{"title":"Books by Ara H. Merjian","description":null,"products":[{"product_id":"9780192871008","title":"Futurism","description":"Very Short Introductions: Brilliant, Sharp, InspiringFrom the motorcar to the radio, modern technology radically transformed urban life by the first decade of the twentieth century. As one of Western Europe's least industrialized countries, Italy appeared impervious to such developments. It was this state of affairs at which the Futurist movement took aim. With its founding in 1909, the poet and impresario F.T. Marinetti called for a revitalization of aesthetic expression by means of \"movement and aggression.\" A growing cadre of Futurist painters, poets, authors, and musicians exchanged Italy's cultural patrimony for new technologies, media, and metaphors, championing machine-propelled speed and its salutary hazards. Cubist painting, collage, and sculpture lent the Futurist campaign a revolutionary style to match its rhetorical fervor. Yet whereas Cubism remained a revolution of artistic form, Futurism sought to shatter the boundaries between art and life itself. Indeed, the movement's challenge to twentieth-century culture lay not in any specific set of images or objects, but a more comprehensive revolution of sensibility. By the mid-1910s there circulated several dozen Futurist proclamations on everything from men's clothing to set design, photography to film, dance to politics. That political impetus proved relentlessly paradoxical in origin and upshot. From its base in Milan, Futurist activity spread throughout the entire peninsula, while related movements emerged almost immediately in Moscow, Lisbon, Tiblisi, and Tokyo. Prefiguring and then propagandizing Fascist imperialism, Futurism also galvanized a range of progressive modernist phenomena. More than a century later, the “activist model” of the Futurist avant-garde remains deeply fraught in its historical implications. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":54926397571445,"sku":"9780192871008","price":9.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9780192871008_165c1a1f-e19c-46e2-8d58-22d97b2e5946.jpg?v=1786011321"},{"product_id":"9781961056039","title":"Aram`s Notebook","description":"A mother and son’s fictional journey to escape the Armenian Genocide and start anew.  Like any other fifteen-year-old boy, Aram might never have written the events of his still young life, except that he found himself suddenly plunged into exile, fleeing certain death. In 1915, the Ottoman authorities undertook the wholesale extermination of the Armenian people; hundreds of thousands of men, women, and children like Aram suffered one of the twentieth century’s most savage persecutions. Inspired by the plight of the murdered modernist poet Daniel Varoujan (1884–1915), this novel follows Aram and his widowed mother on their flight toward a new life on—and under—the sea. From recollections of his father’s meditations on Homer to a life-changing apprenticeship as a coral fisherman off the coasts of Cataluña and Marseille, Aram’s tale dives into a future that might help redeem a harrowing past. Aram's Notebook examines the Armenian Genocide through a narrative in which poets and poetry loom large. Aram’s tale evokes a struggle not simply for physical survival, but for saving memory from the clutches of destruction. Evocatively translated from the original Catalan by Ara Merjian.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56309237580149,"sku":"9781961056039","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9781961056039_394d01ea-7312-4450-8588-f8ab23793667.jpg?v=1786030364"},{"product_id":"fragments-of-totality","title":"Fragments of Totality – Futurism, Fascism, and the Sculptural Avant–Garde","description":"A new history of Futurism and its fraught ideological ambitions, centered on sculptural experimentation  Winner, Robert Motherwell Book Award   As the first comprehensive avant-garde of the twentieth century, Italian Futurism sought to integrate modern life with every imaginable aesthetic medium. The detached materiality of sculpture offered a singular proving ground for the drive to merge art and existence. Sculpture’s theory and practice offers a distillation of Futurism’s larger aims and frustrations: a will to mechanize haunted by the tradition of craft; the liberation of flight burdened by mass and gravity; the lyrical mutiny of form chastened by the exigencies of design; and a dream of totality splintered by the contingency of the fragment.      Centered on avant-garde sculpture in Italy and other European countries between the world wars, Fragments of Totality ventures a new history of Futurism and its fraught ideological ambitions. Illuminating understudied works by prominent artists like Giacomo Balla, Enrico Prampolini, Fortunato Depero, and Bruno Munari alongside the efforts of many lesser-known figures, this first major study of Futurist sculpture opens onto wider questions: from labor and leftist Futurism, to the politics of aesthetic autonomy, to the intersections between race, imperialism, and materials. The medium—and the idea—of sculpture sets into relief the demands of any project of modern cultural totality. Futurism’s shifting definitions of “plasticity” underscore the volatile political economy not only of interwar Italy, but also perhaps of a wider Western epoch.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":57466772488565,"sku":"9780300270013","price":50.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9780300270013.jpg?v=1785654833"},{"product_id":"against-the-avant-garde-pier-paolo-pasolini-contemporary-art-and-neocapitalism","title":"Against the Avant–Garde – Pier Paolo Pasolini, Contemporary Art, and Neocapitalism","description":"Recognized in America chiefly for his films, Pier Paolo Pasolini (1922-1975) in fact reinvented interdisciplinarity in post-war Europe. Pasolini self-confessedly approached the cinematic image through painting, and the numerous allusions to early modern frescoes and altarpieces in his films have been extensively documented. Far less understood, however, is Pasolini's fraught relationship to the aesthetic experiments of his own age. In Against the Avant-Garde, Ara H. Merjian demonstrates how Pasolini's campaign against neocapitalist culture fueled his hostility to the avant-garde. An atheist indebted to Catholic ritual; a revolutionary Communist inimical to the creed of 1968; a homosexual hostile to the project of gay liberation: Pasolini refused the politics of identity in favor of a scandalously paradoxical practice, one vital to any understanding of his legacy. Against the Avant-Garde examines these paradoxes through case studies from the 1960s and 70s, concluding with a reflection on Pasolini's far-reaching influence on post-1970s art. Merjian not only reconsiders the multifaceted work of Italy's most prominent post-war intellectual, but also the fraught politics of a European neo-avant-garde grappling with a new capitalist hegemony.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":57481521594741,"sku":"9780226655277","price":44.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9780226655277.jpg?v=1786089788"}],"url":"https:\/\/backstory.london\/collections\/author-ara-h-merjian.oembed","provider":"Backstory","version":"1.0","type":"link"}