{"title":"Books by Antony Gormley","description":null,"products":[{"product_id":"9780500295229","title":"Antony Gormley on Sculpture","description":"Antony Gormley occupies an unusual position as a highly popular sculptor – known chiefly for his Angel of the North (1998), a national landmark in the UK – who is also widely regarded as one of the most intellectually challenging artists working internationally. He is grounded in archaeology and anthropology, and looks to Asian and Buddhist traditions as much as to Western sculptural history, which he believes reached a punctuation point with Rodin. This is the first book to focus on Gormley’s thoughts on sculpture, positioning his career and artistic philosophy in relation to its history. The book is structured thematically over four chapters: the first explores Gormley’s thoughts on the body, time and space in relation to major works including European Field (1993) and ‘Still Standing’ (2011), Gormley’s rehang of the classical rooms at the Hermitage Museum in St Petersburg. The second chapter, ‘Sculptors’, was first delivered as a series of five lectures for the BBC; in each, Gormley discusses a sculpture he considers to be of huge creative importance: Epstein’s The Rock Drill (1913–15), Brancusi’s The Endless Column (1935–38), Giacometti’s La Place (1948–49), Joseph Beuys’s Plight (1985) and Richard Serra’s The Matter of Time (2005). In the third chapter, Gormley outlines the influence of Buddhist and Jain sculpture on his work and ideas, and the fourth showcases the artist’s most recent sculptures.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56291313123701,"sku":"9780500295229","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9780500295229_399be8a2-0d2d-40aa-a0d2-dbd98f996faa.jpg?v=1786032849"},{"product_id":"9783868289930","title":"Learning To Be","description":"This book is published on the occasion of a comprehensive exhibition of works by the British sculptor Antony Gormley (b. 1950 in London). The central theme of his artistic work is the body and its relationship to space. Starting with his own body, the artist presents works in various positions: They crouch, hang, or expand into the space, lean against the wall, or lie on the floor. Gormley's preferred working materials include lead, iron, and steel. Antony Gormley. Learning to Be provides an overview of the artist's oeuvre.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56311147594101,"sku":"9783868289930","price":35.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9783868289930_650b8c6e-2ee9-493b-8bbf-be6ac0b3dedd.jpg?v=1786032218"},{"product_id":"9780500029282","title":"Drawing: Antony Gormley","description":"A comprehensive overview of Antony Gormley’s drawings from 1980 to the present, with insightful texts from the artist and major contributors.     ‘What is drawing?’ the artist asks in the prologue to Drawing: Antony Gormley. ‘What does it mean to draw?’ This beautifully illustrated volume presents the first comprehensive overview of Antony Gormley’s drawings from 1980 to the present day, offering an intimate and enlightening window into the artist’s vision.     Illustrating over 400 works, many of which have never been seen or published before, this major new publication traces Gormley’s exploration of drawing as a vital form of thought and feeling. The artist’s own reflections punctuate the book with deeply personal insights into his process, including ruminations on drawing’s possibilities – ‘the act of drawing is its own experimental field, a journey into the unarmed parts of our internal landscape’ – and meditations on ‘the intrinsic qualities of substances and liquids’, from charcoal, mushroom ink and blood to the earth beneath our feet.     Accompanying Gormley’s writings are perceptive texts by Jeanette Winterson, Margaret Iversen, Daisy Hildyard, W.J.T. Mitchell and Merlin Sheldrake. Each contributor offers a unique perspective on Gormley’s work and the wider meaning of drawing as an act of exploration and transformation.     Drawing: Antony Gormley stands as both a personal and artistic journey. As Gormley himself reflects, ‘Drawings have immediacy. In a good session, drawing can be like going for a rugged, physical adventure on a blustery day with changing conditions of light and rain. A day passed without drawing is a day lost.’","brand":"Gardners","offers":[{"title":"Default Title","offer_id":56368039723381,"sku":"9780500029282","price":50.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/7193\/3106\/files\/9780500029282.jpg?v=1791212757"},{"product_id":"shaping-the-world","title":"Shaping the World","description":"Leading sculptor Antony Gormley, informed and energised by a lifetime of making, and art critic and historian Martin Gayford, explore the central role of sculpture in the development of human culture from prehistory to the present day.   Sculpture is the universal art. It has been practised by every culture throughout the world and stretches back into the distant past. The first surviving shaped stones may even predate the advent of language. The drive to form stone, clay, wood and metal into shapes evidently runs deep in our psyche and biology. This links the question ‘What is sculpture?’ to the question ‘What is humanity?’  In this wide-ranging book, two complementary voices – one belonging to an artist who looks to Asian and Buddhist traditions as much as to Western sculptural history, the other to a critic and historian – consider how sculpture has been central to the evolution of our potential for thinking and feeling. Sculpture cannot be seen in isolation as an aesthetic pursuit; it is related to humankind’s compelling urge to make its mark on the landscape, to build, make pictures, practise religion and develop philosophical thought.     Drawing on examples from thousands of years BCE to now, and from around the globe, the authors treat sculpture as a transnational art form with its own compelling history. They take into account materials and techniques, and consider overarching themes such as space, light and darkness. Above all, they discuss their view of sculpture as a form of physical thinking capable of altering the way people feel and of inviting them to look at sculpture they encounter and more broadly the world around them in a completely different way.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":57499153498485,"sku":"9780500299463","price":35.0,"currency_code":"GBP","in_stock":true}]}],"url":"https:\/\/backstory.london\/collections\/author-antony-gormley.oembed","provider":"Backstory","version":"1.0","type":"link"}