{"title":"Illustrated by Little White Lies","description":null,"products":[{"product_id":"9781419758126","title":"Bong Joon Ho","description":"\u003cp\u003e\u003cb\u003eBrilliantly illustrated and designed by the London–based film magazine \u003ci\u003eLittle White Lies\u003c\/i\u003e,\u003ci\u003e Bong Joon Ho: Dissident Cinema \u003c\/i\u003eexamines the career of the South Korean writer\/director who has been making critically acclaimed feature films for more than two decades. \u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e First breaking out into the international scene with festival-favorite\u003ci\u003e Barking Dogs Never Bite\u003c\/i\u003e (2000), Bong then set his sights on the story of a real-life serial killer in 2003’s \u003ci\u003eMemories of Murder\u003c\/i\u003e and once again won strong international critical attention. But it was 2006’s \u003ci\u003eThe Host\u003c\/i\u003e that proved to be a huge breakout moment both for Bong and the Korean film industry. 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It engages with her creative output while celebrating her talent as an image maker and storyteller.\u003cbr\u003e\u003cbr\u003e In addition to critical essays about Coppola’s filmography, the book includes interviews with some of her closest collaborators, including musician Jean-Benoît Dunckel and costume designer Nancy Steiner, along with a foreword by Italian filmmaker Alice Rohrwacher.\u003cbr\u003e\u003cbr\u003e Along the way, readers meet again a cast of characters mired in the ennui of missed connections: loneliness, frustrated creativity, rebellious adolescence, and the double-edged knife of celebrity, all captured by the emotional, intimate power of the female gaze.\u003cbr\u003e\u003cbr\u003e In the two decades since her first feature film was released, Sofia Coppola has created a tonally diverse, meticulously crafted, and unapologetically hyperfeminine aesthetic across a wide range of multimedia work. 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