{"title":"Books by Frederick Burwick","description":null,"products":[{"product_id":"poetic-madness-and-the-romantic-imagination","title":"Poetic Madness and the Romantic Imagination","description":"Using as his starting point the historical notion that poets may be, at least in moments of inspiration, \"out of their senses,\" Frederick Burwick here explores the theoretical implications of inspiration as furor poeticus, particularly as that concept was presented during the latter eighteenth and early nineteenth centuries. Drawing on social and medical attitudes toward madness and the so-called poetic rapture, Burwick addresses the appeal to poetic madness in critical theory, the thematization of the mad poet in literature, and the reception of mad poets. With a mad king on the throne of England, mad prophets in the marketplace, and mad poets in their midst, many writers of this period, not surprisingly, used their fiction to explore the conditions of madness. In discussing the mad poet as a character in Romantic literature, Burwick examines the reception and representation of the Italian poet Torquato Tasso in Goethe's play and in the poetry and criticism of the Schlegels, Byron, Shelley, Peacock, and Hazlitt. In his commentary on narratives of madness, Burwick discusses Nodier's Jean-François les bas-bleus, Hoffmann's Der goldne Topf, Shelley's Julian and Maddalo, and Blake's account of the struggle between Los and Urizen. The final section interprets the visual strategies adopted by Hölderlin, Nerval, and Clare in relating their visionary experiences.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":57466763051381,"sku":"9780271026220","price":37.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9780271026220.jpg?v=1785654824"},{"product_id":"illusion-and-the-drama","title":"Illusion and the Drama","description":"\u003cp\u003eBurwick examines the debate over illusion from Johnson to Coleridge in England, Diderot to Stendhal in France, and Lessing to A. W. Schlegel in Germany.\u003c\/p\u003e\u003cp\u003eAlthough few critics still define illusion in contrast to reality, the essential distinction is between illusion as perceived reality and as hallucination or delusion. The concept of illusion as debated in contemporary critical theory has been shaped by developments that took place during the transition from Enlightenment to Romantic thought. Burwick provides a commentary on illusion in contemporary criticism, emphasizing the ways in which such critics as Husserl and Heidegger, Gadamer and Gombrich, Derrida, and Adorno have dealt with the subjective dimensions of aesthetic response. He describes two extreme positions that were asserted in the eighteenth century, the “perfect illusion” in which the work of art is perceived as reality and the insistence on a skeptical distance. He deals with various arguments that locate the source of illusion in the acting, in the audience, in the play, in the imagination, and in the staging effects.\u003c\/p\u003e\u003cp\u003eBurwick devotes a chapter to two of the foremost Romantic critics of the drama Samuel Taylor Coleridge and August Wilhelm Schlegel. After clarifying the prominent issues discussed by their contemporaries and immediate predecessors, he shows the radical differences between the criticism of Schlegel and Coleridge, thus dispelling the charge that Coleridge’s lectures on Shakespeare are marred by plagiarism of Schlegel’s ideas.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":57466763870581,"sku":"9780271026237","price":37.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9780271026237.jpg?v=1785654825"},{"product_id":"romanticism-keywords","title":"Romanticism – Keywords","description":"To gain an understanding of any literary era, one should be exposed to the language of its time and place in history. This is especially critical when considering the innovations in creativity introduced during Europe’s Romantic era. Romanticism: Keywords offers readers an invaluable collection of 73 key terms most frequently discussed by authors of the Romantic period – and most often deliberated and debated by contemporary critics and literary historians of the era. From Abolition and Allegory through Madness and Monsters to Vision and Vampires, each entry is accompanied by an in-depth description of the term’s direct meaning and connotations in relation to its usage and thought in British literary culture. Collectively, the terms represent a time capsule of the ideas and concerns that shaped the literature of an age of revolution, social and political reconstruction, impassioned individualism, and probing subjectivity. In introducing and defining the terms that characterized the era, Romanticism: Keywords is an indispensable resource for developing a conceptual understanding of Romantic aesthetics – and provides deep insights into the political, social, and cultural climate of one of the most expressive periods of Western literary history.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":57481663250805,"sku":"9780470659830","price":84.95,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9780470659830.jpg?v=1786089949"}],"url":"https:\/\/backstory.london\/collections\/author-frederick-burwick.oembed","provider":"Backstory","version":"1.0","type":"link"}