fresh study of how, at the end of the nineteenth century, Montmartre in Paris inspired a vital, innovative and unique community of artists who revolutionized Western art.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eAfter the 1871 Paris Commune, Montmartre played a significant political, social, and artistic role; its revolutionary spirit attracted independent artists, writers, and musicians, and its cabarets, cafés, circus, dancehalls, and theaters such as the cabarets Lapin Agile, Le Chat Noir, and Quat’z’arts, the Cirque Fernando, the Elysée Montmartre, the Moulin de la Galette, and Moulin Rouge dance halls made Montmartre a popular cultural center. Avant-garde artists, writers and performers from one generation encountered those of the next on the streets, in the cafés and places of entertainment. Post 1900 the area lost much of its cutting-edge, anti-establishment aura, but its reputation as a haven for a free-loving, radical, bohemian life-style continued to appeal to young artists such as Pablo Picasso, who first came to Paris to visit the World Fair and who later settled in Montmartre as a place to work and create.\u003c\/p\u003e\u003cp\u003eDrawing on important artworks from the Weisman Collection and the Musée de Montmarte, Paris, as well as a wealth of archival photography, maps, and prints to illustrate its narrative text, this volume presents up to 180 color illustrations, including paintings by Auguste Renoir, Claude Monet, Pablo Picasso, Kees van Dongen, Otto Freundlich, Amedeo Modigliani, Suzanne Valadon, André Derain, Maurice Vlaminck, Henri Matisse, Juan Gris, and Frantisek Kupka, who were at the centre of Montmartre’s artistic and cultural life during this period. An appendix lists all the main artists, teachers, writers, musicians, patrons and establishment owners and promoters in Montmartre during this period. A timeline of key moments and events in Montmartre from 1870-1910, a map of Montmartre showing the locations of studio spaces, residences and cabarets, and a selected bibliography provide important sources of new information for scholars.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56369355096437,"sku":"9781913875879","price":45.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"9781913875800","title":"Café Society","description":"\u003cb\u003eA wonderful volume which captures the centralrole of Parisian cafés as a source of inspiration in the development of modern art.\u003c\/b\u003e\u003cbr\u003e\u003cp\u003ePresenting fifty-five paintings by a broad cross-section of major and lesser-known names in French and expatriate American art, the volume looks at the changing role of cafés as gathering places for a new type of urban bourgeois clientele, that increasingly dominated life in central Paris in the late nineteenth century. The redeveloped city centre saw a massive explosion in cafés, brasseries, and restaurants, as well as a host of music and performing establishments, that became social gathering spots for a wide range of artists, writers, intellectuals, political activists, and hangers-on, as well as a growing number of often exploited cabaret performers. These cafés included Café Guerbois in Avenue de Clichy, frequented by Manet, Degas and Monet, Café-concert des Ambassadeurs in the Jardins des Champs Elysees, a favourite haunt of Jean Beraud, and Le Lapin Agile the informal cabaret in Montmartre, closely associated with the struggling modernist artists Picasso and Modigliani. These establishments ranging from formal restaurants and brasseries, to cabarets, small cafés, and table d’hôtes attracted French – and international – artists, drawn to places where different social classes of men and women could freely mingle, and providing the kind of hedonistic sensory experience that became the subjects of these artists’ work.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56369355129205,"sku":"9781913875800","price":30.0,"currency_code":"GBP","in_stock":false}]},{"product_id":"9781913875893","title":"Designing Dynamism","description":"\u003cp\u003e\u003cb\u003eA dynamic, bold, exploration of the breadth of the Kuba design aesthetic and its lasting impact on early twentieth-century modernism through to the present day.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eThe textiles of the historic, multi-ethnic Kuba kingdom, (now the Democratic Republic of the Congo), represent the most intact and cohesive tradition in the region, and are exceptional for their artistic caliber, graphic sophistication, and complexity of style. The written story of Kuba cloth begins with encounters in the early sixteenth century between the coastal Congo kingdoms and European explorers who were impressed by the elegance and intricacy of Congo weaving. In the early twentieth century the Kuba improvisational abstract aesthetic captivated the Western avant-garde, influencing fashion, fabric design, and the decorative arts.\u003c\/p\u003e\u003cp\u003eIn addition to presenting full color plates of up to fifty pieces, \u003ci\u003eDesigning Dynamism: Kuba Textiles from the Wesley Mancini Collection\u003c\/i\u003e features illustrations of contemporary woven Wesley Mancini fabric design, inspired by Kuba designs, an illustrated introduction to Kuba design by Annie Carlano, and a main essay by leading textile specialist Vanessa Drake Moraga on Kuba design aesthetics and their lasting impact on early twentieth-century modernism, and an essay by leading designer and architect Stephen Burks, the only African American to have won the Smithsonian Cooper-Hewitt National Design Award in Product Design. A brief illustrated section focusses on the technique of these textiles, showing the raised embroidery technique in detail.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56369355194741,"sku":"9781913875893","price":29.95,"currency_code":"GBP","in_stock":true}]},{"product_id":"9781913875732","title":"Boucher’s Four Seasons","description":"\u003cp\u003e\u003cb\u003eThis new volume in the Frick Diptych series features an illuminating essay by Frick deputy director and Peter JaySharp Chief Curator Xavier F. Salomon paired with a newly-commissioned cycle of paintings by Flora Yukhnovich.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eFrançois Boucher (1703-1770) made the four paintings known as the Four Seasons in 1755 for Madame De Pompadour, King Louis XV’s long-term official mistress. Their original location is unknown, but their peculiar shape suggests that they were used as overdoors, no doubt in one of Pompadour’s many properties in France.\u003c\/p\u003e\u003cp\u003eIn place of the labors that traditionally illustrate the theme of the four seasons, Boucher depicts delightful amorous encounters in joyous colors. In \u003ci\u003eSpring\u003c\/i\u003e, a youth, set in an enchanting pastoral setting, adorns his lover’s hair with flowers. A group of voluptuous bathing nudes represents \u003ci\u003eSummer\u003c\/i\u003e. In \u003ci\u003eAutumn\u003c\/i\u003e, a young man offers a bunch of grapes to his fashionable beloved. Perhaps the most beguiling of all is \u003ci\u003eWinter\u003c\/i\u003e, which reflects the eighteenth-century European fascination with Russia. A Tartar in pseudo-Russian dress pushes the heroine on an elaborate sleigh. This combination of luxury and seduction—all treated in a fanciful, even humorous manner—is typical of Boucher.\u003c\/p\u003eAccompanying the Boucher paintings is Flora Yuknovich's contribution, an extraordinary cycle of paintings inspired by Boucher’s Four Seasons, to be displayed at the Frick, in a space on the first floor, occupied between 1935 and 2020 by the Boucher Room.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56369355227509,"sku":"9781913875732","price":24.95,"currency_code":"GBP","in_stock":true}]}],"url":"https:\/\/backstory.london\/collections\/publisher-d-giles-ltd.oembed","provider":"Backstory","version":"1.0","type":"link"}