{"title":"Arnoldsche","description":null,"products":[{"product_id":"9783897905672","title":"Buddhist Ritual Art of Tibet","description":"Tibetan Buddhist art is not only rich in figural icons but also extremely diverse in its symbols and ritual objects. This first systematic review is an abundantly illustrated reference book on Tibetan ritual art that aids our understanding of its different types and forms, its sacred meanings and ceremonial functions. Eighteen chapters, several hundred different implements are documented in detail, in many cases for the first time and often in their various styles and iconographic forms: altar utensils and amulets, masks and mirrors, magic daggers and mandalas, torma sculptures and prayer objects, vajras and votive tablets, sacrificial vessels and oracle crowns, stupas and spirit traps, ritual vases, textiles, furniture, and symbolic emblems. 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During her lifetime, Ryggen gained international recognition for her vibrant political tapestries, and her heartfelt humanistic works still resonate with audiences today.\u003c\/p\u003e\u003cp\u003eEach Triennale explores themes from Ryggen’s art through the lens of contemporary craft and visual art. The theme of the 4th edition is “Mater,” for which the exhibitions and the accompanying catalogue highlight Ryggen’s thematising of motherhood and material, how her works were rooted in the nature around her, and how she “wove herself” into arts and crafts traditions. 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Featuring cross-epochal and cross-cultural themes, the exhibition successfully presents diverse approaches to the art of jewellery-making. The photographs of around 370 objects and the accompanying descriptions demonstrate just how multifaceted jewellery design is. The social, societal, emotional, and symbolic aspects of jewellery are also evaluated and discussed in an essay by Beatriz Chadour-Sampson. The MAKK’s jewellery collection of around 1600 works spans a period of 7000 years: from ancient oriental gems from the 5th millennium BC to contemporary jewellery. This is what makes this collection so unique and diverse.\u003c\/p\u003e\u003cp\u003eText in English and German.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56310887317877,"sku":"9783897907225","price":54.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9783897907225_f22be7ef-0157-4186-8444-67868fe1a5e6.jpg?v=1786032303"},{"product_id":"9783897906235","title":"Therese Hilbert RED","description":"\u003cp\u003eThis exhibition catalogue for a show at the Neue Sammlung (Design Museum) in Munich documents the first solo show by Swiss jewellery artist Therese Hilbert, former student of Max Fröhlich in Zurich and Hermann Jünger in Munich. It features 250 works, going back 50 years and beginning with her earliest, unknown pieces through to her newest work created in 2020. One of her life-long passions is volcanoes: she has climbed many of them and has used them as a theme in her jewellery design for many years. The sense of heat below the surface of her minimalist designs underlines her passion for the subject. 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The sheer diversity of this article of clothing is demonstrated by means of selected exhibits, from warming Inuit mittens, boxing gloves, disposable rubber or latex gloves, and Pontifical gloves, to models by renowned designers such as Marc Jacobs and Dries Van Noten. \u003cbr\u003eAs a love token, a gauntlet in a duel, or as the insignia of royalty, this highly symbolic accessory and firm component of first courtly, then bourgeois etiquette looks back on a longstanding tradition. Gloves, for centuries an indispensable part of any elegant wardrobe, are currently experiencing a comeback.\u003c\/p\u003e\u003cp\u003eText in English and German.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56310994108789,"sku":"9783897906853","price":42.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9783897906853_209ce45f-8974-42c2-b732-86716e2c2039.jpg?v=1791213204"},{"product_id":"9783897907430","title":"Helen Britton","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eThe Story So Far\u003c\/em\u003e\u003c\/strong\u003e is the first comprehensive overview of Helen Britton’s work published to celebrate the Australian Design Centre’s Living Treasure: Masters of Australian Craft award. The book covers over 40 years of Britton’s multidisciplinary practice and presents her extraordinary, often colourful and playful works. 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The series of jewellery presented in the book take a poetical look at the perpetual becoming and passing of life and of things, reflecting the complexity of these existential themes, at times with humour, other times with foreboding. 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Her distinctive objects flatter the human body and captivate through their dimensions and volume, yet they are assembled from the tiniest hand-crafted components. Tubes of silver wire, precisely cut plates, spheres and eyelets, all in small scale, are invisibly interconnected, and Vigeland's use of heavily oxidised, almost iron-black silver and steel is a typical feature. The result: art on the human body - highly aesthetic, perfectly executed and always wearable. Around 150 jewellery objects from 1958 to 2010 document Tone Vigeland's pioneering creativity. 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Painting with photography as his raw material, Fronth’s pictorial universe is captivating, bold, controversial, and seductive. Central to Fronth’s overall artistic practice are the challenging aspects of the human condition. Fronth produces large-format artworks in series and different disciplines that are politically, environmentally, socially, and highly emotionally charged: from the war zones in Afghanistan, to the indigenous peoples’ fight for their own land in the Amazonas region, and back to his own life, in native Norway, where he explores visual narratives of innocence and the coming of age. In his most recent project Fronth creates controversy by introducing paid product placement into his artworks already acquired by museums. 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His works tell of his life, culture, and history, as well as the history of Aotearoa New Zealand and the country’s unique materials from millimetre thick mother-of-pearl from the pearl shell to the iridescent inner membrane of the \u003cem\u003epāua \u003c\/em\u003e(a rainbow abalone).\u003c\/p\u003e\u003cp\u003eIn the 1980s Freeman co-revolutionised the world of New Zealand jewellery, which led to the creation of a unique artistic language. Initially influenced by western jewellery traditions, and later impacted by a growing awareness of Māori and Pacific adornment practices, Freeman has built a language of emblematic forms across five decades. 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Today Brick Lane is a favourite tourist destination, famous for its street art and theatre, and colourful market stalls. For centuries it was a hub for immigrant communities entering Britain through the nearby docks on the River Thames.\u003c\/p\u003e\u003cp\u003eSonya and David Newell-Smith, whose careers began in professional news photojournalism, have spent decades recording the changing streetscape and vibrant personalities of this East End district. This publication serves as a tribute to their passion for street photography, for capturing a ‘decisive moment’, and for documenting everyday lives and diverse cultures, their interactions, and emotional connections. 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With its exhibition of the same name, the Museum für Angewandte Kunst Köln (MAKK; Museum of Applied Arts, Cologne) deliberately focuses on female standpoints, thus breaking with the male-dominated perception of avant-garde art jewellery.\u003c\/p\u003e\u003cp\u003eArtists featured include: Lynda Benglis; Pierrette Bloch; Barbara Bloom; Katinka Bock; Louise Bourgeois; Helen Britton; Barbara Chase-Riboud; Claudia Comte; Sheila Concari; Sonia Delaunay; Nathalia Edenmont; Aube Elléouët; Claire von Falkenstein; Ruth Francken; Marcia Grostein; Jenny Holzer; Rebecca Horn; Annabelle d’Huart; Leiko Ikemura; Jacqueline de Jong; Yayoi Kusama; Alicja Kwade; Claude Lalanne; Liliane Lijn; Rita McBride; Blanca Muños; Brigitte Nahon; Eva Renée Nele [E. R. Nele]; Louise Nevelson; Michele Oka Doner; Yoko Ono; Meret Oppenheim; Françoise Pétrovitch; Niki de Saint Phalle; Armelle de Sainte Marie; Elodie Seguin; Maïlys Seydoux-Dumas; Kiki Smith; Sophie Taeuber-Arp; Dorothea Tanning; Sissel Tolaas; Rosemarie Trockel; Paloma Varga Weisz; Sophia Vari; Joana Vasconcelos; Zhou Yiyan.\u003c\/p\u003e\u003cp\u003eText in English and German.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56369520247157,"sku":"9783897907508","price":39.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9783897907508_f6f292d3-2d34-4494-991b-8f5a61e2129a.jpg?v=1786032316"},{"product_id":"9783897907355","title":"Glück auf! Bergmännisches Porzellan des 18. Jahrhunderts","description":"\u003cp\u003eFrom the mid-1740s on, imaginative depictions of mining scenes increasingly adorned vessels from the Meissen Royal Porcelain Manufactory. Prior to this, sculptural depictions of mining folk can even be found on Böttger stoneware and Böttger porcelain—with artists George Fritzsche Sr (probably 1697–1756) and Johann Joachim Kaendler (1706–1775) later each dedicating a series to them. The unique combination of mining and porcelain also informed and inspired other manufactories in the German-speaking realm, for example in Berlin, Fürstenberg and Vienna. \u003cbr\u003eAchim and Beate Middelschulte have assembled what is probably the world’s most extensive collection of porcelain featuring the subject of mining. A significant selection of this has been transferred to a foundation and incorporated as a permanent loan into the collection at the Deutsches Bergbau-Museum Bochum (German Mining Museum in Bochum). An in-depth presentation of these pieces is now available in this publication.\u003c\/p\u003e\u003cp\u003eText in German.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56420326146421,"sku":"9783897907355","price":54.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9783897907355_32baad4c-6436-4369-89e6-2c8b36845cab.jpg?v=1786032309"},{"product_id":"9783897907171","title":"Marcus \u0026 Co.","description":"\u003cp\u003eThe New York jewellery firm of \u003cstrong\u003e\u003cem\u003eMarcus \u0026amp; Co\u003c\/em\u003e\u003c\/strong\u003e. (1892–1942) created exceptional examples of Art Nouveau and Art Deco jewellery for an art-loving, wealthy elite. Innovative in their collaboration with contemporary artists, and in their captivating window displays and advertisements, the firm captured the imagination of Gilded Age families such as the Rockefellers. This volume chronicles their story, from the founder’s apprenticeship in Dresden to the firm’s grand premises on Fifth Avenue neighbouring Tiffany and Cartier. The triumphs and tragedies of three generations of Marcus jewellers, both artistic and entrepreneurial, are presented here together with exquisite jewellery and archival design drawings spanning 50 years.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56420326998389,"sku":"9783897907171","price":54.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9783897907171_7081d4ad-e518-4c64-bf8c-f86353dd7b8e.jpg?v=1786032301"},{"product_id":"contemporary-jewellery-in-context","title":"Contemporary Jewellery in Context","description":"In five complementary contributions, recognised authors draw a fascinating and complex picture of contemporary jewellery in the twenty-first century. Through a rich palette of themes, works, reports and concepts from current art practices, they illuminate the conditions and interconnections of education, making, presentation, marketing and networking in design and art using the example of the New Zealand Handshake project. This book will enrich and bring pleasure to all who are interested in the visual arts in their broadest sense!Handshake is a unique mentoring programme in the art world, in which established artists spread their knowledge to less experienced protégés. The knowledge accumulated in this exchange, of a relationship based on feedback, is realised in exhibitions and joint projects.Exhibition at The Dowse Art Museum, Lower Hutt (NZ), 5.8. to 3.12.2017.www.http:\/\/handshakeproject.com\/ https:\/\/handshake3.com\/","brand":"Gardners","offers":[{"title":"Default Title","offer_id":57492197081461,"sku":"9783897904989","price":32.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9783897904989.jpg?v=1786529024"},{"product_id":"dreher-carvings","title":"Dreher Carvings","description":"Engravers Gerd and Patrick Dreher are famous the world over for their masterly animal figures, each of which is cut from a single gemstone. In the early twentieth century, grandfather, great-grandfather and great-great-grandfather all cut gemstones for Fabergé - mostly agate but also ruby, obsidian, aquamarine, citrine and rock crystal. Today, creations are still being meticulously made by hand using traditional techniques. The realistic miniature forms of mice, snails, toads, monkeys and hippos are designed by the two artists in multilayered and coloured gemstones so that, for example, the faces, palms of the hand or soles of the feet shine in an iridescent red-brown agate while the bodies are worked in the glossy deep black part of the stone. 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The book presents the full range of Bjertnæs's works, covering painting and drawing as well as sculpture and the tableaux installations he has developed in later years. Bjertnas embraces the conceptual approaches of photorealism as well as merging figurative and abstract painting, and experimenting with the use of new media.\u003c\/p\u003e\u003cp\u003eExhibition at the Haugar Vestfold Kunstmuseum, Tønsberg (NO), 29 April - 8 September 2019.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":57492198556021,"sku":"9783897905566","price":54.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9783897905566.jpg?v=1786529025"},{"product_id":"james-tower","title":"James Tower","description":"\u003cp\u003eJames Tower (1919-1988) is best known for his elegant forms in glazed earthenware. During a career spanning four decades, from the 1950s to the 1980s, he worked unceasingly in a wide variety of media to achieve an elusive harmony of shape and surface, form and decoration, inert material and active design. His personal understanding of the purpose and meaning of abstraction embodies a perpetual dialogue between the visible world and the unseen dynamics which shape it. This centenary volume of essays considers Tower's entire output from a wide variety of perspectives, embracing paintings and drawings, as well as sculpture in bronze, terracotta and fibreglass. The contributions of leading critics and historians approach his work, situated at the junction of art, craft and design, in a broad historical and cultural context, illuminating key episodes in postwar British art, and Tower's unique place within it. This book accompanies an exhibition at Victoria Art Gallery, Bath, UK, 21 September - 24 November 2019\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":57492199113077,"sku":"9783897905702","price":28.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9783897905702.jpg?v=1786529026"},{"product_id":"sigurd-bronger","title":"Sigurd Bronger","description":"\u003cp\u003eHollow goose eggs, natural sponges, packaging, balloons featuring smileys, shoe soles, scientific gauges, or even his mother’s gallstones – the repertoire of things elevated to jewellery objects knows no bounds for the Norwegian artist Sigurd Bronger. His “portable objects” are turned into wearables by means of artful hanging mechanisms. For Bronger, jewellery is a means of communication. The questions he poses with his works relate to function and use, decoration, aesthetic, and beauty, and his works invite us to see things anew: does the beautiful really have to be useless and the practical aesthetically uninteresting? Through the witty yet subtle cosmos of this extraordinary artist, our own “world of things” is becoming a good deal greater.\u003c\/p\u003e\u003cp\u003eText in English and German.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":57492201865589,"sku":"9783897907133","price":42.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9783897907133.jpg?v=1786529030"},{"product_id":"fabian-gatermann","title":"Fabian Gatermann","description":"\u003cp\u003eIf we understand “transcendence” as a multidimensional experience, can light as a medium grant us access to invisible realms? The artist Fabian Gatermann uses light as the key material for his installations, objects, and multiples in order to investigate new dimensions. Over the course of his work, Gatermann disengages himself from the classic scientific engineering system of testing; instead his works can be seen as open-ended unconventional experiments. During this creative process, light oscillates between amorphous and crystalline states, taking the viewer on a transcendental voyage of discovery. The central reference throughout remains the human being: the works provoke active participation and invite the viewer to become part of a multi-perspective game of light and space.\u003c\/p\u003e\u003cp\u003eText in English and German.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":57492202652021,"sku":"9783897907478","price":32.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9783897907478.jpg?v=1786529030"},{"product_id":"marzee","title":"Marzee","description":"\u003cp\u003eThe name Marzee refers to intertwined identities. There is Marie-José van den Hout (known as Marzee), the dealer and the individual whose drive and passion makes everything possible. There is Galerie Marzee, the institution with a rich backstory, a fabulous building, and enviable programs. And there is the Marzee Collection, more than 2,500 objects that track the history of Marzee the individual and Marzee the gallery.\u003c\/p\u003e\u003cp\u003eThis book, with a foreword by Petra Hölscher, chapters by Susan Cummins, Flos Wildschut, and Lizzie Atkins, and photographs by Michiel Heffels, tells the story of the dealer, the gallery, and the collection. In 1978 Marie-José opened the first Galerie Marzee in an old butcher’s shop in Nijmegen, the Netherlands; today the gallery occupies an impressively renovated grain warehouse on the river Waal. Imbued with the powerful minimalism of the building, \u003cstrong\u003e\u003cem\u003eMarzee\u003c\/em\u003e\u003c\/strong\u003e the book presents over 300 pieces from the Marzee Collection that have been chosen and arranged by Marie-José van den Hout herself.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":57492203372917,"sku":"9783897907560","price":42.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9783897907560.jpg?v=1786529030"},{"product_id":"dana-meyer","title":"Dana Meyer","description":"\u003cp\u003eDana Meyer’s \u003cstrong\u003e\u003cem\u003eSouth Pacific Expedition\u003c\/em\u003e\u003c\/strong\u003e provides a fascinating insight into the world of entomological collecting, driven by the human urge for discovery and adventure. Featuring numerous illustrations and 12 letters, this book tells not only of the passion of an insect collector but also of a perilous journey to the South Seas at the turn of the century.\u003c\/p\u003e\u003cp\u003ePublished in this form for the first time, this collection is a fascinating and at the same time unsettling art project that blurs the boundaries between authenticity and fiction. The finely crafted sculptures are cold-formed from thin sheet steel and presented in preserving jars. The creatures appear deceptively real and at the same time their strange appearance is astonishing.\u003c\/p\u003e\u003cp\u003eMeyer’s \u003cstrong\u003e\u003cem\u003eSouth Pacific Expedition\u003c\/em\u003e\u003c\/strong\u003e offers the viewer the opportunity to imagine an exploration expedition 100 years ago and at the same time this series of works defies exact classification; the boundaries between nature, literature and art, reality and fantasy become blurred.\u003c\/p\u003e\u003cp\u003eText in English and German.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":57492203962741,"sku":"9783897907577","price":42.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9783897907577.jpg?v=1786529031"},{"product_id":"dana-widawski","title":"Dana Widawski","description":"\u003cp\u003eIn this publication, Dana Widawski reveals a fascinating panorama of ceramic work. With subtle humour and provocative depth, she transcends the boundaries between art and craft in her tiled tableaux and assemblages. In surprising, playful, yet precise ways, she dares to expose both our present-day kitsch and also that found in art itself, right up to its tipping point.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e“Dana Widawski’s figures … provoke a simultaneous attraction and disgust: too delicate, too cute, too pretty, too frivolous, too direct—all industrial white sugar. Something happens, you become gripped, emotionally, personally. 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His work can be imagined in two broad phases: the first devoted to experiments with colour, followed by a second focused on studying volume, drawing on innovative materials such as titanium, slate, laminate, or carbon fibre.\u003c\/p\u003e\u003cp\u003eText in English and French.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":57492205535605,"sku":"9783897907614","price":39.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9783897907614.jpg?v=1786529032"},{"product_id":"among-friends","title":"Among Friends","description":"\u003cp\u003eHelen Williams Drutt English is an American gallerist, collector, mediator, and promoter of contemporary art jewellery. In homage to this grand dame of international studio jewellery and her 60 years of collecting, the publication presents selected works by American and German artists in a combination never before seen. Representing the diversity of American art jewellery are 140 examples from the last 70 years, from modernist minimalist or narrative works to objects with a strong sociopolitical message. The display of almost 100 works by German jewellery artists impressively documents the various developments in contemporary jewellery in both countries, as well as mutual influences and commonalities. The works testify to Helen Williams Drutt English’s great devotion to and engagement with art jewellery. 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Furious about the war in Vietnam, fighting for civil rights at home, and eagerly exploring the effects of psychedelic drugs, the delights of free love, and the mystical teachings of eastern religions, thousands followed the advice to \"turn on, tune in, drop out,\" bringing about a counterculture in the process. For many American jewellers, these events and values found their way into the studio, as well as affecting how they lived, worked, and loved. 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With surprising combinations, wordplay, and a touch of irony, he questions the conventions of the jewellery business as well as the way national and religious symbols are used and abused. Even Denmark’s national jewellery piece, the daisy brooch, is up for scrutiny. To a conceptual artist, raising questions and prompting reflection is of utmost importance. 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When seen collectively, the works create connections that open up a sensuous space for colour and thought, in which colour can be perceived in its spatial, temporal, and performative contexts. Kaapke’s exploration of ceramic red led her to develop a standardised chromatic spectrum, resulting in a visually arranged, tactile colour archive comprising almost 10,000 shades of ceramic red and an accompanying database, also to be published. Redspace is not just a standardised spectrum but also an inquiry—and, as such, a one-off. 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This publication provides a first comprehensive overview of Dell’s work and career, including his training in Hanau, teaching in Weimar and Frankfurt am Main, and contacts to the lighting industry. One of Dell’s iconic lamp designs is the KAISER idell™, an office lamp which is back in production today. Moreover, he was an inspiration to numerous students, whose works are introduced here in more detail. Conceptual sketches, series products, and exquisite individual objects in a wide range of materials are also presented—for Dell’s early work with new types of plastic would go on to inform consumer tastes for decades to come. An exciting monograph on a significant, visionary, and hitherto unrecognised designer of the 20th century.\u003c\/p\u003e\u003cp\u003eText in German.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":57555368051061,"sku":"9783897907584","price":54.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9783897907584.jpg?v=1788791291"},{"product_id":"gilbert-portanier","title":"Gilbert Portanier","description":"\u003cp\u003eGilbert Portanier (1926–2023) is considered one of the most significant proponents of French postwar ceramics. His work was influenced by a harmonious combination of ceramic form and gestural painting, in which his experimental surface techniques and a free vocabulary of forms opened up the possibilities of what studio ceramics could be. Delicate yet powerful illustrations lend the objects and sculptures their very own radiance, which extends far beyond the purely sculptural. Through his oeuvre, created over many decades, he contributed fundamentally to the international recognition of French ceramic art. \u003cstrong\u003e\u003cem\u003eGilbert Portanier: When Ceramics Embrace Color\u003c\/em\u003e\u003c\/strong\u003e offers a very personal insight into the life of the artist. 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Originally conceived by the Werkbund to explore the possibilities of affordable and efficient construction, the aim was quickly abandoned in favour of individual creative freedom. This sixth and final volume of the Weißenhof series, published to mark the 100-year anniversary of the estate, illuminates once more the different approaches to the history of the Weißenhofsiedlung. Newly discovered figures uncovered by the research into this highly innovative period are presented, such as the pioneer of wooden construction Konrad Wachsmann, trailblazer of modern kitchen design Erna Meyer, and many designers who worked at the Pausa textile company. 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His most significant works—which include the Stadtgarten in Stuttgart, the Faberpark near Nuremberg, and other public gardens in the City of Stuttgart such as Hasenberg, Karlshöhe, Feuersee, and Uhlandshöhe, which he supervised as the first garden inspector—are presented here in-depth for the very first time.\u003c\/p\u003e\u003cp\u003eWagner’s gardens symbolise the need for public green spaces and urban park landscapes for an increasingly self-assured middle-class society. 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