{"title":"British Museum Press","description":null,"products":[{"product_id":"9780714111964","title":"Luxury and power","description":"An eye-opening publication that contrasts perceptions of luxury – together with its positive and negative connotations – in imperial Persia, democratic Athens and the Hellenistic world between 600 and 200 BCE.  ‘Luxuriously illustrated’ – Asian Review of Books  Luxurious objects are celebrated for their exoticism, rarity and style, but also disparaged as indulgent, extravagant and corrupt. The ancient origins of these attitudes emerged at the boundary between the imperial Persian and democratic Athenian Greek worlds. Luxury was at the centre of the royal Persian court and behaviours of ostentatious display rippled through the imperial provinces, whose elite classes emulated luxury objects in lesser materials. But luxury is contrastingly depicted through Athenian eyes – within the philosophical context of early democratic codes and the historical context of the Greco-Persian Wars, which suddenly and spectacularly brought eastern luxuries into the imagination of the Athenian populace for the first time. While Greek writers rejected luxury as eastern, despotic and corrupt, the Athenian elite adopted Persian luxuries in imaginative ways to signal status, distinction and prestige. Under the Macedonian empire of Alexander the Great and its subsequent kingdoms, royal Achaemenid luxury culture would later be adopted and displayed by the Macedonian and local elite across the Greek and Middle Eastern worlds: behaviours of ostentatious display were a means to seek advantage in the new Hellenistic world order. Ultimately, this publication demonstrates how competing political spins woven around 2,500 years ago still continue to shape modern perceptions of luxury today.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":43071152062642,"sku":"9780714111964","price":35.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9780714111964_710ed491-dbaa-4082-b9a1-4f2811b020be.jpg?v=1786015190"},{"product_id":"9780861592319","title":"Late Hokusai","description":"This publication has been developed from ideas first presented at the international symposium Late Hokusai: thought, technique, society, held at the British Museum in May 2017. The symposium was organised to enable specialists in a range of disciplines relating to early modern Japan to view and consider the critically acclaimed exhibition Hokusai: beyond the Great Wave, then being presented at the British Museum. The exhibition brought together representative works by the artist Katsushika Hokusai (1760−1849) in the various media in which he worked – colour woodblock printed, woodblock-printed illustrated books, brush paintings on paper or silk, and brush drawings − that were produced between the age of 61 and his death aged 90. Building on the themes of the exhibition, authors from the UK, Europe, Japan and USA have engaged with late Hokusai from a variety of perspectives, both intrinsic and extrinsic to his life and works. Essays have been grouped within the broad categories of ‘thought’ -- Hokusai’s intellectual concerns and the ways his art brought these to life; ‘technique’ – how the artist pursued excellence in a wide range of media, within a commercialised art market; and ‘society’ – dimensions of cultural interaction and patronage. A fourth section on ‘legacy’ looks at how stories of Hokusai have been as much generated by 130 years of scholarship, as they have by his works themselves. Challengingly, faked paintings and printed works have both contaminated and supported those stories. This innovative approach provides new insights into the work of one of the world’s most celebrated artists and suggests many new avenues for Hokusai research.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":43128847597746,"sku":"9780861592319","price":40.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9780861592319.jpg?v=1786016424"},{"product_id":"9780714191300","title":"How To Read Egyptian Hieroglyphs","description":"Have you ever wished that you could read the beautiful hieroglyphic script of ancient Egypt for yourself? Now you can, with the help of this practical step-by-step guide. It is suitable for complete beginners, or for anyone who would like to improve their knowledge of the language and culture of ancient Egypt.    Mark Collier and Bill Manley have many years of experience teaching non-specialists at courses around the UK, so their approach is tried and tested. From the very beginning you will be introduced to genuine texts from ancient monuments. Each chapter introduces a new aspect of the ancient Egyptian language's hieroglyphic script and encourages you to develop your growing reading skills with practical exercises.    The authors concentrate on a fascinating and rewarding group of monuments – funerary inscriptions, coffins and tomb scenes. The texts and supporting notes offer a first-hand insight into topics such as the pharaonic administration, family life in ancient Egypt, and ancient Egyptian approaches to death and the afterlife. With this book as your guide, you will be able to read with confidence the monuments reproduced in this book, and Egyptian monuments on display around the world.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":43128872403122,"sku":"9780714191300","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9780714191300.jpg?v=1786015260"},{"product_id":"9780714128290","title":"The Medieval Cookbook","description":"Drawing on the cuisine of the Middle Ages, from the fall of the Roman Empire to Henry VIII's break with Rome, this new treatment of a classic book explores the relationship between food, religion and the ever-widening gap between the tables of the rich and the poor. Featured is an appetizing collection of recipes inspired by medieval manuscripts, richly illustrated throughout with stunning scenes of food, feasting and cooking from paintings, tapestries and drawings. The Medieval Cookbook has been thoughtfully adapted for the modern kitchen, whilst retaining the true essence of dining in medieval Britain.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":43201821704370,"sku":"9780714128290","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9780714128290.jpg?v=1786015239"},{"product_id":"9780714151304","title":"Feminine power","description":"\u003cp\u003eAn exciting, wide-ranging exploration of the power and diversity of female figures of worship in world cultures and belief systems, from the ancient world to today.\u003c\/p\u003e\u003cp\u003e‘Written in plain and accessible language, without losing academic rigor... Crerar, who, like a contemporary Virgil, introduces us to sublime and terrifying entities, guiding us all the way through the complex and fascinating meanings of femininity and faith.’  – María Pinal Villanueva, The Journal of Folklore Research Reviews  ‘An excellent catalogue’ – Waldemar Januszczak, The Sunday Times  ‘A lucidly argued and richly illustrated catalogue’ – Marina Warner, The Guardian\u003c\/p\u003e\u003cp\u003eDivine women – in many guises – have featured in every world faith from deep history until the present day, inspiring people and cultures across the world. In a cross-cultural and global approach, this book discusses Eve alongside Inanna, Radha and Aphrodite in the context of sex and desire, while in the chapter on evil, witches and Hecate are compared with other deities, like Lamaštu and the Cihuateotl, as well as monstrous women such as Taraka, Medusa, Rangda, and Lilith. Ideas of justice and defence are explored in the figures of Athena, Sekhmet and Kali, and the final chapter on compassion and salvation uncovers links between Isis, Mary, Tara and Guanyin. The publication concludes with a discussion of contemporary feminism and modern interpretations of goddesses. Until the mid-twentieth century, the disciplines of theology, archaeology and history were heavily dominated by male academics, resulting in the under-representation of women’s experience and fewer studies on female divinity. 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Runes employ many techniques from informal scratchings to sophisticated inlaid designs on weapons, or the exquisite relief carvings of the Franks Casket. The task of reading and understanding them involves a good deal of detective-work, calling on expertise from a number of academic disciplines: archaeology, art history, linguistics, and even forensic science. This book tells the story of runes from their mysterious origins, their development as a script, to their use and meaning in the modern world. Illustrated with a range of beautiful objects from jewellery to tools and weapons, Runes will reveal memorials for the dead, business messages, charms and curses, insults and prayers, giving us a glimpse into the languages and cultures of Europeans over a thousand years ago.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":43201822916786,"sku":"9780714180298","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9780714180298_dd0c3c6b-2c47-4f63-b91a-a58c16e7444b.jpg?v=1786015258"},{"product_id":"9780714191287","title":"Hieroglyphs","description":"\u003cp\u003ePraise for the exhibition\u003c\/p\u003e\u003cp\u003eThe Telegraph\u003c\/p\u003e\u003cp\u003eThe Times\u003c\/p\u003e\u003cp\u003eDaily Telegraph\u003c\/p\u003e\u003cp\u003eThe Evening Standard  “Plunge into the infinity pool of ancient Egyptian history with this dizzying array of artworks” - Waldemar Januszczack, Sunday Times Culture magazine   Today the history of ancient Egypt is known around the world, recognisable in precious museum collections and countless retellings from popular culture. Yet for hundreds of years, from the late Roman Empire to the 19th century, the wonders of this ancient civilisation were frozen in time, locked in artefacts that could not be understood due to the loss of the ancient Egyptian language. In 1799 the discovery of the Rosetta Stone, a slab inscribed in three scripts, hieroglyphs, demotic and Greek, changed the course of history, unlocking thousands of years of ancient culture and eventually becoming one of the world’s most famous museum artefacts.     The British Museum’s exhibition Hieroglyphs: unlocking ancient Egypt and this accompanying publication tell the story of the Rosetta Stone and of countless other objects that were key to efforts to decode the hieroglyphs dating back to the Islamic Golden Age. Featuring fascinating objects from the British Museum and international lenders, the book shows how the presence of a written language was the key to understanding life in ancient Egypt, from everyday business affairs to the sacred secrets of the afterlife. Interweaving the story of decipherment with colonial history, the book takes readers up to the present day, revealing what researchers are doing now to tell us more about one of the world’s longest surviving civilisations through the understanding of their writing.     Published to coincide with the bicentenary of Jean-François Champollion’s breakthrough in decipherment, this beautifully illustrated book shows how an unassuming grey stone was the key to the secrets of ancient Egypt and led to the most significant code breaking moment in history.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":43204049502386,"sku":"9780714191287","price":40.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9780714191287_6656cf7b-f100-427e-a75e-4199f0231e16.jpg?v=1786015259"},{"product_id":"9780714124810","title":"Netsuke","description":"Netsuke have once again come to the fore in the popular imagination of the public. In part this is due to the phenomenal success of Edmund De Waal’s 2010 book, Hare with the Amber Eyes, which highlights a treasured netsuke collection that was challenged by war and the vicissitudes of time. Intricately carved from various materials including ivory, wood and metal, these small toggles served a practical purpose in Japan: a netsuke was used to fasten a man’s sash, an integral part of Japanese costume. Up until the seventeenth century netsuke were relatively insignificant objects that were rarely of artistic interest, but as time passed they evolved in terms of both materials and workmanship, and were then used by men to flaunt their wealth or as an expression of status. Today netsuke are considered an art form in their own right and are prized by collectors around the world. They are found in a variety of forms and depict a wide range of subjects – including figures of human and legendary form, ghosts, animals, botanical subjects and masks. Skilfully worked, these miniature carvings are of great artistic value, but they also provide a window into Japanese culture and society. This book brings together one hundred of the most beautiful and interesting netsuke from the extensive collection of the British Museum, each of which has its own special charm and story to tell. Uncovering the stories behind these netsuke and coupling them with stunning new photography, this book reveals why these tiny objects have captivated so many, the meaning they have held for those who wore them, and what they can tell us about Japanese everyday life.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":43204053565618,"sku":"9780714124810","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9780714124810.jpg?v=1786015223"},{"product_id":"9780714111971","title":"Artists Making Books","description":"\u003cb\u003eA beautiful showcase of the British Museum’s little-known yet extensive collection of artists’ books from the Middle East and beyond. This accompanied an exhibition at the British Museum in 2023, the first time the works have been presented together in the context of the Museum’s collection.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eIn the hands of artists and poets, books have been taking a radically different form since the advent of the artist’s book in Paris in the early 20th century. Appearing in a variety of shapes and sizes, as one-offs or small print editions, books offer artists and poets a novel form of expression. In the words of Indian artist Nalini Malani (b. 1946), the book is ‘a carrier of experience’, in which whole worlds are encapsulated.\u003cbr\u003e\u003cbr\u003eIn this beautifully produced book, works made by artists from New York to Damascus and beyond highlight the relationship between artists and writers and the influences that inform their work, from family to politics and everything in between. Lebanese artist Abed Al Kadiri (b. 1984) conceived his book during the first month of the pandemic to explore his family history, while through the eyes of Iraqi artist Kareem Risan (b. 1960) we see the shocking aftermath of a deadly explosion on the streets of Baghdad in 2005.\u003cbr\u003e\u003cbr\u003eThese artists also find inspiration in classical poetry and literature. Here you will see works that respond to and that are informed by the medieval Persian poetry of Jalal al-Din Rumi and Hafez, as well as the tales of The Arabian Nights.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":43204079255730,"sku":"9780714111971","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9780714111971_c9eac667-f38e-428d-a207-2d6cc2c743c4.jpg?v=1786015192"},{"product_id":"9780714124766","title":"Shunga","description":"Discover Japanese art like no other. Originally created by the artists of the ukiyo-e ‘school of the floating world’ to advertise brothels in 17th-century Yoshiwara, these popular ‘spring pictures’ (shunga) transcended class and gender in Japan for almost 300 years. These tender, humorous and brightly coloured pieces celebrate sexual pleasure in all its forms, culminating in the beautiful, yet graphic, work of iconic artists Utamaro, Hokusai and Kunisada.     This catalogue of a major international exhibition aims to answer some key questions about what shunga is and why was it produced. Erotic Japanese art was heavily suppressed in Japan from the 1870s onwards as part of a process of cultural ‘modernisation’ that imported many contemporary western moral values. Only in the last twenty years or so has it been possible to publish unexpurgated examples in Japan and this ground-breaking publication presents this fascinating art in its historical and cultural context for the first time.     Within Japan, shunga has continued to influence modern forms of art, including manga, anime and Japanese tattoo art. Drawing on the latest scholarship and featuring over 400 images of works from major public and private collections, this landmark book sheds new light on this unique art form within Japanese social and cultural history.     Shunga: sex and pleasure in Japanese art is published to accompany an exhibition at the British Museum from October 2013 to January 2014.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":43204079354034,"sku":"9780714124766","price":60.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9780714124766_f7fa4cf8-256b-41fd-bcec-9e0ed1266ce0.jpg?v=1786015220"},{"product_id":"9780714150321","title":"7000 Years of Jewellery","description":"This panoramic illustrated history explores the varied styles, techniques and materials used to make jewellery throughout the world since earliest times. Egyptian necklaces, Celtic torcs, South American gold masks, Renaissance pendants and Art Nouveau buckles are among the range of masterpieces described by a team of experts from the British Museum and illustrated with 400 superb photographs. This reissue includes images of major acquisitions made in the last ten years, particularly from Europe since 1700 and from Asia.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":43204086366386,"sku":"9780714150321","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9780714150321_e7446307-829e-47bf-9706-25699e960077.jpg?v=1786015247"},{"product_id":"9780714114996","title":"Arabic Calligraphy","description":"The first stroke-by-stroke guide ever produced for learning to write Naskh, one of the six major cursive Arabic scripts. Its origins can be traced back to the late eighth century AD and it is still in use today, over 1300 years later. The Ottoman Turks considered Naskh the script most suited for copying the Qur'an and today more Qur'ans are copied in Naskh throughout the Islamic world than in all other Arabic scripts combined. This introductory workbook makes it possible for everyone to learn and enjoy the beauty of Arabic calligraphy. Based on his experience of running workshops and demonstrations at The British Museum and other cultural institutions around the UK, Mustafa Ja'far has created an easy-to-follow, teach-yourself guide.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":43204120379570,"sku":"9780714114996","price":9.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9780714114996_2020e71f-68b6-417d-aa8d-da38c1908516.jpg?v=1786015192"},{"product_id":"9780714151007","title":"A Little Gay History","description":"How old is the oldest chat-up line between men? Who was the first ‘lesbian’? Were ancient Greek men who had sex together necessarily ‘gay’? And what did Shakespeare think about cross-dressing? A Little Gay History takes objects ranging from Ancient Egyptian papyri and the erotic scenes on the Roman Warren Cup to images by modern artists including David Hockney and Bhupen Khakhar to consider questions such as these. Explored are the issues behind forty artefacts from ancient times to the present, and from cultures across the world, to ask a question that concerns us all: how easily can we recognize love in history?","brand":"Gardners","offers":[{"title":"Default Title","offer_id":43403449335986,"sku":"9780714151007","price":10.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9780714151007_fb4dc1b7-c389-4841-9dcc-b4a9adb901b0.jpg?v=1786015251"},{"product_id":"9780714126982","title":"Michelangelo","description":"\u003cb\u003eAccompanying a major exhibition at the British Museum in May 2024, this booklet features spectacular loans from the Vatican Library and the Louvre, placing one of the world’s finest collections of Michelangelo drawings within the broader context to the rest of his works.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eShortlisted for Exhibition of the Year at the Apollo Awards 2024\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003eMichelangelo Buonarroti (1475–1564) was one of the greatest artists of the Renaissance. He was not the isolated, tortured genius of artistic myth, but a man who maintained a close circle of friends and associates into old age. He developed collaborative working relationships with younger artists, thereby maintaining his fame and reputation even as he aged, relinquishing the hardest physical work to others. His late drawings offer a powerful insight into his psychology, reflecting his Catholic faith, his commanding intellectual engagement, and his hope for eternal life.\u003cbr\u003e\u003cbr\u003eMichelangelo reimagined the iconography of religious art to create hugely influential compositions of key moments in Christian faith, such as the Crucifixion, the Last Judgement and the Pietà (or Lamentation). He was involved in designing several significant sites in Rome at this time – including his key architectural project, the immense challenge of rebuilding St Peter’s, at the very heart of Christianity. His role as an architect is explored through beautiful drawings, highlighting his range as a designer. Alongside his major commissions he created deeply personal drawings – revisiting earlier compositions to explore intensely moving Crucifixions that served as spiritual meditations on Christ’s death and offered the hope of salvation for an elderly man facing the end of his own long life.\u003cbr\u003e\u003cbr\u003eBuilt on the firm foundations of the British Museum’s extraordinary collection of drawings, his work is explored alongside his personal relationships to consider the transformation of Michelangelo into the towering figure of artistic genius known today.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":44203437064370,"sku":"9780714126982","price":35.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9780714126982_71cc5467-6c68-4d57-9d0a-7b00956d185f.jpg?v=1786015236"},{"product_id":"9780714124964","title":"Salon culture in Japan","description":"‘A richly illustrated book that provides a fascinating insight into collaborative and social artistic production in early modern Japan’ – Andon, the Journal of the society for Japanese Art  The first publication to celebrate the British Museum’s rich collection of these technically sophisticated artworks created as part of Japanese cultural salons in the late 18th and 19th centuries, featuring lively figures in daily life and festivals, elegant birds and flowers, ferocious animals and lyrical landscapes.  In early modern Japan, cultural salons were creative spaces for people of all ages and social levels to pursue painting, poetry and other artistic endeavours, as serious but amateur practitioners. They all used a pen- or art-name. Individuals were therefore able to socialise and interact broadly through these artistic activities, regardless of official social status as regulated by the shogunal government. The idea of communal and collaborative creativity seems to have been especially ingrained around the area of Kyoto and Osaka. Each of the two cities had a distinct character: Kyoto was the national capital, where the emperor and aristocrats resided, and Osaka was the centre of commerce.  Only a fraction of these technically sophisticated artworks has previously been published in colour. With five essays by leading experts that explore this fascinating cultural phenomenon from different angles, and eight shorter insights that delve into specific historical aspects and the personal connections and legacies of cultural figures, this book offers a new perspective on Japanese art and society in the late 18th and 19th centuries.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":44581192237234,"sku":"9780714124964","price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9780714124964_c13b0799-a32e-4fa9-a703-adf8c967fb62.jpg?v=1786015229"},{"product_id":"9780714191317","title":"Pharaoh:  art and power in ancient Egypt","description":"‘A comprehensive but accessible introduction for anyone interested in the history of ancient Egypt, and offers a showcase of highlights from the British Museum’s world-class collection.’ – Ancient Egypt Magazine   Explores the ideals, symbolism and ideology of Egyptian kingship and uncovers the stories behind the objects and images left as a legacy by this ancient civilisation.   The rulers of ancient Egypt were not always male, nor always Egyptian. At times, Egypt was divided by civil war, conquered by foreign powers or ruled by competing kings. While some kings were revered – such as Thutmose III who expanded Egypt’s empire to its largest extent – the memory of others was officially erased. Many of the objects surviving from ancient Egypt project the image the pharaoh wanted us to see – however this book explores the reality and the many challenges of ruling one of the greatest civilisations the world has ever seen.   After an introduction into the historic and geographic timeframe of the ancient Pharaohs, the book explores royal iconography, decoding the insignia worn and held by the king, or the names and titles covering most royal monuments. The core of the book investigates the main roles of the king, as high priest, as the head of the royal family, as the administrative ruler of the country and as the leader of the army and diplomat. Following an investigation into the preparation for the king’s eternal life, from the rituals to the building of a tomb, the book closes on a contemporary perspective from Egypt and how the notion of the Pharaoh still resonates today.   The book covers 3,000 years of history – highlighting research on key pieces from the British Museum’s outstanding collection of Egyptian antiquities.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":44581492392114,"sku":"9780714191317","price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9780714191317_c5bb3244-16c4-4c5c-8e38-ecf56e36f26e.jpg?v=1786015261"},{"product_id":"9780714124971","title":"Silk Roads","description":"‘Filled with insights, the very latest research and plenty of surprises: a superlative catalogue of one the most ambitious and spectacular exhibitions ever staged at the British Museum.’ – Peter Frankopan, author of The Silk Roads: A New History of the World   ‘A sumptuous book…a book of the exotic and the wonderful, a trip to ancient and far-away lands, a book full of artistic and cultural treasures, a book to savour and enjoy.’ – Sacred Hoop magazine  A richly illustrated publication that explores the networks of contacts and exchanges spanning Afro-Eurasia from 500 to 1000 ce, highlighting how the movement of people, objects and ideas shaped cultures and histories.  The term ‘Silk Road’ conjures a range of romantic images. Camel caravans crossing desert dunes. Merchants trading silk and spices. Far-flung commerce between ‘East’ and ‘West’. The reality was far richer.   Focusing on a defining period between 500 and 1000 CE, this beautifully illustrated book reimagines the Silk Roads as a web of interlocking networks linking Asia, Africa and Europe, from Japan to Ireland, from the Arctic to Madagascar.   It tells a remarkable story of people, objects and ideas flowing in all directions, through the traces these journeys left behind – including ceramics from Tang China recovered from a shipwreck in the Java Sea, sword-fittings set with Indian garnets buried in England, and a selection of letters and legal texts from a synagogue in Cairo revealing a Jewish community’s links from India to al-Andalus. 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The difference is that it is a civilisation of one. The territory it springs from is my imagination. ... The relationship between my personal themes and obsessions and the vastness of world culture as represented in the British Museum is like a narrow pilgrimage trail across an infinite plain.’ - Grayson Perry  Grayson Perry’s centrepiece to this fascinating journey is a major artwork: a metal tomb in the form of a ship, encrusted with reliefs and artistic cargo based on, or actually cast from, objects in the collection of the British Museum. The occupant sails into the afterlife surrounded by the talismans of many faiths and peoples. This is a memorial to all the anonymous craftsmen that over the centuries have fashioned the man-made wonders of the world, many of which are on display in the Museum. Around the tomb, the other artworks - ceramics, tiles, cast metal sculpture, textiles and prints - are laid out in ritualistic symmetry as if they once belonged somewhere else. Alongside his own works, Grayson Perry presents a personal selection of objects from the British Museum that are the inspiration for his pieces or connected strongly with them thematically or aesthetically. Including an introduction by Grayson Perry and lavishly illustrated, this book takes us to the fantasy world of a contemporary artist who never fails to challenge and unsettle his audience.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":54926337704309,"sku":"9780714118321","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9780714118321_87fe6179-b628-4f4d-802a-1f8ccab0b721.jpg?v=1786015196"},{"product_id":"9780714122960","title":"Greek inscriptions","description":"An accessible introduction that reveals the importance of Greek inscriptions in the understanding of ancient Greek culture. Inscriptions are an important form of evidence for our interpretation of past human societies. 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For this book the author has selected over seventy such 'documents', mainly from Western Asia, with some examples included from Greece, Egypt and Asia Minor, dating from the period of the Patriarchs to the New Testament times, c. 2000 BC to c. AD 100. He transliterates and translates the ancient texts, which include Cuneiform, Aramaic and Hebrew, and discusses the contribution they make to our knowledge of the culture and history of biblical times. Each object is illustrated in black and white.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56294517375349,"sku":"9780714111551","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9780714111551_07cfde51-4082-4645-b2ed-4a37f9032e30.jpg?v=1786015187"},{"product_id":"9780714115597","title":"African Textiles Today","description":"A fascinating insight into the living history of Africa. 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Publishers and artists displayed tremendous ingenuity in finding ways to sustain demand for prints and to to circumvent the restrictions placed upon them by government censorship. Japanese woodblock prints have long been appreciated in the West for their graphic qualities but their content has not always been fully understood. In recent years, publications by scholars in Japan, Europe and the United States have made possible a more subtle appreciation of the imagery encountered in them. This book draws upon this recent scholarship to explain how those who first purchased these prints would have read them. Through stunning new photography of both well-known and rarely published works in the collection of the British Museum, including many recent acquisitions, the author explores how and why such prints were made, providing a fascinating introduction to a much-loved but littleunderstood art form.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56294517703029,"sku":"9780714124537","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9780714124537_f141a7f8-57cb-47f4-9783-32b551749512.jpg?v=1786015215"},{"product_id":"9780714124612","title":"Haiku Animals","description":"This second volume of haiku focusing on the animal kingdom takes you on a journey through a single day with a variety of animal companions.     This book reproduces works by the great 17th and 18th century poets such as Basho, Buson and Issa, as well as later works by contemporary writers and novelists.     The haiku form is a perfect way of capturing a moment of experience or a fleeting impression, and in this book, the impressions are strengthened and extended by the illustrations. Special use is made of Utamaro’s exquisite Ehon mushi erabi (“a selection of insects”). The fact that this sophisticated artist chose insects for one of his most luxurious woodblock printed albums underlines the Japanese appreciation of even the most diminutive of animals, which is shown repeatedly, too, in the haiku: even fleas can be the subject of an affectional poem.     Elsewhere in the animal kingdom, horses, dogs, monkeys and a variety of birds also make good subjects. 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Beginning with an introduction to the very nature of African art, each of the artworks is then explored within its wider cultural and historical context, with chapters relating to contemporary art, masquerade, specific materials such as cloth, precious metals, wood and iron, gender, tools, and arms and armour. Close-up views of individual details will allow the reader to see these pieces in a new way, while the author points out unexpected juxtapositions across a wide range of cultures, periods and media. 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Innovation can be seen in material culture (including print, painting, calligraphy, textiles, fashion, jewellery, ceramics, lacquer, glass, arms and armour, silver, and photography) during a century in which China’s art, literature, crafts and technology faced unprecedented exposure to global influences.  1796 – the official end of the reign of the Qianlong emperor – is viewed as the close of the ‘high Qing’ and the start of a period of protracted crisis. In 1912, the last emperor, Puyi, abdicated after the revolution of 1911, bringing to an end some 2,000 years of dynastic rule and making way for the republic.  Until recently the 19th century in China has been often defined – and dismissed – as an era of cultural decline. 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Yet Bewick was no isolated creative genius toiling in an artist’s atelier, but a trade engraver in the heart of the city of Newcastle upon Tyne, working at the very moment when the Industrial Revolution was beginning to change the world. His was an exceptional artistic talent, yet his trade engraving shop was tasked with similar commissions to those offered to hundreds of other similar businesses the length and breadth of the kingdom, catering for their local customers. Bewick’s own talent, however, meant that he approached the trade commissions with his own particular flair and originality, creating many commercial works that are very little known. The British Museum holds an unrivalled collection of Bewick’s works, including those from his commercial ventures, and this book celebrates the skill of the artist by presenting sixty engravings, some never published before, and by offering a historical perspective. 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Following this are seven themed galleries: Enlightenment, Collecting the World, the Waddesdon Bequest, Living and Dying, Clocks and Watches, Money, and Prints and Drawings. Fully illustrated in colour, there is a complete map of the Museum at the front of the guide, which gives detailed directions.    This is a perfect companion for visitors who want to savour the highlights of the collection.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56294623576437,"sku":"9780714151069","price":6.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9780714151069_6457ce16-e38f-4aa6-93d7-a96c27c10a79.jpg?v=1786015252"},{"product_id":"9780714122786","title":"Sex on Show","description":"The Greeks and Romans were not shy about sex. Drinking cups, oil-lamps and walls were decorated with scenes of seduction and sexual intercourse which make the modern viewer blush; models of penises were worn around the neck or hung from doorways. In classical Greece, statues of erect penises served as boundary-stones and signposts. In Rome, marble satyrs and nymphs grappled in gardens. How are we to make sense of this abundance of sexual imagery? Were these images seductive, shocking, humorous? Were they about sex or love? And what and how do we learn from them?  Sex on Show answers these questions by embracing ancient attitudes to religion, politics, sex and gender to examine how the ancient saw themselves and their world. Covering the sixth century BC to the fourth century AD, as well as some Neoclassical art from the eighteenth and nineteenth centuries, Sex on Show uses detailed visual analysis to bring new insights to Greek and Roman culture and to the meaning of erotic imagery, past and present. 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The Bequest is named after Waddesdon Manor in Buckinghamshire, a fairy tale French chateau built by Baron Ferdinand from 1874–83, where the collection was housed during his lifetime. As a major Jewish banking family, the Rothschilds were the greatest collectors of the nineteenth century, seeking not only the finest craftsmanship in their treasures, but also demonstrating great discernment and a keen sense of historical importance in selecting them. Baron Ferdinand’s aim, often working in rivalry with his cousins, was to possess a special room filled with splendid, precious and intricate objects in the tradition of European courts of the Renaissance and Baroque periods. It was understood at the time that a collection of this quality could never be formed again, given the rarity and expense of the pieces, and the problems of faking and forgery of just this kind of material.\u003cbr\u003eThe book will unlock the history and romance of this glorious collection through its exploration of some of its greatest treasures and the stories they tell. It will introduce makers and patrons, virtuoso craftsmanship, faking and the history of collecting from the late medieval to modern periods, as told through the objects. Treasures discussed will include masterpieces of goldsmiths’ work in silver; jewelry; hardstones and engraved rock crystal; astonishing microcarvings in boxwood, painted enamel, ceramic and glass; arms and armor and ‘curosities’: exotic treasures incorporating ostrich eggs, Seychelles nut, amber or nautilus shell. Scholarly catalogues have appeared for parts of this splendid collection but this book will open up the Bequest for the general reader. 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Rather it represents the cumulative achievement of numerous generations who were woven into a complex and widespread network of cultural interactions, environmental change and belief systems. This publication, which accompanies the first exhibition about Stonehenge ever staged in London, uses the monument as a gateway to explore the communities and civilisations active at the time of its construction and beyond, between 4,000 and 1,000 BCE.     Recent archaeological findings regarding the origin of Stonehenge’s striking ‘bluestones’ have reignited interest in this ancient wonder, the people who built it and the beliefs they held. Through the ‘iconic’ structure, spectacular objects of precious and exotic material and more humble, personal objects, authors Duncan Garrow and Neil Wilkin examine the dramatic cultural and societal shifts that characterised the world of Stonehenge, including the introduction of farming and development of metalworking.   Covering a period of thousands of years, the publication traces the appearance of the first monuments in the landscape of Britain around 4,000 BCE, the arrival of the bluestones from the Preseli Hills in Pembrokeshire 1,000 years later, all the way up to a remarkable era of cross-Channel connectivity and trade between 1,500 and 800 BCE.     Through a new study of the enigmatic and beautiful objects made and circulated during the age of Stonehenge, connections are charted in the shared religious practices and beliefs of communities from across Britain, Ireland and continental Europe. The presence of other stone and wooden circles hundreds of miles from Salisbury Plain – including Seahenge, discovered on a beach in Norfolk in 1998 – is further evidence of these shared ways of thinking.     At a critical moment in the narrative of Stonehenge, around 2,500 BCE, the significance of the cosmos and the heavens expressed through the construction of stone circles and megalithic passage tombs began to wane and portable objects gained increasing importance. This key transformation is demonstrated by a highlight object from Germany: the Nebra Sky Disc, a bronze disc inlaid with gold symbols believed to represent the sun, a crescent moon and the Pleiades constellation. More modest items found in tombs, burials and settlements are no less important in shedding light on the development of ideas relating to identity, religious practices, and relationships between the living and dead.   Monuments such as Stonehenge cannot be understood in isolation. 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These astounding works, some dating back to around 23,000 years ago, reveal the deep roots of drawing, sculpture and modelling in the era of the great painted caves of Lascaux in France and Altamira in Spain. This period may be described as a renaissance in the applied and fine arts of people who had narrowly avoided extinction in the harsh cold of the Last Glacial Maximum, who then asserted their ways of life through art. Seven thematic sections explore specific artworks, highlighting the skill and vision of artists through objects such as an ingeniously sculpted spear thrower made around 13,500 years ago in the form of a mammoth (illustrated above). The final section delves into the alternative world of a painted cave.  The imagery in this book conjures up a lost time when people were part of and dependent on nature and showed their respect for it through beautiful, closely observed images of animals. 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As a study of the subject through its material remains, this book will be a unique and major contribution to the understanding of ancient medical implements and surgical instruments, of surgery, and of the history of medicine. In addition to medical instruments, the British Museum collection also includes an important range of objects which help to illustrate the multi-faceted approach to healing in antiquity. They include one of the largest holdings of collyrium-stamps − small inscribed stone tablets which were used to mark sticks of eye medicine; Greek inscriptions honouring public physicians; stone statues, bronze figurines and engraved gemstones depicting the principal healer deities; and marble and terracotta models of body parts (‘anatomical votives’) dedicated to the healer deities by those seeking divine cures. 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Known as the ‘Snettisham Treasure’, these objects represent one of the largest collections of prehistoric precious metal objects ever discovered, and one of the largest concentrations of Celtic art. The objects were found in at least 14 separate hoards buried between 150 BC and AD 100 – spanning the late Iron Age and early Roman periods, but with a peak of activity during the late Iron Age.\u003cbr\u003e\u003cbr\u003eThe objects from Snettisham are widely known, but the site has never been fully published. This book is the first comprehensive account of the discoveries and excavations at the site and presents a full catalogue of the finds. The majority are in the British Museum, with a significant collection also held by Norwich Castle Museum. 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The book also republishes the 1944 Fyfield hoard within the context of these more recent finds and contains preliminary reports on two very large hoards of coins of the same period that have been found in recent years in France (Juillac) and Spain (Tomares).The Tetrarchic system of rule (AD 293−c. 313) was initiated by the Roman Emperor Diocletian to stabilise the Roman Empire, with the rule of the western and eastern Empire being split between two senior emperors and their two junior colleagues. The transition from the third to fourth century AD is a pivotal phase in the history of Roman Britain, with Britain coming once again under the control of the Empire following periods of turbulence and usurper rule between AD 260−296. Under the Tetrarchy, Britain was subjected to the extensive monetary reforms undertaken by Diocletian which saw the introduction of the denomination now referred to as the nummus. 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He is regarded today as one of the founding scholars of Pacific anthropology.  This book intends to provide a more comprehensive understanding of how Codrington formed his collection, through the study of his written anthropological works, correspondence with other collectors and scholars and particularly through the private correspondence with his brother and his five journals written between 1867 and 1882. 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In a country divided among many Christian denominations, Isabel is distinctive for its early acceptance of the Anglican Church, which united most of the island and its six language groups by the 1920s and then shaped its history up to the present.This book traces Santa Isabel history through a selection of the many hundreds of pictures of the island made first by Europeans and increasingly by its own people. These begin with the drawings and paintings of voyagers from the late 18th century, gradually succeeded by photos from the 1860s onwards showing the arrival of missionaries, traders and warships. From the 1900s there are photos made by the Europeans who established plantations on Isabel and colonial officers asserting British colonial authority. However, the pictorial record is dominated by photos from the Anglican Melanesian Mission. 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Pioneering the exploration of menus and manners of ancient Greece and Rome, The Classical Cookbook features adaptations of 49 sumptuous dishes. Sitting alongside sun-soaked recipes are rich illustrations of murals, marbles and mosaics, plus lively commentary painting a vibrant picture of everyday wining and dining in the ancient world. The Classical Cookbook will prove that we can still enjoy Terrine of Asparagus, Sweet Wine Cakes, Olive Relish or even Toronaean Shark. 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