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A bilingual edition with the Greek text from that edition and facing English translations by Irene Loulakaki-Moore. In her Introduction the translator writes:- If Fostieris draws the reader’s attention to the alphabet, its sounds and the processes of syllabification, reading and writing, in other words to the “materiality of the text” and the “mechanisms of writing”, it is because, like many poets of his generation, he is suspicious of the ways in which vocabularies create descriptions of the world and ourselves, instead of adequately or inadequately expressing them. The socio-political, economic and intellectual developments in Greece and elsewhere in the 1970s rendered obsolete previous generations’ search for the “lost centre” and the grand narratives that validate it. 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With an Introduction and Notes by the translator.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":57483454218613,"sku":"9780992863258","price":11.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9780992863258.jpg?v=1786178620"},{"product_id":"words-on-the-table","title":"Words on the table","description":"A collection of over two hundred poems spanning the sixty years of the author's life and the many countries in which he has lived and worked. Divided into four sections, after the Introduction: 1. \"Birth, life, death\" (largely autobiographical and family-related); 2. Songs and singers (the author's songs, and poems about singers and other musicians from many cultures); 3. The written word (reflections on authors and writing); 4. Facing off the thought police (poems on censorship, political repression, assassination), followed by a \"Postscript on Czechoslovakia\" in prose.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":57492232274293,"sku":"9781912788217","price":10.75,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781912788217.jpg?v=1786529061"},{"product_id":"my-father-and-the-silver-king","title":"My Father and the Silver King","description":"Ambrose Erswell ran away from home in London’s East End when he was seven years old, lived on the streets and joined a gang of child pickpockets. At nine he signed on as a “ship’s boy” on a clipper ship sailing to South America — an experience so grim he vowed never to go to sea again. In a bicycle shop, where he found a job, he saw his first automobile. It was the beginning of a lifelong passion for cars. By twelve years of age he’d become a chauffeur. When he saw The Silver King, a melodrama in which the wronged hero is redeemed after making a fortune in a silvermine in South America, he decided that his life must follow a similar trajectory. Like the hero of the play, this cockney lad, who would eventually (in his mid-fifties) become the author’s father, left England and made a fortune in an unlikely business in Australia. The author traces her attraction to the music of the Piraeus underworld and the men who sang the rembetika to her father and to the Music Hall songs she was raised on.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":57492233093493,"sku":"9781912788460","price":15.75,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781912788460.jpg?v=1786529062"},{"product_id":"the-the-experiment-to-peirama","title":"The The Experiment \/ To Peirama","description":"This work stubbornly resists any easy classification. It may be read as a theatrical work, as a philosophical monologue, or simply as what it originally was — the journal of a voice searching for its place in the world.   From the core of these entries emerges a creature — an experimental chimera bearing a human brain within the body of an animal — which acquires consciousness and observes the world of its creators. From this starting point unfolds a path of reflection extending far beyond the protagonist’s own exis-tence.   As it speaks, the creature examines with disarming clarity fundamental concepts of human existence: identity, freedom, the ethics of science, the nature of reality, and the relationship between the human being and the other living and non-living expressions of the universe. The question that runs through the work ultimately concerns not the chimera but humanity itself: what does it mean to be human, and what are the boundaries that separate us from the beings we create or use? Where does the animal give way to inert matter? And at what point does matter acquire consciousness?The voice of the BEING shifts between lucidity and poetic intensity. At times it speaks like a scientist, at others like a philosopher, and at others like a creature encountering the world for the first time with something resembling childlike innocence. In this way the journal becomes a stage, and the stage in turn becomes a space where the limits of the very notion of human existence are tested.   The BEING may not simply be the result of an experiment; it may instead be seen as the logical consequence of a civilization that seeks to control nature, redesign the body, and transcend its biological limits. A civilization of Homo sapiens attempting to understand the world through a system of symbols and concepts — a system that often ends by alienating and imprisoning it within an invisible cage: the obligation to faith-fully perform the role of the “human”.   Yet as the narrative unfolds, the focus gradually shifts from the experiment itself to the consciousness that emerged from it. The BEING observes humanity from a distance that often proves more penetrating than human self-awareness.   At this point the work takes an unexpected turn: the creature created to serve humanity begins instead to examine it. The experimenter and the experiment exchange places.   The result is a text that moves between philosophical allegory and existential tragedy. The story of a chimera gradu-ally becomes a story about human consciousness — about the anxiety of self-knowledge, the desire for freedom, and the difficulty of accepting one’s place in the world.   And in this shift lies perhaps the sharpest dimension of the work: the chimera no longer seems to be searching for its place in the human world. Instead, it appears to examine whether that world can still justify its own existence.   From that moment onward, the reader — or the spectator — is no longer merely observing a story. They are already inside the experiment.   To say more would perhaps spoil the magic of the work. Whether the BEING of the journal ever truly existed — and in what way — is left to the reader or the spectator to decide, and to grant it the place in the world that belongs to it.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":57613230276981,"sku":"9781912788477","price":9.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781912788477.jpg?v=1790608279"}],"url":"https:\/\/backstory.london\/collections\/publisher-colenso-books.oembed","provider":"Backstory","version":"1.0","type":"link"}