{"title":"Copper Canyon Press,U.S.","description":null,"products":[{"product_id":"9781556596629","title":"A House Called Tomorrow","description":"\u003cp\u003e\u003cstrong\u003eCopper Canyon Press celebrates its first 50 years of poetry publishing in anticipation of the \u003cem\u003enext \u003c\/em\u003e50 years.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePoetry is vital to language and living. This anthology celebrates 50 years of Copper Canyon Press publications, one extraordinary poem at a time. Since its founding, Copper Canyon has been entirely dedicated to publishing poetry books; here Editor in Chief Michael Wiegers invites press staff and board—past and present—to help curate a retrospective. The result is a collection of beloved poems from books spanning half a century: representing Pulitzer Prize-winning books, debut collections, works in translation, and rare books from Copper Canyon’s early days. This book is a tribute to Copper Canyon poets and readers everywhere, because, as Gregory Orr writes, “Certain poems \/ In an uncertain world— \/ The ones we cling to: \/\/ They bring us back.”\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Paperback","offer_id":56303429124469,"sku":"9781556596629","price":17.99,"currency_code":"GBP","in_stock":true},{"title":"Hardback","offer_id":57685822833013,"sku":"9781556596704","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781556596629.jpg?v=1792599023"},{"product_id":"9781556596797","title":"Braided Creek","description":"\u003cp\u003e\u003cb\u003eIn her loving Foreword to this expanded anniversary edition, Naomi Shihab Nye writes “\u003ci\u003eBraided Creek: A Conversation in Poetry \u003c\/i\u003eis one of the dearest, most appealing books ever published. These poems are tiny delicious American haiku affectionately exchanged between two friends… This slim volume acts as a palate-cleanser, a spirit-booster, a little rocket-ship of wonders.”\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eWhile Ted Kooser and Jim Harrison were an unlikely pair to become friends, they shared an intimate correspondence of handwritten letters that often included new poems. After Kooser was diagnosed with cancer, Harrison sensed his friend’s poetry becoming “overwhelmingly vivid,” and their friendship deepened through the exchange of brief poems that captured “the essence of what [they] wanted to say to each other.” After hundreds of poems were sent back and forth through the mail, they found this volume hidden within the stacks of envelopes and postcards.\u003c\/p\u003e\u003cp\u003eIn her loving Foreword to this expanded anniversary edition, Naomi Shihab Nye writes “\u003ci\u003eBraided Creek: A Conversation in Poetry\u003c\/i\u003e is one of the dearest, most appealing books ever published. These poems are tiny delicious American haiku affectionately exchanged between two friends… This slim volume acts as a palate-cleanser, a spirit-booster, a little rocket-ship of wonders.”\u003c\/p\u003e\u003cp\u003eWise, wry, and penetrating, these epigrammatic, aphoristic poems explore love and friendship, pausing to celebrate the natural world, aging, everyday things and scenes, and poetry itself. This expanded edition includes a dozen new poems, and when asked why none of the poems have attributions, one of the co-authors replied, “This book is an assertion in favor of poetry and against credentials.”\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56303429484917,"sku":"9781556596797","price":15.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781556596797_13e5a525-11cc-4b33-a1ca-c15633a35794.jpg?v=1786023682"},{"product_id":"9781556594762","title":"Textu","description":"\u003cp\u003e\"Joudah's poetry thrives on dramatic shifts in perspective, on continually challenging received notions.\"—\u003ci\u003eThe Guardian\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003eEmerging in the era of tweets and text messages, poet Fady Joudah has invented a new poetic form: textu. The \"u\" in textu echoes the one in haiku, and also emphasizes the intimate you. A textu poem has a single rule: be exactly 160 characters long. As theme, form, and style are wide opened, a textu reveals new possibilities and poetry in unexpected ways.\u003c\/p\u003e\u003cp\u003e\u003cb\u003eTextu\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eYour spine a river into the forest\u003cbr\u003ecan't tell the neurons for the trees\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eI light \u0026amp; light\u003cbr\u003eyou up with sound profile\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003ethreading the image habit\u003cbr\u003eof pleasure\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eConscience\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eWhen we learn how an infant in the womb\u003cbr\u003eSleeps precisely in a parent's pose\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003esay with fist closed\u003cbr\u003epillowing the temple\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eWhat will become\u003cbr\u003eof the poem\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\"A collection of poems that takes its form from the text message necessarily raises similar questions about attention, and attendant questions about empathy. Each poem in Fady Joudah's \u003ci\u003eTextu\u003c\/i\u003e was composed on a smart phone's text message screen, and is “exactly 160 characters long, specific to text message parameters.\" Aren't text messages the epitome of what we glance at in passing, and then just as quickly forget, in that often-described stream of information and stimulation?\u003c\/p\u003e\u003cp\u003eThis book is not a reductive critique of this stream, or what it is doing to us. Neither does the collection let its premise—the textu form—justify itself without inquiry, as though shaping a poem according to the strictures of a text message necessarily makes the poem interesting. Instead, the form feels central to these poems, and to what they are doing. Joudah has pointed out that for most people in the world who can't afford unlimited texting, exceeding the character count means incurring additional costs; the character is a unit of economic value. The constraint of character count in the book, then, is not only a new kind of meter. It is also a metonym for the ways in which our language and our relationships are constrained by the world in which we live: by taking their form from one born of late capitalism, the text message, what these poems implicitly suggest is that all of our communication—and all of our poems—are shaped by this system, whether we would prefer to hold our attention on this fact or not.\u003c\/p\u003e\u003cp\u003eIt is fitting, then, that even as \u003ci\u003eTextu\u003c\/i\u003e asks us to consider the context in which lyric poems are made, it draws on and locates itself within the lyric tradition. The textu form shares the lyric's feel of intimate address, the “u\" in “textu\" suggesting an interlocutor to whom the poems are addressed. And the poems in the collection take on, among other subjects, the conventionally lyric subjects of natural beauty, loss, and desire.\" —Margaree Little, \u003ci\u003eKenyon Review Online\u003c\/i\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\u003cb\u003eFady Joudah\u003c\/b\u003e is a poet, translator, and emergency room physician. His first book, \u003ci\u003eThe Earth in the Attic\u003c\/i\u003e, won the 2007 Yale Series of Younger Poets competition. 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He was a Taoist\/Buddhist hermit who begged for food at temples, often sang and drank with cowherds, and became an immortal figure in the history of Chinese literature and Zen. His poems were written twelve-hundred years ago on the rocks, trees, and temple walls of China's Tientai Mountains. This revised edition also includes poems by Han Shan's colleagues, Pickup (Shih-te) and Big Stick (Feng-kan), translated here for the first time.\u003c\/p\u003e\u003cp\u003eAs Red Pine begins his Preface, “If China's literary critics were put in charge of organizing a tea for their country's greatest poets of the past, Cold Mountain would not be on many invitation lists. Yet no other poet occupies the altars of China's temples and shines, where his statue often stands alongside immortals and bodhisattvas. He is equally revered in Korea and Japan. And when Jack Kerouac dedicated \u003ci\u003eThe Dharma Bums\u003c\/i\u003e to him in 1958, Cold Mountain became the guardian angel of a generation of Westerners as well.\"\u003c\/p\u003e\u003cp\u003e\u003cb\u003eReviews of Red Pine's \u003ci\u003eCollected Songs of Cold Mountain\u003c\/i\u003e:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\"The translator's preface describes his rendition of the life of Cold Mountain, offering an excellent historical and philosophical context for the simple yet profound poems attributed to the poet.\"—\u003ci\u003eLibrary Journal\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e“These are poems one must taste fully and drink whole... The poems of Han-shan read like a journal or memoir, and they often work as Zen koans, challenging the mind to go beyond the words and reason.\"—\u003ci\u003eParabola\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e“Red Pine... has given us the first full collection of Han Shan's songs in an idiom that is clear, graceful, and neutral enough to last... His translations are accurate and mirror the music of the originals... \u003ci\u003eThe Collected Songs of Cold Mountain\u003c\/i\u003e is a considerable performance and a truly valuable book. Thanks to Copper Canyon's high standards of bookmaking, it is beautiful to hold and behold; thanks to Red Pine's care, it will survive as the definitive text of Han Shan in English for many years. It belongs on the shelf of everyone with an interest in poetry and... should be opened often.\"—\u003ci\u003eThe Bloomsbury Review\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e“An exquisite publication that captures the Taoist practice of passionate attention, of being still inside and relaxed in the comforts and discomforts around you, going nowhere else... We discover this in the poet's vision and spirit, in the precision and balance of the translator's scholarship and heart, and in the elegant wilderness of the bookmaker's art around them. On every level this is a beautiful book.\"—Judges' comments on awarding the WESTAF Award in Translation\u003c\/p\u003e\u003cp\u003e“Cold Mountain's colloquial poetry...sound like inspired raps—marvelously direct, with skips, jumps, verbal nudges and abrupt revelations... The volume is beautifully produced, with a long and careful introduction... This is an indispensable book.\"—\u003ci\u003eThe Berkeley Monthly\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e“More than anyone else, Red Pine has made [Han Shan's] spontaneous poems accessible to Western readers... In this new, expanded edition, invaluable notes and an extensive new critical preface provide a contextual awareness, not just for the poems, but for their sources in Buddhist and Confucian culture.\"—\u003ci\u003eInquiring Mind\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eRed Pine\u003c\/b\u003e is one of the world's leading translators of Chinese literary and religious texts. His other translations include \u003ci\u003eLao-tzu's Taoteching\u003c\/i\u003e (isbn 9781556592904) and \u003ci\u003ePoems of the Masters: China's Classic Anthology of T'ang and Sung Dynasty Verse\u003c\/i\u003e (isbn 97815\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Paperback","offer_id":56303690514805,"sku":"9781556591402","price":20.0,"currency_code":"GBP","in_stock":true},{"title":"Hardback","offer_id":57688236065141,"sku":"9781556595523","price":35.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781556591402.jpg?v=1792686179"},{"product_id":"9781556596896","title":"Close Escapes","description":"\u003cp\u003e\u003cstrong\u003eNavigating a sightless world with intelligence and dark humor, \u003cem\u003eClose Escapes \u003c\/em\u003esearches for an answer to our earthly existence by way of visions only the blind can see. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"Never 'in' time,\" Stephen Kuusisto's third poetry collection, \u003cem\u003eClose Escapes\u003c\/em\u003e, moves through a river of memory. In one poem, Kuusisto is “the blind kid again,\" pressing his finger to a cornered spider. In another, he walks down a harbor in Helsinki, “still twenty-three among the Baltic gulls.\" Adrift in time and place-Tallinn, New York, a Velamo monastery—our anchor is the poet, navigating a sightless world with intelligence and dark humor. As Kuusisto moves forward through meditations on beauty, “dark joy,\" loss, aging, and the afterlife, he also reaches back, talking to writers, musicians, and thinkers of the past—Orwell, Marvin Bell, Salvatore Quasimodo. In one scene, Kuusisto ponders death, asking Bach to “Tell [him] of the galant flourishes \/ As we leave this life.\" Readers, alongside Kuusisto, are left reaching for that “frail wisdom,\" for an answer to the question of our earthly existence. We find tenderness in our human connections, both lasting and fleeting, sometimes gone. 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What he speaks has been embraced by readers around the world—his in an utterly necessary voice, unforgettable once discovered.\"—Naomi Shihab Nye\u003c\/p\u003e\u003cp\u003eMahmoud Darwish is the leading poet in the Arab world, an artist and activist who attracts thousands to his public readings.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eThe Butterfly's Burden\u003c\/i\u003e combines the complete text of Darwish's two most recent full-length volumes, linked by the stunning memoir-witness poem “A State of Siege.\" Love poems, sonnets, journal-like distillations, and interlaced lyrics balance old literary traditions with new forms, highlighting loving reflections alongside bitter longing.\u003c\/p\u003e\u003cp\u003e\u003cb\u003eFrom Sonnet [V]\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eI touch you as a lonely violin touches the suburbs of the faraway place.\u003cbr\u003e Patiently the river asks for its share of the drizzle.\u003cbr\u003e And, bit by bit, a tomorrow passing in poems approaches\u003cbr\u003e so I carry faraway's land and it carries me on the road.\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eMahmoud Darwish\u003c\/b\u003e is the author of 30 books of poetry and prose, as well as the Palestinian Declaration of Independence. 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Wright introduced a contemporary audience to the promise and power of docupoetics, while pushing the musical boundaries of vernacular speech and reshaping American poetry. With a moving introduction by Forrest Gander, this volume cements C.D. Wright’s place in the literary canon.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56303987032437,"sku":"9781556597190","price":15.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781556597190_5d07051c-a46f-465e-ba7c-9e6806771219.jpg?v=1786023703"},{"product_id":"9781556595882","title":"Popular Longing","description":"\u003cp\u003eThe poems of Natalie Shapero's third collection, \u003cem\u003ePopular Longing,\u003c\/em\u003e highlight the ever-increasing absurdity of our contemporary life. With her sharp, sardonic wit, Shapero deftly captures human meekness in all its forms: our senseless wars, our inflated egos, our constant deference to presumed higher powers-be they romantic partners, employers, institutions, or gods. \"Why even \/ look up, when all we'll see is people \/ looking down?\"\u003c\/p\u003e\u003cp\u003eIn a world where everyone has to answer to someone, it seems no one is equipped to disrupt the status quo, and how the most urgent topics of conversation can only be approached through refraction. By scrutinizing the mundane and all that is taken for granted, these poems arrive at much wider vistas, commenting on human sadness, memory, and mortality. Punchy, fearlessly ironic, and wickedly funny, \u003cem\u003ePopular Longing\u003c\/em\u003e articulates what it means to share a planet, for better or more often for worse, with other people.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56303987163509,"sku":"9781556595882","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781556595882_5b2aa1d2-7d33-4bfe-80a7-64c57ae472a7.jpg?v=1786023666"},{"product_id":"9781556592348","title":"Directed by Desire","description":"\u003cp\u003e“\u003ci\u003eDirected by Desire\u003c\/i\u003e . . . is a powerful addition to the entire canon of American poetry.”—\u003ci\u003eBooklist\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003eNow in paperback, \u003ci\u003eDirected by Desire\u003c\/i\u003e is the definitive overview of June Jordan’s -poetry. Collecting the finest work from Jordan’s ten volumes, as well as dozens of “last poems” that were never published in Jordan’s lifetime, these more than six hundred pages overflow with intimate lyricism, elegance, fury, meditative solos, and dazzling vernacular riffs.\u003c\/p\u003e\u003cp\u003eAs Adrienne Rich writes in her introduction, June Jordan “wanted her readers, listeners, students, to feel their own latent power—of the word, the deed, of their own beauty and intrinsic value.”\u003c\/p\u003e\u003cp\u003e\u003cb\u003eFrom “These Poems”:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eThese poems\u003c\/i\u003e\u003cbr\u003e \u003ci\u003ethey are things that I do\u003c\/i\u003e\u003cbr\u003e \u003ci\u003ein the dark\u003c\/i\u003e\u003cbr\u003e \u003ci\u003ereaching for you\u003c\/i\u003e\u003cbr\u003e \u003ci\u003ewhoever you are\u003c\/i\u003e\u003cbr\u003e \u003ci\u003eand\u003c\/i\u003e\u003cbr\u003e \u003ci\u003eare you ready?\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003eThe cloth edition of \u003ci\u003eDirected by Desire\u003c\/i\u003e was selected as a \u003ci\u003eLibrary Journal\u003c\/i\u003e Poetry Book of the Year and received the Lambda Book Award for Lesbian Poetry.\u003c\/p\u003e\u003cp\u003e\u003cb\u003eJune Jordan\u003c\/b\u003e taught at UC Berkeley for many years and founded Poetry for the People. Her twenty-eight books include poetry, essays, fiction, and children’s books. She was a regular columnist for \u003ci\u003eThe Progressive\u003c\/i\u003e and a prolific writer whose articles appeared in \u003ci\u003eThe Village Voice, The New York Times, Ms. Magazine,\u003c\/i\u003e and \u003ci\u003eThe Nation.\u003c\/i\u003e After her death in 2002, a school in the San Francisco School District was renamed in her honor.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56303987294581,"sku":"9781556592348","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781556592348_a53c82d9-43bd-4781-ac96-785c51aaa0f5.jpg?v=1786023651"},{"product_id":"9781556596667","title":"The Beloved Community","description":"\u003cb\u003eDedicated to friends, fellow artists, and resilient working people, \u003ci\u003eThe Beloved Community\u003c\/i\u003e sees Jones at her best as she writes toward and in search of all that connects and disconnects us.\u003c\/b\u003e\u003cp\u003eIn her fifth poetry collection, \u003ci\u003eThe Beloved Community\u003c\/i\u003e, Jackson Poetry Prize winner Patricia Spears Jones interrogates the necessity and fragility of human bonds: sensual, familial, societal. From lyric to elegy, far-reaching poems use word play and metaphor to create richly textured landscapes in search of community. As we traverse delis, laundromats, and the Brooklyn block where morning glories grow “leaves plump as Italian cookies,” poems about poverty, art, and community, become poems about location—always the city is alive and breathing. Later, the collection widens its view, leaving Brooklyn to visit the consequences of violence across America.\u003c\/p\u003e\u003cp\u003eFrom the Atlanta Child Murders to the murder of Nia Wilson, \u003ci\u003eThe Beloved Community\u003c\/i\u003e is fearless in its rage and hope as it explores what disrupts— oppression, injustice, loss, grief, and a fraught sense of the erotic. Largely dedicated to musicians, artists, and fellow poets, Jones acknowledges art as tools for both care and resistance, recognizing that “voice is our greatest magic.” Imbued with history, laced with tenderness, and channeling a long tradition of the blues in African American poetics, \u003ci\u003eThe Beloved Community\u003c\/i\u003e speaks with spark and urgency.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56303987425653,"sku":"9781556596667","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781556596667_60dc591e-37cb-4b3c-8654-54d4cfb7318e.jpg?v=1786023677"},{"product_id":"9781556594649","title":"Like a Beggar","description":"\u003cp\u003e\u003cb\u003ePaterson Poetry Prize Finalist, 2015\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eFeatured on NPR's \u003ci\u003eThe Writer's Almanac\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003eEllen Bass's new poetry collection, \u003ci\u003eLike a Beggar\u003c\/i\u003e, pulses with sex, humor and compassion.\"\u003ci\u003eThe New York Times\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003eBass tries to convey everyday wonder on contemporary experiences of sex, work, aging, and war. Those who turn to poetry to become confidants for another's stories and secrets will not be disappointed.\"\u003ci\u003ePublishers Weekly\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003eIn her fifth book of poetry, Bass addresses everything from Saturn's rings and Newton's law of gravitation to wasps and Pablo Neruda. Her words are nostalgic, vivid, and visceral. Bass arrives at the truth of human carnality rooted in the extraordinary need and promise of the individual. Bass shows us that we are as radiant as we are ephemeral, that in transience glistens resilient history and the remarkable fluidity of connection. By the collection's endfollowing her musings on suicide and generosity, desire and repetitionit becomes lucidly clear that Bass is not only a poet but also a philosopher and a storyteller.\"\u003ci\u003eBooklist\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003eEllen Bass brings a deft touch as she continues her ongoing interrogations of crucial moral issues of our times, while simultaneously delighting in endearing human absurdities. From the start of Like a Beggar, Bass asks her readers to relax, even though \"bad things are going to happen,\" because the \"bad\" gets mined for all manner of goodness.\u003c\/p\u003e\u003cp\u003e\u003cb\u003eFrom \"Another Story\":\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eAfter dinner, we're drinking scotch at the kitchen table.\u003cbr\u003eJanet and I just watched a NOVA special\u003cbr\u003eand we're explaining to her mother\u003cbr\u003ethe age and size of the universe\u003cbr\u003ethe hundred billion stars in the hundred billion galaxies.\u003cbr\u003eDotty lives at Dominican Oaks, making her way down the long hall.\u003cbr\u003eHow about the sun? she asks, a little farmshit in the endlessness.\u003cbr\u003eI gather up a cantaloupe, a lime, a cherry,\u003cbr\u003eand start revolving this salad around the chicken carcass.\u003cbr\u003eThis is the best scotch I ever tasted, Dotty says,\u003cbr\u003eeven though we gave her the Maker's Mark\u003cbr\u003ewhile we're drinking Glendronach...\u003c\/p\u003e\u003cp\u003e\u003cb\u003eEllen Bass\u003c\/b\u003e's poetry includes \u003ci\u003e Like A Beggar \u003c\/i\u003e(Copper Canyon Press, 2014), \u003ci\u003eThe Human Line \u003c\/i\u003e (Copper Canyon Press, 2007), which was named a Notable Book by the \u003ci\u003eSan Francisco Chronicle,\u003c\/i\u003e and \u003ci\u003eMules of Love\u003c\/i\u003e (BOA, 2002), which won the Lambda Literary Award.  She co-edited (with Florence Howe) the groundbreaking \u003ci\u003eNo More Masks! An Anthology of Poems by Women \u003c\/i\u003e(Doubleday, 1973). Her work has frequently been published in \u003ci\u003eThe New Yorker, American Poetry Review, The New Republic, The Sun \u003c\/i\u003e and many other journals. She is co-author of several non-fiction books, including \u003ci\u003eThe Courage to Heal: A Guide for Women Survivors of Child Sexual Abuse \u003c\/i\u003e(HarperCollins, 1988, 2008) which has sold over a million copies and been translated into twelve languages. She is part of the core faculty of the MFA writing program at Pacific University.\u003c\/p\u003e\u003cbr\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56303987687797,"sku":"9781556594649","price":19.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781556594649_ed6f92fc-e442-4965-bba5-d553c98d6db9.jpg?v=1786023657"},{"product_id":"9781556595752","title":"Indigo","description":"\"Bass’s work—about marriage and parenting, illness and recovery, small daily pleasures—cultivates an exuberance that’s born of, and balanced by, close watchfulness.\" —\u003cem\u003eThe New York Times\u003c\/em\u003e\u003cbr\u003e“A bold and passionate new collection… Intimacy is rarely conveyed as gracefully as in Bass’s lustrous poems.” —Booklist\u003cbr\u003e\u003cem\u003eIndigo\u003c\/em\u003e, the newest collection by Ellen Bass, merges elegy and praise poem in an exploration of life’s complexities. Whether her subject is oysters, high heels, a pork chop, a beloved dog, or a wife’s return to health, Bass pulls us in with exquisite immediacy. Her lush and precisely observed descriptions allow us to feel the sheer primal pleasure of being alive in our own “succulent skin,” the pleasure of the gifts of hunger, desire, touch. In this book, joy meets regret, devotion meets dependence, and most importantly, the poet so in love with life and living begins to look for the point where the price of aging overwhelms the rewards of staying alive. Bass is relentless in her advocacy for the little pleasures all around her. Her gaze is both expansive and hyperfocused, celebrating (and eulogizing) each gift as it is given and taken, while also taking stock of the larger arc. She draws the lines between generations, both remembering her parents’ lives and deaths and watching her own children grow into the space that she will leave behind. \u003cem\u003eIndigo\u003c\/em\u003e shows us the beauty of this cycle, while also documenting the deeply human urge to resist change and hang on to the life we have, even as it attempts to slip away.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56303987884405,"sku":"9781556595752","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781556595752_222900d5-c253-476c-a791-49e8990c1e96.jpg?v=1786023664"},{"product_id":"9781556596452","title":"Dancing With the Dead","description":"\u003cp\u003e\u003cb\u003eAn essential collection from the leading figure of Chinese poetry translation, presenting work of insight, humor, and musicality that continues to resonates across thousands of years.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eRed Pine is one of the world's finest translators of Chinese poetic and religious texts. His new anthology, \u003ci\u003eDancing with the Dead: The Essential Red Pine\u003c\/i\u003e, gathers over thirty voices from the ancient Chinese past—including Buddhist poets Cold Mountain (Hanshan) and Stonehouse (Shiwu), as well as Tang-dynasty luminaries Wei Yingwu and Liu Zongyuan.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eDancing with the Dead\u003c\/i\u003e also includes translations from such religious texts as Puming’s \u003ci\u003eOxherding Pictures and Verses \u003c\/i\u003eand Lao-Tzu’s\u003ci\u003e Daodejing\u003c\/i\u003e, as well as poems and woodblock illustrations from Su Po-Jen’s \u003ci\u003eGuide to Capturing a Plum Blossom\u003c\/i\u003e, one of the world’s first printed books of art.?\u003c\/p\u003e\u003cp\u003eThroughout the book, poems are accompanied by footnotes providing historical context, and each section includes a new and illuminating introduction chronicling Red Pine’s relationship to the poet—discovery, travel, scholarship. \u003ci\u003eDancing With The Dead\u003c\/i\u003e is more than a book, it is a journey: part travel essay, part road map, part guided meditation. It is a history translated in poem.\u003c\/p\u003e\u003cp\u003eFor Red Pine, “translating the words in a Chinese poem isn’t that hard, but finding the spirit that inspired those words, the music of the heart, and asking it to inspire [his heart], that is how, and why, [he] translates.”\u003c\/p\u003e\u003cp\u003e“our luggage is full of river travel poems?\u003c\/p\u003e\u003cp\u003emay we ride forth together again.”\u003c\/p\u003e\u003cp\u003e– Wei Yingwu\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56303989064053,"sku":"9781556596452","price":15.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781556596452_47da4c44-102a-4e4e-a249-418a6c07df8d.jpg?v=1786023672"},{"product_id":"9781556591600","title":"The Book of Questions","description":"\u003cp\u003e\u003cb\u003eA best-selling volume of Pablo Neruda's poetry in an English-Spanish edition.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003ePablo Neruda is one of the world's most popular poets, and in \u003ci\u003eThe Book of Questions\u003c\/i\u003e, Neruda refuses to be corralled by the rational mind. Composed of 316 unanswerable questions, these poems integrate the wonder of a child with the experiences of an adult. By turns Orphic, comic, surreal, and poignant, Neruda's questions lead the reader \u003ci\u003ebeyond\u003c\/i\u003e reason into realms of intuition and pure imagination.\u003c\/p\u003e\u003cp\u003eThis complete translation of Pablo Neruda's \u003ci\u003eEl libro de las preguntas\u003c\/i\u003e (\u003ci\u003eThe Book of Questions\u003c\/i\u003e) features Neruda's original Spanish-language poems alongside William O'Daly's English translations. In his introduction O'Daly, who has translated eight volumes of Pablo Neruda's poetry, writes, \"These poems, more so than any of Neruda's other work, remind us that living in a state of visionary surrender to the elemental questions, free of the quiet desperation of clinging too tightly to answers, may be our greatest act of faith.\"\u003c\/p\u003e\u003cp\u003eWhen Neruda died in 1973, \u003ci\u003eThe Book of Questions \u003c\/i\u003ewas one of eight unpublished poetry manuscripts that lay on his desk. In it, Neruda achieves a deeper vulnerability and vision than in his earlier work-and this unique book is a testament to everything that made Neruda an artist.\u003c\/p\u003e\u003cp\u003e\"Neruda's questions evoke pictures that make sense on a visual level before the reader can grasp them on a literal one. The effect is mildly dazzling [and] O'Daly's translations achieve a tone that is both meditative and spontaneous.\" --\u003ci\u003ePublishers Weekly\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003ePablo Neruda\u003c\/b\u003e, born in southern Chile, led a life charged with poetic and political activity. He was the recipient of the Nobel Prize in Literature, the International Peace Prize, and served as Chile's ambassador to several countries, including Burma, France, and Argentina. He died in 1973.\u003c\/p\u003e\u003cp\u003e\u003cb\u003eII.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eTell me, is the rose naked\u003cbr\u003e or is that her only dress?\u003c\/p\u003e\u003cp\u003eWhy do trees conceal\u003cbr\u003e the splendor of their roots?\u003c\/p\u003e\u003cp\u003eWho hears the regrets\u003cbr\u003e of the thieving automobile?\u003c\/p\u003e\u003cp\u003eIs there anything in the world sadder\u003cbr\u003e than a train standing in the rain?\u003c\/p\u003e\u003cp\u003e\u003cb\u003eXIV.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eAnd what did the rubies say\u003cbr\u003e standing before the juice of pomegranates?\u003c\/p\u003e\u003cp\u003eWhy doesn't Thursday talk itself\u003cbr\u003e into coming after Friday?\u003c\/p\u003e\u003cp\u003eWho shouted with glee\u003cbr\u003ewhen the color blue was born?\u003c\/p\u003e\u003cp\u003eWhy does the earth grieve\u003cbr\u003ewhen the violets appear?\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56304360128885,"sku":"9781556591600","price":17.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781556591600_0d83fc45-bc52-4626-8208-3c683acea8ed.jpg?v=1786023648"},{"product_id":"9781556596469","title":"Your Face My Flag","description":"\u003cp\u003e\u003cb\u003eDebut poems of stunning power and range from a China scholar and policy advisor\u003c\/b\u003e\u003c\/p\u003e\n\n\u003cp\u003eTorn between intimacy and estrangement, eros and politics,\nhistory and futurity, \u003ci\u003eYour Face My Flag\u003c\/i\u003e is a riveting debut poetry\ncollection. Gewirtz explores the place of poetry in a globalized era, shaped by\nescalating geopolitical tensions between China and “the West.” From the\nfactories where iPhones are assembled to riverside idylls where men have long\nmet for sex, these poems move restlessly across continents and through\ncenturies. In a world that conspires to dull us against the particular, Gewirtz\nwrites with sharp focus, recapturing memory and desire in stunning detail.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56304360489333,"sku":"9781556596469","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781556596469_4c4c1f19-0025-427f-8466-a95972af874c.jpg?v=1786023672"},{"product_id":"9781556596957","title":"After Image","description":"\u003cp\u003e\u003cb\u003eWoven from dreamlike and echoing images, \u003ci\u003eAfter Image\u003c\/i\u003e travels between life and death, between a living body and its absence.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eA house, an orchard, \"a shudder of blossoms.\" A fountain, a bed, a sudden spring snow. Carefully woven from a dreamlike set of images which echo and reconfigure throughout the collection, the poems in Jenny George's \u003ci\u003eAfter Image\u003c\/i\u003e hug the cusp between life and death, between a living body and its absence. “And in the space \/ left behind-\" Time slips. Eurydice muses on the gestures of the living, and we look out from inside the removed head of Orpheus. The laughing gods and the furies make appearances too, and the poet's persona appears as its own character—the observing self, navigating the strangenesses of grief's terrain. Unsentimental yet pulsing with love, each cutting and transcendent poem is relentless in its willingness to see, to hold both the impossibility and inevitability of transformation. In scenes that hover between the ordinary, the imagined, and the unknowable, and with George's sly, meticulous simplicity, \u003ci\u003eAfter Image\u003c\/i\u003e asks what lingers in the face of death and what falls away.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56304362783093,"sku":"9781556596957","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781556596957_c9f65147-e24b-47a9-9cb8-3ec3bca80439.jpg?v=1786023690"},{"product_id":"9781556596933","title":"Winter of Worship","description":"\u003cp\u003e\u003cb\u003eSteeped in loss—of climate and childhood, of fathers and friends—\u003ci\u003eWinter of Worship\u003c\/i\u003e finds survival in our tender human connections.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eTold through an ever-queer lens, Kayleb Rae Candrilli’s fourth collection, \u003ci\u003eWinter of Worship\u003c\/i\u003e, is a patchwork of the pastoral and the “litter swirled around us”—a pandemic, global warming, a hometown hit by storms of fentanyl and Oxycontin scripts. A book of elegy told in ghazals, “Marble Runs,” and other forms, these poems reckon with loss: of climate, of fathers, of youth. Candrilli writes, “We are so young \/ to know so much about life without \/ our friends.” Steeped in the grief of these losses, \u003ci\u003eWinter of Worship\u003c\/i\u003e finds healing in the smallest memories: Nokia phone cases, jalapeño gardens, pop flys, 67 Dodge darts, YouTube mixes “all electronica and \/ glitch step.” We also find survival in our tender human connections: an iPod tucked into the jacket pocket of a drifter, a kiss pressed to a partner’s forehead, a mother calling her child by their chosen name. From the cornfields of Pennsylvania to the streets of downtown Brooklyn, these poems refuse to forget, refuse to lose “an ounce of gentleness.”\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56304362946933,"sku":"9781556596933","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781556596933_5aa7c2ba-bf25-4986-9b76-2ca4dc0bc9a4.jpg?v=1786023688"},{"product_id":"9781556596476","title":"Late Summer Ode","description":"\u003cp\u003e\u003cb\u003e\"The balance of rigidity, rhyme and ruin . . . makes an Olena Kalytiak Davis poem extraordinarily distinct. Even when she’s alluding to Dante and Rilke and Chekhov, her voice is like no one else’s.”—\u003ci\u003eNew York Times\u003c\/i\u003e, Editors Choice\u003c\/b\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003ci\u003eIn Late Summer Ode,\u003c\/i\u003e Olena Kalytiak Davis writes from\na heightened state of ambivalence, perched between past and present tensions.\nWith Chekovian humor and metered pathos, from a garden in Anchorage not pining\nfor Brooklyn, these poems “self -protest, -process, -recede.” Davis is a\nconductor of sound and meaning, precise to the syllable: a commanding talent in\ncontemporary poetry.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56304362979701,"sku":"9781556596476","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781556596476_aed7ded1-437c-4003-a8fd-8b9c735d53c3.jpg?v=1786023674"},{"product_id":"9781556595165","title":"Barbie Chang","description":"\"With astringent understatement and wry economy, with nuance and intelligence and an enviable command of syntax and poetic line, Victoria Chang dissects the venerable practices of cultural piety and self-regard. She is a master of the thumbnail narrative. She can wield a dark eroticism. She is determined to tackle subject matter that is not readily subdued to the proportions of lyric. Her talent is conspicuous.\"-Linda Gregerson\u003cbr\u003e\"Chang's voice is equal parts searing, vulnerable, and terrified.\"-\u003cem\u003eAmerican Poets\u003c\/em\u003e\u003cbr\u003eBarbie Chang, Victoria Chang explores racial prejudice, sexual privilege, and the disillusionment of love through a reimagining of Barbie-perfect in the cultural imagination yet repeatedly falling short as she pursues the American dream.\u003cbr\u003e    This energetic string of linked poems is full of wordplay, humor, and biting social commentary involving the quote-unquote speaker, Barbie Chang, a disillusioned Asian-American suburbanite. By turns woeful and passionate, playful and incisive, these poems reveal a voice insisting that \"even silence is not silent.\"\u003cbr\u003e\u003cstrong\u003eFrom \"Barbie Chang Lives\":\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eBarbie Chang lives on Facebook has\u003cbr\u003ea house on Facebook\u003cbr\u003estreet so she can erase herself Facebook\u003cbr\u003eis a country with\u003cbr\u003eno trees it allows her to believe people\u003cbr\u003elove her don't\u003cbr\u003ewant to cover her Barbie Chang . . .\u003c\/em\u003e\u003cp\u003e\u003cstrong\u003eVictoria Chang\u003c\/strong\u003e is the author of three previous poetry books. In 2013, she won the PEN Center USA Literary Award and a California Book Award. Chang teaches poetry at Chapman University and lives in Southern California.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56304498999669,"sku":"9781556595165","price":19.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781556595165_64d667e8-691f-404f-9ed0-01201b519fc3.jpg?v=1786023661"},{"product_id":"9781556596322","title":"The Trees Witness Everything","description":"\u003cp\u003e\u003cb\u003eA lover of strict form, best-selling poet Victoria Chang turns to compact Japanese waka, powerfully innovating on tradition while continuing her pursuit of one of life's hardest questions: how to let go.\u003c\/b\u003e\u003c\/p\u003e  In \u003ci\u003eThe Trees Witness Everything,\u003c\/i\u003e Victoria Chang reinvigorates language by way of concentration, using constraint to illuminate and free the wild interior. Largely composed in various Japanese syllabic forms called \"wakas,\" each poem is shaped by pattern and count. This highly original work innovates inside the lineage of great poets including W.S. Merwin, whose poem titles are repurposed as frames and mirrors for the text, stitching past and present in complex dialogue. Chang depicts the smooth, melancholic isolation of the mind while reaching outward to name-with reverence, economy, and whimsy-the ache of wanting, the hawk and its shadow, our human urge to hide the minute beneath the light.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56304499655029,"sku":"9781556596322","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781556596322_f9e2eda2-a1b1-4337-a350-2221ac93562d.jpg?v=1786023667"},{"product_id":"9781556597039","title":"Blade by Blade","description":"\u003cp\u003e\u003cb\u003e\u003ci\u003eBlade by Blade\u003c\/i\u003e is an unflinching field journal of grief, loss, and discovery set against the California wilderness.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eDanusha Laméris’s third book, \u003ci\u003eBlade by Blade\u003c\/i\u003e, is a book of hungers: Hunger for the bright glare of poppies, for the hidden name of the beloved, for the cracked continental edge, for all we keep in “the heart’s farthest chambers.” Seeking a way back to joy following the deaths of her son and brother, the poet finds wonder in the furred legs of a caterpillar, in egrets, elephants, and elk, solace in the seagull’s speckled egg. Here we taste a longing to kiss in the dark corner of the gym, to leap into a volcano’s molten fire, to be unraveled, undone thread by thread, made one with all things. Microscopic and tidal, earthquake and fire-prone, \u003ci\u003eBlade by Blade\u003c\/i\u003e thrives in the underbrush of human emotion. These poems are luminous missives tossed on the wind asking us to re-enter the world we’ve forsaken, to set foot, as if for the first time, on the green earth and begin again.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56304502243701,"sku":"9781556597039","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781556597039_5effd311-f53e-48bb-abf5-9ae80b0188dd.jpg?v=1786023695"},{"product_id":"9781556596698","title":"Fugitive\/Refuge","description":"\u003cp\u003e\u003cstrong\u003eDynamically pairing traditional and experimental forms, Philip Metres traces ancient and modern migrations in an investigation of the ever-shifting idea of home.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn \u003cem\u003eFugitive\/Refuge\u003c\/em\u003e, Philip Metres follows the journey of his refugee ancestors—from Lebanon to Mexico to the United States—in a vivid exploration of what it means to long for home. A book-length qasida, the collection draws on both ancient traditions and innovative forms—odes and arabics, sonnets and cut-ups, prayers and documentary voicings, heroic couplets and homophonic translations—in order to confront the perils of our age: forced migration, climate change, and toxic nationalism.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFugitive\/Refuge\u003c\/em\u003e pronounces the urge both to remember the past and to forge new poetic forms and ways of being in language. In one section, Metres meditates on the Arabic greeting—ahlan wa sahlan—and asks how older forms of welcome might offer generous and embodied ways of responding to the challenges of mass migration and digital alienation in postmodern societies. In another, he dialogues with Dante to inform new ways of understanding ancestral and modern migrations and the injustices that have burdened them. Ultimately, Metres uses movement to create a new place—one to home and dream in—for all those who seek shelter.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56304502309237,"sku":"9781556596698","price":15.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781556596698_e1553a39-922f-4603-8770-4b9dfee0d72b.jpg?v=1786023679"},{"product_id":"9781556596834","title":"Hold Your Own","description":"\u003cb\u003eIn her fourth collection, Nikki Wallschlaeger further proves herself as a singular poet of astonishing emotional depth and formal range. \u003c\/b\u003e\u003cp\u003e\u003ci\u003eHold Your Own\u003c\/i\u003e is a steadfast search for peace, self acceptance, and pleasure in a world that makes those basic rights an everyday challenge for Black women. Through her signature blend of sharp social critiques and tender lyric supplications, Nikki Wallschlaeger plumbs the depths of emotional experience with fearless agency and exciting poetic experimentation. She brings the public into the personal and vice versa, intimately revealing—like a livewire into the soul—a singular entity, a person, profoundly impacted by family, community, nation, and world.\u003c\/p\u003e\u003cp\u003eAnd she does it all through staggeringly diverse approaches to writing. Whether excavating childhood injustices in probing prose sequences or crafting formally energized declarations that could be just as easily shouted as sung, Wallschalaeger proves, yet again, the multitudes of the self, how it can flourish in the face of all that tries to stymy it. The result is exhilarating resilience, love beating at the center of incredible strength.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56304502669685,"sku":"9781556596834","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781556596834_b740a327-b5ac-4645-9d28-fec6d74c588d.jpg?v=1786023684"},{"product_id":"9781556590535","title":"Nostalgia for Death \u0026 Hieroglyphs of Desire","description":"\u003cp\u003e\u003ci\u003eNostalgia for Death\u003c\/i\u003e is the sole book of Villaurrutia, who was one of the few openly homosexual Latin American writers and one of Mexico's most important authors of the early twentieth century.\u003c\/p\u003e\u003cp\u003e\"The latest of Eliot Weinberger's brilliant translations of Latin American poets brings to English the major volume of an impeccable Mexican modernist.\"--\u003ci\u003eBooklist\u003c\/i\u003e\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56304598647157,"sku":"9781556590535","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781556590535_7271a290-f863-4158-bfb7-63b3be33c6b3.jpg?v=1786023646"},{"product_id":"9781556592881","title":"The Dream We Carry","description":"\u003cp\u003e\"...spare, psalmlike poems....Together, the poems in this beautifully translated selection...provide us with the autobiography of a poet who felt most at home during winter, in solitude. Hauge deserves a larger American readership, and this book may summon it.\" —\u003ci\u003ePublishers Weekly\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\"(Hauge's) poetry is miniaturist, pictorial, and ruminative; personal in that his experience, cognitive and sensual observations, and intentions are everywhere in it. Yet it isn't at all confessional or self-assertive....He is a man who knows where he is and helps us feel that we can know where we are, too.\"—\u003ci\u003eBooklist \u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e“If you have a tiny farm, you need to love poetry more than the farm. If you sell apples, you need to love poetry more than the apples.”—Robert Bly, from the introduction\u003c\/p\u003e\u003cp\u003eOlav H. Hauge, one of Norway's most beloved poets, is a major figure of twentieth-century European poetry. This generous bilingual edition—introduced by Robert Bly—includes the best poems from each of Hauge's seven books, as well as a gathering of his last poems.\u003c\/p\u003e\u003cp\u003eEver sage and plainspoken—and bearing resemblance to Chinese poetry—Hauge's compact and classically restrained poems are rooted in his training as an orchardist, his deep reading in world literatures, and a lifetime of careful attention to the beauties and rigors of the western fjordland. His spare imagery and unpretentious tone ranges from bleak to unabashedly joyous, an intricate interplay between head and heart and hand.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eThe rose has been sung about.\u003cbr\u003eI want to sing of the thorns,\u003cbr\u003eand the root—how it grips\u003cbr\u003ethe rock hard, hard\u003cbr\u003eas a thin girl's hand.\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003eDuring a writing career that spanned nearly fifty years, \u003cb\u003eOlav H. Hauge\u003c\/b\u003e produced seven books of poetry, numerous translations, and several volumes of correspondence. A largely self-educated man, he earned his living as a farmer, orchardist, and gardener on a small plot in the fjord region of western Norway.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56304599466357,"sku":"9781556592881","price":21.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781556592881_d725dd41-45e0-4fd6-8023-a3b97782ad49.jpg?v=1786023652"},{"product_id":"9781556596513","title":"Black Swim","description":"\u003cp\u003e\u003cb\u003eIn \u003ci\u003eBlack Swim\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e, Nicholas Goodly casts a spell to transform darkness into perfect darkness. \u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eThis stunning debut collection is at once “forged from the hurt parts of the ground,” and “proof of a miracle,” spinning ache and sweat and sweetness into a new model of feeling through language. Black people, queer\/trans\/nonbinary people, flamboyant people, lonely people, gaudy people, kind people, witches, artists, and angry people will meet themselves and each other in these pages. Amidst death and against injustice, Goodly’s poems bear gifts for and from the ancestors—a necklace, a mirror, a form of offered prayer: “If there is a purpose in this life \/ let me wash my face in it.”\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56304599531893,"sku":"9781556596513","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781556596513_0093ef1d-ed08-4995-96c4-efd4b427777c.jpg?v=1786023675"},{"product_id":"9781556595288","title":"Jim Harrison: The Essential Poems","description":"\u003cb\u003e\"An untrammeled renegade genius... \u003c\/b\u003eHere is a poet talking to you instead of around himself, while doing absolutely brilliant and outrageous things with language.\"—\u003ci\u003ePublishers Weekly\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eStarred Review in \u003ci\u003eBooklist\u003c\/i\u003e: “[C]hoices of poems from each of Harrison’s books are passionate and sharp… Of special note is a section from \u003ci\u003eLetters to Yesenin\u003c\/i\u003e, a book-length poem, and the title poem from \u003ci\u003eThe Theory and Practice of Rivers \u003c\/i\u003e, which contains these echoing lines, 'I forgot where I heard that poems \/ are designed to waken sleeping gods.' Reading this essential volume, one might imagine that the gods are, indeed, staying up late, reading lights on, turning the pages.” \u003cbr\u003e\u003cbr\u003e\u003ci\u003eJim Harrison: The Essential Poems\u003c\/i\u003e is distilled from fourteen volumes--from visionary lyrics and meditative suites to shape-shifting ghazals and prose-poem letters. Teeming throughout these pages are Harrison’s legendary passions and appetites, his meditations, rages, and love-songs to the natural world. \u003cbr\u003e\u003cbr\u003e\u003ci\u003eThe New York Times\u003c\/i\u003e concluded a review from early in Harrison’s career with a provocative quote: “This is poetry worth loving, hating, and fighting over, a subjective mirror of our American days and needs.” That sentiment still holds true, as Jim Harrison’s essential poems continue to call for our fiercest attention.\u003cbr\u003e\u003cbr\u003eAlso included are full-color images of poem drafts--both typescripts and holographs--as well as the letter Denise Levertov sent to publisher W.W. Norton in the early 1960s, advocating for Harrison's debut collection.\u003cbr\u003e\u003cbr\u003eIn his essay \"Poetry as Survival,\" Jim Harrison wrote, \"Poetry, at its best, is the language your soul would speak if you could teach your soul to speak.\" \u003ci\u003eThe Essential Poems\u003c\/i\u003e is proof positive that Jim Harrison taught his soul to speak.\u003cbr\u003e\u003cbr\u003e\"In this unforgiving literary moment, we must deal honestly with [Harrison's] life and work, as they are inextricable in a way that is not true of other poets...These poems bear-crawl gorgeously after a genuine connection to being, thrashing in giant leaps through the underbrush to find consolation, purpose, and redemption. In his raw, original keening he ambushes moments of unimaginable beauty, one after another, line after line...\u003ci\u003eThe Essential Poems\u003c\/i\u003e demonstrates perfectly why we should turn to Harrison again. He lived and breathed an American confrontation with the physical earth, married himself to a universe of bodies and stumps and birds, did not try to shuck his grotesque masculinity and stared hard with his one good eye (the left was blinded when he was seven) at the inescapable, beckoning finger of death.\" —Dean Kuipers, \u003ci\u003eLitHub\u003c\/i\u003e \u003cbr\u003e\u003cbr\u003e“\u003ci\u003eThe Essential Poems\u003c\/i\u003e provides a good introduction—or reintroduction—to the work of this singular writer… these pieces illustrate Harrison’s range and his ease with various formats, from lyric poems to meditative suites to prose poems. They also spotlight his deep, rugged kinship with rural landscapes and the natural world, where ‘the cost of flight is landing.’” —\u003ci\u003eThe Washington Post\u003c\/i\u003e \u003cbr\u003e\u003cbr\u003e\"Jim Harrison's latest collection, \u003ci\u003eThe Essential Poems\u003c\/i\u003e, contains...engaging and enlightening poems [that] should be taught, learned, and loved. Remember this.\"—\u003ci\u003eNew York Journal of Books\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e \"Had he been a chef, all the other foodies would have talked about how Jim Harrison dealt with big flavors. In his poems, they’re all there — love and death, remorse and longing, the rocket contrails of living. There’s not a lot of small talk in \u003ci\u003eThe Essential Poems\u003c\/i\u003e... this book grabs you by the collar and tells you in eleven hundred ways to wake up.\"—John Freeman, Executive Editor, \"Recommended Reading from Lit Hub Staff\"\u003cbr\u003e\u003cbr\u003e\"Jim Harrison had an appetite. He devoured the natural world with gusto and wrote about it with wild energy and sweetly caustic wit...Harrison was also a prodigious poet, and this thoughtfully curated collection [\u003ci\u003eThe Essential Poems\u003c\/i\u003e] showcases him at his best. Like his fiction, the poems observe the collision between civilization and the wildness outside our cities; they act like geocaches both harrowing and beautiful... Organized chronologically, the material here becomes a time line distilling Harrison's signature concerns.\"—\u003ci\u003eAlta\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\"It is hard-boiled poetry, some of the best of its kind, and one is not surprised to know that Harrison has written very tough novels... His poetic vision is at the heart of it all.\"—\u003ci\u003eHarper's\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eThe Heart's Work: Jim Harrison's Poetic Legacy\u003c\/b\u003e: The Heart's Work is a multi-book, multi-year publishing project by Copper Canyon Press to secure and advance Jim Harrison's poetic legacy. To date, books published as part of the The Heart's Work include \u003ci\u003eThe Essential Poems\u003c\/i\u003e, \u003ci\u003eCollected Ghazals \u003c\/i\u003e(with afterword by Denver Butson), \u003ci\u003eJim Harrison: Complete Poems\u003c\/i\u003e (produced as both a single volume and a three-volume box set, with introductions by Terry Tempest Williams, Colum McCann, Joy Williams, and John Freeman), and the paperback printing of \u003ci\u003eDead Man's Float\u003c\/i\u003e. New projects forthcoming!\u003cbr\u003e\u003cbr\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56304599630197,"sku":"9781556595288","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781556595288_e0a4f4b5-2bc7-43a6-aba2-e5eae3719e39.jpg?v=1786023662"},{"product_id":"9781556596438","title":"Event Horizon","description":"\u003cb\u003e\u003c\/b\u003e\u003cp\u003eWith poems that contemplate the everyday?errands, gardening, dog walks?or confront the white-body supremacy of local sunbathers, Cate Marvin reckons with the hurt of our patriarchal world, facing her own past, toxic relationships and pondering what we can gain by leaving some loved-ones behind.\u003c\/p\u003eHer brilliant fourth poetry collection exists just outside of calamity. Set between the violent realm of patriarchy and the bright otherworld of female agency and survival, these are poems of pointed humor and quick intellect, radical exposure and (re)vision. At Marvin’s table, the knife of domesticity becomes a threat, sharpened and shined. Misogyny pulls the sheets from the bed; motherhood wails from the backseat of the car; our hero is ghosted (abandoned, haunted) by past friends and beloveds. \u003ci\u003eEvent Horizon\u003c\/i\u003e asks, at what point do we disappear into our experiences? How do we come out on the other side?","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56304599826805,"sku":"9781556596438","price":11.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781556596438_5d0a645b-d576-4561-ab51-6d2568ddcf20.jpg?v=1786023671"},{"product_id":"9781556596742","title":"Dream Apartment","description":"\u003cp\u003e\u003cb\u003eIn \u003ci\u003eDream Apartment\u003c\/i\u003e, Lisa Olstein builds a world of night-rabbits, bodiless shadows, and networks of wind where ode and elegy meet.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eDevoted equally to the long arc and the sharp fragment, Lisa Olstein’s fifth collection maps the lucid ache at the center of night where “darkness stands in\/for light,” certain heartbreaks never end, and love dovetails with losing. Immersed in ode as much as elegy, \u003ci\u003eDream Apartment\u003c\/i\u003e employs a dynamic range of forms. Prayer-like spells cascade down the page with precision and abandon. Arrow-shot elegies explore the shock of suicide and find echoes in other kinds of grief—individual and communal, animal and ecological, sudden and creeping.\u003c\/p\u003e\u003cp\u003eAgile narratives mirror the dazzling associative movement of unselfconscious thought, the dreaming mind, “bodiless memory.” Whether watching a stranger carry his dead dog out of a vet’s exam room or offering bouquets of peonies to night-foraging rabbits, \u003ci\u003eDream Apartment\u003c\/i\u003e is propelled by the way poems, like dreams, unfold new dimensions of time and space. Casting their lines toward wish and repair, recognition and reckoning, these poems reveal how any meditation on loss is an exploration of love, promising that in “dreaming, something wakes.”\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56304599859573,"sku":"9781556596742","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781556596742_9d9029d2-a1f9-4757-8ed7-d44ee1431d50.jpg?v=1786023681"},{"product_id":"9781556596964","title":"The Stuff of Hollywood","description":"\u003cb\u003eIn \u003ci\u003eThe Stuff of Hollywood\u003c\/i\u003e, the camera is both a witness of truths and an instrument capturing the line between real and engineered violence.\u003c\/b\u003e\u003cp\u003e\u003ci\u003eThe Stuff of Hollywood\u003c\/i\u003e is a meditation on the pervasiveness of violence in America. In this book-length poem, Niki Herd relies on various modes—images, prose, lyric and documentary poems—to reflect upon the quotidian nature of gun culture, police killings, and political unrest. A busy Waffle House, a movie theater in Aurora, Colorado, inside an Uber on a Chicago street, readers are placed in various “film” locations and watch as America becomes a character in its own absurd movie. In one section, excerpted language from the continuity script of D.W. Griffith’s 1915 \u003ci\u003eThe Birth of a Nation\u003c\/i\u003e is juxtaposed with text from the January 6 congressional hearings, suggesting a fragile line between real and engineered brutality. Herd interrogates empire and the ways in which violence is consumed and normalized. \u003ci\u003eThe Stuff of Hollywood\u003c\/i\u003e is an elegy for a country that never existed beyond the screen.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56304600285557,"sku":"9781556596964","price":15.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781556596964_3cd81c5e-1ac4-4f43-88ac-2746f83aeedf.jpg?v=1786023691"},{"product_id":"9781556593192","title":"In Search of Small Gods","description":"\u003cp\u003e\"Funny and tender beneath a wry and gruff seen-it-all veneer, Harrison contemplates death, discerns divinity in every stone and leaf, and nobility in ordinary lives, and laughs at our attempts to separate ourselves from the rest of nature.\"—\u003ci\u003eBooklist\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\"His poems succeed on the basis of an open heart and a still-ravenous appetite for life.\"—\u003ci\u003eThe Texas Observer\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003eNow in paperback, Jim Harrison's best-selling poetry book \u003ci\u003eIn Search of Small Gods\u003c\/i\u003e is where birds and humans converse, autobiographies are fluid, and unknown gods flutter just out of sight. In terrains real and imagined—from remote canyons and anonymous thickets in the American West to secret basements in World War II Europe—Harrison calls upon readers to live fully in a world where \"Death steals everything except our stories.\"\u003c\/p\u003e\u003cp\u003e\u003ci\u003eMaybe the problem is that I got involved with the wrong crowd of\u003cbr\u003egods when I was seven. At first they weren't harmful and only showed\u003cbr\u003ethemselves as fish, birds, especially herons and loons, turtles, a bobcat\u003cbr\u003eand a small bear, but not deer and rabbits who only offered themselves\u003cbr\u003eas food. And maybe I spent too much time inside the water of\u003cbr\u003elakes and rivers. Underwater seemed like the safest church I could\u003cbr\u003ego to . . . \u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eJim Harrison\u003c\/b\u003e is one of America's most versatile and celebrated writers. He is the author of over thirty books of poetry, fiction, and nonfiction, including \u003ci\u003eLegends of the Fall\u003c\/i\u003e and \u003ci\u003eDalva\u003c\/i\u003e. His work has been translated into two dozen languages. He lives in Arizona and Montana.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56304944775541,"sku":"9781556593192","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781556593192_e66efd98-b55d-4b41-b10a-4d3836f66a22.jpg?v=1786023654"},{"product_id":"9781556594007","title":"Bender","description":"\u003cp\u003e\"Young's \u003ci\u003eBender\u003c\/i\u003e is a book of survival and strength, of seeing even in the smallest things the heights of what we can be. That's as good a definition of contemporary poetry as any.\"—NPR\u003c\/p\u003e\u003cp\u003e\"This book reads like a long, breathless thank you for life's seemingly random jumble of beauty, strangeness, tenderness, and joy.\"—\u003ci\u003eLos Angeles Times\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\"The reader's mind shoots through [Young's poems] like the steel ball in a pinball machine, dinging around, racking up points. Dean's poems are amazingly fun.\"—\u003ci\u003eBOMB\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eBender\u003c\/i\u003e gathers the abundant treasure from Dean Young's twelve volumes. Strongly influenced by Surrealism, Young's poems flash with extravagant imagery, humorous speech, sly views of the quotidian, mercurial hip-shake shifts, and exposed nerves of heartache.\u003c\/p\u003e\u003cp\u003e\u003cb\u003eFrom \"Commencement Address\":\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eI love you for shattering.\u003cbr\u003eSomeone has to. Just as someone\u003cbr\u003ehas to announce inadvertently\u003cbr\u003ethe end of grief or spring's\u003cbr\u003esplurge even as the bureaucrat's\u003cbr\u003espittoon overflows. Someone has to come out\u003cbr\u003ethe other end of the labyrinth\u003cbr\u003esaying, What's the big deal?\u003cbr\u003eSomeone has to spend all day staring\u003cbr\u003eat the data from outer space\u003cbr\u003eor separating the receipts\u003cbr\u003eor changing the sheets in sour room after room.\u003cbr\u003eI like it when the end of the toilet paper\u003cbr\u003eis folded into a point.\u003cbr\u003eI like napkins folded into swans\u003cbr\u003ebecause I like wiping my mouth on swans…\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eDean Young\u003c\/b\u003e has published twelve books of poetry, including finalists for the Pulitzer Prize and Griffin Award. He teaches at the University of Texas and lives in Austin.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56304945234293,"sku":"9781556594007","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781556594007_fce112ff-38f3-42b1-94a9-9681ee80eca1.jpg?v=1786023655"},{"product_id":"9781556594854","title":"The Poet, The Lion, Talking Pictures, El Farolito, A Wedding in St. Roch, The Big Box Store, The Warp in the Mirror, Spring, Midnights, Fire \u0026 All","description":"\u003cp\u003e\"Wright shrinks back from nothing.\"-\u003ci\u003eThe Village Voice\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\"Wright belongs to a school of exactly one.\"—\u003ci\u003eThe New York Times Book Review\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\"Wright has found a way to wed fragments of an iconic America to a luminously strange idiom, eerie as a tin whistle.\"—\u003ci\u003eThe New Yorker\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\"C.D. Wright is one of America's oddest, best, and most appealing poets.\"—\u003ci\u003ePublishers Weekly\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003eA companion to her astonishing collection of prose \u003ci\u003eCooling Time\u003c\/i\u003e, C.D. Wright argues for poetry as a way of being \u003ci\u003eand\u003c\/i\u003e seeing, and calls it \"the one arena where I am not inclined to crank up the fog machine.\" Wright's passion for the genre is pure inspiration, and in her hands the answer to the question of poetry \u003ci\u003eis \u003c\/i\u003epoetry.\u003c\/p\u003e\u003cp\u003e\u003cb\u003eFrom \"In a Word\":\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eI love the nouns of a time in a place, where a sack once was a poke and native skag was junk glass not junk and junk was just junk not smack and smack entailed eating with your mouth open, and an Egyptian one-eye was an egg, sunny side up, and a nation sack was a flannel amulet, worn only by women, to be touched only by women, especially around Memphis. Red sacks for love and green for money…\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eC.D. Wright\u003c\/b\u003e's most recent volume, \u003ci\u003eOne With Others\u003c\/i\u003e, was a National Book Award finalist. Among her many honors are the Griffin Poetry Prize and a MacArthur Fellowship. She teaches at Brown University and lives outside of Providence, Rhode Island.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56304945430901,"sku":"9781556594854","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781556594854_26a3986b-a4d6-4c65-9760-3438b6d00c41.jpg?v=1786023660"},{"product_id":"9781556591952","title":"Poems of the Masters","description":"\u003cb\u003e\u003ci\u003eThe\u003c\/i\u003e classic Chinese poetry anthology in a handsome English-Chinese format.\u003c\/b\u003e\u003cp\u003ePoetry is China's greatest art, and for the past eight centuries \u003ci\u003ePoems of the Masters\u003c\/i\u003e has been that country's most studied and memorized collection of verse. For the first time ever in English, here is the complete text, with an introduction and extensive notes by renowned translator, Red Pine. Over one hundred poets are represented in this bilingual edition, including many of China's celebrated poets: Li Pai, Wang Wei, Tu Fu, Wang Po, and Ou-yang Hsiu.\u003c\/p\u003e\u003cp\u003e\u003ci\u003ePoems of the Masters\u003c\/i\u003e was compiled during the Sung dynasty (960–1278), a time when poetry became the defining measure of human relationships and understanding.\u003c\/p\u003e\u003cp\u003eAs Red Pine writes in his introduction: \"Nothing was significant without a poem, no social or ritual occasion, no political or personal event was considered complete without a few well-chosen words that summarized the complexities of the Chinese vision of reality and linked that vision with the beat of their hearts . . . [Poetry's] greatest flowering was in the T'ang and Sung, when suddenly it was everywhere: in the palace, in the street, in every household, every inn, every monastery, in every village square.\"\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\"Chiupu River Song\" by Li Pai\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eMy white hair extends three miles\u003cbr\u003ethe sorrow of parting made it this long\u003cbr\u003ewho would guess to look in a mirror\u003cbr\u003ewhere autumn frost comes from\u003c\/p\u003e\u003cp\u003e\"This valuable text will help us appreciate the richness of poetic imagination and experience.\"—\u003ci\u003eBook Magazine,\u003c\/i\u003e five-star review\u003c\/p\u003e\u003cp\u003e\"[\u003ci\u003ePoems of the Masters\u003c\/i\u003e] includes the Chinese originals, along with commentaries on imagery, various social conventions, historical background—all absolutely essential to a full appreciation of the texts... the best way to approach them is to pick one out and let it drop like a pebble into the well of your mind and hear how it resonates.\"—\u003ci\u003eThe Philadelphia Inquirer\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\"The poems in this remarkable anthology speak to us—across an immense distance of time and space—of loneliness, beauty, the consequences of political action, the stillness of autumn. Red Pine's wonderful translations and the clarity of his accompanying notes make these poems accessible and intimate to all of us…Red Pine and the good people at Copper Canyon deserve a place in the Taoist paradise for bringing us this beautiful book.\"—\u003ci\u003eBooksense Recommends\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eRed Pine \u003c\/b\u003eis one of the world's most respected translators of Chinese literature, bringing into English several of China's central religious and literary texts, including \u003ci\u003eLao-tzu's Taoteching \u003c\/i\u003e(isbn 9781556592904) and \u003ci\u003eThe Collected Songs of Cold Mountain\u003c\/i\u003e (isbn 9781556591402).\u003c\/p\u003e\u003cbr\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56304945561973,"sku":"9781556591952","price":17.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781556591952_c7e4a30b-45aa-4c7f-ae46-b29db8ddeac4.jpg?v=1786023650"},{"product_id":"9781556595936","title":"Jim Harrison: Complete Poems","description":"\u003cbr\u003e\u003cb\u003eEditors' Choice Selection, \u003ci\u003eThe New York Times Book Review\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003e** Starred Reviews ** in \u003ci\u003eLibrary Journal\u003c\/i\u003e and \u003ci\u003eBooklist\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e \"This robust volume is a testament to the fortitude of a great American poet’s work... [a] landmark collection.\"—Raul Niño, \u003cb\u003e\u003ci\u003eBooklist,\u003c\/i\u003e starred review\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\"[E]ven the readers who know him may not know that Harrison began as a poet and remained one for the rest of his life…. [\u003ci\u003eJim Harrison: Complete Poems\u003c\/i\u003e is] a massive and bounteous body of work that would have made Harrison a significant American writer even if he had never published in any other genre.\"—\u003ci\u003e\u003cb\u003eThe New York Times Book Review,\u003c\/b\u003e\u003c\/i\u003e\u003cb\u003e Editors' Choice\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e \"In a collection that spans decades of living and writing, there are poems of every character, many of them superb.\"—\u003ci\u003e\u003cb\u003eLibrary Journal,\u003c\/b\u003e\u003c\/i\u003e\u003cb\u003e starred review\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e“This densely rich book...places Harrison among the pantheon of our best American poets.” —\u003ci\u003e\u003cb\u003eNew York Journal of Books\u003c\/b\u003e\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\"I've always loved Jim Harrison's poetry—so full of itself, so direct and hungry and angered and awed. I think of him in many ways as a religious poet and was surprised that he was excluded from Harold Bloom's anthology \u003ci\u003eAmerican Religious Poems.\u003c\/i\u003e It seemed quite the oversight.\"—Joy Williams, \u003ci\u003e\u003cb\u003eThe Paris Review\u003c\/b\u003e\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\"That’s what makes his poetry so intimate: the sense that it comes to us without filter, without the expectations or necessity of narrative. It is why I will always think of Harrison, most of all, as a poet.\"—David Ulin, \u003ci\u003e\u003cb\u003eAlta\u003c\/b\u003e\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“When [\u003ci\u003eJim Harrison: Complete Poems\u003c\/i\u003e] arrives in the mail I stare at it for a time a little dumbfounded. It is gorgeous and it is massive…. The next day I carried it north with me to the Flathead Indian Reservation. I am teaching poetry to fourth- and fifth graders there. At the beginning of each of four classes I held the book up for everyone to see. We passed it around so everyone could feel its heft, see the photo on the back cover of the grizzled poet, his eyes turned down, drawing on the ubiquitous cigarette. I described it as a physical representation of a life devoted to poetry and how wonderful that is. I was asked how long it will take me to read the whole thing. ‘A lifetime,’ I answer.”—Chris La Tray, \u003cb\u003e\u003ci\u003eThe Missoulian\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\"Harrison described his own work as ‘(c)rude, holy, natural, political, sexual,’ and page after page here he hits those notes time and again.\"—\u003cb\u003e\u003ci\u003ePittsburgh Post-Gazette\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\"The publication of the \u003ci\u003e Jim Harrison: Complete Poems\u003c\/i\u003e will be the major poetic event of the season.\"— Paul Yamazaki, \u003cb\u003eCity Lights Booksellers\u003c\/b\u003e\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e“Jim Harrison’s poems have a vitality, range, and revelation equal in importance to the more widely known fiction. A pitch-perfect field guide, Harrison scouts with full sense of kinship and acrobatic powers of both language and imagination his life’s landscapes, events, and fellow creatures. His direct, chiselled statements of thought, feeling, and invention make the world bigger in every dimension.”— Jane Hirshfield, \u003cb\u003ePloughshares\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0px;\"\u003e\"Some of the poems are funny, some are serious, and many are bawdy, but none will disappoint a reader.\" \u003c\/span\u003e\u003cspan style=\"letter-spacing: 0px;\"\u003e—\u003c\/span\u003e\u003cspan style=\"letter-spacing: 0px;\"\u003eBill Castanier, \u003c\/span\u003e\u003cspan style=\"letter-spacing: 0px;\"\u003e\u003cb\u003eLansing City Pulse\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0); font-family: Arial; font-size: 10pt; letter-spacing: 0px;\"\u003e\"To say that Harrison’s \u003c\/span\u003e\u003cspan style=\"color: rgb(0, 0, 0); font-family: Arial; font-size: 10pt; letter-spacing: 0px; font-style: italic;\"\u003eComplete Poems\u003c\/span\u003e\u003cspan style=\"color: rgb(0, 0, 0); font-family: Arial; font-size: 10pt; letter-spacing: 0px;\"\u003e is Shakespearian in scope is probably an exaggeration, but only a little. Harrison certainly had far more time than the Bard to devote to his literary endeavors. . . . There is no denying the power and influence of his ghazals of the early 1970s, and if his voracious appetite for experience offends some readers, it’s clear he was one of the major poets of the last six decades, someone who believed “'in the Resurrection mostly \/ because he was never taught how not to.'\"—\u003c\/span\u003e\u003cspan style=\"color: rgb(0, 0, 0); font-family: Arial; font-size: 10pt; letter-spacing: 0px;\"\u003e\u003cb style=\"\"\u003e\u003ci\u003eCalifornia Review of Books\u003c\/i\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003eFrom the Introduction by Terry Tempest Williams:\u003c\/b\u003e  \"Jim Harrison...was among the great ones—an elevated soul in all his unruliness who favored his senses and courted the wild on the page and in the world. His was a storied life that loomed large, and we are the beneficiaries. 'Such a powerful wounded poet—wrote as if he had to sing with a cut throat . . . and he did have to sing,' said Jorie Graham.\"\u003cbr\u003e\u003cbr\u003e\u003cb\u003e\u003ci\u003eJim Harrison: Complete Poems\u003c\/i\u003e\u003c\/b\u003e is the definitive collection from one of America’s iconic writers. Introduced by activist and naturalist writer Terry Tempest Williams, this tour de force contains every poem Harrison published over his fifty-year career, as well as a section of previously unpublished \"Last Poems.\" Here are the nature-based lyrics of his early work, the high-velocity ghazals, a harrowing prose-poem “correspondence” with a Russian suicide, the riverine suites, fearless meditations inspired by the Zen monk Crazy Cloud, and a joyous conversation in haiku-like gems with friend and fellow poet Ted Kooser.\u003cbr\u003e\u003cbr\u003eWeaving throughout nearly 1000 pages are Harrison’s legendary passions and appetites, his love songs and lamentations, and a clarion call to pay attention to the life you are actually living. \u003ci\u003eJim Harrison: Complete Poems \u003c\/i\u003econfirms that Jim Harrison is a talented storyteller with a penetrating eye for details, or as \u003ci\u003ePublishers Weekly\u003c\/i\u003e called him, “an untrammeled renegade genius… a poet talking to you instead of around himself, while doing absolutely brilliant and outrageous things with language.”\u003cbr\u003e\u003cbr\u003e\u003cb\u003eThe Heart's Work: Jim Harrison's Poetic Legacy\u003c\/b\u003e: The Heart's Work is a multi-book, multi-year publishing project by Copper Canyon Press to secure and advance Jim Harrison's poetic legacy. To date, books published as part of the The Heart's Work include \u003ci\u003eThe Essential Poems\u003c\/i\u003e, \u003ci\u003eCollected Ghazals \u003c\/i\u003e(with afterword by Denver Butson), \u003ci\u003eJim Harrison: Complete Poems\u003c\/i\u003e (produced as both a single volume and a three-volume box set, with introductions by Terry Tempest Williams, Colum McCann, Joy Williams, and John Freeman), and the paperback printing of \u003ci\u003eDead Man's Float\u003c\/i\u003e. New projects forthcoming!\u003cbr\u003e\u003cbr\u003e\u003cb\u003eLimited Edition Box Set:\u003c\/b\u003e\u003ci\u003e  Jim Harrison: Complete Poems\u003c\/i\u003e also appears as a three-volume box set. (The ISBN for the box set is 9781556596414.)  Print run was limited to 750 copies. Each volume is introduced by a different writer: Colum McCann, Joy Williams, and John Freeman. As of March 2022, the box set is sold out and has been listed out-of-print. Copies may be available from the publisher.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eFirst Edition Points:\u003c\/b\u003e Please note that there is no indication of first edition on the copyright page of the single volume of \u003ci\u003e Jim Harrison: Complete Poems\u003c\/i\u003e . To confirm a first edition, check the attribution on the poem \"She\" (page 886):  First editions have only a single attribution, \u003ci\u003eAlta, 2021,\u003c\/i\u003e and all subsequent printings also include the attribution \u003ci\u003eBozeman Daily Chronicle, 2016\u003c\/i\u003e.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56304946020725,"sku":"9781556595936","price":42.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781556595936_545d81a9-46bc-44e6-99c4-01590bec37e7.jpg?v=1786023666"},{"product_id":"9781556596346","title":"Diaries of a Terrorist","description":"\u003cp\u003e\u003cb\u003eSexy, outspoken, and explosive, the terrorist of Soto’s debut collection resists police violence with linguistic verve and radical honesty.\u003c\/b\u003e\u003c\/p\u003eThis debut poetry collection demands the abolition of policing and human caging. In \u003ci\u003eDiaries of a Terrorist, \u003c\/i\u003eChristopher Soto uses the “we” pronoun to emphasize that police violence happens not only to individuals, but to whole communities. His poetics open the imagination towards possibilities of existence beyond the status quo. Soto asks, “Who do we call terrorist, \u0026amp; why”? These political surrealist poems shift between gut-wrenching vulnerability, laugh-aloud humor, and unapologetic queer punk raunchiness. \u003ci\u003eDiaries of a Terrorist \u003c\/i\u003eis groundbreaking in its ability to speak—from a local to a global scale—about one of the most important issues of our time.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56304946086261,"sku":"9781556596346","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781556596346_be4a3ef9-b80c-41b0-bf72-735deee0b866.jpg?v=1786023670"},{"product_id":"9781556597022","title":"Love Prodigal","description":"\u003cp\u003e\u003cb\u003eAmidst cycles of heartbreak, trauma, and chronic pain, \u003ci\u003eLove Prodigal\u003c\/i\u003e finds strength in the natural world, motherhood, desire, and new love. \u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eFiercely self-aware and “utterly present tense,” Traci Brimhall’s \u003ci\u003eLove Prodigal \u003c\/i\u003elives in the messiness of starting over. As Brimhall grieves a divorce and a new diagnosis, cycles of loss, heartbreak, family trauma, and chronic illness appear. There is an urge to detach, to go numb. Yet, pain is always returned as a gift—the beautiful vulnerability of feeling. In conversation with Da Vinci, Shakespeare, and Bachelard, images of the phoenix appear throughout the collection; its metaphor promises an easy and endless cycle of rebirth—a forever life, forever alone. Brimhall rejects this idea, instead reaching for the slow, messy, and imperfect process of healing. When the body becomes a site the poet “cannot live in or leave,” she finds strength in the beauty of the natural world, in motherhood, in desire, in new love, in “a thousand small pleasures that made [her] want to live.” Told through various forms—aubades, a prose crown of sonnets, an admissions essay—\u003ci\u003eLove Prodigal\u003c\/i\u003e says yes to second (and third and fourth) chances. 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