{"title":"APE","description":null,"products":[{"product_id":"9789083438436","title":"MUSA","description":"The series MUSA consists of twenty-six works of UV printed photographs on brass. The works are divided into three sizes which measure 150 x 200, 37,5 x 50 and 80 x 100 cm. The photographs for these works have been taken at various greenhouses in Morocco, which harvest Banana Trees. On the images we see abstract impressions of green and yellow leaves pressed against the plastic sheeting of the greenhouses. On top of that we see strips of copper wiring that keep the plastic sheets in position. It is the first series of images in Vanoverberghe’s work that solely puts the focus on the natural aspect of our surroundings. The work is a continuation in Vanoverberghe’s research to the material in which he presents his photographs.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56310015558005,"sku":"9789083438436","price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9789083438436_082c315a-ceca-4a50-8c92-610cfb8c03ec.jpg?v=1786031994"},{"product_id":"9789490800192","title":"New ways of photographing the New Masai","description":"The Masais are always photographed the same: jumping in nature while wearing traditional outfits and jewelry, almost like a group of animals. But more and more Masai start to live in towns and buy their first Nikes and put mobile phones in their stretched ears.  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Walking, beholding, observing, telling and collecting, are just some of the methods used to clarify the mystery of this ancient woodland and the fables related to them.  This book is a complex, yet poetical narrative photographic interpretation about an ambiguous environment where nature, research and the spirits meet.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56310306767221,"sku":"9789490800239","price":27.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9789490800239_fc106092-f2ab-480e-a651-7492df817584.jpg?v=1786032946"},{"product_id":"9789490800444","title":"Little Blues Booklet","description":"Little Blues Booklet is a facsimile of a songbook that Hana Mileti? found on the streets of Brussels.  The title, which can be found in one of the songs, refers to the Rhythm-and-Blues style of the handwritten lyrics.  As Mileti? wasn’t able to return the songbook to its anonymous author she decided to put the book into circulation. For the launch Little Blues Booklet will be activated during a live singing performance by Virginie Honvoh who is trained in traditional jazz, a style at the origins of contemporary RnB.  The original lyrics are written from a male perspective.  In order to overturn the objectifying descriptions of the female body in the lyrics and in order to distrupt the described gender patterns, Mileti? consciously favoured to give the lyrics a female voice. Modern RnB is not about discrete songs, It’s about texture, mood and feel. 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The compositions, the choice of materials and the meticulous assembling of loose sheets into a new narrative, no detail remains untouched.  The main objective is to give the viewer a poetic viewing experience.  At times lyrical and dreamy, at others uncanny or disquieting.  Always ambiguous and permeated with an unfulfillable desire. Nothing on the left is a specific selection of silent scenes that evince a sensitivity for postures, imperfections, light, colour and texture.  Striking is the attention, aside from the everyday anecdotal, to pure formal abstraction.  From straying gestures and locks of hair to foamy water surfaces and seas of clouds.  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They are encapsulated and unrecognisable in a completely enclosed form, vanishing into a trans-human identity that suddenly infiltrates reality in the home or hotel room where Lybeer portrays them.  – Inge Henneman","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56310453371253,"sku":"9789490800406","price":22.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9789490800406_8eeca9f4-d6d5-4947-92e8-f1dde2d4ce4d.jpg?v=1786032952"},{"product_id":"9789490800024","title":"Stories","description":"Masashi Echigo earned his degree in architecture at Musashino Art University, Tokyo, and has lived and spent lengthy periods of time in numerous European cities, participating in collective shows over the past few years.  Each experience in each place is represented by individual installations that are spatially and emotionally tied to their context. Each installation, even though conceived independently, necessarily enters into a dialogue with the others, constructing a unique narrative landscape that is in the process of evolution, serving as evidence of his voyage. Like the storyboard for a film, this allows for an unfolding of important events in the relationship between Masashi and the history, inhabitants and culture of, and dominant issues and objects in his host locations. Hans Martens: “Masashi Echigo’s work is always about physical and mental space.  Or rather, the tensions, contradictions and synergy between the material and the immaterial, between the visible and the invisible, the absent and the present, the literal and what is only suggested. ” Published in collaboration with Be-Part, Waregem (B).","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56310453404021,"sku":"9789490800024","price":18.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9789490800024_0bdee220-cfb8-4d18-96da-cef2d7ba3b3a.jpg?v=1786032938"},{"product_id":"9789490800505","title":"Idiosyncratic Copy Machine","description":"Idiosyncratic Machine is a shape-generating drawing method developed by Kristof Van Gestel in the context of his visual artistic practice.  The space in between everyday objects become the basis from which unexpected abstract shapes are systematically derived.  The artist then uses these abstract shapes in the creation of networks.  Tis is how this publication Idiosyncratic Copy Machine was conceived.  In collaboration with Niek Pladet, a new procedure was developed that applies the logic of the Idiosyncratic Machine in the graphic realm.  Two shapes were placed on the plate glass of a photocopier, copied and cut out.  The resulting remainder then became the original for a new copy, again yielding a reminder to be worked with.  These steps were repeated 30 times.  This publication is the documentation of that process.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56310467395957,"sku":"9789490800505","price":13.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9789490800505_18c73ccf-3917-4155-9b5b-d115f077387d.jpg?v=1786032954"},{"product_id":"9789490800574","title":"The Great Cape Rinderhorn","description":"Thorsten Brinkmann (1971, Herne (D)) calls himself a serial collector.  In the storeroom at his studio you can find the most varied objects.  He finds these objects on flea markets, in thrift shops, on the street, at refuse dumps, etc.  They are part of middle-class domestic culture.  He uses these objets trouvés to show how we relate to the objects that surround us.  Objects define our identity and inform our culture, and as a result what belongs to us is of considerable importance.  We shape and design the objects that surround us and in turn they shape us and the lives we live. The Great Cape Rinderhorn is a word-play which on the one hand refers to a monumental bull’s horn, to a cape (a sleeveless garment) and Cape Horn at the southernmost extremity of Chile.  Apart from a lighthouse, a house and a chapel, Cape Horn is a barren landscape. The Great Cape Rinderhorn has been shown at the Rice University Art Gallery in Houston, Texas (US) and Be-Part, Waregem (B).  This publication is made with images from these two exhibitions and acts as a new chapter for this installation. With the support of Be-Part (Waregem) and Rice Gallery (Houston).","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56310467592565,"sku":"9789490800574","price":31.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9789490800574_9189044a-e463-44f8-951c-7ea82f8ad40a.jpg?v=1786032958"},{"product_id":"9789490800826","title":"Colorblind Sands","description":"Colorblind Sands is a project for a journey, a reflection upon photography and the great American road trip.  It explores the semantics of color, the experience of time and place, and the possibilities for analog printing in the darkroom.  Colorblind Sands is a fictitious road trip that Reuzé has yet to make.  An imaginary journey through the history of American photography.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56310467625333,"sku":"9789490800826","price":27.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9789490800826_96de89d6-6c40-4ca7-99c2-03b24e746cee.jpg?v=1786032960"},{"product_id":"9789493146327","title":"The Orphans of Tar – A Speculative Opera","description":"The books included in the series Choreography as Conditioning are rooted in a cycle of work sessions entitled CASC at KASK, in which students work together with invited guests.  They explore the notions of choreography, understood as ways of organizing subjects in their surroundings, and conditioning in both art-making and society-making.  Where, how, and by whom are things organized and what kind of landscapes of experience are made (im)possible by the practices we enact and encounter?The Orphans of Tar – A Speculative Opera answers the question posed in the second book by transforming life into voices and presenting possible mindsets through co-authoring a factual fiction.  As such, it constitutes a mental space in which ficti­tious characters find an almost disturbing expansion of their thoughts.  Accordingly, the book can be considered as an alle­gory of human thoughts as (possible) actions: what could happen becomes what does happen.  For better and worse.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56310508683637,"sku":"9789493146327","price":13.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9789493146327_1f294ba5-dcf3-4ace-afd2-3d1828329ea3.jpg?v=1786033041"},{"product_id":"9789490800130","title":"Route N16","description":"Art and architecture project alongside the N16 route.  With projects by Tractor (Peter Aerts, Denis Dujardin, Honoré d’O, Lore Perneel, Luc Reuse, Frank Vande Veire, Hugo Vanneste, Dirk Zoete), Architecten De Vylder Vinck Taillieu, Sarah \u0026amp; Charles, Office Kersten Geers en David Van Severen , Michaël Vanden Abeele, Uaps, Wesley Meuris, Architecten Robbrecht en Daem, Valérie Mannaerts, Philippe Vander Maren, Richard Venlet, Ann Veronica Janssens.  Text contributions by Joeri de Bruyn, Maarten Van Acker, Jeroen Boomgaard, Isabelle Makay and Oscar Van den Boogaard.  Photograpy by Geert Goiris and Kristien Daem.  Initiated by the cities Bornem, Puurs, Willebroek and Mechelen in collaboration with VAi, vlaamsarchitectuurinstituut.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56311059120501,"sku":"9789490800130","price":13.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9789490800130_9b2fa130-4395-403e-8687-61b78c41feca.jpg?v=1786032941"},{"product_id":"9789490800307","title":"Sampled History","description":"Once a month during the renovation of De Garage, Kris Van Dessel collected a sample of rubble from the site.  In the period from March 2013 to December 2014, he took 22 samples in total, each of which he carefully filtered and meticulously stored in chronological order in his atelier, their temporary resting place.  These were preserved in transparent containers, which started to form a stacked representation of muted earth colours showing the geological strata of the renovation’s gradual progress.  The resulting stack would not have looked out of place in an archaeological research facility.  The artist’s subtle presence amid all the activity of the construction site must have appeared quite inconspicuous.  This tightly rhythmic series of actions manifests itself in the solo exhibition Sampled History, in which the artist has transposed the samples to the exhibition space in one simple, geo-artistic gesture. He mixes every sample of material with a specific amount of water and applies these emulsions to the walls of the exhibition space, employing a syntax of consecutive, chronological layers. Sampling means borrowing a characteristic piece of another creation with the intention of incorporating it in one’s own work.  The principle was first observed in the mid-20th century in the French musical movement Musique Concrète, in which existing sounds were incorporated into sound collages.  Something similar can be observed here in this context.  Through the schematic, geological representation of the renovation process, the scars of former artistic productions are made visible in the epidermis of the exhibition space.  The archaeology of cultural production in De Garage is gradually revealed by the artist.  This intervention recalls a memory — albeit inverted — of Pierre Huyghe’s intervention piece ‘Timekeepers’.  Here, the layer-after-layer exposure of erased presentations in the wall’s paintwork makes way for Van Dessel’s forensic detection of clues across the wall’s surface.  The carefully-applied pigments are expertly brushed away after a certain amount of drying time has allowed the added water to evaporate. Characteristic of Van Dessel’s recent work is the recurring principle of completely returning the raw materials he has used in his artistic process to the earth.  The substances are returned to their origin — like a field recording played back at the location where it was recorded. The work of Kris Van Dessel is not to be categorised as a series of manufactured artefacts bound to or positioned in an exhibition space.  His work would better be described as offering cross-sections of discoveries made tangible — the results of poetic-artistic research, presented here as food for thought for the observer.  In addition to the renovation works that have fundamentally changed the architecture of the spaces, Kris Van Dessel has, with the utmost discretion, created a parallel space that breaks through the established time-space continuum.  It’s wonderful to get lost in his work, that is, once you’ve wormed your through the formal, syntactic trail of consecutive, chronological, two-dimensional layers; reaching the light at the end of the wormhole, you are free to reflect on what has been and what could be in the future of the safe haven that is art — now surely more essential than ever. ‘(…) In other words, to perceive the whole is to leave the fragments displaced. ’ Robert Smithson. 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Go on looking and this painterly appropriation becomes the magnifying glass and the mirror which unmask the colonial rhetoric. When we look at colonial collections some 60 years after deco­lonization, we are struck first and foremost by what is missing in those collections: the real world of colonial subjects and their relationships with Belgians (and other Westerners) and the structural inequalities between the two categories which made the passion for collecting possible. In some of his best stories Jorge Luis Borges showed the absurdity of attempts to create an imaginary world which corresponds fully to the reality or even to another imaginary world, such as Miguel de Cervantes’ Don Quixote.  Flup and Tuur Marinus’ artwork does something similar: the patience and diligence with which they toiled to create it reminds us how absurd it was to try and collect the complete colonial world through collections and by ex­tension how absurd it was to try and control and dominate politically an area as large as Western Europe through colonial rule.  (Bambi Ceuppens)","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56311059710325,"sku":"9789490800536","price":22.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9789490800536_fdb5fde7-bcd4-4056-a776-e10e462498ac.jpg?v=1786032957"},{"product_id":"9789493146112","title":"Idiosyncratic Machine","description":"In 2016 the artist Kristof Van Gestel started work as artist in residence at S. M. A. K.  in Ghent for a year.  This publication provides a photographic record of the last part of his residency: organising and displaying an experiential and experimental participative work of art in the museum named Idiosyncratic Machine.  In addition to the photographic report by Kurt Stockman and Dirk Pauwels of Idiosyncratic Machine, Philippe Van Cauteren, Jeroen Peeters, Tijl Bossuyt, Isabelle De Baets, Hidde Van Schie and Kristof Van Gestel explain and demonstrate the meaning of both the process of the IM as a participatory method and artwork as well as of its development and establishment in the museum.  The image section in the book can serve as a guide for the reader to activate the Idiosyncratic Machine himself. 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The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years.  In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection.  The title references Tim Hecker’s album ‘Ravedeath,1972’.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56311064428917,"sku":"9789493146525","price":27.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9789493146525_1c4c8096-a6e2-4b1b-a757-c2ff240d5e70.jpg?v=1786033041"},{"product_id":"9789490800031","title":"S.P.A.M. BOOK","description":"S. P. A. M.  Office looks like a traditional modernist office setting; uniform office furniture made up of cheap, low quality – spam – materials, and a coffee machine and all its obligatory accessories being present. Nylon tie-wraps are holding the mocha colored, cheap structural furniture panels together, being an ultimate representation of the volatility of spam.  The spam officers – hired by the exhibiting organization – check e-mails, detect spam, print and prepare for a proofread and finally archive the letters.  They become performers, wearing the uniform and logo of the ‘firm’, taking turns in a monotonous disarmament process to which spam is subjected.  Of course this company mainly develops nonsensical operations, poetically supported by the decorum of bureaucracy.  The messages are stripped of their corrupt, commercial deployment. The release of this book coincides with the performance ‘S. P. A. M OFFICE’ of Pieterjan Ginckels organized by Be-Part Center for Contemporary Art, Waregem, Belgium, (May 7th till May 15th 2011).  Published in collaboration with Be-Part, Waregem (B).","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56311144874357,"sku":"9789490800031","price":13.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9789490800031_ccd242f2-dc8b-4fa4-8994-8b897126b2e6.jpg?v=1786032938"},{"product_id":"9789490800338","title":"JAUNT","description":"Lotte Reimanns (DE, 1982) Jaunt is based on a collection of nude (self-)portraits of an elderly amateur photographers couple found on a picture sharing site.  Other pictures from “random” sources on the Internet were added.  Reimann re-photographed them all from a computer screen. “Metal, steel, glass, leather, plastic, oil, and dirt – all agglomerated into one piece, which encloses me – blasting with tremendous speed through the landscape, is hugely exciting, arousing. ” — Lotte Reimann","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56311145070965,"sku":"9789490800338","price":22.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9789490800338_af398625-6529-4ee0-a5ec-8c17b43c5993.jpg?v=1786032950"},{"product_id":"9789490800260","title":"PULSAR","description":"A pulsar (short for pulsating radio star) is a highly magnetised, rotating neutron star that emits a beam of electromagnetic radiation.  This radiation can only be observed when the beam of emission is pointing toward the Earth, much the way a lighthouse can only be seen when the light is pointed in the direction of an observer, and is responsible for the pulsed appearance of emission.  Neutron stars are very dense, and have short, regular rotational periods.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56311145136501,"sku":"9789490800260","price":11.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9789490800260_f99926d2-25e1-4e30-98b2-083e6a02b046.jpg?v=1786032948"},{"product_id":"9789493146754","title":"Indian Springs","description":"“Three two one fire”‘Indian Springs’, shot between 2012 and 2013, por-trays the photographic fiction during a day in the life of a drone pilot. “At night I cut across the sandy terrain.  With two hands on the steering wheel, the car shoots towards the inter-state to Indian Springs, where I pilot military drones.  Grainy pixels spread all over the screen. Day and dreams get blurred, and I ask myself again, as I’ve done for always, whether I’m living in a dream or in reality.  (…) Coffee machine, everyday gestures, settling into a leather armchair: vertical joystick, multiple screens console.  The game starts, virtual reality—the grid on the screens grows larger and I venture down into the midst of the colored points, headed towards the convulsing horizon in the distance.  Soon enough, I’m surrounded only by gridlines, I’m entirely inside it.  I feel good.  Every day I experience the same surprise at the first contact with the imperceptible of virtual matter.  From my fixed position I’m invisible, unassailable, I dominate in close-up a vast territory.  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Even more importantly, his work is a document of the process of self-determination and self-representation of black Zambians at the time, recounted through situational portraits taken in the subject's domestic sphere. A testament to the relevance of lens-based media within Zambia’s geographical, historical and social context, a tool for reimagining the past and reading the present.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56311235084661,"sku":"9789464665154","price":28.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"9789490800321","title":"Inside Embassies","description":"“In reality, as Elisabeth Ida’s photographs show, an embassy is first and foremost a place of work for the diplomats toiling there on what often are repetitive tasks, negotiating every word of a detailed technical agreement or drafting reports for the capital that might not be read but that are nonetheless expected.  This side of diplomacy is associated more with dreary meeting rooms and drab offices than beautiful salons.  Efforts made in waiting rooms, corridors and lobbies to convey something about the country while creating a certain homelike atmosphere come across as gauche rather than elegant.  Sofas whose colour-scheme matches ill with the colours of the national flag give the impression of making do with what is available, under the watchful eye of the ubiquitous state picture of a president, king or queen, who are keen to ensure that the national budget is not wasted on undue comforts. ” (Excerpt from “The Gauche Gateway) — Prof.  Dr.  Sven Biscop, Ghent University \u0026amp; Egmont – Royal Institute for International Relations (Brussels)With the support from Cultuurcentrum Strombeek and Embassy of the Republic of Indonesia.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56311236526453,"sku":"9789490800321","price":22.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9789490800321_0275ed2f-593f-46da-9de6-cbd8f02ff3d4.jpg?v=1786032949"},{"product_id":"9789490800376","title":"Four Oranges, Some Office Buildings, Woman’s Legs","description":"Between August and November 2014 Stephanie Kiwitt was commissioned by Team Flemish Government Architect to make a photographic work about the outskirts of Brussels: Diegem, Haren, Zaventem, Sint-Stevens-Woluwe, Kraainem, Sint-Pieters-Woluwe, Oudergem, Ukkel, Vorst, Drogenbos, Ruisbroek, Sint-Pieters-Leeuw, Anderlecht, Dilbeek, Groot-Bijgaarden, Sint-Agatha-Berchem, Ganshoren, Jette, Strombeek-Bever, Grimbergen and Vilvoorde.  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The publication contains 5 posters based on spreads from publications by Ruth van Beek, Thomas Mailaender, Anika Schwarzlose, Erik van der Weijde and Mariken Wessels.  Curated by Lotte Reimann \u0026amp; Torsten Scheid.  5 folded A2 posters into a C4 envelope.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56311244161397,"sku":"9789493146136","price":18.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9789493146136_b64a692e-6d44-4f42-87fe-44e3f4346dda.jpg?v=1786033040"},{"product_id":"9789490800079","title":"Selected Projects","description":"Since the mid-70s, Daniel Dewaele (Knokke, 1950) has followed a consistent course comprising numerous socially-engaged and -inspired art projects. On the basis of descriptions and illustrations of 43 projects, Daniel Dewaele, Selected Projects provides an almost complete survey of his work. Which makes this publication the standard work on this artist.  In addition, the book offers a thorough insight into the conceptual tendencies that presented themselves in art as from the mid-70s.  This unique book was created in close cooperation with the artist and appears on the occasion of an exhibition of the same name at Be-Part, Platform for Contemporary Art, in Waregem.  The authors, Johan Pas and Pascal Gielen, each interpret the artist’s oeuvre on the basis of their own background, an artist who has always continued to ask how social participation could be achieved from an artistic position which by definition lies on the fringes of society. 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Dhondt’s work is a kind of monument to temporariness.  The constructions are based on the dimensions of personal space.  These spatial demarcations and primary sculptures become altered into nomadic symbols, so to speak, and function as poetic podia for resistance.  Dhondt is resisting the current financial and, above all, moral crisis with a call for humaneness and a search for meaning.  Lara Dhondt (Turnhout, 1979) lives in Antwerp and works with the urban landscape.  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Who is Xenia as a character and what does she express? The fear to exist, to (not) feel at ease in your own body and environment, the complexity of ones personality are themes that Christiaens deals with in a publication that floats between a photographic documentary and a (staged) story.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56311318708597,"sku":"9789493146020","price":18.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9789493146020_f3f6d562-2092-4b04-890f-ceaad4e8156d.jpg?v=1786033038"},{"product_id":"9789493146792","title":"Replica","description":"‘Replica’ suggest a new reading of the body and the model as a pure image, a pure tool, without referring to any representative identity, hereby ignoring today’s contemporary society of what the self should be. Lino refers strongly to American mid-century photographer William Mortensen, who states that a body is simply considered to be “a machine that needs adjustments. ” According to Mortensen the body must be the basis, “representation of personality and emotion […] are irrelevant and misleading”.  There is a certain dehumanization in Mortensen’s approach to the model, a return of the body to an object without meaning, in front of the camera.  Mortensen saw models as clay that form the image, a body was articulated only by the operator’s intention.  He wanted to strip the figure from its emotion and personality, so that we, as an audience, could consider the body as a formed prop and stare at the image as the essence, and not the subject. In Lino’s case she is the model, the operator \/ photographer, the subject and the image at the same time.  She is in complete control.  She found a way to remove herself from representation and reduced her own body to a pure object and image, almost like a machine.  ‘Replica’ is a manifestation of the artist’s understanding of her role in front of and behind the camera. ‘Replica’ is a prescient of an approaching future in which identity will surrender to the carefree machine of image magnification.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56311318806901,"sku":"9789493146792","price":36.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9789493146792_c5f006fa-0ced-46f5-8826-bbc946b5f8d0.jpg?v=1786033044"},{"product_id":"9789464775808","title":"One Head and Thousand Years","description":"The images capture moments that arise when lost in thought, evoking a connection to memories. 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The architecture, with its glazed brick and large glass display windows tells us that Meubelgalerie Vynckier must have been built at some time in the 1950s. The period of Expo 58, when Flanders, and with it the rural district of Waregem, enthusiastically embraced modernism. The Vynckier furniture business now no longer exists.  An artist has moved into the workshops and makes the showroom available as an exhibition space.  However, Meubelgalerie Vynckier was part of another modernity, another vision of furnishings, than that in which the Catalan artist Martí Anson grew up. Joaquim, Martí’s father, designed and manufactured furniture with the approach of the modernist avant-garde, which did not conceive of utility objects as an artistic craft or as reduced to the role of consumer goods, but as ‘constructions’ that contributed to building a better – and more social – society . 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Every brick, every beam and pipe, every tile, faucet and roofline had to be preserved.  THE SITUATION AS IT IS, WILL BE THE SITUATION AS IT IS.  The administration chose a new approach: a radical shift from ambiguous—at times obscure—decisions, procedures and decrees to an era of HYPER-REGULATION.  Startled, THE ARCHITECT hung up.  He looked at the list of construction sites he planned on visiting that day, grabbed his car keys and camera, and left.  He wondered if, later on, his wife and kids would still be in the living room where he heard them playing now.  THE SITUATION AS IT IS** is the story of an architect’s ring binders, an archive filled with negatives and scattered subjects.  THE PHOTOGRAPHS try to tell a story of an existing condition*: this is the state things are in.  Within these binders buildings are perpetually unfinished.  The dog keeps barking.  It’s our third birthday, again.  Decades after they were exposed, these photographs appear to reveal the first traces of THE IMPASSE.\u003c\/p\u003e\u003cp\u003eDocumenting the existing condition (de bestaande toestand) is a legally required aspect of a building application within the context of  architecture and urban development: photographs describe a building, a landscape, infrastructure….  in order for it to be demolished, adjusted, built.  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Throughout his career, Maitland has consistently created captivating imagery for a multitude of magazines. This body of work serves as a testament to his creative journey, tightly curated from 15 years of contributions across diverse publications and collaborations.Maitland led the resurgence of collage art in the early 2000s, pioneering a distinctive and singular vision in the realm of image making.“The artistic heir to Warholian tradition, recalibrated in the digital age, Mat’s work blurs the boundary between high and low culture. His collages are pop, playful, cerebral and surreal. They’re steeped in nostalgia as much as they reference future worlds, as witty commentaries on contemporary culture.” (Dazed Beauty)“Maitland’s digital renderings make the eyes skip and the mind race with their unusual juxtapositions, as he pits the futuristic against the nostalgic and the phantasmagorical against the familiar. Unusually, a quiet cerebral quality sits comfortably alongside palpable accents of pulp melodrama.” (Sotheby’s)Mat is also widely recognised for his role as a creative director in the music industry, creating designs, imagery, and films for a plethora of iconic artists including Michael Jackson, Prince, Lana Del Rey, Beck, Elton John, and numerous others.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56313350881653,"sku":"9789464775884","price":37.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9789464775884_f6761d8e-da72-4fe7-8262-34c68bfbc161.jpg?v=1786032873"},{"product_id":"9789490800147","title":"Tinus Vermeersch","description":"Vermeersch’s drawings and paintings are reminiscent of a long tradition of Northern European painting inspired by masters like Breughel and Bosch. 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Vermeersch’s work are in many private collections and in public collections as the MuZee, Oostende, Broelmuseum Kortrijk, MUba Tourcoing France, The Franks–Suss Collection London, Vlaams Parlement Brussel, Stad Harelbeke and the Provincie West-Vlaanderen.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56313351078261,"sku":"9789490800147","price":22.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9789490800147_d56d4031-bccb-4809-9851-e16b9334755e.jpg?v=1786032942"},{"product_id":"9789490800642","title":"Peculiar Artifacts in Bosnia \u0026 Herzegovina – an imaginary exhibition","description":"The book is the result of a 4-year project in Bosnia-and-Herzegovina where Thomas Nolf came across the existence of pyramids, stone spheres and other peculiar artifacts, discovered by Semir Osmanagich and his team.  Aiming to draw an alternative biography that counteracts the post-war disillusion, Nolf photographed, intervened and ultimately tried to pedestal the phenomena as a history to believe in.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56313351176565,"sku":"9789490800642","price":22.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9789490800642_827c9d6e-cd14-4df9-ac8b-39f604994bb8.jpg?v=1786032958"},{"product_id":"9789490800413","title":"Elk Island Construction Workers","description":"“Every time I went home to my apartment on the outskirts of Moscow, I passed hundreds of waiting construction workers, mostly guest workers from Central Asia, involved in the construction of the “ Elk Island” block of flats.  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Fortunately, sometimes nature interferes, from behind the fence, that red rigorous fens.  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The traces presented in this publication form a diverse collection of objects, drawings, little art works, letters, and clothes.  Likewise a catalogue of an ethnographic collection, this publication provides all standard technical details with each trace: material, dimensions, title and the artist who created it. Each trace bears its own story.  “The Cabinet of Traces” remembers these stories, while feeding new ones.  Memories are constructions and the traces in the publi-cation form the basis from which these memories can be created.  “The Cabinet of Traces” is a tool that feeds the imagination.  It will be passed on to future artists in residency in order to evoke a reaction.  New artists will extend the collection.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56313351537013,"sku":"9789490800888","price":16.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9789490800888_0f73516b-3c0f-454d-beef-0e7ba08ea7b0.jpg?v=1786032961"},{"product_id":"9789490800772","title":"Solar Safari","description":"SOLAR SAFARI hunts down Belgium’s finest photovoltaic compositions.  When you flip through this lookbook of domestic scalps, the echoes of fomo, fitspo and avocado toast greet you in endless variations. In line with PJG’s previous works and performances, SOLAR SAFARI is all about cultural archaeology and technological critique.  Target of the project is the privately owned and installed photovoltaic panel.  PJG takes a field trip across Belgium, documenting the haphazard solar panel configurations on private rooftops, providing us with a quasi-exhaustive number of compositions trouvées. His photographic evidence, paired with Instagram-mined wordiness, transforms and criticizes the footage on the different levels at play.  Complementing this chunk of geometric superficialism is an overview of Speed Trips, the performative sightseeing Ginckels developed over the past decade.  Both method actor and easy rider, the SPEED TRIPPER surrenders to its context and, equipped with necessary props, finds herself at the center of mediation.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56313351668085,"sku":"9789490800772","price":17.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9789490800772_6eef5044-4d9f-4c9e-8657-ffb2ab838d0a.jpg?v=1786032959"},{"product_id":"9789493146969","title":"What is a good world? Internationalisation in a post-Covid society","description":"This essay series attempts to stimulate the debate about the moral challenges that internationalisation confronts us with, both in the Netherlands and abroad, and in particular for Artist-in-Residencies (AIRs).  The publication is a reflection on how the crisis is reconsidering our international ambitions, starting from a post-COVID society.  Internationalisation is an inevitable reality, inherent to the art landscape.  The current time calls for a critical reflection on major issues such as climate inequality, plurality and the Western-dominant canon.  With contributions and critical insights by Jeanne van Heeswijk, Jack Segbars, Erik Hagoort, Pascal Gielen, Cecilia Bengtsson, Merlijn Twaalfhoven, Hicham Khalidi, reinaart vanhoe and Suzanne van der Beek. Thanks to Jan van Eyck Academie, Mondriaan Fonds, Prins Bernhard Cultuurfonds en het Amsterdams Fonds voor de Kunst for their support.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56313351799157,"sku":"9789493146969","price":13.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9789493146969_1a6c335d-9af3-4d97-b359-f0f58251125b.jpg?v=1786033045"},{"product_id":"bellissima","title":"Bellissima","description":"\u003cp\u003eBeautiful—for whom?\u003c\/p\u003e\u003cp\u003eThrough Carla Rossi’s lens, beauty is not a fixed idea but a performance, shaped, repeated, and refined in response to the gaze of others. In Bellissima, Rossi photographs Rebecca, a young contestant she met during the Miss Italia selections, tracing her journey from casting calls to national auditions and uncovering a system driven by spectacle, competition, and the tireless pursuit of a narrowly defined ideal of femininity.\u003c\/p\u003e\u003cp\u003eThe images take shape like a choreographed sequence, where the frame becomes a stage for repetition, tension, and interruption. Each gesture—a hand on the hip, a forced smile, a sideways glance—reflects the visual grammar of Italian glamour shows, commercial spectacle, and fashion: codified, internalized, and tirelessly repeated. These movements are not spontaneous; they are learned through years of watching others perform them.\u003c\/p\u003e\u003cp\u003eBy juxtaposing pixelated archival footage from Miss Italia broadcasts with her own staged portraits, Rossi examines how beauty is manufactured—by television crews, by audiences, by the women themselves. 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Organized by keywords, dates, and thematic groupings, the archive is an effort to explore a different dimension of photojournalism. The images—often dramatic, ambiguous, or unsettling—explore the raw and layered emotional dimensions of photojournalism. With over 60,000 images, the collection spans from the striking and dramatic to the ambiguous, grotesque, and unexpectedly tender.\u003c\/p\u003e\u003cp\u003eThree sections—Human Interest, Fusion and Mindwaves—offer insight into the archive’s conceptual range.\u003c\/p\u003e\u003cp\u003eFusion explores how we interpret images, grouping photographs by visual or symbolic qualities: featuring categories like shadows (simulacre), icons (icon), double images (glende), traces (trace), as well as those that are surreal (alien), aesthetically compelling (beauty), or energetically charged (move or MUD, for “multi-use dimension”). Mindwaves, by contrast, is structured around formal visual qualities: packaging (emballage), texture (such as Fourche, Circle, Amorf, or Geometric), and connection (connection, including subcategories like Human, Realea, and Strip).\u003c\/p\u003e\u003cp\u003eThe Human Interest section (Icarus, Verticals , WWEB and Trümmerfrauen) contains images and notes focused on human emotion, empathy, and compassion.\u003c\/p\u003e\u003cp\u003eThis book presents a curated selection of over 3,500 images—a glimpse into a vast and richly layered archive that reimagines how we see, sort, and understand the photographic world. The project is supported by Be-Part, Platform for Contemporary Art in Waregem and Kortrijk.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":57492474364277,"sku":"9789083519913","price":32.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"deutsches-in-deutschland","title":"Deutsches in Deutschland","description":"\u003cp\u003eDeutsches in Deutschland is a body of work by Eoin Moylan that has been undertaken from 2020 to date.\u003c\/p\u003e\u003cp\u003eThe work consists of a large body of 10x8 inch(25x21cm) photographic prints that are designed to sit side by side in congruence. The photographs have mainly been shot between Germany where the artist lives, and Ireland, where the artist is from.\u003c\/p\u003e\u003cp\u003eThe project is composed of images from daily life, friends, family, travel, urban and natural landscapes. A register of personal surroundings, an archive of the elements that compose one’s experience.\u003c\/p\u003e\u003cp\u003eThe family, and moments of movement, both literal and conceptual are used as a tool to begin to highlight the still images ability to reference time. The photograph’s ability to freeze time is also its ability to accentuate time passing. This experience being somewhat unique to photography, a parallel that can only be mimicked or explained by the written word or moving image. Attempting to understand the position of the photograph\/photographic print in an age of hyper imagery.\u003c\/p\u003e\u003cp\u003eThe work has particular emphasis on the technicality of analogue photography so as to ground it within the limitations of its practises, its monosyllabism. Attempting to speak about the strengths or weaknesses of photography by using the dialogué of the 10x8 inch print. Building a conversation between the images that is greater than the sum of its parts.\u003c\/p\u003e\u003cp\u003eLarge emphasis is placed on the theory of a “national camera” and how photographic styles are influenced heavily by country or region. Research has been gathered that attempts to disseminate what an Irish ‘style of photography’ is. It being a country that falls between regional styles but is heavily influenced by the British humanist\/documentary styles that came through the Newport School\/David Hurn. The project attempts to understand this style and then reference a more German aesthetic of photography that has begun to influence the photographer through the technical understanding that comes through the conditioning of living within a stricter culture\/ systems.\u003c\/p\u003e\u003cp\u003eOn living between two places or moments. How the home, or a family or a style may change. On becoming ‘German things in Germany\/Deutschesin Deutschland’.\u003c\/p\u003e\u003cp\u003eWith the support of Un\/Fund\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":57492475576693,"sku":"9789083519975","price":35.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"irreversible-order","title":"Irreversible Order","description":"Lisa Donneson’s Irreversible Order examines how memory, aging, and cultural identity cohere into visual form. Engaging Proustian cues—the scent of coffee, the warmth of freshly baked bread, remnants of a shifting American landscape—she activates desire, loss, humour, and latent trauma as material for image-making. Her use of a performative double within domestic space foregrounds the slippages between reenactment and recollection, allowing humour to unsettle the gravity of remembered experience. Through these iterative gestures, Donneson constructs a rigorous inquiry into how the self is archived, revised, and reimagined, situating the work as an exploration of interiority shaped by time.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":57492476100981,"sku":"9789083519982","price":30.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"mastering-the-curtains","title":"Mastering the Curtains","description":"Mastering the Curtains is the result of an intensive research of 2 perspectives in the Islamic Republic of Iran: on the one hand the public and transparent, on the other hand the hidden.  The first approach focuses on the content and implementation in the public space of the old popular and politicized street theatre Tazi’yeh.  The second approach explores the hidden world of the Sufis and their political difficulties within the current policy.  Originally, these seeming opposites have common ground in Iranian collective memory through a rendition of social and spiritual resistance.  The four-year research process involved continuous oscillation between exploration and self-reflection.  Reflections on religion, other and I, position and opposition, private and public, transparency and control are combined with series of images as in a ‘flow of consciousness’.  The social potential of secular mysticism is distilled from this research. With the support of the Royal Academy of Fine Arts Antwerp.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":57495539089781,"sku":"9789490800611","price":16.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9789490800611.jpg?v=1786618202"},{"product_id":"universal-tongue","title":"Universal Tongue","description":null,"brand":"Gardners","offers":[{"title":"Default Title","offer_id":57495545905525,"sku":"9789493146686","price":54.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9789493146686.jpg?v=1786618209"},{"product_id":"birds-of-a-feather","title":"BIRDS OF A FEATHER","description":"BIRDS OF A FEATHER is a publication that gives an insight into the organisation and functioning of OpStap, a group-based program for people with drug addictions and people in recovery.  The focus lays on the guests of OpStap, who are given a meaningful use of time and meaning through meetings, activities and voluntary work. BIRDS OF A FEATHER is a collaboration between the organisation of OpStap, photographer Vincen Beeckman, writer Colin Pantall, designer Lien Van Leemput, publisher Art Paper Editions (APE) \u0026amp; the city of Ghent. The project started with several workshops, hosted by Vincen Beeckman \u0026amp; Lien Van Leemput.  They interacted with the guests at OpStap, and Beeckman also joined them on their weekly activities outdoors.  Conversations took place where questions were posed about the dreams and memories of the guests, but also about their everyday concerns and their opinion about OpStap. Colin Pantall acts as a moderator and questions the goal of the project, the way in which people are portrayed, and the role of each person involved.  This results in a series of interviews that will be a part of the publication. Besides this, doctor in pedagogical sciences Wouter Vanderplasschen and Aline Pouille, researcher at the Faculty of Psychology and Educational Sciences of UGent will contribute a text.  Also Charlotte Colman, professor in drug \u0026amp; criminal policy, will give her vision on recovery and treatment.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":57495546724725,"sku":"9789493146884","price":26.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9789493146884.jpg?v=1786618210"},{"product_id":"double-reality","title":"Double Reality","description":"Callemin explores what photography reveals—and what it conceals. His images question our habit of reading meaning into appearances, a process that has long shaped how we view identity. His meticulously staged photographs, using handmade sets, sculptures, and close collaborations with models, invite viewers to question what they see. In an era of AI, filters, and digital manipulation, Callemin returns to the photo studio and uses physical materials like clay and plaster to explore how perception can be deceptive. He works closely with his subjects to examine how the body is seen—or hidden—by the camera. The result is a series that challenges how we see and what we believe.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":57510165971317,"sku":"9789083519968","price":35.0,"currency_code":"GBP","in_stock":true}]}],"url":"https:\/\/backstory.london\/collections\/publisher-ape.oembed","provider":"Backstory","version":"1.0","type":"link"}