{"title":"Afterall Publishing","description":null,"products":[{"product_id":"9781846382512","title":"Helen Chadwick","description":"\u003cb\u003eAn illustrated exploration of Helen Chadwick’s erotic, playful, and fierce 1986 installation.\u003cbr\u003e \u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eIn 1986 the Institute of Contemporary Arts in London showed a new commission by the artist Helen Chadwick (1954–1996). What Chadwick conceived for the ICA exhibition explored her characteristic themes—the female body (her own), the aesthetics of pleasure, the material variety and wonder of phenomena—but took them in a new, flamboyant direction. In this illustrated volume, Marina Warner examines one part of Chadwick’s installation, \u003ci\u003eThe Oval Court\u003c\/i\u003e. This work was erotic, playful, and fierce; it showed imaginative ambition on an exceptional scale and a unique, piquant sensibility, both raunchy and delicate.\u003cbr\u003e \u003cbr\u003eDespite the work’s recognition as a feminist monument of rare intensity, it has rarely been shown or discussed since the author’s catalogue essay for the original exhibition. Warner here reconsiders Chadwick’s influence as an artist who helped to shift conventional aesthetics and transvalue despised, even abominated forms. Exploring the work’s richly layered composition in light of intervening years, Warner shows how Chadwick’s imagination has shaped many artists’ ideas and ethics, and emboldened their adventures with materials.\u003cbr\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56307861946741,"sku":"9781846382512","price":17.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781846382512_f8851f17-1fda-4253-a9b3-dc3835679c4b.jpg?v=1786029438"},{"product_id":"9781846381331","title":"Philip Guston","description":"\u003cb\u003eAn illustrated examination of Philip Guston's comic and complex painting The Studio.\u003c\/b\u003e\u003cp\u003eThroughout his career, Philip Guston's work metamorphosed from figural to abstract and back to figural. In the 1950s, Guston (1913–1980) produced a body of shimmering abstract paintings that made him—along with Willem de Kooning, Jackson Pollock, and Franz Kline—an influential abstract expressionist of the “gestural” tendency. In the late 1960s, with works like T\u003ci\u003ehe Studio\u003c\/i\u003e came his most radical shift. Drawing from the imagery of his early murals and from elements in his later drawings, ignoring the prevailing “coolness” of Minimalism and antiform abstraction, Guston invented for these late works a cast of cartoon-like characters to articulate a vision that was at once comic, crude, and complex. In \u003ci\u003eThe Studio\u003c\/i\u003e, Guston offers a darkly comic portrait of the artist as a hooded Ku Klux Klansman, painting a self-portrait.\u003c\/p\u003e\u003cp\u003eIn this concise and generously illustrated book, Craig Burnett examines \u003ci\u003eThe Studio\u003c\/i\u003e in detail. He describes the historical and personal motivations for Guston's return to figuration and the (mostly negative) critical reaction to the work from Hilton Kramer and others. He looks closely at the structure of \u003ci\u003eThe Studio\u003c\/i\u003e, and at the influence of Piero della Francesca, Manet, and Krazy Kat, among others; and he considers the importance of the column of smoke in the painting—as a compositional device and as a ghost of abstraction and metaphysics. \u003ci\u003eThe Studio\u003c\/i\u003e signals not only Guston's own artistic evolution but a broader shift, from the medium-centric and teleological claim of modernism to the discursive, carnivalesque, and mucky world of postmodernism.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56308233470325,"sku":"9781846381331","price":17.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781846381331_fb2325bf-27c1-41f2-b91a-ed3ed59071f0.jpg?v=1786029436"},{"product_id":"9781846382703","title":"Sung Hwan Kim","description":"\u003cb\u003eA richly illustrated exploration of Sung Hwan Kim’s complex record of migrant stories, displacement and belonging, border-crossings and translation.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eIn \u003ci\u003eA Record of Drifting Across the Sea\u003c\/i\u003e (2017–), Sung Hwan Kim turns to past histories of migration. The artist parses the traces—archival and bodily—left by undocumented Korean migrants who came to the US by way of Hawai’i at the turn of the last century, and ponders over their impact on other migrant and indigenous communities. As an ongoing film and installation series, comprising two chapters and a third in progress, \u003ci\u003eA Record\u003c\/i\u003e unsettles the limits of the \"one work\" with its distributive, open-ended and collaborative nature.   \u003cbr\u003e\u003cbr\u003eIn this speculative inquiry, Janine Armin explores each chapter in Kim’s multilayered work as a mycelial network of feelers entangling and extending the wider work in process. Engaging history through the senses, folklore and myth, as much as through archival material, Kim navigates and crosses the boundaries between displacement and belonging. Focusing on the artist’s attempt to escape from representation, Armin illuminates and attends to the different stories and non-sovereign ways of being together towards which his work points us.  \u003cbr\u003e\u003cbr\u003eThis title is part of the \u003ci\u003eOne Work\u003c\/i\u003e book series, which focuses on artworks that have significantly changed the way we understand art and its history.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56308234453365,"sku":"9781846382703","price":17.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781846382703_2f6db835-e146-4a73-b7ea-63f66eb9f293.jpg?v=1786029440"},{"product_id":"9781846380976","title":"Hélio Oiticica and Neville D'Almeida","description":"\u003cb\u003eAn illustrated study that casts a new light on Oiticica's most important work of “quasi-cinema” on its fortieth anniversary.\u003c\/b\u003e\u003cp\u003eHélio Oiticica (1937–1980) occupies a central position in the Latin American avant-garde of the postwar era. Associated with the Rio de Janeiro-based neo-concretist movement at the beginning of his career, Oiticica moved from object production to the creation of chromatically opulent and sensually engulfing large-scale installations or wearable garments. Building on the idea for a film by Brazilian underground filmmaker Neville D'Almeida, Oiticica developed the concept for Block-Experiments in Cosmococa—Program in Progress (1973–1974) as an “open program”: a series of nine proposals for environments, each consisting of slide projections, soundtracks, leisure facilities, drawings (with cocaine used as pigment), and instructions for visitors. It is the epitome of what the artist called his “quasi-cinema” work—his most controversial production, and perhaps his most direct effort to merge art and life. Presented publicly for the first time in 1992, these works have been included in major international exhibitions in Los Angeles, Chicago, London, and New York.\u003c\/p\u003e\u003cp\u003eDrawing on unpublished primary sources, letters, and writings by Oiticica himself, this illustrated examination of Oiticica's work considers the vast catalog of theoretical references the artist's work relies on, from anticolonial materialism to French phenomenology and postmodern media theory to the work of Jean-Luc Godard, Andy Warhol, and Brazilian avant-garde filmmakers. It discusses Oiticica's work in relation to the diaspora of Brazilian intellectuals during the military dictatorship, the politics of media circulation, the commercialization of New York's queer underground, the explicit use of cocaine as means of production, and possible future reappraisals of Oiticica's work.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56308448231797,"sku":"9781846380976","price":17.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781846380976_960feafe-1fc6-4608-83c2-4ea17232e6bb.jpg?v=1786029435"},{"product_id":"9781846382130","title":"Pierre Huyghe","description":"\u003cb\u003eAn examination of Pierre Huyghe's post-apocalyptic \u003ci\u003eUntitled (Human Mask)\u003c\/i\u003e, which asks whether our human future may be one of remnants and mimicry.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003ePierre Huyghe's 2014 film \u003ci\u003eUntitled (Human Mask)\u003c\/i\u003e combines images of a post-apocalyptic world (actual footage of deserted streets close to the Fukushima Daiichi nuclear disaster of March 2011) with a haunting scene of a monkey working in an empty restaurant wearing a human mask and a wig. She's a girl! The flat, emotionless almost automaton state of the mask and the artificial glossy hair topped even with a child's bow, suggests that she, the monkey, might be a character from Japanese Noh theatre. But there's no music. Instead Huyghe's film evinces the terrifying possibility that our own, human, future might just be one of remnants and mimicry; that the deserted streets of Fukushima and the monkey's recognizable, alienating chimeric performance is all that might survive us. Untitled (Human Mask) presents a pluperfect world with extinction the endgame for a civilization that cared little for the present, dreaming only of a future that inevitably and necessarily could not include it.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56308448297333,"sku":"9781846382130","price":17.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781846382130_9fba2675-354d-4bdd-9ea0-604fe7207937.jpg?v=1786029438"},{"product_id":"9781846381867","title":"David Hammons","description":"\u003cb\u003eDrawing on unpublished documents and oral histories, an illustrated examination of an iconic artwork of an artist who has made a lifework of tactical evasion.\u003c\/b\u003e\u003cp\u003eOne wintry day in 1983, alongside other street sellers in the East Village, David Hammons peddled snowballs of various sizes. He had neatly laid them out in graduated rows and spent the day acting as obliging salesman. He called the evanescent and unannounced street action \u003ci\u003eBliz-aard Ball Sale\u003c\/i\u003e, thus inscribing it into a body of work that, from the late 1960s to the present, has used a lexicon of ephemeral actions and self-consciously “black\" materials to comment on the nature of the artwork, the art world, and race in America. And although \u003ci\u003eBliz-aard Ball Sale\u003c\/i\u003e has been frequently cited and is increasingly influential, it has long been known only through a mix of eyewitness rumors and a handful of photographs. Its details were as elusive as the artist himself; even its exact date was unrecorded. Like so much of the artist's work, it was conceived, it seems, to slip between our fingers—to trouble the grasp of the market, as much as of history and knowability.\u003c\/p\u003e\u003cp\u003eIn this engaging study, Elena Filipovic collects a vast oral history of the ephemeral action, uncovering rare images and documents, and giving us singular insight into an artist who made an art of making himself difficult to find. And through it, she reveals \u003ci\u003eBliz-aard Ball Sale\u003c\/i\u003e to be the backbone of a radical artistic oeuvre that transforms such notions as “art,” “commodity,” “performance,” and even “race” into categories that shift and dissolve, much like slowly melting snowballs.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56308448690549,"sku":"9781846381867","price":17.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781846381867_925af0b3-f8db-4790-8d07-0e4e0f058fb1.jpg?v=1786029436"},{"product_id":"9781846381904","title":"Afterall","description":"\u003cbr\u003eBinding: Paperback \/ softback","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56368226107765,"sku":"9781846381904","price":11.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781846381904_d554973a-8577-4f62-93bf-f698a3577779.jpg?v=1786034581"},{"product_id":"9781846381621","title":"Afterall","description":"\u003cbr\u003eBinding: Paperback \/ softback","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56368226402677,"sku":"9781846381621","price":7.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781846381621_1e6896fe-0b02-4014-a765-94313f1e3444.jpg?v=1786034581"}],"url":"https:\/\/backstory.london\/collections\/publisher-afterall-publishing.oembed","provider":"Backstory","version":"1.0","type":"link"}